The consul had made me his friend by incessant kindness. He had
at the start insisted on my taking my first meal in Tripoli with
him, and since then I had lived almost as much at his table as
at the hotel, which was a blessing, not to say a charity. He was
a scholarly gentleman, long resident in the Levant, and familiar
with the Moslem world, though his appointment to Tripoli was of
recent date. It was to this last fact, perhaps, that I owed the
rarest of my privileges, an invitation to visit the mosques in his
company. Tripoli is a stronghold of fanaticism, and the mosques are
jealously closed to the infidel; permission to visit them is seldom
given, and if formally granted is generally made nugatory in some
underhand way; for a person in my unofficial station such a visit
would be unexampled. The consul, however, had never himself seen
them, and he suggested that this would be an opportunity for me. His
application was at once honored, and the next morning the chief
of police called and we set out at once, preceded by the consular
_cavass_ or dragoman, himself no mean figure corporeally, brilliant
in his Algerian uniform and bearing before him the formidable and
highly ornamented staff of his office.
We went first to the Gurgy Mosque, which is considered the finest
of all. I wondered if the key would be lost, which is the usual
subterfuge; but the guardian was quickly found, and turned the
lock. My account of the mosques must be meagre; the occasion allowed
of only a _coup d’œil_, it was impossible to take notes on the
spot, and one could examine in detail only near objects in passing. I
can give only an impression, not a description. All mosques are much
alike in plan and arrangement. There is a plain, open hall with the
great vacant floorspace for prayer, the ornamented mihrab or niche
in the wall, showing the direction of Mecca toward which all turn,
with brazen candlesticks or hanging silver lamps, and by its side
and at a little distance the high pulpit with a steep stairway
for the preacher or leader; there may be also a closed box on the
floor, or sometimes elevated, for the Sultan or his representative,
and a latticed space for women. These are permanent features. The
mosques differ much, however, in size, ornamentation, and aspect,
and in the _entourage_ of the main room, its approaches, courts,
and dependencies. The interior of the Gurgy Mosque was square,
finely decorated, beautifully wrought. Intersecting arches,
resting on rows of columns, divided it into several naves with
many domes. The walls were tiled, and an unusual look of elaborate
finish was given to the general effect by the fact that all the
surfaces were entirely covered, nothing being left bare; to the
color tones of the tiles were added on all sides the lights of the
highly wrought stucco incrustation, cool marbles, and the dark,
rich contrasts of beautifully carved wood. The capitals of the
columns, done in stucco, were each different. Texts of the Koran,
illuminated in a fine script on a broad band at the base of the
domes, gave another element to the decoration. It was a beautiful
mosque, and I remember it as one of the few I have seen which were
perfectly finished; there was nothing ruinous or aged or bare about
it, and it was completed—a lovely interior in which the simple
elements of beauty employed in this art were admirably blended. We
especially admired the carved woodwork here. Our stay, however,
was but of a few moments’ duration, and we saw only this interior.
We passed on to the Mosque of Dragut, the pirate, the same who
built the mound of Christian skulls at Djerba by the seashore. It
was quite different, a plain old mosque with old columns, and
seemed to belong to old times. In a low chamber to one side was
Dragut’s tomb. It was covered with green cloth, and at the four
corners colored banners hung over it; other tombs stood about it in
the chapel, princes of Islam, and the usual maps of Mecca and the
tomb of the Prophet were on the walls, and some cherished objects
of historic or personal reverence were here and there; all about
were the great candles and the turban-topped small columns of the
dead. It was a place of profound peace. This impression was deepened
still more as we passed out into the adjoining courts with their
low, crypt-like columns, whitewashed, heavy, and sombre. Here the
commissary, or chief, who had us in charge, an amiable-faced Turk
with a gray, grizzled beard, pointed out the tomb of the English
captain, as it is known, a renegade lieutenant of Dragut, who sleeps
in a beautiful niche nigh his old commander. Further on beneath an
immense, broad old fig-tree in the court were other tombs, with the
turbaned end-slabs of different styles and heights—a little company
shut in this quiet close of death. A great silence and peacefulness
reigned there, alike about the ancient fig-tree without and in the
bannered chamber within. I could not help thinking what a place of
repose the great pirate had found out for himself and his companions
in his death. I went out touched more than commonly with that sense
of deep calm which a mosque always, half-mysteriously, awakes in me.
