“Are you of our fraternity? I see you are not. The secret which
Mademoiselle de Bechamel confided to me in her mad triumph and wild
hoyden spirits--she was but a child, poor thing, poor thing, scarce
fifteen--but I love them young--a folly not unusual with the old!” (Here
Mr. Pinto thrust his knuckles into his hollow eyes; and, I am sorry to
say, so little regardful was he of personal cleanliness, that his tears
made streaks of white over his gnarled dark hands.) “Ah, at fifteen,
poor child, thy fate was terrible! Go to! It is not good to love me,
friend. They prosper not who do. I divine you. You need not say what you
are thinking--”
In truth, I was thinking, if girls fall in love with this sallow
hook-nosed, glass-eyed, wooden-legged, dirty, hideous old man, with the
sham teeth, they have a queer taste. THAT is what I was thinking.
“Jack Wilkes said the handsomest man in London had but half an hour's
start of him. And without vanity, I am scarcely uglier than Jack Wilkes.
We were members of the same club at Medenham Abbey, Jack and I, and had
many a merry night together. Well, sir, I--Mary of Scotland knew me but
as a little hunchbacked music-master; and yet, and yet, I think SHE was
not indifferent to her David Riz--and SHE came to misfortune. They all
do--they all do!”
“Sir, you are wandering from your point!” I said, with some severity.
For, really, for this old humbug to hint that he had been the baboon who
frightened the club at Medenham, that he had been in the Inquisition at
Valladolid--that under the name of D. Riz, as he called it, he had known
the lovely Queen of Scots--was a LITTLE too much. “Sir,” then I said,
“you were speaking about a Miss de Bechamel. I really have not time to
hear all your biography.”
“Faith, the good wine gets into my head.” (I should think so, the old
toper! Four bottles all but two glasses.) “To return to poor Blanche.
As I sat laughing, joking with her, she let slip a word, a little
word, which filled me with dismay. Some one had told her a part of
the Secret--the secret which has been divulged scarce thrice in three
thousand years--the Secret of the Freemasons. Do you know what happens
to those uninitiate who learn that secret? to those wretched men, the
initiate who reveal it?”
As Pinto spoke to me, he looked through and through me with his horrible
piercing glance, so that I sat quite uneasily on my bench. He continued:
“Did I question her awake? I knew she would lie to me. Poor child! I
loved her no less because I did not believe a word she said. I loved her
blue eye, her golden hair, her delicious voice, that was true in song,
though when she spoke, false as Eblis! You are aware that I possess
in rather a remarkable degree what we have agreed to call the mesmeric
power. I set the unhappy girl to sleep. THEN she was obliged to tell me
all. It was as I had surmised. Goby de Mouchy, my wretched, besotted,
miserable secretary, in his visits to the chateau of the Marquis de
Bechamel, who was one of our society, had seen Blanche. I suppose it was
because she had been warned that he was worthless, and poor, artful
and a coward, she loved him. She wormed out of the besotted wretch the
secrets of our Order. 'Did he tell you the NUMBER ONE?' I asked.
“She said, 'Yes.'
“'Did he,' I further inquired, 'tell you the--'
“'Oh, don't ask me, don't ask me!' she said, writhing on the sofa, where
she lay in the presence of the Marquis de Bechamel, her most unhappy
father. Poor Bechamel, poor Bechamel! How pale he looked as I spoke!
'Did he tell you,' I repeated with a dreadful calm, 'the NUMBER TWO?'
She said, 'Yes.'
“The poor old marquis rose up, and clasping his hands, fell on his knees
before Count Cagl---- Bah! I went by a different name then. Vat's in
a name? Dat vich ve call a Rosicrucian by any other name vil smell as
sveet. 'Monsieur,' he said, 'I am old--I am rich. I have five hundred
thousand livres of rentes in Picardy. I have half as much in Artois. I
have two hundred and eighty thousand on the Grand Livre. I am promised
by my Sovereign a dukedom and his orders with a reversion to my heir. I
am a Grandee of Spain of the First Class, and Duke of Volovento. Take
my titles, my ready money, my life, my honor, everything I have in the
world, but don't ask the THIRD QUESTION.'
“'Godefroid de Bouillon, Comte de Bechamel, Grandee of Spain and Prince
of Volovento, in our Assembly what was the oath you swore?'” The old man
writhed as he remembered its terrific purport.
“Though my heart was racked with agony, and I would have died, ay,
cheerfully” (died, indeed, as if THAT were a penalty!) “to spare yonder
lovely child a pang, I said to her calmly, 'Blanche de Bechamel, did
Goby de Mouchy tell you secret NUMBER THREE?'
“She whispered a oui that was quite faint, faint and small. But her poor
father fell in convulsions at her feet.
“She died suddenly that night. Did I not tell you those I love come to
no good? When General Bonaparte crossed the Saint Bernard, he saw in the
convent an old monk with a white beard, wandering about the corridors,
cheerful and rather stout, but mad--mad as a March hare. 'General,' I
said to him, 'did you ever see that face before?' He had not. He had
not mingled much with the higher classes of our society before the
Revolution. I knew the poor old man well enough; he was the last of a
noble race, and I loved his child.”
“And did she die by--?”
“Man! did I say so? Do I whisper the secrets of the Vehmgericht? I
say she died that night: and he--he, the heartless, the villain, the
betrayer,--you saw him seated in yonder curiosity-shop, by yonder
guillotine, with his scoundrelly head in his lap.
“You saw how slight that instrument was? It was one of the first which
Guillotin made, and which he showed to private friends in a HANGAR
in the Rue Picpus, where he lived. The invention created some little
conversation amongst scientific men at the time, though I remember a
machine in Edinburgh of a very similar construction, two hundred--well,
many, many years ago--and at a breakfast which Guillotin gave he showed
us the instrument, and much talk arose amongst us as to whether people
suffered under it.
“And now I must tell you what befell the traitor who had caused all this
suffering. Did he know that the poor child's death was a SENTENCE? He
felt a cowardly satisfaction that with her was gone the secret of
his treason. Then he began to doubt. I had MEANS to penetrate all his
thoughts, as well as to know his acts. Then he became a slave to a
horrible fear. He fled in abject terror to a convent. They still existed
in Paris; and behind the walls of Jacobins the wretch thought himself
secure. Poor fool! I had but to set one of my somnambulists to sleep.
Her spirit went forth and spied the shuddering wretch in his cell. She
described the street, the gate, the convent, the very dress which he
wore, and which you saw to-day.
“And now THIS is what happened. In his chamber in the Rue St. Honore, at
Paris, sat a man ALONE--a man who has been maligned, a man who has been
called a knave and charlatan, a man who has been persecuted even to the
death, it is said, in Roman Inquisitions, forsooth, and elsewhere. Ha!
ha! A man who has a mighty will.
“And looking towards the Jacobins Convent (of which, from his chamber,
he could see the spires and trees), this man WILLED. And it was not yet
dawn. And he willed; and one who was lying in his cell in the convent
of Jacobins, awake and shuddering with terror for a crime which he had
committed, fell asleep.
“But though he was asleep his eyes were open.
“And after tossing and writhing, and clinging to the pallet, and saying,
'No, I will not go,' he rose up and donned his clothes--a gray coat, a
vest of white pique, black satin small-clothes, ribbed silk stockings,
and a white stock with a steel buckle; and he arranged his hair, and
he tied his queue, all the while being in that strange somnolence
which walks, which moves, which FLIES sometimes, which sees, which is
indifferent to pain, which OBEYS. And he put on his hat, and he went
forth from his cell; and though the dawn was not yet, he trod the
corridors as seeing them. And he passed into the cloister, and then into
the garden where lie the ancient dead. And he came to the wicket,
which Brother Jerome was opening just at the dawning. And the crowd was
already waiting with their cans and bowls to receive the alms of the
good brethren.
“And he passed through the crowd and went on his way, and the few people
then abroad who marked him, said, 'Tiens! how very odd he looks!
He looks like a man walking in his sleep!' This was said by various
persons:--
“By milk-women, with their cans and carts, coming into the town.
“By roysterers who had been drinking at the taverns of the Barrier, for
it was Mid-Lent.
“By the sergeants of the watch, who eyed him sternly as he passed near
their halberds.
“But he passed on unmoved by their halberds,
“Unmoved by the cries of the roysterers,
“By the market-women coming with their milk and eggs.
“He walked through the Rue St. Honore, I say:--
“By the Rue Rambuteau,
“By the Rue St. Antoine,
“By the King's Chateau of the Bastille,
“By the Faubourg St. Antoine.
“And he came to No. 29 in the Rue Picpus--a house which then stood
between a court and garden--
“That is, there was a building of one story, with a great coach-door.
“Then there was a court, around which were stables, coach-houses,
offices.
“Then there was a house--a two-storied house, with a perron in front.
“Behind the house was a garden--a garden of two hundred and fifty French
feet in length.
“And as one hundred feet of France equal one hundred and six feet of
England, this garden, my friends, equalled exactly two hundred and
sixty-five feet of British measure.
“In the centre of the garden was a fountain and a statue--or, to speak
more correctly, two statues. One was recumbent,--a man. Over him, sabre
in hand, stood a woman.
“The man was Olofernes. The woman was Judith. From the head, from the
trunk, the water gushed. It was the taste of the doctor:--was it not a
droll of taste?
“At the end of the garden was the doctor's cabinet of study. My faith, a
singular cabinet, and singular pictures!--
“Decapitation of Charles Premier at Vitehall.
“Decapitation of Montrose at Edimbourg.
“Decapitation of Cinq Mars. When I tell you that he was a man of a
taste, charming!
“Through this garden, by these statues, up these stairs, went the pale
figure of him who, the porter said, knew the way of the house. He did.
Turning neither right nor left, he seemed to walk THROUGH the statues,
the obstacles, the flower-beds, the stairs, the door, the tables, the
chairs.
“In the corner of the room was THAT INSTRUMENT, which Guillotin had just
invented and perfected. One day he was to lay his own head under his own
axe. Peace be to his name! With him I deal not!
“In a frame of mahogany, neatly worked, was a board with a half-circle
in it, over which another board fitted. Above was a heavy axe, which
fell--you know how. It was held up by a rope, and when this rope was
untied, or cut, the steel fell.
“To the story which I now have to relate, you may give credence, or not,
as you will. The sleeping man went up to that instrument.
“He laid his head in it, asleep.”
“Asleep?”
“He then took a little penknife out of the pocket of his white dimity
waistcoat.
“He cut the rope asleep.
“The axe descended on the head of the traitor and villain. The notch in
it was made by the steel buckle of his stock, which was cut through.
