THE CURTAIN FALLS

THE CONFLAGRATION

PERSONS:

FIELITZ, _Shoemaker and Spy. Near sixty years old._

MRS. FIELITZ, _formerly MRS. WOLFF, his wife. Of the same age._

LEONTINE, _her oldest daughter by her first marriage; unmarried; near

thirty._

SCHMAROWSKI, _Architect._

LANGHEINRICH, _Smith. Thirty years old._

RAUCHHAUPT, _retired Prussian Constable._

GUSTAV, _his oldest son, a congenital imbecile._

MIEZE, LOTTE, TRUDE, LENCHEN, LIESCHEN, MARIECHEN, TIENCHEN, HANNCHEN,

_his daughters._

DR. BOXER, _a vigorous man of thirty-six. Physician. Of Jewish birth._

VON WEHRHAHN, _Justice._

EDE, _Journeyman at LANGHEINRICH'S._

GLASENAPP, _Clerk in the Justice's Court._

SCHULZE, _Constable._

MRS. SCHULZE, _his aunt._

TSCHACHE, _Constable._

A FIREMAN.

A BOY.

JANITOR OF THE COURT.

VILLAGE PEOPLE.

Scene: Anywhere in the neighbourhood of Berlin.

THE FIRST ACT

_The work shop of the shoemaker FIELITZ. A low room with blue tinted

walls. A window to the right. In each of the other walls a door.

Under the window at the right a small platform. Upon it a cobbler's

bench and a small table. On the latter a stand upholding three

spheres of glass filled with water. Near them stands an unlit

coal-oil lamp. In the corner, left, a brown tile oven surrounded by a

bench and kitchen utensils of various kinds._

_SHOEMAKER FIELITZ is still crouching over his work. On the platform

and around it old shoes and boots of every size are heaped up.

FIELITZ is hammering a piece of leather into flexibility._

_MRS. FIELITZ (formerly MRS. WOLFF) is thoughtfully turning over in

her hands a little wooden box and a stearin candle. It is toward

evening, at the end of September._

FIELITZ

You get outta this here shop. Go on now!

MRS. FIELITZ

[_Briefly and contemptuously._] Who d'you think'll come in here now? It's

past six.

FIELITZ

You get outta the shop with that trash o' yours.

MRS. FIELITZ

I wish you wouldn't act so like a fool. What's wrong about this here

little box, eh? A little box like this ain't no harm.

FIELITZ

[_Working with enraged violence._] It's somethin' good, ain't it now?

MRS. FIELITZ

[_Still thoughtfully and half in jest._] The sawdust comes up to here ...

An' then they go an' put a candle plumb in the middle here ...

FIELITZ

Look here, ma, you're too smart for me! If that there smartness o' yours

keeps on, I see myself in gaol one o' these days.

MRS. FIELITZ

[_Harshly._] I s'ppose you can't listen a bit when a person talks to you.

You might pay some attention when I talks to you. Things like that

interest a body.

FIELITZ

I takes an interest in my boots, an' I don't take no interest in nothin'

else.

MRS. FIELITZ

That's it! O Lordy! That'd be a nice state for us. We'd all go an' starve

together. Your cobblin'--there's a lot o' good in that!--They puts the

candle in here. Y'understand? This here little box ain't big enough

neither. That one over there would be more like. Let's throw them

children's shoes out.

[_She turns a box full of children's shoes upside down._

FIELITZ

[_Frightened._] Don't you go in for no nonsense, y'understand?

MRS. FIELITZ

An' then when they've lit the candle--... then they stands it up in the

middle o' the box, so's it can't burn the top, o' course. Then you puts

it, reel still, up in some attic--Grabow didn't do that different

neither--right straight in a heap o' old trash--an' then you goes quiet

to Berlin, an' when you comes back ...

FIELITZ

Ssh! Somebody's comin'! Ssh!

MRS. FIELITZ

An' the devil hisself can't go an' prove nothin' against you.

[_A protracted silence._

FIELITZ

If it was as simple as all that! But that ain't noways as easy as you

thinks. First of all there's got to be air-holes in here. O' course this

here awl--: that'll do for a drill. That thing's got to have a draught,

if you want it to catch! If there ain't no draught, it just smothers!

Fire's gotta have a draught or it won't burn. Somebody's got to lend a

hand here as knows somethin'.

MRS. FIELITZ

Well, that'd be an easy thing for you!

FIELITZ

[_Forgetting his point of view in his growing zeal._] There's gotta be a

draught here an' another here! An' it's all gotta be done just right! An'

then sawdust an' rags here. An' then you go an' pour some kerosene right

in.--There ain't nothin' new in all that. I was out in the world for six

years.

MRS. FIELITZ

Well, exactly. That's what I been sayin'.

