By the Editor of _Land and Water_

Louis Raemaekers will stand out for all time as one of the supreme

figures which the Great War has called into being. His genius has

been enlisted in the service of mankind, and his work, being entirely

sincere and untouched by racial or national prejudice, will endure;

indeed, it promises to gain strength as the years advance. When the

intense passions, which have been awakened by this world struggle, have

faded away, civilisation will regard the war largely through these

wonderful drawings. By them, not only the methods of German warfare

will be judged, but the resolution will surely be begotten and nurtured

that never again, so far as it is humanly possible, shall a recurrence

of Teuton inhumanity and barbarism be permitted.

* * * * *

Before the war had been in progress many weeks the cartoons in the

Amsterdam _Telegraaf_ attracted attention in the capitals of Europe,

many leading newspapers reproducing them. The German authorities, quick

to realise their full significance, did all in their power to suppress

them. Through German intrigue Raemaekers has been charged in the Dutch

Courts with endangering the neutrality of Holland--and acquitted. A

price has been set on his head, should he ever venture over the border.

When only a week or two ago he crossed to England, his wife received

anonymous post-cards, warning her that his ship would certainly be

torpedoed in the North Sea. The _Cologne Gazette_, in a leading article

on Holland, threatens that country that “after the War Germany will

settle accounts with Holland, and for each calumny, for each cartoon of

Raemaekers, she will demand payment with the interest that is due to

her.” Not since Saul and the men of Israel were in the valley of Elah

fighting with the Philistines has so unexpected a champion arisen. With

brush and pencil this Dutch painter will do even as David did with the

smooth stone out of the brook; he will destroy the braggart Goliath,

who, strong in his own might, defies the forces of the living God.

When Mr. Raemaekers came to London in December, he was received by the

Prime Minister, and was entertained at a complimentary luncheon by the

Journalists of the British capital. Similar honour was conferred on him

on his second visit. He was the guest of honour at the Savage Club; the

Royal Society of Miniature Painters elected him an Honorary Member. But

it has been left to France to pay the most fitting recognition to his

genius and to his services in the cause of freedom and truth. The Cross

of the Legion of Honour has been presented to him, and on his visit to

Paris this month a special reception is to be held in his honour at La

Sorbonne, which is the highest purely intellectual reward Europe can

confer on any man.

* * * * *

The great Dutch cartoonist is now in his forty-seventh year. He was

born in Holland, his father, who is dead, having been the editor of a

provincial newspaper. His mother, who is still alive and exceedingly

proud of her son’s fame, is a German by birth, but rejoices that she

married a Dutchman and thus escaped from the debasing influences of

her native land. Mr. Raemaekers, who is short, fair, and of a ruddy

countenance, looks at least ten years younger than his age. He took up

painting and drawing when quite young and learnt his art in Holland and

in Brussels. All his life he has lived in his own country, but with

frequent visits to Belgium and Germany, where, through his mother,

he has many relations. Thus he knows by experience the nature of the

peoples whom he depicts.

For many years he was a landscape painter and a portrait painter, and

made money and local reputation. Six or seven years ago he turned his

attention to political work, and became a cartoonist and caricaturist

on the staff of the Amsterdam _Telegraaf_, thus opening the way to a

fame which is not only world-wide but which will endure as long as the

memory of the Great War lasts. His ideas come to him naturally and

without effort. Suggestions do not assist him; they hinder him when

he endeavours to act on them. He is an artist to his finger-tips and

throws the whole force of his being into his work. Some years ago he

married a Dutch lady, who is devoted to music, and they have three

children, two girls and a boy (the youngest); the eldest is now twelve.

Very happy in his home, Mr. Raemaekers has no ambitions outside it,

except to go on with his work and to continue the fight against the

German Evil. A Teuton paper has declared that Raemaekers’ cartoons are

worth at least two Army Corps to the Allies. This saying has pleased

him greatly; he only wishes they were worth four Army Corps.

