THE MANAGING PARTNER.

She is neither your partner, nor ours, nor anybody else's in

particular. She is in general business, of which matrimony is only a

department. How she came to be concerned in so many concerns, is a

mystery of nature, like the origin of the Poet--or rather of black

Topsy. The latter, you know, was not born at all, she never had no

father nor mother, she was not made by nobody--she _growed_; and so it

is with the managing partner, who was a managing partner from her

infancy. It is handed down by tradition that she screamed lustily in

the nurse's arms when anything went wrong, or as she would not have

it; and this gave rise, among superficial observers, to the notion,

that Missy was naturally cross. But the fact is, her screams were

merely substitutes for words, like the inarticulate cries by which

dumb persons express their emotions. When language came, she gave up

screaming--but not managing. She did not so much play, as direct the

play--distributing the parts to her companions, and remaining herself

an abstraction. If she was ever seen cuffing a doll on the side of the

head, or shaking it viciously by the arm, this was merely a burst of

natural impatience with the stupid thing; but in general, she

contented herself with desiring the mother of the offender to bestow

the necessary chastisement. Her orders were usually obeyed; for they

were seen to proceed from no selfish motive, but from an innate sense

of right. This fact was obvious from the very words in which they were

conveyed: You _should_ be so and so; you _should_ do so and so; you

_should_ say so and so. Her orders were, in fact, a series of moral

maxims, which the other partners in the juvenile concern took upon

trust.

As she grew up into girlhood, and then into young-womanhood, business

multiplied upon her hands. She was never particular as to what

business it was. Like Wordsworth, when invited in to lunch, she was

perfectly willing to take a hand in 'anything that was going forward;'

and that hand was sure to be an important one: she never entered a

concern of which she did not at once become the managing partner. In

another of these chalk (and water) portraits, we described the

Everyday Young Lady as the go-between in numberless love affairs, but

never the principal in any. This is precisely the case with the young

lady we are now taking off--yet how different are the functions of the

two! The former listens, and sighs, and blushes, and sympathises,

pressing the secret into the depths of her bosom, turning down her

conscious eyes from the world's face, and looking night and day as if

she was haunted by a Mystery. She is, in fact, of no use, but as a

reservoir into which her friend may pour her feelings, and come for

them again when she chooses, to enjoy and gloat over them at leisure.

Her nerves are hardly equal to a message; but a note feels red-hot in

her bosom, and when she has one, she looks down every now and then

spasmodically, as if to see whether it has singed the muslin. When the

affair has been brought to a happy issue, she attends, in an official

capacity, the busking of the victim; and when she sees her at length

assume the (lace) veil, and prepare to go forth to be actually

married--a contingency she had till that moment denied in her secret

heart to be within the bounds of possibility--she falls upon her neck

as hysterically as a regard for the frocks of both will allow, and

indulges in a silent fit of tears, and terror, and triumph.

But the managing partner is altogether of a more practical character.

She no sooner gets an inkling of what is going forward, than she steps

into the concern as confidently as if any number of parchments had

been signed and scaled. She is not _assumed_ as a partner (in the

Scottish phrase), but assumes to be one, and her assumption is

unconsciously submitted to. To the other young lady the

bride-expectant goes for sympathy, to this one for advice. And what

she receives is advice, and nothing but advice. The Manager does not

put her own hand to the business: she dictates what is to be done; she

carries neither note nor message, but suggests the purport of both,

and the messenger to be employed; she repeats the moral maxims of her

childhood--You should be so and so; you should do so and so; you

should say so and so. Sometimes she makes a mistake--but what then?

she has plenty of other businesses to attend to, and the average is

sure to come up well. In philosophy, she is a decided utilitarian;

bearing with perfect never-mindingness the misfortunes of individuals,

and holding by the greatest happiness of the greatest number.

When the managing partner is herself married, the sphere of her

exertions widens, and her perfect unselfishness becomes more and more

apparent. She directs the affairs of her husband, of her friends, of

her neighbours--everybody's affairs, in short, but her own. She has

the most uncomfortable house, the most uncared-for children, the most

untidy person in the parish: but how could it be otherwise, since all

her thoughts and cares are given to her neighbours? Some people

suppose that ambition is at the bottom of all this; but we do not

share the opinion. The woman of the world is ambitious, for the

aggrandisement of herself or family is the main-spring of all her

management; but _our_ manager finds in the trouble she takes its own

reward. The other would not stir hand or tongue without some selfish

end in view; while she will work morning, noon, and night, without the

faintest dream of remuneration. Again, Bottom the weaver is an

ambitious character. Not satisfied with playing Pyramus--'An' I may

hide my face,' says he, 'let me play Thisbe too!' And so likewise,

when the lion is mentioned, he would fain play the lion in addition to

both, promising to aggravate his voice in such a way as to roar you as

gently as any sucking-dove. The managing partner would shrink from

this kind of active employment. She would compose the play, distribute

the parts, shift the scenes, and snuff the candles; but she would take

no part in the performance. This makes her character a difficult

study; but though difficult, it is not impossible for those who are

gifted in that way to get to the bottom of it. _Our_ theory is, that

the fundamental motive of the managing partner is PHILANTHROPY.

