The Martyred Nurse.]

What does this cartoon suggest? I am asked and I ask myself. At first

very little, almost nothing, only uninteresting, ugly death, gloomy,

ghastly, dismal, but dull and largely featureless, blank and negative.

Has the artist’s power failed him? No, it is strongly drawn. Has his

inspiration? What does it mean? Is it indeed meant? As I gaze and pore

on it longer, I seem to see that it is just in this blank negation that

its strength and its suggestion lie. It is meant. It has meaning. A

blast has passed over this place, and this is its sequel; its derelict

rubbish.

It is death unredeemed, death with no very positive suggestion, with no

hint of heroism, none of heroic action, little even of heroic passion;

just death, helpless, hopeless, pointing to nothing but decomposition,

decay, disappearance, _anéantissement_, reduction of the fair frame

of life to nothingness. That is the peculiar horror of this war.

Were the picture, as it well might be, even more hideous, and did it

suggest something more definite, a story of struggle, say, recorded in

contortion, or by wounds and weapons, it might be better.

But men killed by machines, men killed by natural forces unnaturally

employed, are indeed a fact and a spectacle squalid, sorry, unutterably

sad.

All wars have been horrible, but modern wars are more in extremes.

Heroism is there, but not always. It is possible only in patches.

There is much of the mere sacrifice of numbers. Strictly, there are

scenes far worse than this, for death unredeemed is not the worst of

sufferings or of ills. But few are sadder. This is indeed war made

by those who hold it and will it to be “not a sport, but a science.”

There is no sport here. Men killed like this are like men killed by

plague or the eruption of a volcano. And, indeed, what else are they?

They are victims of a diseased humanity of the eruption--literal and

metaphorical--of its hidden fires. And wars will grow more and more

like this. What can stop them and banish these scenes? Only the hate of

hate, only the love that can redeem even such a sight as this when at

last we remember that it is for love’s sake only that flesh and blood

are in the last resort content to endure it.

The "Land & Water" edition of Raemaekers' cartoons, volume 1 · 第 17 / 313 题