OF DRAWING OUTLINE.

Consider with the greatest care the form of the outlines of every

object, and the character of their undulations. And these

undulations must be separately studied, as to whether the curves are

composed of arched convexities or angular concavities.

49.

The nature of the outline.

The boundaries of bodies are the least of all things. The

proposition is proved to be true, because the boundary of a thing is

a surface, which is not part of the body contained within that

surface; nor is it part of the air surrounding that body, but is the

medium interposted between the air and the body, as is proved in its

place. But the lateral boundaries of these bodies is the line

forming the boundary of the surface, which line is of invisible

thickness. Wherefore O painter! do not surround your bodies with

lines, and above all when representing objects smaller than nature;

for not only will their external outlines become indistinct, but

their parts will be invisible from distance.

50.

Definition of Perspective.

[Drawing is based upon perspective, which is nothing else than a

thorough knowledge of the function of the eye. And this function

simply consists in receiving in a pyramid the forms and colours of

all the objects placed before it. I say in a pyramid, because there

is no object so small that it will not be larger than the spot where

these pyramids are received into the eye. Therefore, if you extend

the lines from the edges of each body as they converge you will

bring them to a single point, and necessarily the said lines must

form a pyramid.]

[Perspective is nothing more than a rational demonstration applied

to the consideration of how objects in front of the eye transmit

their image to it, by means of a pyramid of lines. The _Pyramid_ is

the name I apply to the lines which, starting from the surface and

edges of each object, converge from a distance and meet in a single

point.]

[Perspective is a rational demonstration, by which we may

practically and clearly understand how objects transmit their own

image, by lines forming a Pyramid (centred) in the eye.]

Perspective is a rational demonstration by which experience confirms

that every object sends its image to the eye by a pyramid of lines;

and bodies of equal size will result in a pyramid of larger or

smaller size, according to the difference in their distance, one

from the other. By a pyramid of lines I mean those which start from

the surface and edges of bodies, and, converging from a distance

meet in a single point. A point is said to be that which [having no

dimensions] cannot be divided, and this point placed in the eye

receives all the points of the cone.

[Footnote: 50. 1-5. Compare with this the Proem. No. 21. The

paragraphs placed in brackets: lines 1-9, 10-14, and 17--20, are

evidently mere sketches and, as such, were cancelled by the writer;

but they serve as a commentary on the final paragraph, lines 22-29.]

51.

The Notebooks of Leonardo Da Vinci — Volume 1 · 第 47 / 366 题