“A strange legend has got abroad that after the deed was done, the
figure rose, took the head from the basket, walked forth through the
garden, and by the screaming porters at the gate, and went and laid
itself down at the Morgue. But for this I will not vouch. Only of this
be sure. 'There are more things in heaven and earth, Horatio, than are
dreamed of in your philosophy.' More and more the light peeps through
the chinks. Soon, amidst music ravishing, the curtain will rise, and the
glorious scene be displayed. Adieu! Remember me. Ha! 'tis dawn,” Pinto
said. And he was gone.
I am ashamed to say that my first movement was to clutch the cheque
which he had left with me, and which I was determined to present the
very moment the bank opened. I know the importance of these things, and
that men CHANGE THEIR MIND sometimes. I sprang through the streets to
the great banking house of Manasseh in Duke Street. It seemed to me as
if I actually flew as I walked. As the clock struck ten I was at the
counter and laid down my cheque.
The gentleman who received it, who was one of the Hebrew persuasion, as
were the other two hundred clerks of the establishment, having looked at
the draft with terror in his countenance, then looked at me, then called
to himself two of his fellow-clerks, and queer it was to see all their
aquiline beaks over the paper.
“Come, come!” said I, “don't keep me here all day. Hand me over the
money, short, if you please!” for I was, you see, a little alarmed, and
so determined to assume some extra bluster.
“Will you have the kindness to step into the parlor to the partners?”
the clerk said, and I followed him.
“What, AGAIN?” shrieked a bald-headed, red-whiskered gentleman, whom I
knew to be Mr. Manasseh. “Mr. Salathiel, this is too bad! Leave me with
this gentleman, S.” And the clerk disappeared.
“Sir,” he said, “I know how you came by this; the Count de Pinto gave it
you. It is too bad! I honor my parents; I honor THEIR parents; I honor
their bills! But this one of grandma's is too bad--it is, upon my word
now! She've been dead these five-and-thirty years. And this last four
months she has left her burial-place and took to drawing on our 'ouse!
It's too bad, grandma; it is too bad!” and he appealed to me, and tears
actually trickled down his nose.
“Is it the Countess Sidonia's cheque or not?” I asked, haughtily.
“But, I tell you, she's dead! It's a shame!--it's a shame!--it is,
grandmamma!” and he cried, and wiped his great nose in his yellow
pocket-handkerchief. “Look year--will you take pounds instead of
guineas? She's dead, I tell you! It's no go! Take the pounds--one
tausend pound!--ten nice, neat, crisp hundred-pound notes, and go away
vid you, do!”
“I will have my bond, sir, or nothing,” I said; and I put on an attitude
of resolution which I confess surprised even myself.
“Wery vell,” he shrieked, with many oaths, “then you shall have
noting--ha, ha, ha!--noting but a policeman! Mr. Abednego, call a
policeman! Take that, you humbug and impostor!” and here, with an
abundance of frightful language which I dare not repeat, the wealthy
banker abused and defied me.
Au bout du compte, what was I to do, if a banker did not choose to
honor a cheque drawn by his dead grandmother? I began to wish I had my
snuff-box back. I began to think I was a fool for changing that little
old-fashioned gold for this slip of strange paper.
Meanwhile the banker had passed from his fit of anger to a paroxysm of
despair. He seemed to be addressing some person invisible, but in the
room: “Look here, ma'am, you've really been coming it too strong. A
hundred thousand in six months, and now a thousand more! The 'ouse can't
stand it; it WON'T stand it, I say! What? Oh! mercy, mercy!”
As he uttered these words, A Hand fluttered over the table in the air!
It was a female hand: that which I had seen the night before. That
female hand took a pen from the green baize table, dipped it in a
silver inkstand, and wrote on a quarter of a sheet of foolscap on the
blotting-book, “How about the diamond robbery? If you do not pay, I will
tell him where they are.”
What diamonds? what robbery? what was this mystery? That will never
be ascertained, for the wretched man's demeanor instantly changed.
“Certainly, sir;--oh, certainly,” he said, forcing a grin. “How will you
have the money, sir? All right, Mr. Abednego. This way out.”
“I hope I shall often see you again,” I said; on which I own poor
Manasseh gave a dreadful grin, and shot back into his parlor.
I ran home, clutching the ten delicious, crisp hundred pounds, and the
dear little fifty which made up the account. I flew through the streets
again. I got to my chambers. I bolted the outer doors. I sank back in my
great chair, and slept. . . .
My first thing on waking was to feel for my money. Perdition! Where was
I? Ha!--on the table before me was my grandmother's snuff-box, and by
its side one of those awful--those admirable--sensation novels, which I
had been reading, and which are full of delicious wonder.
But that the guillotine is still to be seen at Mr. Gale's, No. 47, High
Holborn, I give you MY HONOR. I suppose I was dreaming about it. I
don't know. What is dreaming? What is life? Why shouldn't I sleep on the
ceiling?--and am I sitting on it now, or on the floor? I am puzzled. But
enough. If the fashion for sensation novels goes on, I tell you I
will write one in fifty volumes. For the present, DIXI. But between
ourselves, this Pinto, who fought at the Colosseum, who was nearly being
roasted by the Inquisition, and sang duets at Holyrood, I am rather
sorry to lose him after three little bits of Roundabout Papers. Et vous?
DE FINIBUS.
When Swift was in love with Stella, and despatching her a letter from
London thrice a month by the Irish packet, you may remember how he would
begin letter No. XXIII., we will say, on the very day when XXII. had
been sent away, stealing out of the coffee-house or the assembly so as
to be able to prattle with his dear; “never letting go her kind hand, as
it were,” as some commentator or other has said in speaking of the Dean
and his amour. When Mr. Johnson, walking to Dodsley's, and touching the
posts in Pall Mall as he walked, forgot to pat the head of one of them,
he went back and imposed his hands on it,--impelled I know not by what
superstition. I have this I hope not dangerous mania too. As soon as a
piece of work is out of hand, and before going to sleep, I like to
begin another: it may be to write only half a dozen lines: but that is
something towards Number the Next. The printer's boy has not yet reached
Green Arbor Court with the copy. Those people who were alive half an
hour since, Pendennis, Clive Newcome, and (what do you call him? what
was the name of the last hero? I remember now!) Philip Firmin, have
hardly drunk their glass of wine, and the mammas have only this
minute got the children's cloaks on, and have been bowed out of my
premises--and here I come back to the study again: tamen usque recurro.
How lonely it looks now all these people are gone! My dear good friends,
some folks are utterly tired of you, and say, “What a poverty of friends
the man has! He is always asking us to meet those Pendennises, Newcomes,
and so forth. Why does he not introduce us to some new characters? Why
is he not thrilling like Twostars, learned and profound like Threestars,
exquisitely humorous and human like Fourstars? Why, finally, is he not
somebody else?” My good people, it is not only impossible to please you
all, but it is absurd to try. The dish which one man devours, another
dislikes. Is the dinner of to-day not to your taste? Let us hope
to-morrow's entertainment will be more agreeable. . . . I resume my
original subject. What an odd, pleasant, humorous, melancholy feeling it
is to sit in the study, alone and quiet, now all these people are gone
who have been boarding and lodging with me for twenty months! They have
interrupted my rest: they have plagued me at all sorts of minutes: they
have thrust themselves upon me when I was ill, or wished to be idle, and
I have growled out a “Be hanged to you, can't you leave me alone now?”
Once or twice they have prevented my going out to dinner. Many and many
a time they have prevented my coming home, because I knew they were
there waiting in the study, and a plague take them! and I have left home
and family, and gone to dine at the Club, and told nobody where I went.
They have bored me, those people. They have plagued me at all sorts of
uncomfortable hours. They have made such a disturbance in my mind
and house, that sometimes I have hardly known what was going on in my
family, and scarcely have heard what my neighbor said to me. They are
gone at last; and you would expect me to be at ease? Far from it. I
should almost be glad if Woolcomb would walk in and talk to me; or
Twysden reappear, take his place in that chair opposite me, and begin
one of his tremendous stories.
Madmen, you know, see visions, hold conversations with, even draw the
likeness of, people invisible to you and me. Is this making of
people out of fancy madness? and are novel-writers at all entitled to
strait-waistcoats? I often forget people's names in life; and in my own
stories contritely own that I make dreadful blunders regarding them; but
I declare, my dear sir, with respect to the personages introduced into
your humble servant's fables, I know the people utterly--I know the
sound of their voices. A gentleman came in to see me the other day,
who was so like the picture of Philip Firmin in Mr. Walker's charming
drawings in the cornhill Magazine, that he was quite a curiosity to me.
The same eyes, beard, shoulders, just as you have seen them from month
to month. Well, he is not like the Philip Firmin in my mind. Asleep,
asleep in the grave, lies the bold, the generous, the reckless,
the tender-hearted creature whom I have made to pass through those
adventures which have just been brought to an end. It is years since I
heard the laughter ringing, or saw the bright blue eyes. When I knew him
both were young. I become young as I think of him. And this morning he
was alive again in this room, ready to laugh, to fight, to weep. As
I write, do you know, it is the gray of evening; the house is quiet;
everybody is out; the room is getting a little dark, and I look rather
wistfully up from the paper with perhaps ever so little fancy that HE
MAY COME IN.--No? No movement. No gray shade, growing more palpable, out
of which at last look the well-known eyes. No, the printer came and took
him away with the last page of the proofs. And with the printer's boy
did the whole cortege of ghosts flit away, invisible? Ha! stay! what
is this? Angels and ministers of grace! The door opens, and a dark
form--enters, bearing a black--a black suit of clothes. It is John. He
says it is time to dress for dinner.
*****
Every man who has had his German tutor, and has been coached through the
famous “Faust” of Goethe (thou wert my instructor, good old Weissenborn,
and these eyes beheld the great master himself in dear little Weimar
town!) has read those charming verses which are prefixed to the drama,
in which the poet reverts to the time when his work was first composed,
and recalls the friends now departed, who once listened to his song. The
dear shadows rise up around him, he says; he lives in the past again. It
is to-day which appears vague and visionary. We humbler writers cannot
create Fausts, or raise up monumental works that shall endure for all
ages; but our books are diaries, in which our own feelings must of
necessity be set down. As we look to the page written last month, or ten
years ago, we remember the day and its events; the child ill, mayhap, in
the adjoining room, and the doubts and fears which racked the brain as
it still pursued its work; the dear old friend who read the commencement
of the tale, and whose gentle hand shall be laid in ours no more. I own
for my part that, in reading pages which this hand penned formerly, I
often lose sight of the text under my eyes. It is not the words I see;
but that past day; that bygone page of life's history; that tragedy,
comedy it may be, which our little home company was enacting; that
merry-making which we shared; that funeral which we followed; that
bitter, bitter grief which we buried.