The strong religious tendency which so often distinguishes his work

makes one instinctively ask to what Church does the artist belong. He

replies that he belongs to none, but was brought up a Catholic, and

his wife a Protestant, and the differences which in later life severed

each from their early teaching caused them to meet on common ground.

But the intense Christian feeling of these drawings is beyond cavil or

dispute: they again and again bring home to the heart the vital truths

of the Faith with irresistible force, and the artist ever expresses

the Christianity, not perhaps of the theologian, but of the honest and

kindly man of the world.

Praise has been bestowed upon his work by several German

papers--qualified praise. The _Leipziger Volkszeitung_ has declared

that Raemaekers’ cartoons show unimpeachable art and great power of

execution, but that they all lack one thing. They have no wit, no

spirit. Which is true--in a sense. They do lack wit--German wit; they

do lack spirit--German spirit. And what German wit and German spirit

may be one can comprehend by a study of Raemaekers’ cartoons.

* * * * *

The cartoons by Louis Raemaekers properly need no introduction, since

they explain themselves in every line. But it might be usefully pointed

out that, so far, our Fleet has saved us from actual sight of Germany’s

war methods. What shells and bombs we know have arrived from the blue,

lacking the personality of the despatchers. Raemaekers lives on the

other side of an electrified wire within a very short distance of

the slaughter-houses at work. He has dealt with people still bloody,

sweating, and dusty from their flight. He knows, or he knows friends

who know men and women dead or dishonoured, or in present peril of

murder or rape. He understands, as well as all his countrymen, that

Belgium is being vivisected on Holland’s doorstep, that Holland may

take warning. He is more than any resident in Great Britain _of_ that

tragedy. His evidence then is as unimpeachable as his art.

Raemaekers also realises in his presentments what we do not--that the

German foulness in war is an integral part of the German philosophy

of life, and when the armies give themselves up to their reasoned

abominations, it is no more than Germany going joyously to the

realisation of the depraved dreams which have been instilled into

its mind in peace. He does not lose his temper over the fact. His

line cuts as deeply as possible because he knows not only the visible

act, but the life-tendency which made the act inevitable. We do

not. We still keep the idea that certain things “are not done.” Our

geographical position prevents us feeling the pressure that keeps the

neutral nations quiet and useful to Germany. Our caricaturists only see

the outside of things. So it happens that we who would be most affected

by defeat are the least affected now in our own minds.

* * * * *

The abomination of frightfulness in Belgium recalls the sufferings

and degradations which English women and children endured nearly

sixty years ago when a section of the Indian army rebelled, and the

mutineers, being joined by certain disaffected Indian princes and

landowners, overcame small and isolated British communities and

perpetrated identically the same barbarities as have been deliberately

practised by the German troops during the present war. It was then

that Dr. Oliver Wendell Holmes, the distinguished American essayist,

gave utterance to the following opinion in the _Atlantic Monthly_; it

is now embodied in his well-known work “The Autocrat of the Breakfast

Table.” Although the official voice of the United States has uttered no

such protest, there is reason to believe that these words written by an

American pen nine-and-fifty years ago do still represent the reasoned

opinion of the bulk of American men and women:

Who was that person that was so abused some time since for saying

that in the conflict of two races our sympathies naturally go with

the higher? No matter who he was. Now look at what is going on in

India--a white, superior “Caucasian” race, against a dark-skinned,

inferior, but still “Caucasian” race--and where are English and

American sympathies? We can’t stop to settle all the doubtful

questions; all we know is, that the brute nature is sure to come

out most strongly in the lower race, and it is the general law that

the human side of humanity should treat the brutal side as it does

the same nature in the inferior animals--tame it, or crush it.

The Indian mail brings stories of women and children outraged and

murdered; the royal stronghold is in the hands of the babe-killers.

