FIRST BOOK ON LIGHT AND SHADE.

On the nature of light (130. 131).

130.

The reason by which we know that a light radiates from a single

centre is this: We plainly see that a large light is often much

broader than some small object which nevertheless--and although the

rays [of the large light] are much more than twice the extent [of

the small body]--always has its shadow cast on the nearest surface

very visibly. Let _c f_ be a broad light and _n_ be the object in

front of it, casting a shadow on the plane, and let _a b_ be the

plane. It is clear that it is not the broad light that will cast the

shadow _n_ on the plane, but that the light has within it a centre

is shown by this experiment. The shadow falls on the plane as is

shown at _m o t r_.

[Footnote 13: In the original MS. no explanatory text is placed

after this title-line; but a space is left for it and the text

beginning at line 15 comes next.] Why, to two [eyes] or in front of

two eyes do 3 objects appear as two?

Why, when you estimate the direction of an object with two sights

the nearer appears confused. I say that the eye projects an infinite

number of lines which mingle or join those reaching it which come to

it from the object looked at. And it is only the central and

sensible line that can discern and discriminate colours and objects;

all the others are false and illusory. And if you place 2 objects at

half an arm's length apart if the nearer of the two is close to the

eye its form will remain far more confused than that of the second;

the reason is that the first is overcome by a greater number of

false lines than the second and so is rendered vague.

Light acts in the same manner, for in the effects of its lines

(=rays), and particularly in perspective, it much resembles the eye;

and its central rays are what cast the true shadow. When the object

in front of it is too quickly overcome with dim rays it will cast a

broad and disproportionate shadow, ill defined; but when the object

which is to cast the shadow and cuts off the rays near to the place

where the shadow falls, then the shadow is distinct; and the more so

in proportion as the light is far off, because at a long distance

the central ray is less overcome by false rays; because the lines

from the eye and the solar and other luminous rays passing through

the atmosphere are obliged to travel in straight lines. Unless they

are deflected by a denser or rarer air, when they will be bent at

some point, but so long as the air is free from grossness or

moisture they will preserve their direct course, always carrying the

image of the object that intercepts them back to their point of

origin. And if this is the eye, the intercepting object will be seen

by its colour, as well as by form and size. But if the intercepting

plane has in it some small perforation opening into a darker

chamber--not darker in colour, but by absence of light--you will see

the rays enter through this hole and transmitting to the plane

beyond all the details of the object they proceed from both as to

colour and form; only every thing will be upside down. But the size

[of the image] where the lines are reconstructed will be in

proportion to the relative distance of the aperture from the plane

on which the lines fall [on one hand] and from their origin [on the

other]. There they intersect and form 2 pyramids with their point

meeting [a common apex] and their bases opposite. Let _a b_ be the

point of origin of the lines, _d e_ the first plane, and _c_ the

aperture with the intersection of the lines; _f g_ is the inner

plane. You will find that _a_ falls upon the inner plane below at

_g_, and _b_ which is below will go up to the spot _f_; it will be

quite evident to experimenters that every luminous body has in

itself a core or centre, from which and to which all the lines

radiate which are sent forth by the surface of the luminous body and

reflected back to it; or which, having been thrown out and not

intercepted, are dispersed in the air.

131.

THE RAYS WHETHER SHADED OR LUMINOUS HAVE GREATER STRENGTH AND EFFECT

AT THEIR POINTS THAN AT THEIR SIDES.

Although the points of luminous pyramids may extend into shaded

places and those of pyramids of shadow into illuminated places, and

though among the luminous pyramids one may start from a broader base

than another; nevertheless, if by reason of their various length

these luminous pyramids acquire angles of equal size their light

will be equal; and the case will be the same with the pyramids of

shadow; as may be seen in the intersected pyramids _a b c_ and _d e

f_, which though their bases differ in size are equal as to breadth

and light.

[Footnote: 51--55: This supplementary paragraph is indicated as being

a continuation of line 45, by two small crosses.]

The difference between light and lustre (132--135).

132.

Of the difference between light and lustre; and that lustre is not

included among colours, but is saturation of whiteness, and derived

from the surface of wet bodies; light partakes of the colour of the

object which reflects it (to the eye) as gold or silver or the like.

133.

OF THE HIGHEST LIGHTS WHICH TURN AND MOVE AS THE EYE MOVES WHICH

SEES THE OBJECT.

Suppose the body to be the round object figured here and let the

light be at the point _a_, and let the illuminated side of the

object be _b c_ and the eye at the point _d_: I say that, as lustre

is every where and complete in each part, if you stand at the point

_d_ the lustre will appear at _c_, and in proportion as the eye

moves from _d_ to _a_, the lustre will move from _c_ to _n_.

134.

The Notebooks of Leonardo Da Vinci — Volume 1 · 第 90 / 366 题