And, such being the state of my mind, I pray gentle readers to deal
kindly with their humble servant's manifold shortcomings, blunders, and
slips of memory. As sure as I read a page of my own composition, I find
a fault or two, half a dozen. Jones is called Brown. Brown, who is dead,
is brought to life. Aghast, and months after the number was printed, I
saw that I had called Philip Firmin, Clive Newcome. Now Clive Newcome is
the hero of another story by the reader's most obedient writer. The two
men are as different, in my mind's eye, as--as Lord Palmerston and Mr.
Disraeli let us say. But there is that blunder at page 990, line 76,
volume 84 of the Cornhill Magazine, and it is past mending; and I wish
in my life I had made no worse blunders or errors than that which is
hereby acknowledged.
Another Finis written. Another mile-stone passed on this journey from
birth to the next world! Sure it is a subject for solemn cogitation.
Shall we continue this story-telling business and be voluble to the
end of our age? Will it not be presently time, O prattler, to hold your
tongue, and let younger people speak? I have a friend, a painter, who,
like other persons who shall be nameless, is growing old. He has never
painted with such laborious finish as his works now show. This master is
still the most humble and diligent of scholars. Of Art, his mistress, he
is always an eager, reverent pupil. In his calling, in yours, in mine,
industry and humility will help and comfort us. A word with you. In
a pretty large experience I have not found the men who write books
superior in wit or learning to those who don't write at all. In regard
of mere information, non-writers must often be superior to writers. You
don't expect a lawyer in full practice to be conversant with all kinds
of literature; he is too busy with his law; and so a writer is commonly
too busy with his own books to be able to bestow attention on the works
of other people. After a day's work (in which I have been depicting,
let us say, the agonies of Louisa on parting with the Captain, or the
atrocious behavior of the wicked Marquis to Lady Emily) I march to the
Club, proposing to improve my mind and keep myself “posted up,” as the
Americans phrase it, with the literature of the day. And what happens?
Given, a walk after luncheon, a pleasing book, and a most comfortable
armchair by the fire, and you know the rest. A doze ensues. Pleasing
book drops suddenly, is picked up once with an air of some confusion,
is laid presently softly in lap: head falls on comfortable arm-chair
cushion: eyes close: soft nasal music is heard. Am I telling Club
secrets? Of afternoons, after lunch, I say, scores of sensible fogies
have a doze. Perhaps I have fallen asleep over that very book to which
“Finis” has just been written. “And if the writer sleeps, what happens
to the readers?” says Jones, coming down upon me with his lightning wit.
What? You DID sleep over it? And a very good thing too. These eyes
have more than once seen a friend dozing over pages which this hand has
written. There is a vignette somewhere in one of my books of a friend so
caught napping with “Pendennis,” or the “Newcomes,” in his lap and if
a writer can give you a sweet soothing, harmless sleep, has he not done
you a kindness? So is the author who excites and interests you worthy
of your thanks and benedictions. I am troubled with fever and ague, that
seizes me at odd intervals and prostrates me for a day. There is
cold fit, for which, I am thankful to say, hot brandy-and-water is
prescribed, and this induces hot fit, and so on. In one or two of these
fits I have read novels with the most fearful contentment of mind. Once,
on the Mississippi, it was my dearly beloved “Jacob Faithful:” once at
Frankfort O. M., the delightful “Vingt Ans Apres” of Monsieur Dumas:
once at Tunbridge wells, the thrilling “Woman in White:” and these books
gave me amusement from morning till sunset. I remember those ague fits
with a great deal of pleasure and gratitude. Think of a whole day
in bed, and a good novel for a companion! No cares: no remorse
about idleness: no visitors: and the Woman in White or the Chevalier
d'Artagnan to tell me stories from dawn to night! “Please, ma'am, my
master's compliments, and can he have the third volume?” (This message
was sent to an astonished friend and neighbor who lent me, volume by
volume, the W. in W.) How do you like your novels? I like mine strong,
“hot with,” and no mistake: no love-making: no observations about
society: little dialogue, except where the characters are bullying each
other: plenty of fighting: and a villain in the cupboard, who is to
suffer tortures just before Finis. I don't like your melancholy Finis. I
never read the history of a consumptive heroine twice. If I might give
a short hint to an impartial writer (as the Examiner used to say in old
days), it would be to act, NOT a la mode le pays de Pole (I think
that was the phraseology), but ALWAYS to give quarter. In the story
of Philip, just come to an end, I have the permission of the author
to state, that he was going to drown the two villains of the
piece--a certain Doctor F---- and a certain Mr. T. H---- on board
the “President,” or some other tragic ship--but you see I relented. I
pictured to myself Firmin's ghastly face amid the crowd of shuddering
people on that reeling deck in the lonely ocean, and thought, “Thou
ghastly lying wretch, thou shalt not be drowned: thou shalt have a
fever only; a knowledge of thy danger; and a chance--ever so small a
chance--of repentance.” I wonder whether he DID repent when he found
himself in the yellow-fever, in Virginia? The probability is, he
fancied that his son had injured him very much, and forgave him on his
death-bed. Do you imagine there is a great deal of genuine right-down
remorse in the world? Don't people rather find excuses which make
their minds easy; endeavor to prove to themselves that they have been
lamentably belied and misunderstood; and try and forgive the persecutors
who WILL present that bill when it is due; and not bear malice against
the cruel ruffian who takes them to the police-office for stealing the
spoons? Years ago I had a quarrel with a certain well-known person (I
believed a statement regarding him which his friends imparted to me, and
which turned out to be quite incorrect). To his dying day that quarrel
was never quite made up. I said to his brother, “Why is your brother's
soul still dark against me? It is I who ought to be angry and
unforgiving: for I was in the wrong.” In the region which they now
inhabit (for Finis has been set to the volumes of the lives of both
here below), if they take any cognizance of our squabbles, and
tittle-tattles, and gossips on earth here, I hope they admit that
my little error was not of a nature unpardonable. If you have never
committed a worse, my good sir, surely the score against you will not be
heavy. Ha, dilectissimi fratres! It is in regard of sins NOT found
out that we may say or sing (in an undertone, in a most penitent and
lugubrious minor key), Miserere nobis miseris peccatoribus.
Among the sins of commission which novel-writers not seldom perpetrate,
is the sin of grandiloquence, or tall-talking, against which, for
my part, I will offer up a special libera me. This is the sin of
schoolmasters, governesses, critics, sermoners, and instructors of young
or old people. Nay (for I am making a clean breast, and liberating my
soul), perhaps of all the novel-spinners now extant, the present speaker
is the most addicted to preaching. Does he not stop perpetually in
his story and begin to preach to you? When he ought to be engaged with
business, is he not for ever taking the Muse by the sleeve, and plaguing
her with some of his cynical sermons? I cry peccavi loudly and heartily.
I tell you I would like to be able to write a story which should show no
egotism whatever--in which there should be no reflections, no cynicism,
no vulgarity (and so forth), but an incident in every other page, a
villain, a battle, a mystery in every chapter. I should like to be able
to feed a reader so spicily as to leave him hungering and thirsting for
more at the end of every monthly meal.
Alexandre Dumas describes himself, when inventing the plan of a work, as
lying silent on his back for two whole days on the deck of a yacht in a
Mediterranean port. At the end of the two days he arose and called for
dinner. In those two days he had built his plot. He had moulded a
mighty clay, to be cast presently in perennial brass. The chapters, the
characters, the incidents, the combinations were all arranged in the
artist's brain ere he set a pen to paper. My Pegasus won't fly, so as
to let me survey the field below me. He has no wings, he is blind of
one eye certainly, he is restive, stubborn, slow; crops a hedge when he
ought to be galloping, or gallops when he ought to be quiet. He never
will show off when I want him. Sometimes he goes at a pace which
surprises me. Sometimes, when I most wish him to make the running, the
brute turns restive, and I am obliged to let him take his own time. I
wonder do other novel-writers experience this fatalism? They MUST go
a certain way, in spite of themselves. I have been surprised at the
observations made by some of my characters. It seems as if an occult
Power was moving the pen. The personage does or says something, and
I ask, how the dickens did he come to think of that? Every man has
remarked in dreams, the vast dramatic power which is sometimes evinced;
I won't say the surprising power, for nothing does surprise you in
dreams. But those strange characters you meet make instant observations
of which you never can have thought previously. In like manner, the
imagination foretells things. We spake anon of the inflated style of
some writers. What also if there is an AFFLATED style,--when a writer is
like a Pythoness on her oracle tripod, and mighty words, words which
he cannot help, come blowing, and bellowing, and whistling, and moaning
through the speaking pipes of his bodily organ? I have told you it was a
very queer shock to me the other day when, with a letter of introduction
in his hand, the artist's (not my) Philip Firmin walked into this room,
and sat down in the chair opposite. In the novel of “Pendennis,” written
ten years ago, there is an account of a certain Costigan, whom I had
invented (as I suppose authors invent their personages out of scraps,
heel-taps, odds and ends of characters). I was smoking in a tavern
parlor one night--and this Costigan came into the room alive--the very
man:--the most remarkable resemblance of the printed sketches of the
man, of the rude drawings in which I had depicted him. He had the same
little coat, the same battered hat, cocked on one eye, the same twinkle
in that eye. “Sir,” said I, knowing him to be an old friend whom I
had met in unknown regions, “sir,” I said, “may I offer you a glass of
brandy-and-water?” “Bedad, ye may,” says he, “and I'll sing ye a song
tu.” Of course he spoke with an Irish brogue. Of course he had been in
the army. In ten minutes he pulled out an Army Agent's account, whereon
his name was written. A few months after we read of him in a police
court. How had I come to know him, to divine him? Nothing shall convince
me that I have not seen that man in the world of spirits. In the world
of spirits and water I know I did: but that is a mere quibble of
words. I was not surprised when he spoke in an Irish brogue. I had had
cognizance of him before somehow. Who has not felt that little shock
which arises when a person, a place, some words in a book (there is
always a collocation) present themselves to you, and you know that you
have before met the same person, words, scene, and so forth?
