The passing of thirty or more years made of this light-hearted young

midshipman a well-known writer, with the purpose that his next book

should tell of this unforgettable region of the great lakes. He wished

to-bring into it the sailors and Indians as, by coming in close contact

with them, "he knew their personalities and characteristics." Then,

forest scenes without "Natty Bumppo" could scarce come from his pen

after the drawings of old "Leatherstocking" of "The Pioneers," "Hawkeye"

of "The Mohicans," and the "aged trapper" of "The Prairie." So it came

about that "Natty, the lover," stepped into these pages--Natty, "so

simple, so tender, so noble and true--what shall be said of him? We must

all needs love him; it is not with words but with tears that we wring

his hand and part from him on the lake shore" as "The Pathfinder."

Glowing and brave proved his Mabel, as "the bubble of a boat floated on

the very crest of a foaming breaker,"--yet not for him. But the ripple

of the lake's waves and rustling of forest leaves are as unforgettable

as the low, sweet tones of "Dew-of-June." Of "The Pathfinder" and Cooper

Balzac wrote: "Its interest is tremendous. He surely owed us this

masterpiece after the last two or three raphsodies he has given us."

[Illustration: THE PATHFINDER.]

[Illustration: A BUBBLE OF A BOAT.]

In the year 1809 Cooper was attached to a gun-boat serving on Lake

Champlain, and on November 13 following, he was ordered to the _Wasp_,

under Capt. James Lawrence, of Burlington--a personal friend, and also

the heroic commander of the _Chesapeake_ in her action with the

_Shannon_, in which his last words were, "Don't give up the ship!" It

was aboard the _Wasp_ that Cooper's lifelong friendship with Commodore

Shubrick of South Carolina began, who, like himself, and a year younger,

was a midshipman. To this friend the author dedicated "The Pilot," "Red

Rover," and other stories.

[Illustration: CAPTAIN LAWRENCE.]

[Illustration: THE "WASP."]

Political feeling ran high in those early days of 1809, and prominent

persons did not escape from their opponents with hitter feeling only. So

it came about that in December of that year, Judge Cooper, on leaving a

hot convention, met his death,--the result of a blow on the head, as he

was coming down the steps of the State capitol at Albany, New York. No

one of his day who was engaged in the work of large buying and selling

of land made so deep an impression as did Judge Cooper on his times, and

on his author son, whose land books disclose to posterity with historic

exactness the hardships and values of the pioneers of our country.

After Judge Cooper's death Richard Fenimore, his eldest son, became the

head of the family, and it was to him that James wrote from

New York, May 18th, 1810

I wrote you yesterday, a letter in a great hurry, as its contents

are of some importance. I employ the leisure time offered today, to

inform you more fully of my views.

When you were in the City, I hinted to you, my intention of

resigning at the end of this session of Congress, should nothing be

done for the Navy--my only reason at that time was the blasted

prospects of the service. I accordingly wrote my resignation and as

usual offer'd it to Capt. Lawrence, for his inspection--he very

warmly recommended to me to give the service the trial of another

year or two--at the same time offering to procure me a furlough

which would leave me perfect master of my actions in the

interval--I thought it wisest to accept this proposition--at the

end of this year I have it in my power to resign, should the

situation of the Country warrant it.

Like all the rest of the sons of Adam, I have bowed to the

influence of the claims of a fair damsel of eighteen. I loved her

like a man and told her of it like a sailor. The peculiarity of my

situation occasion'd me to act with something like precipitancy. I

am perfectly confident, however, I shall never have cause to repent

of it--. As you are _cooly_ to decide, I will as _cooly_ give you

the qualities of my mistress. Susan De Lancey is the daughter of a

man of very respectable connections and a handsome

fortune--amiable, sweet-tempered and happy in her disposition.--She

has been educated in the country, occasionally trying the

temperature of the City--to rub off the rust--but hold a moment, it

is enough she pleases _me_ in the qualities of her _person_ and

_mind_--. Like a true quixotic lover, I made proposals to her

father--he has answered them in the most gentlemanly manner--. You

have my consent to address my daughter if you will gain the

approbation of your mother--He also informs me that his daughter

has an estate in the County of Westchester in reversion, secured to

her by a deed in trust to him--. I write all this for _you_--you

know _I_ am indifferent to anything of this nature. Now I have to

request--you will take your hat and go to mother, the boys, girls,

and say to them have you any objection that James Cooper shall

marry at a future day, Susan De Lancey. If any of them forbid the

bans may the Lord have forgiven them--for I never will--. Then take

your pen and write to Mr. De Lancey stating the _happiness_ and

_pleasure_ it will give all the family to have this connection

completed--all this I wish you to do immediately, as I am deprived

of the pleasure of visiting my flame until this is done, by that

confounded _bore_, delicacy--be so good as to inclose the letter in

one to me, at the same time don't forget to inclose a handsome sum

to square the yards here and bring me to Cooperstown.