In order to understand this, we must remember that she is original and

unique only in the length to which she carries a common principle in

human nature. Society is full of advisers on a small scale. If you ask

your way to such a place in the street, the Mentor you invoke is

instantaneously seized with a strong desire to befriend you. He calls

after you a supplement to his directions; and if you chance to turn

your head, you will observe him watching to see whether you do take

the right hand. When the opinions of two advisers, no matter on what

subject, clash, mark the heat and obstinacy with which they are

defended. Each considers himself in the right; and believing your

wellbeing to depend upon the choice you make, is humanely solicitous

that you should give the preference to him. The managing partner

merely carries out this feeling to a noble, not to say sublime extent,

and becomes the philanthropist _par excellence_. Philanthropy is

virtue, and virtue, we all know, is its own reward--that is, we all

say; for in reality the idea is somewhat obscure. Perhaps we mean that

it is the feeling of being virtuous which rewards the act of virtue,

and if so, how happy must the managing partner be! Troubled by no

vulgar ambition, by no hankering after notoriety, by no yearning to

join ostensibly in the game of life, she shrouds herself in obscurity,

as the widow Bessie Maclure in _Old Mortality_ did in an old red

cloak, and directs with a whisper the way of the passer-by. There is a

certain awful pride which must swell at times in that woman's bosom,

as she thinks of the events which her counsel is now governing, and of

the wheels that are now turning and twirling in obedience to the

impulse they received from her!

The managing partner manages a great many benevolent societies, but it

is unnecessary here to mention more than one. This is the

Advice-to-the-poor-and-needy-giving Ladies' Samaritan Association. The

business of this admirable institution is carried on by the

lady-collectors, who solicit subscriptions, chiefly from the bachelors

on their beat; and the lady-missionaries, who visit the lowest dens in

the place, to distribute, with a beautiful philanthropy, moral Tracts,

and Exhortations to be good, tidy, church-going, and happy, to the

ragged and starving inmates. Although these, however, are the

functionaries ostensible to the public, it is the managing partner who

sets them in motion. She is neither president nor vice-president, nor

treasurer nor secretary, nor collector nor missionary; but she is a

power over all these, supreme, though nameless. She is likewise the

editor (with a sub-editor for work) of the tracts and exhortations;

and in the course of this duty she mingles charity with business in a

way well worthy of imitation. The productions in question are usually

received gratuitously, for advice of all kinds, as we have remarked,

is common and plenty; but sometimes the demand is so great as to

require the aid of a purchased pen. On such occasions the individual

employed by the managing partner is a broken-down clergyman, who was

deprived at once of his sight and his living by the visitation of God,

and who writes for the support of a wife and fourteen children. This

respectable character is induced, by fear of competition, and the

strong necessity of feeding sixteen mouths with something or other, to

use his pen for the Association at half-price; while he is compelled

by his circumstances to reside in the very midst of the destitution he

addresses, where he learns in suffering what he teaches in prose-ing.

But, notwithstanding all this beautiful management, her schemes, being

of human device, sometimes fail. An example of this is offered by the

one she originated on hearing the first terrible cry of Destitution in

the Highlands. Under her auspices, the Female Benevolent Trousers

Society became extremely popular. Its object, of course, was to supply

these garments gratuitously to the perishing mountaineers, in lieu of

the cold unseemly kilt. It was discovered, however, after a time, that

the Highlanders do not wear kilts at all; and the society was broken

up, and its funds handed over, at the suggestion of the institutor,

for the Encouragement of the interesting Mieau tribe of Old Christians

in Abyssinia. The tenets of this tribe, you are aware, are in several

instances wonderfully similar to our own; only, they abjure in their

totality the filthy rags of the moral law, which has drawn upon them

the bitter persecution of the heathenish Mohammedans in their

neighbourhood.

We have observed that the managing partner is impatient of another

counsellor. This is a remarkable trait in her character. Even the

woman of the world looks with approbation upon the doings of a

congener, when they do not come into collision with her own; even the

everyday married lady bends her head confidentially towards her

double, as they sit side by side, and rises from the tête-à-tête

charmed and edified: the managing partner alone is solitary and

unsocial. This is demanded by the lofty nature of her duties. Every

business, great and small, should have a single head to direct; and

she feels satisfied, after dispassionate reflection, that the best

head of all is her own. This makes her wish conscientiously that there

was only one business on the earth, that all mankind were her clients,

and that there was not another individual of her class extant.

In her last moments, and only then, this great-minded woman thinks of

herself--if that can be said to be herself which remains in the world

after she is defunct. She thinks of what is to become of her body, and

feels a melancholy pleasure in arranging the ceremonies of its

funeral. Everything must be ordered by herself; and when the last is

said, her breath departs in a sigh of satisfaction. But sometimes

death is in a hurry, or her voice low and indistinct. It happened in a

case of this kind, that a doubt arose in the minds of the bystanders

as to the shoulder she intended to be taken by one of the friends.

They looked at her; but her voice was irretrievably gone, and they

considered that, in so far as this point was concerned, the management

had devolved upon them. Not so: the dying woman could not speak; but

with a convulsive effort, she moved one of her hands, touched the left

shoulder, and expired.

_De mortuis nil nisi bonum_ is an excellent maxim; but in concluding

this sketch, there can be no harm in at least regretting the

imperfection of human nature. If its eminent subject, instead of

spending abroad upon the world her great capacity, had been able to

concentrate it in some measure upon herself and family, there can be

little doubt that she would have been regarded in society with less of

the contempt which genius, and less of the dislike which virtue

inspires in the foolish and wicked, and that fewer unreflecting

readers would at this moment be whispering to themselves the

concluding line of Pope's malignant libel--

Alive ridiculous, and dead forgot!

Chambers's Edinburgh Journal, No. 462 Volume 18, New Series, November 6, 1852 · 第 3 / 15 题