They used to call the good Sir Walter the “Wizard of the North.” What if
some writer should appear who can write so ENCHANTINGLY that he shall
be able to call into actual life the people whom he invents? What if
Mignon, and Margaret, and Goetz von Berlichingen are alive now (though
I don't say they are visible), and Dugald Dalgetty and Ivanhoe were to
step in at that open window by the little garden yonder? Suppose Uncas
and our noble old Leather Stocking were to glide silent in? Suppose
Athos, Porthos, and Aramis should enter with a noiseless swagger,
curling their moustaches? And dearest Amelia Booth, on Uncle Toby's arm;
and Tittlebat Titmouse, with his hair dyed green; and all the Crummles
company of comedians, with the Gil Blas troop; and Sir Roger de
Coverley; and the greatest of all crazy gentlemen, the Knight of La
Mancha, with his blessed squire? I say to you, I look rather wistfully
towards the window, musing upon these people. Were any of them to enter,
I think I should not be very much frightened. Dear old friends, what
pleasant hours I have had with them! We do not see each other very
often, but when we do, we are ever happy to meet. I had a capital
half-hour with Jacob Faithful last night; when the last sheet was
corrected, when “Finis” had been written, and the printer's boy, with
the copy, was safe in Green Arbor Court.
So you are gone, little printer's boy, with the last scratches and
corrections on the proof, and a fine flourish by way of Finis at the
story's end. The last corrections? I say those last corrections seem
never to be finished. A plague upon the weeds! Every day, when I walk in
my own little literary garden-plot, I spy some, and should like to have
a spud, and root them out. Those idle words, neighbor, are past remedy.
That turning back to the old pages produces anything but elation of
mind. Would you not pay a pretty fine to be able to cancel some of them?
Oh, the sad old pages, the dull old pages! Oh, the cares, the ennui, the
squabbles, the repetitions, the old conversations over and over again!
But now and again a kind thought is recalled, and now and again a dear
memory. Yet a few chapters more, and then the last: after which, behold
Finis itself come to an end, and the Infinite begun.
ON A PEAL OF BELLS.
As some bells in a church hard by are making a great holiday clanging in
the summer afternoon, I am reminded somehow of a July day, a garden,
and a great clanging of bells years and years ago, on the very day when
George IV. was crowned. I remember a little boy lying in that garden
reading his first novel. It was called the “Scottish Chiefs.” The
little boy (who is now ancient and not little) read this book in the
summer-house of his great grandmamma. She was eighty years of age then.
A most lovely and picturesque old lady, with a long tortoise-shell cane,
with a little puff, or tour, of snow-white (or was it powdered?) hair
under her cap, with the prettiest little black-velvet slippers and high
heels you ever saw. She had a grandson, a lieutenant in the navy; son
of her son, a captain in the navy; grandson of her husband, a captain in
the navy. She lived for scores and scores of years in a dear little
old Hampshire town inhabited by the wives, widows, daughters of navy
captains, admirals, lieutenants. Dear me! Don't I remember Mrs. Duval,
widow of Admiral Duval; and the Miss Dennets, at the Great House at the
other end of the town, Admiral Dennet's daughters; and the Miss Barrys,
the late Captain Barry's daughters; and the good old Miss Maskews,
Admiral Maskew's daughter; and that dear little Miss Norval, and the
kind Miss Bookers, one of whom married Captain, now Admiral Sir Henry
Excellent, K.C.B.? Far, far away into the past I look and see the little
town with its friendly glimmer. That town was so like a novel of Miss
Austen's that I wonder was she born and bred there? No, we should have
known, and the good old ladies would have pronounced her to be a
little idle thing, occupied with her silly books and neglecting her
housekeeping. There were other towns in England, no doubt, where dwelt
the widows and wives of other navy captains; where they tattled, loved
each other, and quarrelled; talked about Betty the maid, and her fine
ribbons indeed! took their dish of tea at six, played at quadrille every
night till ten, when there was a little bit of supper, after which Betty
came with the lanthorn; and next day came, and next, and next, and so
forth, until a day arrived when the lanthorn was out, when Betty came
no more: all that little company sank to rest under the daisies, whither
some folks will presently follow them. How did they live to be so old,
those good people? Moi qui vous parle, I perfectly recollect old Mr.
Gilbert, who had been to sea with Captain Cook; and Captain Cook, as you
justly observe, dear Miss, quoting out of your “Mangnall's Questions,”
was murdered by the natives of Owhyhee, anno 1779. Ah! don't you
remember his picture, standing on the seashore, in tights and gaiters,
with a musket in his hand, pointing to his people not to fire from the
boats, whilst a great tattooed savage is going to stab him in the
back? Don't you remember those houris dancing before him and the other
officers at the great Otaheite ball? Don't you know that Cook was at the
siege of Quebec, with the glorious Wolfe, who fought under the Duke of
Cumberland, whose royal father was a distinguished officer at Ramillies,
before he commanded in chief at Dettingen? Huzza! Give it them, my lads!
My horse is down? Then I know I shall not run away. Do the French run?
then I die content. Stop. Wo! Quo me rapis? My Pegasus is galloping off,
goodness knows where, like his Majesty's charger at Dettingen.
How do these rich historical and personal reminiscences come out of the
subject at present in hand? What IS that subject, by the way? My dear
friend, if you look at the last essaykin (though you may leave it alone,
and I shall not be in the least surprised or offended), if you look at
the last paper, where the writer imagines Athos and Porthos, Dalgetty
and Ivanhoe, Amelia and Sir Charles Grandison, Don Quixote and Sir
Roger, walking in at the garden-window, you will at once perceive
that NOVELS and their heroes and heroines are our present subject of
discourse, into which we will presently plunge. Are you one of us, dear
sir, and do you love novel-reading? To be reminded of your first novel
will surely be a pleasure to you. Hush! I never read quite to the end
of my first, the “Scottish Chiefs.” I couldn't. I peeped in an alarmed
furtive manner at some of the closing pages. Miss Porter, like a kind
dear tender-hearted creature, would not have Wallace's head chopped off
at the end of Vol. V. She made him die in prison,* and if I remember
right (protesting I have not read the book for forty-two or three
years), Robert Bruce made a speech to his soldiers, in which he said,
“And Bannockburn shall equal Cambuskenneth.” ** But I repeat I could
not read the end of the fifth volume of that dear delightful book for
crying. Good heavens! It was as sad, as sad as going back to school.
* I find, on reference to the novel, that Sir William died
on the scaffold, not in prison. His last words were, “'My
prayer is heard. Life's cord is cut by heaven. Helen!
Helen! May heaven preserve my country, and--' He stopped.
He fell. And with that mighty shock the scaffold shook to
its foundations.”
** The remark of Bruce (which I protest I had not read for
forty-two years), I find to be as follows:--“When this was
uttered by the English heralds, Bruce turned to Ruthven,
with an heroic smile, 'Let him come, my brave barons! and he
shall find that Bannockburn shall page with Cambuskenneth!'”
In the same amiable author's famous novel of “Thaddeus of
Warsaw,” there is more crying than in any novel I ever
remember to have read. See, for example, the last page. . . .
“Incapable of speaking, Thaddeus led his wife back to her
carriage. . . . His tears gushed out in spite of himself,
and mingling with hers, poured those thanks, those
assurances, of animated approbation through her heart, which
made it even ache with excess of happiness.” . . . And a
sentence or two further. “Kosciusko did bless him, and
embalmed the benediction with a shower of tears.”
The glorious Scott cycle of romances came to me some four or five years
afterwards; and I think boys of our year were specially fortunate in
coming upon those delightful books at that special time when we
could best enjoy them. Oh, that sunshiny bench on half-holidays, with
Claverhouse or Ivanhoe for a companion! I have remarked of very late
days some little men in a great state of delectation over the romances
of Captain Mayne Reid, and Gustave Aimard's Prairie and Indian Stories,
and during occasional holiday visits, lurking off to bed with the volume
under their arms. But are those Indians and warriors so terrible as our
Indians and warriors were? (I say, are they? Young gentlemen, mind, I do
not say they are not.) But as an oldster I can be heartily thankful for
the novels of the 1-10 Geo. IV., let us say, and so downward to a period
not unremote. Let us see there is, first, our dear Scott. Whom do I love
in the works of that dear old master? Amo--
The Baron of Bradwardine and Fergus. (Captain Waverley is certainly very
mild.)
Amo Ivanhoe; LOCKSLEY; the Templar.
Amo Quentin Durward, and especially Quentin's uncle, who brought the
boar to bay. I forget the gentleman's name.
I have never cared for the Master of Ravenswood, or fetched his hat out
of the water since he dropped it there when I last met him (circa 1825).
Amo SALADIN and the Scotch knight in the “Talisman.” The Sultan best.
Amo CLAVERHOUSE.
Amo MAJOR DALGETTY. Delightful Major. To think of him is to desire to
jump up, run to the book, and get the volume down from the shelf. About
all those heroes of Scott, what a manly bloom there is, and honorable
modesty! They are not at all heroic. They seem to blush somehow in their
position of hero, and as it were to say, “Since it must be done, here
goes!” They are handsome, modest, upright, simple, courageous, not
too clever. If I were a mother (which is absurd), I should like to be
mother-in-law to several young men of the Walter-Scott-hero sort.
Much as I like those most unassuming, manly, unpretending gentlemen, I
have to own that I think the heroes of another writer, viz.--
LEATHER-STOCKING,
UNCAS,
HARDHEART,
TOM COFFIN,
are quite the equals of Scott's men; perhaps Leather-stocking is better
than any one in “Scott's lot.” La Longue Carabine is one of the great
prize-men of fiction. He ranks with your Uncle Toby, Sir Roger de
Coverley, Falstaff--heroic figures, all--American or British, and the
artist has deserved well of his country who devised them.
At school, in my time, there was a public day, when the boys' relatives,
an examining bigwig or two from the universities, old schoolfellows,
and so forth, came to the place. The boys were all paraded; prizes were
administered; each lad being in a new suit of clothes--and magnificent
dandies, I promise you, some of us were. Oh, the chubby cheeks, clean
collars, glossy new raiment, beaming faces, glorious in youth--fit tueri
coelum--bright with truth, and mirth, and honor! To see a hundred boys
marshalled in a chapel or old hall; to hear their sweet fresh voices
when they chant, and look in their brave calm faces; I say, does not
the sight and sound of them smite you, somehow, with a pang of exquisite
kindness? . . . Well. As about boys, so about Novelists. I fancy the
boys of Parnassus School all paraded. I am a lower boy myself in that
academy. I like our fellows to look well, upright, gentlemanlike. There
is Master Fielding--he with the black eye. What a magnificent build of a
boy! There is Master Scott, one of the heads of the school. Did you ever
see the fellow more hearty and manly? Yonder lean, shambling, cadaverous
lad, who is always borrowing money, telling lies, leering after the
house-maids, is Master Laurence Sterne--a bishop's grandson, and himself
intended for the Church; for shame, you little reprobate! But what a
genius the fellow has! Let him have a sound flogging, and as soon as
the young scamp is out of the whipping-room give him a gold medal. Such
would be my practice if I were Doctor Birch, and master of the school.
