I afterwards knew that she had been at the point of death, that the

hemorrhage which so often accompanies the first child-birth had nearly

carried her into the unknown. She realized it at the time, felt herself

going, going, but there was no alarm or uneasiness. It was like fading

away into her elements, passing into something almost as much herself

as what she knew, into something familiar, friendly; going out, but

not going out into the cold; perhaps into the cool, the moist, the

colorful, pleasing half-light, half-life, which lacks nervousness

and pain--the elementary, the elemental, the Cosmic, lacking the

meaningless stridency of civilization, possessing the long, quiet line

of primitiveness! She was so civilized that she could easily dispense

with civilization, so sophisticated that she could quietly welcome the

approach of the uttermost simple, the dissolving into the elements of

existence!

How I loved her, how I admired her! Beyond everything else how I

_liked_ her! She pleased my taste so utterly. She thrilled me with

excited pleasure even at the moment when I feared for her life! As

I heard the sharp cry of the new-born, like a clear figure in the

foreground against the deep meaning of the mother’s impersonal silence,

and rushing into the room, saw the strange struggling baby brandished

aloft by the doctor, and the pale face of the woman in the bed, the

danger of it all, the beauty of it all, almost overpowered me.

And then for days and days I rushed about, doing meaningless but

necessary things; prodding the strangely stupid nurse, fiercely

demanding of her punctuality and carefulness; alert, restless, awake,

watchful, untiring, but always with a deep impatience, always feeling

myself inessential, trivial, doing these necessary errands, but

withheld from her, not able to commune with her, not able to be a part

of her; having no longer any relation with her, a mere spectator of her

importance, not an integral part of it!

I wonder if I have not been a mere spectator all my life!--a

super-heated observer? Have I ever been a part of her real life? Is not

my recurrent feeling of almost intolerable loneliness an index, a sign

of her remoteness? In her arms only have I been able to feel united

with something not myself, bigger than myself, a part of something

not myself, my larger self. Under the illusion of the senses and the

amorous fancy I have felt a real bond. Was it, after all, merely an

illusion? Who knows? Perhaps it was a real union, a real oneness, but

with difficulty maintained, impossible to maintain; continuously,

inevitably falling apart, slipping back again into tragic, hopeless

separateness.

_Chapter V_

I have written something of the art of love and of its difficulty. One

aspect of love, what is called the sensual side, is much neglected

by almost all men, especially men of our race and civilization. To

exploit the possibilities of a physical relation is supposed to be

indelicate or indecent. Reticence and unwillingness is confounded with

chastity and purity. Our early sex relations are as a rule hasty and

unloving, with no subtlety or sensuousness, merely violent, nervous

and egotistic. Sexual life seems therefore to most inexperienced

women, even when they live with a man they love, incomprehensible and

unpleasant. They often pass years without the specific reaction, the

complete relaxation and sensuous-spiritual satisfaction without which

the sexual embrace has little æsthetic meaning.

So that women often live with a man for many years and have several

children and yet know little or nothing of the physical side of love.

And if the physical could be separated from the material and the

spiritual this would be of little importance. But words represent

merely abstractions from experience, which is a complex flux of all

things, held in solution. To the sensitively developed human being a

merely sensual relation is impossible; it is inextricably connected

with emotion, thought and imagination, with what we call the spiritual.

And neither relation is possible to the full unless the other is at the

full, too.

A beautiful love relation therefore is impossible without a delicate

sexual adjustment. It is the basis, the superstructure upon which

fine architectural forms are reared. And it is not an easy thing for

a civilized man and woman to have an adequate sensual relation. Each

human being is a peculiar, irreproducible instrument, different from

all other instruments, capable of giving out music of an original

quality but needing the right touch, the right player, who understands

the particular instrument upon which he is playing. If he plays

artistically, beautiful spiritual harmony results, beautiful relations,

beautiful children, and a beautiful attitude to Nature and Society.

Art is long, and we do not at once make the best connection with our

lovers. When I first met her, I was not at all conscious of any sensual

desire. My relations with women had been casual, fragmentary and

nervous, and I had not learned to associate physical intercourse with

spiritual emotion. So that, at first, our relations were lyrical and

light on the sensual side, playful and athletic, smiling, and to her a

little foolish and unmeaning. They were not brutal, but to her they

did not seem to have any particular appeal. She did not feel the sad,

colorful need of full self-and-sex expression and in her eyes was not

the longing left by long nights of mutual giving-up. It was in large

measure because I had not learned to be patient and quiet, to study her

needs and to care more for her pleasure and emotion than for my own,

not realizing that the two were inextricably dependent, one upon the

other.