Of the third mosque, which I did not identify, but suppose to
have been that of Mahmat, we had barely a passing glimpse, looking
down from a gallery upon a large carpeted floor—there were many
carpets—but it seemed to offer nothing of special interest. The
fourth, however, El-Nakr, the Mosque of the Camel, was after my own
heart. It is the most ancient, as indeed one would expect from the
name, that of Dragut being next in age, and has the special sanctity
that attaches to a traditional religious spot. I suppose it was here
that the faith began on the soil. We entered first into one of those
low-columned, crypt-like courts; two tall palms were growing in it,
with a little patch of bright-green barley beneath. The artistic
effect of this simple scene of nature, framed in the seclusion of
the gray old walls, with its bit of sky above, the sunshine and
the unbroken peace, as it fell on my eyes, was indescribable; of a
thousand scenes it imprinted itself on my memory as a thing seen once
and seen forever—one of those pictures that are only painted by the
soul for itself. We passed within. It was an old plain mosque, with
low columns and an ancient look, all without elegance or ornament. It
was in the same spirit as that of Dragut, but with still more of
austerity and impressiveness. This was the stern old faith, which
could dispense with all but God. It touched the Puritan sentiment
in me to the quick. This was Islam in its spirituality. Here there
was the solitary desert soul in its true devotion, that sought only
room for God—the same room as on the desert sands or on mountain
tops. There was nothing else in the mosque—only the barley under
the palms by the crypt-like cloister, the low-columned austerity
within. I felt the harmony of the two—they were different chords,
but one music of the desert silence.
It was only when we came out from this sanctuary that I noticed any
resentment among the people. As we walked down by the row of men
standing about the entrance, scowling faces and fire-flashing eyes
were bent on us on all sides, but there was no other demonstration,
and we passed through the crowd in that silent glare of hate. It is
a curious sensation to feel oneself an object of hatred to a crowd,
and this was my first experience of it, though, of course, one
notices the hostile look of individuals in Mohammedan countries. It
was disagreeable; and I half blamed myself for having violated a
prejudice which was perfectly natural for these men. We were out
of the press in a few moments, and soon reached the last mosque
that it was thought worth while to visit, that of Ahmed Pashaw. It
was large, of the same decorated type as the first. There were
the same old marble columns, the beautifully ornamented mihrab,
the pulpit, the Sultan’s box, a brown latticed gallery; bright
mats lay on the floor, the blue and green tiles shone cool on the
walls, moulded stucco and carved wood filled the spaces, there being
one unusually fine ceiling in carved wood; and there were Koranic
texts. The crescent was abundantly used in the decoration. It was
all very beautiful and characteristic, full of restful tones, of
harmony and repose. As we passed toward an inner door leading to
the cemetery of the mosque, we noticed inscriptions to the dead on
the wall, and one was pointed out of a pious man who went straight
to Paradise. Outside beyond the tall minaret were the tombs of
the faithful who were buried here, with the turban-topped slabs
as usual. The guardian, who seemed a very old man, with true Arab
gentleness urged me repeatedly and cordially to climb the minaret,
but I refrained, disliking to detain my companions. We passed out
from this beautiful inner close into the street, and turned to the
Consulate where we talked over our morning’s walk.
It was no small part of my pleasure in Tripoli that I owed to
my friend’s hospitality, which gave me the graces and comfort
of civilization in so rude a place as the ordinary traveller
necessarily finds such a country. The boys of the oasis, in other
parts of Africa, had given me the wine of the date-palm fresh from
the tree; here I drank it a little fermented, an exotic drink
piquing the curiosity, and was the more glad to renew my memory
of a long-forgotten _rosso spumante_ and to make altogether new
acquaintance with pleasant wines of Touraine. What conversations
we had over these and on the quiet terrace by the garden, ranging
through French African territory and the Levant, touching on Persian
poets; and my host showed me many beautiful things. It is in this
atmosphere of scholarly talk and friendly kindness that I remember
the morning walk among the mosques of Tripoli.
V
The British consul, who had also shown me attention, arranged for
me to visit the Turkish school of arts and crafts. Hassan Bey,
who seemed to be an aid of the Vali, waited on us one morning at
the Consulate, and we set out to walk to the school. Hassan Bey was
an exile from Daghestan, of a fine military figure, middle-aged,
thick-set, with a pleasant countenance; his gray whiskers became
his energetic face; he had a look of power and the grave authority
of character. He wore a sword; his sleeves and gold braid gave
distinction to his person; and he carried lightly, like a cane,
the short, twisted whip of stiff bull’s hide that one occasionally
sees on these coasts. I have seldom seen so manly a figure, rugged
and strong, and stamped by nature for rule; and his politeness was
complete and charming, with an accent of strength and breeding that
put it out of the category of mere grace of manners. He interested me
profoundly by his personality, an entirely new type in my experience,
and as the walk was somewhat long I had an opportunity to observe
him.