Let us drop this school metaphor, this birch and all pertaining thereto.
Our subject, I beg leave to remind the reader's humble servant, is novel
heroes and heroines. How do you like your heroes, ladies? Gentlemen,
what novel heroines do you prefer? When I set this essay going, I sent
the above question to two of the most inveterate novel-readers of my
acquaintance. The gentleman refers me to Miss Austen; the lady says
Athos, Guy Livingston, and (pardon my rosy blushes) Colonel Esmond, and
owns that in youth she was very much in love with Valancourt.
“Valancourt? and who was he?” cry the young people. Valancourt, my
dears, was the hero of one of the most famous romances which ever was
published in this country. The beauty and elegance of Valancourt made
your young grandmammas' gentle hearts to beat with respectful sympathy.
He and his glory have passed away. Ah, woe is me that the glory of
novels should ever decay; that dust should gather round them on the
shelves; that the annual cheques from Messieurs the publishers should
dwindle, dwindle! Inquire at Mudie's, or the London Library, who asks
for the “Mysteries of Udolpho” now? Have not even the “Mysteries of
Paris” ceased to frighten? Alas, our novels are but for a season; and I
know characters whom a painful modesty forbids me to mention, who shall
go to limbo along with “Valancourt” and “Doricourt” and “Thaddeus of
Warsaw.”
A dear old sentimental friend, with whom I discoursed on the subject
of novels yesterday, said that her favorite hero was Lord Orville, in
“Evelina,” that novel which Dr. Johnson loved so. I took down the
book from a dusty old crypt at a club, where Mrs. Barbauld's novelists
repose: and this is the kind of thing, ladies and gentlemen, in which
your ancestors found pleasure:--
“And here, whilst I was looking for the books, I was followed by Lord
Orville. He shut the door after he came in, and, approaching me with a
look of anxiety, said, 'Is this true, Miss Anville--are you going?'
“'I believe so, my lord,' said I, still looking for the books.
“'So suddenly, so unexpectedly: must I lose you?'
“'No great loss, my lord,' said I, endeavoring to speak cheerfully.
“'Is it possible,' said he, gravely, 'Miss Anville can doubt my
sincerity?'
“'I can't imagine,' cried I, 'what Mrs. Selwyn has done with those
books.'
“'Would to heaven,' continued he, 'I might flatter myself you would
allow me to prove it!'
“'I must run up stairs,' cried I, greatly confused, 'and ask what she
has done with them.'
“'You are going then,' cried he, taking my hand, 'and you give me not
the smallest hope of any return! Will you not, my too lovely friend,
will you not teach me, with fortitude like your own, to support your
absence?'
“'My lord,' cried I, endeavoring to disengage my hand, 'pray let me go!'
“'I will,' cried he, to my inexpressible confusion, dropping on one
knee, 'if you wish me to leave you.'
“'Oh, my lord,' exclaimed I, 'rise, I beseech you; rise. Surely your
lordship is not so cruel as to mock me.'
“'Mock you!' repeated he earnestly, 'no, I revere you. I esteem and
admire you above all human beings! You are the friend to whom my soul
is attached, as to its better half. You are the most amiable, the most
perfect of women; and you are dearer to me than language has the power
of telling.'
“I attempt not to describe my sensations at that moment; I scarce
breathed; I doubted if I existed; the blood forsook my cheeks, and my
feet refused to sustain me. Lord Orville hastily rising supported me to
a chair upon which I sank almost lifeless.
“I cannot write the scene that followed, though every word is engraven
on my heart; but his protestations, his expressions, were too flattering
for repetition; nor would he, in spite of my repeated efforts to leave
him, suffer me to escape; in short, my dear sir, I was not proof against
his solicitations, and he drew from me the most sacred secret of my
heart!”*
* Contrast this old perfumed, powdered D'Arblay conversation
with the present modern talk. If the two young people
wished to hide their emotions now-a-days, and express
themselves in modest language, the story would run:--
“Whilst I was looking for the books, Lord Orville came in.
He looked uncommonly down in the mouth, as he said: 'Is this
true, Miss Anville; are you going to cut?'
“'To absquatulate, Lord Orville,' said I, still pretending
that I was looking for the books.
“'You are very quick about it,' said he.
“'Guess it's no great loss,' I remarked, as cheerfully as I
could.
“'You don't think I'm chaffing?' said Orville, with much
emotion.
“'What has Mrs. Selwyn done with the books?' I went on.
“'What, going' said he, 'and going for good? I wish I was
such a good-plucked one as you, Miss Anville,'” &c.
The conversation, you perceive, might be easily written down
to this key; and if the hero and heroine were modern, they
would not be suffered to go through their dialogue on
stilts, but would converse in the natural graceful way at
present customary. By the way, what a strange custom that
is in modern lady novelists to make the men bully the women!
In the time of Miss Porter and Madame D'Arblay, we have
respect, profound bows and curtsies, graceful courtesy, from
men to women. In the time of Miss Bronte, absolute
rudeness. Is it true, mesdames, that you like rudeness, and
are pleased at being ill-used by men? I could point to more
than one lady novelist who so represents you.
Other people may not much like this extract, madam, from your favorite
novel, but when you come to read it, YOU will like it. I suspect that
when you read that book which you so love, you read it a deux. Did
you not yourself pass a winter at Bath, when you were the belle of the
assembly? Was there not a Lord Orville in your case too? As you think
of him eleven lustres pass away. You look at him with the bright eyes
of those days, and your hero stands before you, the brave, the
accomplished, the simple, the true gentleman; and he makes the most
elegant of bows to one of the most beautiful young women the world
ever saw; and he leads you out to the cotillon, to the dear unforgotten
music. Hark to the horns of Elfand, blowing, blowing! Bonne vieille, you
remember their melody, and your heart-strings thrill with it still.
Of your heroic heroes, I think our friend Monseigneur Athos, Count de la
Fere, is my favorite. I have read about him from sunrise to sunset with
the utmost contentment of mind. He has passed through how many volumes?
Forty? Fifty? I wish for my part there were a hundred more, and would
never tire of him reselling prisoners, punishing ruffians, and running
scoundrels through the midriff with his most graceful rapier. Ah,
Athos, Porthos, and Aramis, you are a magnificent trio. I think I like
d'Artagnan in his own memoirs best. I bought him years and years ago,
price fivepence, in a little parchment-covered Cologne-printed volume,
at a stall in Gray's Inn Lane. Dumas glorifies him and makes a Marshal
of him; if I remember rightly, the original d'Artagnan was a needy
adventurer, who died in exile very early in Louis XIV.'s reign. Did you
ever read the “Chevalier d'Harmenthal?” Did you ever read the “Tulipe
Noire,” as modest as a story by Miss Edgeworth? I think of the prodigal
banquets to which this Lucullus of a man has invited me, with thanks and
wonder. To what a series of splendid entertainments he has treated me!
Where does he find the money for these prodigious feasts? They say that
all the works bearing Dumas's name are not written by him. Well? Does
not the chief cook have aides under him? Did not Rubens's pupils paint
on his canvases? Had not Lawrence assistants for his backgrounds? For
myself, being also du metier, I confess I would often like to have a
competent, respectable, and rapid clerk for the business part of my
novels; and on his arrival, at eleven o'clock, would say, “Mr. Jones,
if you please, the archbishop must die this morning in about five pages.
Turn to article 'Dropsy' (or what you will) in Encyclopaedia. Take
care there are no medical blunders in his death. Group his daughters,
physicians, and chaplains round him. In Wales's 'London,' letter B,
third shelf, you will find an account of Lambeth, and some prints of the
place. Color in with local coloring. The daughter will come down, and
speak to her lover in his wherry at Lambeth Stairs,” &c., &c. Jones (an
intelligent young man) examines the medical, historical, topographical
books necessary; his chief points out to him in Jeremy Taylor (fol.,
London, M.DCLV.) a few remarks, such as might befit a dear old
archbishop departing this life. When I come back to dress for dinner,
the archbishop is dead on my table in five pages; medicine, topography,
theology, all right, and Jones has gone home to his family some hours.
Sir Christopher is the architect of St. Paul's. He has not laid the
stones or carried up the mortar. There is a great deal of carpenter's
and joiner's work in novels which surely a smart professional hand might
supply. A smart professional hand? I give you my word, there seem to me
parts of novels--let us say the love-making, the “business,” the villain
in the cupboard, and so forth, which I should like to order John Footman
to take in hand, as I desire him to bring the coals and polish the
boots. Ask ME indeed to pop a robber under a bed, to hide a will which
shall be forthcoming in due season, or at my time of life to write a
namby-pamby love conversation between Emily and Lord Arthur! I feel
ashamed of myself, and especially when my business obliges me to do
the love-passages, I blush so, though quite alone in my study, that
you would fancy I was going off in an apoplexy. Are authors affected
by their own works? I don't know about other gentlemen, but if I make a
joke myself I cry; if I write a pathetic scene I am laughing wildly all
the time--at least Tomkins thinks so. You know I am such a cynic!
The editor of the Cornhill Magazine (no soft and yielding character like
his predecessor, but a man of stern resolution) will only allow these
harmless papers to run to a certain length. But for this veto I should
gladly have prattled over half a sheet more, and have discoursed on many
heroes and heroines of novels whom fond memory brings back to me. Of
these books I have been a diligent student from those early days, which
are recorded at the commencement of this little essay. Oh, delightful
novels, well remembered! Oh, novels, sweet and delicious as the
raspberry open-tarts of budding boyhood! Do I forget one night after
prayers (when we under-boys were sent to bed) lingering at my cupboard
to read one little half-page more of my dear Walter Scott--and down came
the monitor's dictionary upon my head! Rebecca, daughter of Isaac of
York, I have loved thee faithfully for forty years! Thou wert twenty
years old (say) and I but twelve, when I knew thee. At sixty odd, love,
most of the ladies of thy Orient race have lost the bloom of youth,
and bulged beyond the line of beauty; but to me thou art ever young and
fair, and I will do battle with any felon Templar who assails thy fair
name.
ON A PEAR-TREE.
A gracious reader no doubt has remarked that these humble sermons have
for subjects some little event which happens at the preacher's own gate,
or which falls under his peculiar cognizance. Once, you may remember,
we discoursed about a chalk-mark on the door. This morning Betsy, the
housemaid, comes with a frightened look, and says, “Law, mum! there's
three bricks taken out of the garden wall, and the branches broke,
and all the pears taken off the pear-tree!” Poor peaceful suburban
pear-tree! Gaol-birds have hopped about thy branches, and robbed them
of their smoky fruit. But those bricks removed; that ladder evidently
prepared, by which unknown marauders may enter and depart from my little
Englishman's castle; is not this a subject of thrilling interest,
and may it not BE CONTINUED IN A FUTURE NUMBER?--that is the terrible
question. Suppose, having escaladed the outer wall, the miscreants take
a fancy to storm the castle? Well--well! we are armed; we are numerous;
we are men of tremendous courage, who will defend our spoons with our
lives; and there are barracks close by (thank goodness!) whence, at
the noise of our shouts and firing, at least a thousand bayonets will
bristle to our rescue.
