VII

I like to pass my afternoons in the shop of the perfumer in old

Tunis. I come by covered ways, where the sunlight sifts through

old rafters on stained walls and worn stones, and soon discern in

the softened darkness the low, small columns wound with alternate

stripes of red and green—bright clustered colors; down the winding

way of dimmed light in the narrow street opens on either side the

row of shallow shops, shadowy alcoves of bright merchandise; and

there in the heart of old Tunis, each in his niche, canopied by

his trade and seeming an emanation of the things he sells, sit the

perfumers. A throng passes by, now dense, now thin—passes forever,

in crowds, in groups, in solitude, rarely speaking; and over against

the silent movement sit the merchants—tranquil figures in perfumed

boxes—whose business seems one long repose. A languid scent loads

the dusky air.

Just opposite the venerable Mosque of the Olive, an isle of

sanctity still uncrossed by the heathen Frankish sea, right under

the shadow of its silence-guarded doors, stands and has stood

for centuries the shop where I love to lounge away hours that

have no attribute of time. My host—I may well call him so,

we are old acquaintances now—salutes me, his robe of fading

hues detaching the figure from the background as he rises; his

serene face lightens with a smile, his stately form softens with

a gesture, he speaks a word, and I sit down on the narrow bench at

the side, and light the cigarette he has proffered, while his only

son quickly commands coffee. How well I remember years ago when the

child’s soft Arab eyes first looked into mine! He is taller now,

beautifully garbed in an embroidered burnoose; and he sits by me,

and talks in low tones. What a relief it is, just to be here! What

an ablution! The very air is courtesy. There is no need to talk;

and we sit, we three, and smoke our cigarettes, and sip our coffee,

with now and then a word, and regard the street.

A motley street, like the bridge at Stamboul—a provincial form

of that unfathomable sea of human faces; and, here as there, an

unknown world in miniature, diverse, novel, brilliant—the African

world. The native predominates, with here and there a flash of

foreign blood, round-faced Sicilians, Spaniards whose faces seem

in arms, French in uniforms; but always the native—every strain

of the littoral and the highland, every tint of the desert sun:

black-bearded Moors of Morocco, vindictive visages; fat Jews of

Djerba laughing; negroes—boys of Fezzan or black giants of the

Soudan; Arabs of every skin, hints of Gothic and Vandal blood and

the old blond race long before all, resolute Kabyles, fair Chaouia,

Touaregs with white-wrapped faces, caravan men, Berber and Bedouin

of all the land; women, too, veiled or with children at the open

breast. That group of Tunisian dandies—how they stroll! olive

faces, inexpressive, with the jonquil stuck over the ear, swinging

little canes, clad in fine burnooses of pale blues or dying greens

or ashy rose! Those bare-legged Bedouins, lean shoulders looped

in earth-brown folds—how they walk! Every moment brings a new

challenge to the eye. What life histories! what unspeaking faces! how

closed a world! and my eyes rest on the shut gates of the ancient

Mosque of the Olive over against me; I feel the spell of the unknown

sealed in that faith, this life—the spell of a new life of the

spirit of man, the mystery of a new earth-life of his body.

One falls into revery and absent-mindedness here, as elsewhere one

falls asleep; but not for long. A lady, closely veiled, stands

in the shop with her shorter, low-browed attendant. I hear low

syllables softly murmured; I am aware of a drop of perfume rubbed

like dew on the back of her hand just below the small fingers,

not too slim; I watch the fall of the precious, twinkling liquid

in the faceted bottle; I mark the delicate handling of the small

balances. It is like a picture in a dream, so still, so vivid in the

semi-darkness of the booth. She is gone, and the fancy wanders after

her—whither? The boy’s _taleb_, his teacher of the mosque school,

passing, sits down for a moment—an alert figure, scrutinizing,

intelligent, energetic. There has been some school excitement,

some public commotion; master and boy both scan the last paper with

eagerness. I ask about the boy’s lessons; but with a kind look

at my young friend, and a half reply to me, he puts the question

aside, as if one should not say pleasant things in a boy’s hearing

too much. He is soon off on his affairs; and other friends of the

shop come and go, not too often, some hearty, some subtle, but all

cordial, merchants who would woo me away to other shops behind whose

seemingly narrow spaces lies the wealth of great houses—oh, not

to buy, but only to view silken stuffs, trifles of wrought silver,

things begemmed, inlaid sword and pictured leather, brass, mosaic,

horn, marvels of the strong and deft brown Arab hand in immemorial

industries; the wealth of a large world is nigh, when I please—it

is but a step here to Samarcand or Timbuctoo; but I say, lightly,

“Another day.”

I love better to sit here, flanked by the huge wax tapers, overhung

by the five-fingered groups of colored candles, amid the curiously

shaped glasses and mysterious boxes, the gold filagree, the facets,

the ivory eggs—and to breathe, only to breathe, diffused hidden

scents of the rose and the violet—jasmine, geranium—essences

of all flowers, all gardens, all odorous things, till life itself

might seem the perfumed essence of existence and the sensual world

only an outer dusk. Oh, the delightful narcotism! I was ever too

much the Occidental not to think even in my dream—I am conscious

of the feeling through all—“What am I, an alien, here?” But

it is sweet to be here, to have peace, and gentleness, and courtesy,

young trust and brave respect, and breeding; it is balm. The darkness

falls; the passer-by grows rare; it is closing time. There is a drop

for my hand now, for good-by. The boy companions me to the limit of

old Tunis. It is good night. It is a departure—as if some shore

were left behind. It is a nostalgia—a shadowy perception that

something more of life has escaped, of the irretrievable thing,

gone, like something flown from the hand. And as I come under the

Gate of France into the lights of the brilliant avenue, I find

again him I had eluded, whom I heard as the voice of one standing

without, saying: “What am I, an alien, here?”—I am again the

old European.

North Africa and the desert · 第 10 / 63 题