The director of the school received us cordially, gave us coffee and
cigarettes, and showed us through the buildings which were rather
extensive. The school is endowed with some lands, and its income is
supplemented by voluntary funds and a subsidy from the government. It
receives upward of one hundred and fifty pupils, from the age of
twelve years, and completely supports them during the course, which
is seven years in length. Some literary instruction is given, such
as geography and secondary branches; but the main end of the school
is technical training in the arts and crafts. There was a carpet
and silk-weaving department, a tailor-shop, a shoe-shop, carpentry,
a foundry and blacksmithing, a refectory and store-rooms. The shops
were rather empty, and the students whom I saw were few and of
all ages; the rest may have been at their books. The foundry and
the carpenter-shop were the busiest and most occupied; there were
many heavy pieces of machinery of modern make, and the department
seemed properly provided for and in competent management; work was
going on in both these rooms, which I watched with great interest. I
was told that the furniture of the Ottoman Bank was made here, and
apparently orders of various kinds, as, for example, for wheels,
were regularly received.
The foundation clearly enough was only a beginning, and the provision
inadequate to the scale; but it was a serious and admirable attempt
to plant the mechanical arts in the country in their modern form and
development, and to foster industry in the simple crafts. The idea
was there and in operation, however the means to realize it might
seem small in my American eyes, used to great industrial riches
in such things; and I was much impressed, not only by the facts
but by the spirit of the thing and those who had it in charge. The
products seemed excellent, so far as I could judge of the various
things shown me. I followed the example of the consul in buying a
small bolt of strong silk in a beautiful design of brilliant-colored
stripes, and I should have been glad to have taken more in other
varieties. I was rather surprised when at the end Hassan Bey
suggested my going into the girls’ carpet school. We entered,
paused a moment at the school-room door that some notice might be
given, and on going into the room I saw that all the girls, who were
young, were standing with their faces turned to the wall. We remained
only long enough to see the nature of the work and its arrangement,
and for a word with the teacher; but the scene, with the young
girlish profiles along the sides, was picturesque. There is one
other carpet school for girls in another city. We spent perhaps
two hours in this inspection and walked leisurely back to town,
where I parted with Hassan Bey with sincere admiration.
In the afternoon I went with Absalom to visit a school I had heard
of in the Jewish quarter, a pious foundation, the bequest of a
wealthy Jew, for the education of poor boys. There were about five
hundred of them there, bright-eyed, intelligent, intent, as Jewish
boys in their condition usually are. The buildings were excellent,
properly furnished, with the substantial and prosperous look of a
well-administered educational enterprise. I visited several rooms,
saw the boys at their desks and classes, heard some exercises,
and talked with the professor in charge. I noticed a tennis-court
on the ground. Altogether, I was more than favorably impressed by
what I saw, and the mere presence here of a well-organized charity
school on such a scale was an encouraging sign. It was surprising to
me to find this establishment and the technical school at Tripoli,
where I had certainly not anticipated seeing anything of the sort,
nor was this my only surprise. I had thought of Tripoli as a
semi-barbarous country almost detached from civilization, a focus
for Moslem fanaticism, a place for Turkish exiles, a last foothold
of the slave-trader, and such it truly was; but it did not present
the aspect of neglect and decay that I had imagined as concomitant
with this. The old gates of the city had recently been removed;
outside the walls there was a good deal of new building going on,
which was a sign of safer and more settled life as well as of a
kind of prosperity; the roads were excellent, and in a Turkish
dependency that is noticeable; in some places new pavements had
been laid. In other words, there was evidence of enterprise and
public works, of modern life and vitality; and this impression was
much strengthened by my experience of the two schools. It is true
that I never lost the sense of that strangely conglomerate crowd
that passed through the streets, that mixed and fanatic people. I
indulged no illusions with respect to the populace _en masse_. The
state of things, however, seemed to me by no means so bad, with
these stirrings of civilization, of betterment, of a modern spirit
in the city, and I was frankly surprised by it.
My surprise melted away some months later when, on opening my
morning paper in America to read of the Turkish revolution, I saw
that the Vali of Tripoli was among the first of the exiles to sail
for Constantinople; and I observed that, later, he had an active
part in the government of the Young Turks. He and Hassan Bey had
been doing in Tripoli what they had been exiled for wishing to do
on the Bosphorus. Then I understood.