INTRODUCTION.

I know that many will call this useless work [Footnote: 3. questa

essere opera inutile. By opera we must here understand libro di

pittura and particularly the treatise on Perspective.]; and they

will be those of whom Demetrius [Footnote: 4. Demetrio. "With regard

to the passage attributed to Demetrius", Dr. H. MÜLLER STRÜBING

writes, "I know not what to make of it. It is certainly not

Demetrius Phalereus that is meant and it can hardly be Demetrius

Poliorcetes. Who then can it be--for the name is a very common one?

It may be a clerical error for Demades and the maxim is quite in the

spirit of his writings I have not however been able to find any

corresponding passage either in the 'Fragments' (C. MULLER, _Orat.

Att._, II. 441) nor in the Supplements collected by DIETZ (_Rhein.

Mus._, vol. 29, p. 108)."

The same passage occurs as a simple Memorandum in the MS. Tr. 57,

apparently as a note for this '_Proemio_' thus affording some data

as to the time where these introductions were written.] declared

that he took no more account of the wind that came out their mouth

in words, than of that they expelled from their lower parts: men who

desire nothing but material riches and are absolutely devoid of that

of wisdom, which is the food and the only true riches of the mind.

For so much more worthy as the soul is than the body, so much more

noble are the possessions of the soul than those of the body. And

often, when I see one of these men take this work in his hand, I

wonder that he does not put it to his nose, like a monkey, or ask me

if it is something good to eat.

[Footnote: In the original, the Proemio dì prospettiva cioè

dell'uffitio dell'occhio (see No. 21) stands between this and the

preceding one, No. 9.]

The Notebooks of Leonardo Da Vinci — Volume 1 · 第 27 / 366 题