THE KAISER: “Yes, to my end.”]

“U’s”

It is the essence of great cartooning to see things simply, and to

command the technical resources that shall show the things, so simply

seen, in an infinite variety of aspects. No series of Raemaekers’

drawings better exemplifies his quality in both these respects than

those which deal with Germany’s sea crimes.

In the cartoon before us the immediate message is of the simplest. The

Kaiser counts the head of British merchantmen sunk. Von Tirpitz counts

the cost. But note the subtlety of the personation and environment.

The Kaiser has those terrible haunted eyes that have marked the seer’s

presentment of him from quite an early stage of the war. There can be

no ultimate escape from the dreadful vision that has set the seal of

despair on this fine and handsome visage. He is shown, not as a sea

monster, but as some rabid, evasive, impatient thing, dashing from

point to point--as from policy to policy--with the angry swish that

tells the unspoken anger failure everywhere compels. For the victories

do not bring surrender, nor does frightfulness inspire terror. The

merchant ships still put to sea--and the U boats pay the penalty.

The futility of this campaign of murder is typified by making von

Tirpitz, its inventor, an addle-headed seahorse, the nursery comedian

of the sea. Stupid and ridiculous bewilderment stares from his foolish

eyes. Another submarine has failed to find a safe victim in a trading

ship, but has been hoisted with its own sea petard. The impotence of

the thing!

This conference of the Admirals of the Atlantic, held in the sombre

depths, is a biting satire, in its mingled comedy and tragedy, on the

effort to win command of the sea from its bottom.

The "Land & Water" edition of Raemaekers' cartoons, volume 1 · 第 74 / 313 题