What sound is yonder? A church bell. I might go myself, but how listen
to the sermon? I am thinking of those thieves who have made a ladder of
my wall, and a prey of my pear-tree. They may be walking to church
at this moment, neatly shaved, in clean linen, with every outward
appearance of virtue. If I went, I know I should be watching the
congregation, and thinking, “Is that one of the fellows who came over my
wall?” If, after the reading of the eighth Commandment, a man sang out
with particular energy, “Incline our hearts to keep this law,” I
should think, “Aha, Master Basso, did you have pears for breakfast
this morning?” Crime is walking round me, that is clear. Who is the
perpetrator? . . . What a changed aspect the world has, since these last
few lines were written! I have been walking round about my premises, and
in consultation with a gentleman in a single-breasted blue coat, with
pewter buttons, and a tape ornament on the collar. He has looked at the
holes in the wall, and the amputated tree. We have formed our plan of
defence--PERHAPS OF ATTACK. Perhaps some day you may read in the papers,
“DARING ATTEMPT AT BURGLARY--HEROIC VICTORY OVER THE VILLAINS,” &c. &c.
Rascals as yet unknown! perhaps you, too, may read these words, and
may be induced to pause in your fatal intention. Take the advice of a
sincere friend, and keep off. To find a man writhing in my man-trap,
another mayhap impaled in my ditch, to pick off another from my tree
(scoundrel! as though he were a pear) will give me no pleasure; but such
things may happen. Be warned in time, villains! Or, if you MUST pursue
your calling as cracksmen, have the goodness to try some other shutters.
Enough! subside into your darkness, children of night! Thieves! we seek
not to have YOU hanged--you are but as pegs whereon to hang others.
I may have said before, that if I were going to be hanged myself, I
think I should take an accurate note of my sensations, request to
stop at some Public-house on the road to Tyburn and be provided with a
private room and writing-materials, and give an account of my state
of mind. Then, gee up, carter! beg your reverence to continue your
apposite, though not novel, remarks on my situation;--and so we drive up
to Tyburn turnpike, where an expectant crowd, the obliging sheriffs, and
the dexterous and rapid Mr. Ketch are already in waiting.
A number of laboring people are sauntering about our streets and taking
their rest on this holiday--fellows who have no more stolen my pears
than they have robbed the crown jewels out of the Tower--and I say I
cannot help thinking in my own mind, “Are you the rascal who got over
my wall last night?” Is the suspicion haunting my mind written on my
countenance? I trust not. What if one man after another were to come up
to me and say, “How dare you, sir, suspect me in your mind of stealing
your fruit? Go be hanged, you and your jargonels!” You rascal thief! it
is not merely three-halfp'orth of sooty fruit you rob me of, it is my
peace of mind--my artless innocence and trust in my fellow-creatures,
my childlike belief that everything they say is true. How can I hold out
the hand of friendship in this condition, when my first impression is,
“My good sir, I strongly suspect that you were up my pear-tree
last night?” It is a dreadful state of mind. The core is black;
the death-stricken fruit drops on the bough, and a great worm is
within--fattening, and feasting, and wriggling! WHO stole the pears?
I say. Is it you, brother? Is it you, madam? Come! are you ready to
answer--respondere parati et cantare pares? (O shame! shame!)
Will the villains ever be discovered and punished who stole my fruit?
Some unlucky rascals who rob orchards are caught up the tree at once.
Some rob through life with impunity. If I, for my part, were to try
and get up the smallest tree, on the darkest night, in the most remote
orchard, I wager any money I should be found out--be caught by the leg
in a man-trap, or have Towler fastening on me. I always am found out;
have been; shall be. It's my luck. Other men will carry off bushels
of fruit, and get away undetected, unsuspected; whereas I know woe and
punishment would fall upon me were I to lay my hand on the smallest
pippin. So be it. A man who has this precious self-knowledge will surely
keep his hands from picking and stealing, and his feet upon the paths of
virtue.
I will assume, my benevolent friend and present reader, that you
yourself are virtuous, not from a fear of punishment, but from a sheer
love of good: but us you and I walk through life, consider what hundreds
of thousands of rascals we must have met, who have not been found out at
all. In high places and low, in Clubs and on 'Change, at church or
the balls and routs of the nobility and gentry, how dreadful it is for
benevolent beings like you and me to have to think these undiscovered
though not unsuspected scoundrels are swarming! What is the difference
between you and a galley-slave? Is yonder poor wretch at the hulks not a
man and a brother too? Have you ever forged, my dear sir? Have you ever
cheated your neighbor? Have you ever ridden to Hounslow Heath and robbed
the mail? Have you ever entered a first-class railway carriage, where an
old gentleman sat alone in a sweet sleep, daintily murdered him, taken
his pocket-book, and got out at the next station? You know that this
circumstance occurred in France a few months since. If we have travelled
in France this autumn we may have met the ingenious gentleman who
perpetrated this daring and successful coup. We may have found him a
well-informed and agreeable man. I have been acquainted with two or
three gentlemen who have been discovered after--after the performance
of illegal actions. What? That agreeable rattling fellow we met was
the celebrated Mr. John Sheppard? Was that amiable quiet gentleman in
spectacles the well-known Mr. Fauntleroy? In Hazlitt's admirable paper,
“Going to a Fight,” he describes a dashing sporting fellow who was in
the coach, and who was no less a man than the eminent destroyer of Mr.
William Weare. Don't tell me that you would not like to have met (out of
business) Captain Sheppard, the Reverend Doctor Dodd, or others rendered
famous by their actions and misfortunes, by their lives and their
deaths. They are the subjects of ballads, the heroes of romance. A
friend of mine had the house in May Fair, out of which poor Doctor Dodd
was taken handcuffed. There was the paved hall over which he stepped.
That little room at the side was, no doubt, the study where he composed
his elegant sermons. Two years since I had the good fortune to partake
of some admirable dinners in Tyburnia--magnificent dinners indeed;
but rendered doubly interesting from the fact that the house was that
occupied by the late Mr. Sadleir. One night the late Mr. Sadleir took
tea in that dining-room, and, to the surprise of his butler, went out,
having put into his pocket his own cream-jug. The next morning, you
know, he was found dead on Hampstead Heath, with the cream-jug lying by
him, into which he had poured the poison by which he died. The idea of
the ghost of the late gentleman flitting about the room gave a strange
interest to the banquet. Can you fancy him taking his tea alone in the
dining-room? He empties that cream-jug and puts it in his pocket; and
then he opens yonder door, through which he is never to pass again. Now
he crosses the hall: and hark! the hall-door shuts upon him, and his
steps die away. They are gone into the night. They traverse the sleeping
city. They lead him into the fields, where the gray morning is beginning
to glimmer. He pours something from a bottle into a little silver jug.
It touches his lips, the lying lips. Do they quiver a prayer ere that
awful draught is swallowed? When the sun rises they are dumb.
I neither knew this unhappy man, nor his countryman--Laertes let us
call him--who is at present in exile, having been compelled to fly from
remorseless creditors. Laertes fled to America, where he earned
his bread by his pen. I own to having a kindly feeling towards this
scapegrace, because, though an exile, he did not abuse the country
whence he fled. I have heard that he went away taking no spoil with him,
penniless almost; and on his voyage he made acquaintance with a certain
Jew; and when he fell sick, at New York, this Jew befriended him, and
gave him help and money out of his own store, which was but small. Now,
after they had been awhile in the strange city, it happened that the
poor Jew spent all his little money, and he too fell ill, and was in
great penury. And now it was Laertes who befriended that Ebrew Jew. He
fee'd doctors; he fed and tended the sick and hungry. Go to, Laertes! I
know thee not. It may be thou art justly exul patriae. But the Jew shall
intercede for thee, thou not, let us trust, hopeless Christian sinner.
Another exile to the same shore I knew: who did not? Julius Caesar
hardly owed more money than Cucedicus: and, gracious powers! Cucedicus,
how did you manage to spend and owe so much? All day he was at work for
his clients; at night he was occupied in the Public Council. He neither
had wife nor children. The rewards which he received for his orations
were enough to maintain twenty rhetoricians. Night after night I have
seen him eating his frugal meal, consisting but of a fish, a small
portion of mutton, and a small measure of Iberian or Trinacrian wine,
largely diluted with the sparkling waters of Rhenish Gaul. And this was
all he had; and this man earned and paid away talents upon talents; and
fled, owing who knows how many more! Does a man earn fifteen thousand
pounds a year, toiling by day, talking by night, having horrible unrest
in his bed, ghastly terrors at waking, seeing an officer lurking at
every corner, a sword of justice for ever hanging over his head--and
have for his sole diversion a newspaper, a lonely mutton-chop, and a
little sherry and seltzer-water? In the German stories we read how men
sell themselves to--a certain Personage, and that Personage cheats
them. He gives them wealth; yes, but the gold-pieces turn into worthless
leaves. He sets them before splendid banquets yes, but what an awful
grin that black footman has who lifts up the dish-cover; and don't you
smell a peculiar sulphurous odor in the dish? Faugh! take it away; I
can't eat. He promises them splendors and triumphs. The conqueror's ear
rolls glittering through the city, the multitude shout and huzza. Drive
on, coachman. Yes, but who is that hanging on behind the carriage? Is
this the reward of eloquence, talents, industry? Is this the end of a
life's labor? Don't you remember how, when the dragon was infesting
the neighborhood of Babylon, the citizens used to walk dismally out of
evenings, and look at the valleys round about strewed with the bones of
the victims whom the monster had devoured? O insatiate brute, and most
disgusting, brazen, and scaly reptile! Let us be thankful, children,
that it has not gobbled us up too. Quick. Let us turn away, and pray
that we may be kept out of the reach of his horrible maw, jaw, claw!