It is probable that women instinctively know more than men of the art

of love on the physical side. They know that without the quietness

of the soul it is nothing. The deep quiet woman with whom I lived

unconsciously shaped my sex relation with her. She taught me the

subtlety of the approach, the constancy and the continuation of it, and

she herself continually grew in sensuous knowledge. After the birth of

the first child, when she had recovered her health, how her sensuous

beauty and her sensuous knowledge seemed almost more than I could

bear! How brilliant and sensual her skin, how wonderful her instinctive

art, and yet it was not then the full efflorescence, not yet what she

was destined to realize, when our relations grew more complex and more

distressful, and when she had become aroused by other men; then the

whole rich consciousness developed and I was the gainer as well as the

sufferer.

The first child deepened her nature, and each successive child added to

the content of her consciousness. Although it is getting ahead of my

story I cannot refrain from picturing the singular enhancement, sensual

and imaginative, that came after the birth of the third child, a little

girl born in wonderful Italy. The light and color of her skin seemed to

come from some central sun within and to give her the rich, destructive

look of a glorious fallen Magdalene, which corresponded to the deeper

knowledge within her, of life, of sensuousness and of human character.

Her beauty was then to me no pleasure in the charming, lyrical sense.

There was no light, buoyant love in it, but a biting, harassing

insistency, a serious, necessary yearning which was as inexorable

as the sea and deprived me utterly of all hope of peace and of all

desire for peace. I fiercely demanded sensual misery and unutterable

impossible longing, and contentment seemed triviality, meant only for

superficial souls. And when I saw the look of uncontrollable desire in

the faces of other men, and her quick and welcoming consciousness of

it, I cannot describe the kind of torturing pleasure it gave me, as if

I were permitted glimpses into the terrible truth, which perhaps was

destined to shatter me.

How different all this was from those April days of the honeymoon! It

seemed as if thousands of years had intervened, and that just because

we had been in part successful in the art of love, had mutually given

and taken and partly destroyed one another and accepted from and

given to others, and loved children and art and literature, and taken

as fully as we could what came to us from life, just because of all

that richness, our relation had become one that meant the constant

possibility and at times the actuality of almost unbearable pain!

It seems to me at times that all I really care for is sensuality and

ideas, and to me these are never unmixed--there never come to me ideas

without sensuality, nor sensuality without ideas. My mind seems to have

the warmth of my senses and to my senses are lent a hue of meaning

given by the constructing intelligence. It was this mixed field on

which she and I really met. Emotionally we were often far apart, but

always was this keen interest together in the coloring of thought

and the meaning of the sensual. So that we have been close together

without sentimentality and without what is called romance.

And our relation has thus had at least one of the results that is

highly desirable. It has helped us to express ourselves impersonally,

has helped our writing, our understanding, our culture and our human

connections, our appreciation of children and of Nature. It has

done more. It has helped us to an understanding of the struggle of

mankind, and has given us social sympathy. Indeed it is frequently

true of thoughtful human beings capable of the rounded experience

that is called culture, that as the youthful passions--which are

the slighter passions--subside, as our cruder interest in women,

in boon-companionship, in verses and in art-for-art’s sake, falls

away or dies, we turn to the deeper personal relation, to social

morality, to God. Men of forty who when younger sought women and gold

and distinction now try to dig deeper into one relation, fight with

insistency for an abstract idea, for a social panacea, or for a

religion.

It was not a mere coincidence that after the coming of the first child,

my relations to other things than her, to my friends, and to my work

began to undergo if not a change, at least a deepening. I saw much more

in my chance café companions, in the peddler or the poet of the Ghetto,

in the pickpocket and in the submerged generally than ever before.

My interest in my work, which was formerly light and suggestive, a

kind of playfulness, became more serious. The psychology of the thief

and of the revolutionary immigrant formerly amused me as something

exotic and unfamiliar. The boon companions and the girls excited my

senses and satisfied my love of pleasure. But now all these things

came to mean more to me, to connect themselves with my real life.

My intimacy with her, the fact that I was having an ever-deepening

relationship with her, made it impossible for me to approach anything

else with free lightness, with superficial playfulness. Once for all,

the deeper harmonies were touched and they permeated more and more

all my interests and undertakings. As serious intimacy ever developed

between her and me, it developed between me and everything else. I saw

something in work more significant than art. Writing became for me a

human occupation, not a matter of art, nor of business. A thief was a

human being, not a thief; a drunkard became a fine soul in distress,

not a drunkard. An abandoned woman became a figure about whom to

construct a better society, not a prostitute.

My love for my wife, deepened, satisfied and exasperated with

experience, enabled me to approach crime in a passionate and a

profoundly æsthetic way. It led me step by step into what is called

radicalism, into an infidelity to the conventions of my class. To have

one purely passionate relation extends the impulse to be pure, that

is passionate, in all things. The one love leads one to the love of

all, and the love of all re-acts on the love of one, heightening and

intensifying it. I saw everything in terms of the intimate seriousness

my relation with her had developed in my soul.