I wish not to interrupt you in your attempt to clear the estate--my

expenditure shall be as small as possible.

_Your brother,_ James Cooper.

The de Lanceys were Huguenots and their loyalty to England during the

Revolution made several of them British officers. Although Cooper was

ever a staunch American, this incident, with several others in his

later life, seemed unfavorable to some few who were only too willing to

question his loyalty.

[Illustration: FRAUNCES TAVERN.]

[Illustration: GOV. JAMES DE LANCEY'S SEAL.]

[Illustration: HEATHCOTE ARMS.]

Miss de Lancey's great grandfather, Stephen, was the first of this

aristocratic Westchester-County family on American soil. He fled

from Normandy on the revocation of the edict of Nantes, and in

1686 came to New York. Here his son James became chief-justice and

lieutenant-governor, and married Ann, eldest daughter of the Hon. Caleb

Heathcote, lord of the manor of Scarsdale, Westchester, and whose manor

house was Heathcote Hill, which their fourth son, John Peter de Lancey,

Cooper's father-in-law, inherited from his mother. One of a number of

services the old-world Derbyshire Heathcote-Hill family rendered to its

country was giving to the Bank of England its first president. The de

Lancey name still clings to the new-world history in Fraunces Tavern,

built by Stephen de Lancey in 1700, for his home. Sixty-two years later

it became the tavern of Samuel Fraunces. In 1776 and 1783 it was the

headquarters of General Washington, and in its famous _Long Room_ "The

Father of his Country" made his farewell address, and bid adieu to his

generals. Number 130 Broadway was the de Lancey home of 1730, and here

was given the first inauguration ball of our nation. On this site was

built "Burn's Coffee House," which teemed with interesting events. The

City Hotel took its place in 1806. John Peter de Lancey married

Elizabeth, daughter of Col. Richard Floyd, and in 1789 came to

Heathcote Hill, Westchester County, which he rebuilt on the site of the

old manor house, burned down. In this home he lived out his days. Here

his son, William Heathcote, Bishop of Western New York, was born; and

also his lovely daughter, Susan Augusta; here she was wooed and won by

the handsome young naval officer, and on New Year's day, 1811, became

Mrs. James Cooper. In 1899 Dr. Theodore F. Wolfe writes of Cooper and

Heathcote Hill--that some of the great trees which waved their green

leafage above him lingering here with sweetheart or bride yet shade the

grounds, but the household that welcomed him and gave him a beloved

daughter lie in a little grass-grown cemetery near to this old home.

Mrs. Cooper had a sweet, gracious way of guiding by affection her

husband, and he gave her his heart's devotion through the forty years

of their happily mated life. Cooper and his young bride began life by

playing a game of chess between the ceremony and supper. Then, he

driving two horses tandem, they made their wedding journey to

Cooperstown in a gig. His furlough ended a few months later, and to

please his wife, he resigned in May from the navy. Long afterwards he

wrote, "She confesses she would never have done for Lady Collingwood."

For a year or more Cooper and his wife lived with her father at

Heathcote Hill, Mamaroneck, New York, and afterwards in a near-by

cottage on the "Neck," which Cooper named "Closet Hall" because it was

so small, and he described it as the home of the Littlepage family in

"Satanstoe." Only two old willows remain of the group that almost

concealed Cooper's wee house, now entirely rebuilt, and they named the

place as the home of Alice B. Havens, who wrote here some of her poems

and stories--so Dr. Wolfe writes of Closet Hall. After some brief

housekeeping in this "wee home," the young people again made a part of

the family at Heathcote Hill, where they lived until 1814. Then, with

the two little girls born to them, they went for a short time to

Cooperstown, and thence to their Fenimore farm of some one hundred and

fifty acres along Otsego's southwestern shores. "On a rising knoll

overlooking lake and village a handsome stone house was begun for their

life home." The near-by hill, called Mount Ovis, pastured the Merino

sheep which he brought into the country. He loved his gardening, and

was active for the public good, serving as secretary of the county

Agricultural Society, and also of the Otsego County Bible Society. In

the full flush of youth and its pleasures there were the pleasant

diversions of driving, riding, and rowing. So lived flute-playing

Cooper, brave and handsome, at twenty-five.