When I first came up to London, as innocent as Monsieur Gil Blas, I
also fell in with some pretty acquaintances, found my way into several
caverns, and delivered my purse to more than one gallant gentleman of
the road. One I remember especially--one who never eased me personally
of a single maravedi--one than whom I never met a bandit more gallant,
courteous, and amiable. Rob me? Rolando feasted me; treated me to his
dinner and his wine; kept a generous table for his friends, and I
know was most liberal to many of them. How well I remember one of
his speculations! It was a great plan for smuggling tobacco. Revenue
officers were to be bought off; silent ships were to ply on the Thames;
cunning depots were to be established, and hundreds of thousands of
pounds to be made by the coup. How his eyes kindled as he propounded the
scheme to me! How easy and certain it seemed! It might have succeeded, I
can't say: but the bold and merry, the hearty and kindly Rolando came
to grief--a little matter of imitated signatures occasioned a Bank
persecution of Rolando the Brave. He walked about armed, and vowed
he would never be taken alive: but taken he was; tried, condemned,
sentenced to perpetual banishment; and I heard that for some time he was
universally popular in the colony which had the honor to possess him.
What a song he could sing! 'Twas when the cup was sparkling before us,
and heaven gave a portion of its blue, boys, blue, that I remember the
song of Roland at the “Old Piazza Coffee-house.” And now where is the
“Old Piazza Coffee-house?” Where is Thebes? where is Troy? where is the
Colossus of Rhodes? Ah, Rolando, Rolando! thou wert a gallant captain,
a cheery, a handsome, a merry. At ME thou never presentedst pistol.
Thou badest the bumper of Burgundy fill, fill for me, giving those
who preferred it champagne. Caelum non animum, &c. Do you think he has
reformed now that he has crossed the sea, and changed the air? I have
my own opinion. Howbeit, Rolando, thou wert a most kind and hospitable
bandit. And I love not to think of thee with a chain at thy shin.
Do you know how all these memories of unfortunate men have come upon
me? When they came to frighten me this morning by speaking of my robbed
pears, my perforated garden wall, I was reading an article in the
Saturday Review about Rupilius. I have sat near that young man at a
public dinner, and beheld him in a gilded uniform. But yesterday he
lived in splendor, had long hair, a flowing beard, a jewel at his neck,
and a smart surtout. So attired, he stood but yesterday in court; and
to-day he sits over a bowl of prison cocoa, with a shaved head, and in a
felon's jerkin.
That beard and head shaved, that gaudy deputy-lieutenant's coat
exchanged for felon uniform, and your daily bottle of champagne for
prison cocoa, my poor Rupilius, what a comfort it must be to have the
business brought to an end! Champagne was the honorable gentleman's
drink in the House of Commons dining-room, as I am informed. What
uncommonly dry champagne that must have been! When we saw him outwardly
happy, how miserable he must have been! when we thought him prosperous,
how dismally poor! When the great Mr. Harker, at the public dinners,
called out--“Gentlemen, charge your glasses, and please silence for
the Honorable Member for Lambeth!” how that Honorable Member must have
writhed inwardly! One day, when there was a talk of a gentleman's honor
being questioned, Rupilius said, “If any man doubted mine, I would knock
him down.” But that speech was in the way of business. The Spartan boy,
who stole the fox, smiled while the beast was gnawing him under his
cloak: I promise you Rupilius had some sharp fangs gnashing under his.
We have sat at the same feast, I say: we have paid our contribution to
the same charity. Ah! when I ask this day for my daily bread, I pray not
to be led into temptation, and to be delivered from evil.
DESSEIN'S.
I arrived by the night-mail packet from Dover. The passage had been
rough, and the usual consequences had ensued. I was disinclined to
travel farther that night on my road to Paris, and knew the Calais
hotel of old as one of the cleanest, one of the dearest, one of the most
comfortable hotels on the continent of Europe. There is no town more
French than Calais. That charming old “Hotel Dessein,” with its court,
its gardens, its lordly kitchen, its princely waiter--a gentleman of
the old school, who has welcomed the finest company in Europe--have long
been known to me. I have read complaints in The Times, more than once, I
think, that the Dessein bills are dear. A bottle of soda-water certainly
costs--well, never mind how much. I remember as a boy, at the “Ship” at
Dover (imperante Carolo Decimo), when, my place to London being paid, I
had but 12s. left after a certain little Paris excursion (about which my
benighted parents never knew anything), ordering for dinner a whiting, a
beefsteak, and a glass of negus, and the bill was, dinner 7s., glass of
negus 2s., waiter 6d., and only half a crown left, as I was a sinner,
for the guard and coachman on the way to London! And I WAS a sinner. I
had gone without leave. What a long, dreary, guilty forty hours' journey
it was from Paris to Calais, I remember! How did I come to think of
this escapade, which occurred in the Easter vacation of the year 1830?
I always think of it when I am crossing to Calais. Guilt, sir, guilt
remains stamped on the memory, and I feel easier in my mind now that
it is liberated of this old peccadillo. I met my college tutor only
yesterday. We were travelling, and stopped at the same hotel. He had
the very next room to mine. After he had gone into his apartment, having
shaken me quite kindly by the hand, I felt inclined to knock at his door
and say, “Doctor Bentley, I beg your pardon, but do you remember, when I
was going down at the Easter vacation in 1830, you asked me where I
was going to spend my vacation? And I said, With my friend Slingsby, in
Huntingdonshire. Well, sir, I grieve to have to confess that I told you
a fib. I had got 20L. and was going for a lark to Paris, where my friend
Edwards was staying.” There, it is out. The Doctor will read it, for
I did not wake him up after all to make my confession, but protest he
shall have a copy of this Roundabout sent to him when he returns to his
lodge.
They gave me a bedroom there; a very neat room on the first floor,
looking into the pretty garden. The hotel must look pretty much as it
did a hundred years ago when HE visited it. I wonder whether he paid his
bill? Yes: his journey was just begun. He had borrowed or got the money
somehow. Such a man would spend it liberally enough when he had it, give
generously--nay, drop a tear over the fate of the poor fellow whom he
relieved. I don't believe a word he says, but I never accused him of
stinginess about money. That is a fault of much more virtuous people
than he. Mr. Laurence is ready enough with his purse when there are
anybody's guineas in it. Still when I went to bed in the room, in HIS
room; when I think how I admire, dislike, and have abused him, a certain
dim feeling of apprehension filled my mind at the midnight hour. What if
I should see his lean figure in the black-satin breeches, his sinister
smile, his long thin finger pointing to me in the moonlight (for I am
in bed, and have popped my candle out), and he should say, “You mistrust
me, you hate me, do you? And you, don't you know how Jack, Tom,
and Harry, your brother authors, hate YOU?” I grin and laugh in the
moonlight, in the midnight, in the silence. “O you ghost in black-satin
breeches and a wig! I like to be hated by some men,” I say. “I know men
whose lives are a scheme, whose laughter is a conspiracy, whose smile
means something else, whose hatred is a cloak, and I had rather these
men should hate me than not.”
“My good sir,” says he, with a ghastly grin on his lean face, “you have
your wish.”
“Apres?” I say. “Please let me go to sleep. I shan't sleep any the worse
because--”
“Because there are insects in the bed, and they sting you?” (This is
only by way of illustration, my good sir; the animals don't bite me now.
All the house at present seems to me excellently clean.) “'Tis absurd
to affect this indifference. If you are thin-skinned, and the reptiles
bite, they keep you from sleep.”
“There are some men who cry out at a flea-bite as loud as if they were
torn by a vulture,” I growl.
“Men of the genus irritabile, my worthy good gentleman!--and you are
one.”
“Yes, sir, I am of the profession, as you say; and I dare say make a
great shouting and crying at a small hurt.”
“You are ashamed of that quality by which you earn your subsistence,
and such reputation as you have? Your sensibility is your livelihood, my
worthy friend. You feel a pang of pleasure or pain? It is noted in your
memory, and some day or other makes its appearance in your manuscript.
Why, in your last Roundabout rubbish you mention reading your first
novel on the day when King George IV. was crowned. I remember him in his
cradle at St. James's, a lovely little babe; a gilt Chinese railing
was before him, and I dropped the tear of sensibility as I gazed on the
sleeping cherub.”
“A tear--a fiddlestick, MR. STERNE,” I growled out, for of course I
knew my friend in the wig and satin breeches to be no other than the
notorious, nay, celebrated Mr. Laurence Sterne.
“Does not the sight of a beautiful infant charm and melt you, mon ami?
If not, I pity you. Yes, he was beautiful. I was in London the year he
was born. I used to breakfast at the 'Mount Coffee-house.' I did not
become the fashion until two years later, when my 'Tristram' made his
appearance, who has held his own for a hundred years. By the way, mon
bon monsieur, how many authors of your present time will last till the
next century? Do you think Brown will?”
I laughed with scorn as I lay in my bed (and so did the ghost give a
ghastly snigger).
“Brown!” I roared. “One of the most over-rated men that ever put pen to
paper!”
“What do you think of Jones?”
I grew indignant with this old cynic. “As a reasonable ghost, come
out of the other world, you don't mean,” I said, “to ask me a
serious opinion of Mr. Jones? His books may be very good reading for
maid-servants and school-boys, but you don't ask ME to read them? As a
scholar yourself you must know that--”
“Well, then, Robinson?”
“Robinson, I am told, has merit. I dare say; I never have been able
to read his books, and can't, therefore, form any opinion about Mr.
Robinson. At least you will allow that I am not speaking in a prejudiced
manner about HIM.”
“Ah! I see you men of letters have your cabals and jealousies, as we
had in my time. There was an Irish fellow by the name of Gouldsmith,
who used to abuse me; but he went into no genteel company--and faith!
it mattered little, his praise or abuse. I never was more surprised
than when I heard that Mr. Irving, an American gentleman of parts and
elegance, had wrote the fellow's life. To make a hero of that man, my
dear sir, 'twas ridiculous! You followed in the fashion, I hear, and
chose to lay a wreath before this queer little idol. Preposterous!
A pretty writer, who has turned some neat couplets. Bah! I have no
patience with Master Posterity, that has chosen to take up this fellow,
and make a hero of him! And there was another gentleman of my time, Mr.
Thiefcatcher Fielding, forsooth! a fellow with the strength, and the
tastes, and the manners of a porter! What madness has possessed you all
to bow before that Calvert Butt of a man?--a creature without elegance
or sensibility! The dog had spirits, certainly. I remember my Lord
Bathurst praising them: but as for reading his books--ma foi, I would as
lief go and dive for tripe in a cellar. The man's vulgarity stifles me.