Our first trip to Italy when the boy was a year and a half old was a

strange and lovely blending of what had been with what was to be. The

honeymoon quality was still there, but it was more sensuous and more

significant, and for the time being it was not troubled. It was in the

charming hill country where the climate is semi-tropical and everything

invites to relaxation. The many hills are capped with beautiful old

towns deserted largely of their inhabitants and as pure in form and

color as shells on the beach. It represents a lovely death, and over

these hills and through these valleys we loved to walk. More often I

went alone, but alone only after being with her, in her arms always

except on the walks. The embrace was as constant as before our marriage

and far deeper and more voluptuous. It seemed to me in that lovely,

languishing, liquid place there were only two realities, her embrace

and the hills with their swoon-inducing atmospheric mantle.

My feeling for those hills and that relaxing, impregnated air, was

indistinguishable from my feeling for her. It seems to me that it was

the result of it, that it could not have been without it. Without the

satisfaction and relaxation after the embrace, I could not have had

that glorious passiveness, that sensuous receptivity in which Nature

came to me as nothing foreign, but as part of my blood and bone, as

a feeling from within. Already my intimacy with her was giving to

external nature a new quality never felt by me before. How I returned

to her from these walks and how I went to these walks from her! How

she sent me forth and how they brought me back! O, the deep, relaxing

sensuousness of it! The long, languid afternoons, the quiet warm

nights! And in and out of it all was the little boy breaking in on

our luxuries with his clear charm, interrupting and diverting his

parents who were caught in a continuous moment of almost impersonal

amorousness, so connected did it seem with the old town, the sky and

the semi-tropical atmosphere!

As I write these memories of a lover I realize that the woman is hardly

more than a shadow to the reader. Or rather, perhaps, she is what

each reader makes her; each lover--and this book means nothing except

to the lover--will see in her the particular woman about whom he has

built his spiritual life--the woman who has realized for him the great

adventure. I know if I can tell the inner truth to me it will be the

inner truth to every lover. To him the doubt, the pleasure; to him

the hope, the disillusion, the pain and joy, as to me--the certainty

of her love for him, the certainty of her indifference. To him, as to

me, the beloved seems one thing at one moment, another at the next, but

always wonderful, always incomprehensible, and beyond all else perhaps,

strange--foreign, giving glimpses always of magic casements opening

on “faery seas,” sometimes forlorn or terrible, sometimes warming and

infinitely consoling.

The inevitable is the deepest mystery; and the naturalness of her

second pregnancy beginning in these languorous Italian hills did not

take from its wonder; rather the contrary. This time to her the new

life was from the first a welcome thing. Perhaps by now her nature had

become adjusted to this intrusion, so that it was no longer intrusion

but completion. Then, too, the first born had become a thing beloved

and the little fellow had been rather lonely and bored in this to

him unexciting quiet, and she foresaw for him a play-fellow. So this

second pregnancy fitted in harmoniously with what she felt in the warm

surroundings and what she hoped for in the colorful future.

But these no doubt are superficial explanations. Who can tell or

know why she breathed in, so to speak, this second pregnancy as she

breathed in the caressing air of this semi-tropical place? Perhaps she

had become a more unconscious part of Nature which does not question

why the seed bursts and grows in the rich, moist earth. And her skin,

giving light and warmth, and suggesting the rich material within from

which life springs was like the sun-bathed fields telling of the damp

pregnancies underneath!

But a terrible disturbance again awaited this quietly brooding soul.

Into her expectant state our daily interests wove themselves with

tranquil ease; our literary work, and talks, our pleasant times with

friends and all the little things and momentary values which relieve

and put in bold relief the vital things of life. This deep disturbance

was not this time due to me. I threw no cone at her in her second

period of travail; nor did I irritate her sensibility. She did not weep

because of me.

There came a bolt from the void--a cable-gram from America telling of

the sudden violent death of her beloved father. I remember I brought

her the message, fearing for her and for the unborn child, for I knew

what that romantic man meant to her. But she took it in the quiet, deep

way with which she takes all serious things. She said no word, she did

not weep, but it went through her whole being and as we both now think

affected deeply the temperament and character and life of the child

that was to be. I have always felt that it was a deeper blow to her

than if she had expressed it more violently. She took it--as she takes

everything--did not throw it off by successive paroxysms, but wove it

into her complete existence, thereby coloring herself and the child,

introducing somber elements into what her nature insisted should always

be harmonious.