[Illustration: HON. CALEB HEATHCOTE.]

[Illustration: FRAUNCES TAVERN.]

[Illustration: BURN'S COFFEE HOUSE.]

[Illustration: HEATHCOTE HILL.]

[Illustration: TANDEM.]

[Illustration: COOPER'S FENIMORE FARM HOUSE.]

Cooper's mother was then living with her older sons at Otsego Hall, and

it is recorded that "she took great delight in flowers, and the end of

the long hall was like a green-house, in her time"; that "she was a

great reader of romances; a marvelous housekeeper, and beautifully nice

and neat in her arrangements: her flower-garden at the south of the

house was considered something wonderful in variety of flowers." Between

her Old-Hall home and the families of her children,--Richard's on "Apple

Hill," Isaac's at "Edgewater," Nancy's at the "Old Stone House," and

James's at "Fenimore,"--these years were full of charm and interest for

them all, which later became sweet and enduring memories. Sadness crept

in, through the loss of James's daughter Elizabeth; but two more came to

lift this shadow in the Fenimore home.

In 1817 Cooper and his young family started for a few month's visit to

Heathcote Hill, and later in this year he lost his mother. As the stone

house, then building at Fenimore, burned down in 1823, the land was sold

later, and the few months' expected absence grew into seventeen years.

Perhaps it was this thread of loss added to his wife's wishes that led

Cooper to build a country home on the Scarsdale farm,--a portion of the

de Lancey estate, which came to Mrs. Cooper after her marriage. Here he

built the picturesque home in which his literary career began. "Nothing

that Cooper knew remains excepting the superb land and water view,"

which drew him to place this home of his there, and he has pictured

mile upon mile of the shimmering, sail-dotted Sound in scenes of his

"Water Witch." It is of record that the windows of the room in which he

wrote "Precaution," "The Spy," and "The Pioneers" overlooked this

enchanting vista which then and later claimed place in his books. It was

four miles from Mamaroneck and some twenty-five from New York City. The

height on which the new house stood was called Angevine, from a former

Huguenot tenant. It gave a glorious view over miles of fine wooded

country, with a broad reach of Long Island Sound beyond, over which were

moving white, glittering sails "a sailor's eye loves to follow." Of

active habits and vigorous health, Cooper threw himself with almost

boyish eagerness into the improvement and beautifying of this

homestead,--planning the barn, building the then new zigzag, ha-ha

fence, watching the growth of shrubs and trees that he had transplanted,

and with cheering talk lightening the labors of his workmen.

[Illustration: ELIZABETH FENIMORE COOPER IN THE OLD HALL HOME.]

[Illustration: COOPER'S ANGEVINE FARM HOME.]

[Illustration: MAMARONECK CREEK SLOOPS.]

"In 1818 Cooper was made paymaster, and in the next year quartermaster

in the Fourth Division of Infantry, New York State Militia. As Governor

Clinton's aid, in blue and buff uniform, cocked hat, and sword, and

title of colonel, he would go to reviews on his favorite horse,

'Bull-head.'"

At that time each village on the Sound had its sloop which carried the

farmer's produce thrice a week through the perils of Hell Gate to Fulton

market, and brought back tea, sugar, cloth, calicoes, and silks, and,

perchance, some volume fresh from the London press,--a bit of Byron's

brilliance, a romance from the unknown author of "Waverley," one of Miss

Edgeworth's charming tales, or the more serious religious work of

Wilberforce--which had "arrived by packet-ship from England"--the next

day's papers would announce. Lucky was thought the household that could

first cut the pages of the new print.

Reading, which always enters so naturally into country life, made

pleasant their evening hours and rainy days at Angevine. Mr. Cooper was

a fine reader. His voice was deep, clear, and expressive, and during

those quiet country evenings he often read aloud to one "who listened

with affectionate interest through a long life," and he read to her with

special pleasure. For Shakespeare he was always ready. Pope, Thompson,

and Gray were also in favor, but not more than a page or two at a time

of Milton. He thought that Shakespeare should have written "Paradise

Lost." "He took the greatest delight in the 'Waverley' novels, and never

doubted they were written by Walter Scott, the poet. On one occasion a

new novel chanced to lie on the table and he was asked to read it. The

title and look of the book were not to his taste; he opened it, however,

and began. Suddenly, after reading through a few pages, it was thrown

aside in disgust: 'I can write a better book than that myself!' was his

exclamation." Mrs. Cooper laughed at the absurd idea that he, who

disliked writing even a letter, should write a book, and playfully

challenged him to make good his word; and when urged to begin, he at

once outlined a tale of English high-life. As the story grew, the writer

became interested, and before long the first pages of Cooper's first

book, "Precaution, or Prevention is Better than Cure," were written.