He wafts me whiffs of gin. Tobacco and onions are in his great coarse
laugh, which choke me, pardi; and I don't think much better of the
other fellow--the Scots' gallipot purveyor--Peregrine Clinker, Humphrey
Random--how did the fellow call his rubbish? Neither of these men had
the bel air, the bon ton, the je ne scais quoy. Pah! If I meet them in
my walks by our Stygian river, I give them a wide berth, as that
hybrid apothecary fellow would say. An ounce of civet, good apothecary;
horrible, horrible! The mere thought of the coarseness of those men
gives me the chair de poule. Mr. Fielding, especially, has no more
sensibility than a butcher in Fleet Market. He takes his heroes out of
ale-house kitchens, or worse places still. And this is the person
whom Posterity has chosen to honor along with me--ME! Faith, Monsieur
Posterity, you have put me in pretty company, and I see you are no wiser
than we were in our time. Mr. Fielding, forsooth! Mr. Tripe and Onions!
Mr. Cowheel and Gin! Thank you for nothing. Monsieur Posterity!”
“And so,” thought I, “even among these Stygians this envy and
quarrelsomeness (if you will permit me the word) survive? What a pitiful
meanness! To be sure, I can understand this feeling to a certain extent;
a sense of justice will prompt it. In my own case, I often feel myself
forced to protest against the absurd praises lavished on contemporaries.
Yesterday, for instance, Lady Jones was good enough to praise one of my
works. Tres bien. But in the very next minute she began, with quite
as great enthusiasm, to praise Miss Hobson's last romance. My good
creature, what is that woman's praise worth who absolutely admires the
writings of Miss Hobson? I offer a friend a bottle of '44 claret, fit
for a pontifical supper. 'This is capital wine,' says he; 'and now we
have finished the bottle, will you give me a bottle of that ordinaire we
drank the other day?' Very well, my good man. You are a good judge--of
ordinaire, I dare say. Nothing so provokes my anger, and rouses my sense
of justice, as to hear other men undeservedly praised. In a word, if you
wish to remain friends with me, don't praise anybody. You tell me that
the Venus de' Medici is beautiful, or Jacob Omnium is tall. Que diable!
Can't I judge for myself? Haven't I eyes and a foot-rule? I don't think
the Venus IS so handsome, since you press me. She is pretty, but she
has no expression. And as for Mr. Omnium, I can see much taller men in a
fair for twopence.”
“And so,” I said, turning round to Mr. Sterne, “you are actually jealous
of Mr. Fielding? O you men of letters, you men of letters! Is not the
world (your world, I mean) big enough for all of you?”
I often travel in my sleep. I often of a night find myself walking in my
night-gown about the gray streets. It is awkward at first, but somehow
nobody makes any remark. I glide along over the ground with my naked
feet. The mud does not wet them. The passers-by do not tread on them. I
am wafted over the ground, down the stairs, through the doors. This sort
of travelling, dear friends, I am sure you have all of you indulged.
Well, on the night in question (and, if you wish to know the precise
date, it was the 31st of September last), after having some little
conversation with Mr. Sterne in our bedroom, I must have got up, though
I protest I don't know how, and come down stairs with him into the
coffee-room of the “Hotel Dessein,” where the moon was shining, and a
cold supper was laid out. I forget what we had--“vol-au-vent d'oeufs de
Phenix--agneau aux pistaches a la Barmecide,”--what matters what we had?
“As regards supper this is certain, the less you have of it the better.”
That is what one of the guests remarked,--a shabby old man, in a wig,
and such a dirty, ragged, disreputable dressing-gown that I should have
been quite surprised at him, only one never IS surprised in dr---- under
certain circumstances.
“I can't eat 'em now,” said the greasy man (with his false old teeth, I
wonder he could eat anything). “I remember Alvanley eating three suppers
once at Carlton House--one night de petite comite.”
“Petit comite, sir,” said Mr. Sterne.
“Dammy, sir, let me tell my own story my own way. I say, one night at
Carlton house, playing at blind hookey with York, Wales, Tom Raikes,
Prince Boothby, and Dutch Sam the boxer, Alvanley ate three suppers, and
won three and twenty hundred pounds in ponies. Never saw a fellow with
such an appetite, except Wales in his GOOD time. But he destroyed the
finest digestion a man ever had with maraschino, by Jove--always at it.”
“Try mine,” said Mr. Sterne.
“What a doosid queer box,” says Mr. Brummell.
“I had it from a Capuchin friar in this town. The box is but a horn one;
but to the nose of sensibility Araby's perfume is not more delicate.”
“I call it doosid stale old rappee,” says Mr. Brummell--(as for me I
declare I could not smell anything at all in either of the boxes.) “Old
boy in smock-frock, take a pinch?”
The old boy in the smock-frock, as Mr. Brummell called him, was a very
old man, with long white beard, wearing, not a smock-frock, but a shirt;
and he had actually nothing else save a rope round his neck, which hung
behind his chair in the queerest way.
“Fair sir,” he said, turning to Mr. Brummell, “when the Prince of Wales
and his father laid siege to our town--”
“What nonsense are you talking, old cock?” says Mr. Brummell; “Wales
was never here. His late Majesty George IV. passed through on his way to
Hanover. My good man, you don't seem to know what's up at all. What is
he talkin' about the siege of Calais? I lived here fifteen years! Ought
to know. What's his old name?”
“I am Master Eustace of Saint Peter's,” said the old gentleman in the
shirt. “When my Lord King Edward laid siege to this city--”
“Laid siege to Jericho!” cries Mr. Brummell. “The old man is
cracked--cracked, sir!”
“--Laid siege to this city,” continued the old man, “I and five more
promised Messire Gautier de Mauny that we would give ourselves up as
ransom for the place. And we came before our Lord King Edward, attired
as you see, and the fair queen begged our lives out of her gramercy.”
“Queen, nonsense! you mean the Princess of Wales--pretty woman, petit
nez retrousse, grew monstrous stout!” suggested Mr. Brummell, whose
reading was evidently not extensive. “Sir Sidney Smith was a fine
fellow, great talker, hook nose, so has Lord Cochrane, so has Lord
Wellington. She was very sweet on Sir Sidney.”
“Your acquaintance with the history of Calais does not seem to be
considerable,” said Mr. Sterne to Mr. Brummell, with a shrug.
“Don't it, bishop?--for I conclude you are a bishop by your wig. I know
Calais as well as any man. I lived here for years before I took that
confounded consulate at Caen. Lived in this hotel, then at Leleux's.
People used to stop here. Good fellows used to ask for poor George
Brummell; Hertford did, so did the Duchess of Devonshire. Not know
Calais indeed! That is a good joke. Had many a good dinner here: sorry I
ever left it.”
“My Lord King Edward,” chirped the queer old gentleman in the shirt,
“colonized the place with his English, after we had yielded it up to
him. I have heard tell they kept it for nigh three hundred years, till
my Lord de Guise took it from a fair Queen, Mary of blessed memory, a
holy woman. Eh, but Sire Gautier of Mauny was a good knight, a valiant
captain, gentle and courteous withal! Do you remember his ransoming the
----?”
“What is the old fellow twaddlin' about?” cries Brummell. “He is talking
about some knight?--I never spoke to a knight, and very seldom to a
baronet. Firkins, my butterman, was a knight--a knight and alderman.
Wales knighted him once on going into the City.”
“I am not surprised that the gentleman should not understand Messire
Eustace of St. Peter's,” said the ghostly individual addressed as Mr.
Sterne. “Your reading doubtless has not been very extensive?”
“Dammy, sir, speak for yourself!” cries Mr. Brummell, testily. “I never
professed to be a reading man, but I was as good as my neighbors. Wales
wasn't a reading man; York wasn't a reading man; Clarence wasn't a
reading man; Sussex was, but he wasn't a man in society. I remember
reading your 'Sentimental Journey,' old boy: read it to the Duchess
at Beauvoir, I recollect, and she cried over it. Doosid clever amusing
book, and does you great credit. Birron wrote doosid clever books,
too; so did Monk Lewis. George Spencer was an elegant poet, and my dear
Duchess of Devonshire, if she had not been a grande dame, would have
beat 'em all, by George. Wales couldn't write: he could sing, but he
couldn't spell.”
“Ah, you know the great world? so did I in my time, Mr. Brummell. I have
had the visiting tickets of half the nobility at my lodgings in Bond
Street. But they left me there no more cared for than last year's
calendar,” sighed Mr. Sterne. “I wonder who is the mode in London now?
One of our late arrivals, my Lord Macaulay, has prodigious merit and
learning, and, faith, his histories are more amusing than any novels, my
own included.”
“Don't know, I'm sure not in my line. Pick this bone of chicken,” says
Mr. Brummell, trifling with a skeleton bird before him.
“I remember in this city of Calais worse fare than you bird,” said old
Mr. Eustace of Saint Peter's. “Marry, sirs, when my Lord King Edward
laid siege to us, lucky was he who could get a slice of horse for his
breakfast, and a rat was sold at the price of a hare.”
“Hare is coarse food, never tasted rat,” remarked the Beau.
“Table-d'hote poor fare enough for a man like me, who has been
accustomed to the best of cookery. But rat--stifle me! I couldn't
swallow that: never could bear hardship at all.”
“We had to bear enough when my Lord of England pressed us. 'Twas pitiful
to see the faces of our women as the siege went on, and hear the little
ones asking for dinner.”
“Always a bore, children. At dessert, they are bad enough, but at dinner
they're the deuce and all,” remarked Mr. Brummell.
Messire Eustace of St. Peter's did not seem to pay much attention to the
Beau's remarks, but continued his own train of thought as old men will
do.
“I hear,” said he, “that there has actually been no war between us of
France and you men of England for wellnigh fifty year. Ours has ever
been a nation of warriors. And besides her regular found men-at-arms,
'tis said the English of the present time have more than a hundred
thousand of archers with weapons that will carry for half a mile. And
a multitude have come amongst us of late from a great Western country,
never so much as heard of in my time--valiant men and great drawers of
the long bow, and they say they have ships in armor that no shot can
penetrate. Is it so? Wonderful; wonderful! The best armor, gossips, is a
stout heart.”
“And if ever manly heart beat under shirt-frill, thine is that heart,
Sir Eustace!” cried Mr. Sterne, enthusiastically.
“We, of France, were never accused of lack of courage, sir, in so far as
I know,” said Messire Eustace. “We have shown as much in a thousand
wars with you English by sea and land; and sometimes we conquered, and
sometimes, as is the fortune of war, we were discomfited. And notably
in a great sea-fight which befell off Ushant on the first of June --
Our Admiral, messire Villaret de Joyeuse, on board his galleon named the
'Vengeur,' being sore pressed by an English bombard, rather than yield
the crew of his ship to mercy, determined to go down with all on board
of her: and to the cry of Vive la Repub--or, I would say, of Notre Dame
a la Rescousse, he and his crew all sank to an immortal grave--”
“Sir,” said I, looking with amazement at the old gentleman, “surely,
surely, there is some mistake in your statement. Permit me to observe
that the action of the first of June took place five hundred years after
your time, and--”