_Chapter VI_

We left the sensuous charm of Italy and went back to nervous New York

and its detailed and relatively meaningless activities, and I again

attempted, as I have attempted periodically all through my life, to

become a part of the machinery of practical existence. But the big

deceptive generalizations of philosophy, which I needed in my youth, as

I have explained, to attain equilibrium, and my subsequent absorption

in the deep pathos of love, stood always in my way when I honestly

tried to be interested in what the world calls practical and necessary.

But to all things I invariably tended to apply the measure of eternity,

and eternity spoke to me through the impulses of philosophy and of

love. So that the spur of practical need, which was keen and constant

enough to have chained most men to the wheel of necessary routine,

acted on me mainly as an irritant, leading me into situations,

positions, jobs as they are lugubriously called, but never strong

enough to hold me there. I was continually thrown off onto the bosom

of the Eternal, where only I found significant excitement and troubled

peace.

When our second boy was born I was exceedingly active in journalism and

in other futilities, called important by the best people, and a great

deal was happening to me, in the ordinary way. But these important

events have left no strong impression on my memory. They are vague and

shadowy and have not the quality of value. I know they happened mainly

because from time to time I come across some record of them. Otherwise

they would have been entirely forgotten; have taken their proper place

in general oblivion.

But what I do remember as intensely as though it were happening to me

at this moment is the look of the second child as he came with a flash

of noise into the world. As the doctor waved him in the air to help

him take his first breath in this amazing place, he seemed to me older

than anything I had ever seen or imagined. When I first met Her she

had seemed older and more beautiful and more terrible than the Sphinx,

but he seemed to go back beyond all human expression and to go forward

beyond it all, too, and to represent the suffering essence of Life

itself! He was neither animal nor human, but the something from which

they both come and to which they both go!

What a contrast he was then and has always been to his brother! When

the first child came, he was a baby, a human baby, and at each stage,

up to his early teens, where he now is, he has been the child, the boy,

perfectly and typically the happy, playful child, the romantic active

boy--so much the boy that as yet there has been little else--he has the

boy quality taken to the nth degree!--a beautiful thing, a ridiculous

thing, a baffling, incomprehensible thing, a delightful, innocent

thing, with open joyful eyes, keen to the color of events, unseeing the

unseen harmonies and discords.

To his brother, however, are the unseen harmonies and discords; the

child of the sensuous Italian hills, the child who formed its unborn

life about the spiritual woe of the mother, the child of sensuousness,

the child of disturbance! I have sometimes felt that the blow that

struck her in the midst of rich peace and joy must have come from some

cold, inhuman artist who saw the tragic form--some smiling sculptor who

brutally modeled without regard to human good and evil, thinking only

of the line, of the possibilities inherent in the clay of life.

Whatever the cause--and our causes are all of the fancy; we know no

other--this second child has been strangely sensitive to all things

outside of him. They have filled him with disease and pain, but he has

seen their form--their discord and their harmony. He does not live in

the romantic world of the pure child. He does not become a Sir Lancelot

or a cowboy. He lives in his perceptions of reality, and his instincts

to construct. He is always building, building, indefatigably, even in

the moment of physical pain and weakness. His mood is changed by the

sunlight, by the dampness, and he sensitively understands the emotional

situation of those near him; and it is on the basis of the way this

wonderful, tragic world affects him that he builds, builds.

I am aware that most people love the joyous and the happy; the robust,

the cheerful and the pleasant, the adequate and efficient ones, and

these are indeed a part of the strange rhythm of life that holds us

all, but to me there has always been a peculiar beauty in those who

suffer--not those who merely bear, but those on whom all of life

impinges, on whom rush the quality of all things, rendering them

painfully conscious and sensitive of the beauty and the horror; those

who are affected by the hidden meaning of every event and every form

and whose structure, whose being, is therefore always in imminent

danger, the meaning forced upon them being so constantly great and

unrelenting.

So a part of my love for her--my ever deepening and increasing love

for her--were these successive pregnancies, these material signs of

sensibility to the spirit of life itself; this, her capacity to receive

and to be affected by the germinating seeds of existence, to have her

being threatened and developed at the same time, to be struck and to

expand, and to give birth to little children, through whom existence

passes and who respond constructively to it.

Why do we all struggle for that impossible ideal we call consistency?

I do not know unless it is because we are unable to attain it, and

our strenuous souls desire the unattainable. I loved in her this

insistent sensitiveness, loved to see her receive and use whatever came

to her, and I feverishly brought all I could to her. I passionately

sought for her the widest experience, used my restlessness and my

sociability to bring to her all I knew and loved and enjoyed. I wanted

for her the fullest life, and yet when she responded to the charm and

power of other men, my emotions were not those of unalloyed joy and

satisfaction! I wanted that set of impulses, those spurs to life, to

come through me alone!

The Story of a Lover · 第 2 / 7 段