A Bored Critic

From Homeric warfare to subterranean conflict of modern trenches is a

far cry, and Ares, God of Battles, may well yawn at the entertainment

with which the Demon of War is providing him. But the spectator of

this grim “revue” lacks something of the patience of its creator, and

our Mephistopheles, marking the god’s protest, will doubtless hurry

the scene and diversify it with new devilries to restore his interest.

Indeed, that has happened since Raemaekers made his picture.

The etiquette of butchery has become more complicated since Troy fell,

yet it has been so far preserved till now that the fiend measures

Ares with his eyes and speculates as to how far the martial god may

be expected to tolerate his novel engines. Will asphyxiating gas, and

destruction of non-combatants and neutrals on land and sea, trouble

him? Or will he demand the rules of the game, and decline to applaud

this satire on civilisation, although mounted and produced regardless

of cost and reckoning?

As the devil’s own entertainment consists in watching the effects of

his masterpiece on this warlike spectator, so it may be that those

who “staged” the greatest war in mankind’s history derive some bitter

instruction from its reception by mankind. They know now that it is

condemned by every civilised nation on earth; and before these lines

are published their uncivilised catspaws will have ample reason to

condemn it also. Neutrals there must be, but impartials none.

The sense and spirit of the thinking world now go so far with human

reason that they demand a condition of freedom for all men and nations,

be they weak or powerful. That ideal inspires the majority of human

kind, and it follows that the evolution of morals sets strongly on the

side of the Allies.

“War,” says Bernhardi, “gives a biologically just decision, since its

decisions rest on the very nature of things.” So be it.

The "Land & Water" edition of Raemaekers' cartoons, volume 1 · 第 199 / 313 题