When finished, much to his amazement, Mrs. Cooper further urged him to

publish it; so, with the manuscript, they set out in their gig to seek

counsel of the Jays at Bedford, and other friends, who approved. "One

lady, not in the secret, felt sure she had read it before." It was

published, without the author's name, August 25, 1820, and was credited

to an English woman. A.T. Goodrich, the publisher, surprised the public

by declaring it the work of an American gentleman of New York. It was

soon republished in England, and claimed the attention usually accorded

that style of book in its day. Whatever of its worth, the work had

awakened Cooper's powers; and its modest success in a field new to him

led his friends to urge him to write on subjects that were in near touch

with his daily life. None knew better than he the frontier and

sea-faring life of his own and earlier times. So, then, for

home-country subjects, and thinking it would be his last attempt, he

exclaimed, "I will write another book!" and soon decided on patriotism

as its _motif_. At this period many were the visits to Judge Jay's

Westchester home at Bedford. The house, part of wood and part of stone,

had a spacious, comfortable piazza along its front. The interior had

more of cheerfulness than of elegance, but a great air of abundance, and

was a peaceful shelter for the waning days of that eminent statesman and

patriot. Of this household Cooper wrote later: "I scarcely remember to

have mingled with any family where there was a more happy union of quiet

decorum and high courtesy than I met with beneath the roof of Mr. Jay."

To no place more fitting than his wistaria-covered library could Cooper

have gone for patriotic inspiration. The venerable Judge, as he smoked

his long clay pipe, used to delight in telling anecdotes of the

Revolution, "the truth of which," he said, "never had been and never

would be written."

[Illustration: JUDGE JOHN JAY.]

[Illustration: BEDFORD HOUSE.]

[Illustration: BEDFORD HOUSE LIBRARY.]

One summer afternoon, while sitting on his broad piazza under the

lindens, Cooper, with others, listened to the Judge's recital of the

story of a spy's great struggles and unselfish loyalty while serving his

country in the American Revolution, and the story gave Cooper an idea

for his "Harvey Birch." The fact that strolling peddlers, staff in hand

and pack on back, were common visitors then at country houses, became

another aid. "It was after such a visit of a Yankee peddler of the old

sort, to the cottage at Angevine, that Harvey's lot in life was

decided--he was to be a spy and a peddler." It was something to the

author's after regret that he drew the dignity of George Washington into

the "Harper" of this story.

[Illustration: HARVEY BIRCH'S CAVE.]

"The entire country between the Americans on the skirts of the Highlands

and the British on Manhattan--or 'the Neutral Ground'--suffered more in

harried skirmishes, pillage, violence, fire, and the taking of life

itself, than any of its extent during this strife." Scarsdale and

Mamaroneck were in this region, with White Plains close by. Fort

Washington was on a near height, and Dobb's Ferry a few miles off. "The

Coopers' daily drive from Angevine discovered a pretty thicket, some

swampy land, and a cave in which to hide the loyal, to be fed by

friendly hands at night until escape was possible. There were also at

hand the gloomy horrors of a haunted wood where gliding ghosts fought

midnight battles"--all of this the farmers _knew_ and could tell of,

too. One of them, "Uncle John," lived just below the home hill in a wee

cot of four walls, each of a different color--red, yellow, brown, and

white. He frequently came up the Angevine-home hill to tell, between his

apples, nuts, and glasses of cider, tales of what he, too, _knew_, to a

good listener,--the master of the house. Then there was "Major Brom B.,

a hero of the great war, with his twenty-seven martial spirits, all

uniformed in silver gray, his negro Bonny and his gun, 'the Bucanneer,'