England takes down the Map of the World, which she has girdled with

empire, and makes a correction thus: Delhi, _Dele!_ The civilised

world says, Amen.

* * * * *

_Dele!_ Destroy utterly! Wipe off the face of the world--not Germany,

or the German capital, or the German people, but the German philosophy

of life as it has been expounded by its chief evangels, Treitschke,

Bernhardi, and others. _Dele!_ That should be the motto of each one

of us. It is the message which Louis Raemaekers speaks with the whole

strength of his genius. It has to be accomplished by the individual

in his own sphere; it is a duty which cannot be deputised. Germany

has proclaimed: “War is war; no treaty too sacred, no human right too

divine, no woman too weak, no babe too tender to escape from the blind,

brutal violence of war.” We must fight to the death. Either German

philosophy is to be established, and freedom of body, mind, and soul

crushed beneath the iron heel of Prussian Kultur, or else, at whatever

the cost, this fearful menace to the peace and liberty of nations and

individuals has to be destroyed root and branch. “I came not to send

peace but a sword,” said the Saviour. Are we, who boast ourselves

Christians and have heretofore rejoiced in Christianity, too weak or

too fearful in this day of battle to take up the Saviour’s sword and to

war for the eternal principles and ideals of right, justice, mercy, and

loving-kindness?

This struggle is not merely a matter for the fighting men. It has to be

carried into our counting-houses, our shops, our schools, and, if need

be, our homes. Wherever we encounter the insidious presence of Germany

and German ideas, there must they be overthrown, no matter how costly,

difficult, or disagreeable the work may prove personally. The German

has been taught that duty to his own State outweighs the laws of God

and man. To betray hospitality, to be false to both written and spoken

word, to be full of deceit, lying, and treachery--these are esteemed

honourable actions even in times of peace where German interests are

concerned by all her people from the Kaiser downwards. And the reverse

is equally true. They who are not Germans, and who refuse to subscribe

to the canons of Kultur, are reckoned beyond the pale of civilisation.

* * * * *

Nothing has been stated here which cannot be proved by independent

testimony. The literature of the war and of the events antecedent to

the war has grown apace, and this short prefatory note is not the place

to review it. But attention may be profitably drawn to the testimony,

borne by another neutral, to German methods. Dr. Anton Nyström, one

of the most distinguished sons of Sweden, a historian of high repute,

who has travelled widely throughout Europe, in his book “Before,

During, and After 1914,” written only last summer, establishes that

public feeling has been deliberately created in Germany during the

last fifty years that that country should assume the mastery of all

nations related to Germany without regard to material and historical

factors. And wherever this mastery has been assumed, whether in

Schleswig-Holstein, Poland, or Alsace and Lorraine, a systematic and

ruthless suppression of the mother-tongue has been attempted, and the

peoples have been persecuted for any tokens of affection for their own

nationality. As it has been, so it will be again, if Germany triumphs.

Furthermore, we know well to-day that the mastery of the Germanic

peoples was intended only to be the beginning of the mastery of the

world.

* * * * *

When complete these portfolios of Louis Raemaekers’ cartoons will

constitute the most marvellous record of the horrible realities of

this vast world-struggle, and will have a historical value which will

grow greater with time. Already the originals have been purchased, and

their present owners, in most instances, would not part with them for

ten times the price they have paid. It has been well said that no man

living amidst these surging seas of blood and tears has come nearer to

the rôle of Peacemaker than Raemaekers. The peace which he works for is

not a matter of arrangement between diplomatists and politicians: it

is the peace which the intelligence and the soul of the Western world

shall insist on in the years to be. God grant it be not long delayed,

but it can only come when the enemy is entirely overthrown and the

victory is overwhelming and complete.

FRANCIS STOPFORD,

EDITOR, _Land and Water_.

EMPIRE HOUSE,

KINGSWAY, LONDON.

_February, 1916._

[Illustration:

_Photograph by Miss D. Compton Collier._

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