OF PAINTING.

Of different shadows of equal strength that which is nearest the eye

will seem the least strong.

Why is the shadow _e a b_ in the first grade of strength, _b c_ in

the second; _c d_ in the third? The reason is that as from _e a b_

the sky is nowhere visible, it gets no light whatever from the sky,

and so has no direct [primary] light. _b c_ faces the portion of the

sky _f g_ and is illuminated by it. _c d_ faces the sky at _h k_. _c

d_, being exposed to a larger extent of sky than _b c_, it is

reasonable that it should be more lighted. And thus, up to a certain

distance, the wall _a d_ will grow lighter for the reasons here

given, until the darkness of the room overpowers the light from the

window.

172.

When the light of the atmosphere is restricted [by an opening] and

illuminates bodies which cast shadows, these bodies being equally

distant from the centre of the window, that which is most obliquely

placed will cast the largest shadow beyond it.

173.

These bodies standing apart in a room lighted by a single window

will have derivative shadows more or less short according as they

are more or less opposite to the window. Among the shadows cast by

bodies of equal mass but at unequal distances from the opening by

which they are illuminated, that shadow will be the longest of the

body which is least in the light. And in proportion as one body is

better illuminated than another its shadow will be shorter than

another. The proportion _n m_ and _e v k_ bear to _r t_ and _v x_

corresponds with that of the shadow _x_ to 4 and _y_.

The reason why those bodies which are placed most in front of the

middle of the window throw shorter shadows than those obliquely

situated is:--That the window appears in its proper form and to the

obliquely placed ones it appears foreshortened; to those in the

middle, the window shows its full size, to the oblique ones it

appears smaller; the one in the middle faces the whole hemisphere

that is _e f_ and those on the side have only a strip; that is _q r_

faces _a b_; and _m n_ faces _c d_; the body in the middle having a

larger quantity of light than those at the sides is lighted from a

point much below its centre, and thus the shadow is shorter. And the

pyramid _g_ 4 goes into _l y_ exactly as often as _a b_ goes into _e

f_. The axis of every derivative shadow passes through 6 1/2

[Footnote 31: _passa per_ 6 1/2 (passes through 6 1/2). The meaning

of these words is probably this: Each of the three axes of the

derived shadow intersects the centre (_mezzo_) of the primary shadow

(_ombra originale_) and, by prolongation upwards crosses six lines.

This is self evident only in the middle diagram; but it is equally

true of the side figures if we conceive of the lines 4 _f_, _x n v

m_, _y l k v_, and 4 _e_, as prolonged beyond the semicircle of the

horizon.] and is in a straight line with the centre of the primary

shadow, with the centre of the body casting it and of the derivative

light and with the centre of the window and, finally, with the

centre of that portion of the source of light which is the celestial

hemisphere, _y h_ is the centre of the derived shade, _l h_ of the

primary shadow, _l_ of the body throwing it, _l k_ of the derived

light, _v_ is the centre of the window, _e_ is the final centre of

the original light afforded by that portion of the hemisphere of the

sky which illuminates the solid body.

[Footnote: Compare the diagram on Pl. IV, No. 3. In the original

this drawing is placed between lines 3 and 22; the rest, from line 4

to line 21, is written on the left hand margin.]

174.

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