had not its fellow on the continent." These were all aids, and sources

of unfailing interest about the many Westchester chimney firesides of

that day. In his "Literary Haunts and Homes," Dr. Theodore F. Wolfe

tells of a fine, old-time home, beyond the valley below Cooper's

Angevine farm, where he placed many an exciting scene of this coming

tale. In 1899 Dr. Wolfe notes the house as changed, only by a piazza

across its front, from the days when Cooper knew it well, and that it

was pleasantly shaded by many of the fine, tall trees that gave it the

name of "The Locusts," which it kept in his story as the home of the

Whartons. The descendants of the family he used to visit still live

there, and one of them showed Dr. Wolfe all that was left of "The Four

Corners," Betty Flanigan's hotel, whence Harvey Birch, Cooper's hero,

escaped in Betty's petticoats. Cooper made these familiar scenes of

southern New York the background of his second book, "The Spy, a Tale of

the Neutral Ground," which also was published, without the author's

name, December 22, 1821. Its success called for a new edition the

following March, and its translation into many foreign tongues. Of

Cooper's "Betty Flanigan" Miss Edgeworth declared, "An Irish pen could

not have drawn her better." Except Irving's "Sketch Book," his

"Knickerbocker's History of New York," and Bryant's thin volume of eight

poems, there were few books by native writers when "The Spy" appeared;

and "then it was that the new world awakened to the surprising discovery

of her first _American_ novelist. The glory that Cooper justly won was

reflected on his country, of whose literary independence he was the

pioneer. 'The Spy' had the charm of reality; it tasted of the soil."

While the American press was slow to admit the merit of "The Spy," a

cordial welcome was given the book in "The Port Folio." It was written

by Mrs. Sarah Hall, mother of the editor, and author of "Conversations

on the Bible." This act of timely kindness Cooper never forgot. June 30,

1822, Washington Irving, from London, wrote Mr. John E. Hall, the

editor: "'The Spy' is extremely well spoken of by the best circles,--not

a bit better than it deserves, for it does the author great credit."

[Illustration: THE LOCUSTS OF COOPER'S TIME.]

[Illustration: TITLE-PAGE OF THE FIRST EDITION OF "THE SPY."]

[Illustration: ENOCH CROSBY.]

In 1826, when "The Spy" was before the footlights in Lafayette Theatre,

on Broadway, near Canal Street, Enoch Crosby, the supposed original spy,

appeared in a box with friends, and "was given thunders of applause."

From "Portraits of Cooper's Heroines," by the Rev. Ralph Birdsall of

Cooperstown, is gleaned: On the walls of the Newport home of the Rev.

John Cornell hang two old portraits that have close connection with the

inner history of "The Spy." To their present owner they came from the

New York home of his mother, the late Mrs. Isaac Cornell, and to her

they came from the Somerville, New Jersey, home of her father, Mr.

Richard Bancker Duyckinck, who in his turn received them from his aunt,

Mrs. Peter Jay,--the subject of one of these portraits and at one time

mistress of the Jay mansion at Rye. Over one hundred years ago it was

that, from the walls of this rare old home at Rye, Westchester County,

the grace of these ladies on canvas caught James Cooper's thought to use

them, by description, in his coming book, "The Spy." Chapter XIII

describes closely the personal appearance and style of dress of these

portraits. "Jeanette Peyton," the maiden aunt of Cooper's story, owes

her mature charm to the portrait of Mary Duyckinck, wife of Peter Jay.

From the "cap of exquisite lawn and lace," her gown of rich silk, short

sleeves and "large ruffles" of lace which with "the experience of forty

years," also veiled her shoulders, to the triple row of large pearls

about her throat,--all these details are found in Cooper's text-picture

of Jeanette Peyton. His "Sarah Wharton" no less closely follows the

portrait of Mrs. Jay's older sister, Sarah Duyckinck, who became Mrs.

Richard Bancker. Her name Sarah may have been given purposely to Sarah

Wharton of Cooper's story. Cooper was thirty-two when it was written,

and it is not unlikely that Mrs. Jay, then eighty-five years of age, was

pleased with this delicate tribute the young novelist paid to the beauty

of her own and her sister's youth.

[Illustration: LAFAYETTE THEATRE.]

[Illustration: COOPER'S HEROINES.]

Four daughters and a son now shared the author's home life, and in order

to place his little girls in a school and be near his publishers, Cooper

rented a modest brick house on Broadway, across the street from Niblo's

Garden, near No. 585, Astor's home, which was a grand resort of

Halleck and Irving, who wrote there a part of his "Life of Washington."

Cooper's house was just above Prince Street--then almost out of town.

[Illustration: WINDHURST'S NOOK, UNDER THE PARK THEATRE.]

The modern club being then unknown, the brilliant men of the day met in

taverns, and there talked of "everything under the starry scope of

heaven." In the 1820's there was Edward Windhurst's famous nook under

the sidewalk below Park Theatre, where Edmund Kean, Junius Brutus Booth,

Cooper, Morris, Willis, and Halleck made gay and brilliant talk.

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