FIELITZ

You c'n do that with a sponge an' you c'n do that with a string. All you

gotta do is to steep 'em good an' hard in saltpetre. An' you c'n light

that with burning glasses. It c'n be done twenty steps away!--All that's

been done before now. There ain't nothin' new in all that to me. I know

all about it.

MRS. FIELITZ

An' Grabow's built up again. If he hadn't gone an' taken his courage in

both hands, he'd ha' been in the street long ago.

FIELITZ

That's all right, if a man's in trouble like water up to his neck an' is

goin' to be drowned. Maybe then ...

MRS. FIELITZ

An' there's many as lets the time slip till he is drowned.

[_The doorbell rings._

FIELITZ

Go an' put the box away an' then open the door.

_JUSTICE VON WEHRHAHN enters, wearing a thick overcoat, tall boots

and a fur cap._

WEHRHAHN

Evening, Fielitz! How about those boots?

FIELITZ

They's all right, your honour.

MRS. FIELITZ

You better go an' get a little light so's Mr. von Wehrhahn can see

somethin'.

WEHRHAHN

Well, how is everything and what are you doing, Mrs. Wolff?

MRS. FIELITZ

I ain't no Mrs. Wolff no more.

WEHRHAHN

She's grown very proud, eh, Fielitz? She carries her head very high? She

feels quite set up?

MRS. FIELITZ

Hear that! Marryin's gone to my head? I could ha' lived much better as a

widder.

FIELITZ

[_Who has drawn the lasts out of WEHRHAHN'S boots._] Then you might ha'

gone an' stayed a widder.

MRS. FIELITZ

If I'd ha' known what kind of a feller you are, I wouldn't ha' been in no

hurry. I could ha' gotten an old bandy-legged crittur like you any day o'

the week.

WEHRHAHN

Gently, gently!

FIELITZ

Never you mind her. [_With almost creeping servility._] If you'll be so

very kind, your honour, an' have the goodness to pull off your right

boot. If you'll let me; I c'n do that. So. An' if you'll be so good now

an' put your foot on this here box.

MRS. FIELITZ

[_Holding the burning lamp._] An' how is the Missis, Baron?

WEHRHAHN

Thank you, she's quite well. But she's still lamenting her Mrs. Wolff ...

MRS. FIELITZ

Well, you see, I couldn't do that no more reely. I washed thirty years

an' over for you. You c'n get enough o' anything in that time, I tell

you. I c'n show you my legs some day. The veins is standin' out on 'em,

thick as your fist. That comes from the everlastin' standin' up at the

tub! An' I got frost boils all over me and the rheumatiz in every limb.

They ain't no end to the doctorin' I gotta do! I just gotta wrap myself

up in cotton, an' anyhow I'm cold all day.

WEHRHAHN

Certainly, Mrs. Wolff, I can well believe that.

MRS. FIELITZ

There was a time an' I'd work against anybody. I had a constitootion! You

couldn't ha' found one in ten like it. But nowadays ... O Lord! Things is

lookin' different.

FIELITZ

You c'n holler a little louder if you want to.

WEHRHAHN

I can't blame you, of course, Mrs. Fielitz. Any one who has worked as you

have may well consider herself entitled to some rest.

MRS. FIELITZ

An' then, you see, things keep goin'. We got our livin' right along.

[_She give FIELITZ a friendly nudge on the head._] An' he does his part

all right now. We ain't neither of us lazy, so to speak. If only a body

could keep reel well! But Saturday I gotta go to the doctor again. He

goes and electrilises me with his electrilising machine, you know. I

ain't sayin' but what it helps me. But first of all there's the expenses

of the trip in to Berlin an' then every time he electrilises me that

costs five shillin's. Sometimes, you know, a person, don't know where to

get the money.

FIELITZ

You go ahead an' ram your money down doctors' throats!

WEHRHAHN

[_Treads firmly with his new shoe._] None of us are getting any younger,

Mrs. Fielitz. I'm beginning to feel that quite distinctly myself.

Perfectly natural. Nothing to be done about it. We've simply got to make

up our minds to that.--And, anyhow, you oughtn't to complain. I heard it

said a while ago that your son-in-law had passed his examinations very

well. In that case everything is going according to your wishes.

MRS. FIELITZ

That's true, of course, an' it did make me reel happy too. In the first

place he'll be able to get along much better now that he's somethin' like

an architect ... an' then, he deserved it all ways.--The kind o' time he

had when he was a child! Well, I ain't had no easy time neither, but a

father like that ...

WEHRHAHN

Schmarowski is a fellow of solid worth. I never had any fears for him.

Your Adelaide was very lucky there.--You remember my telling you so at

the time. You came running over to me that time, you recall, when the

engagement was almost broken, and I sent you to Pastor Friederici:--that

shows you the value of spiritual advice. A young man is a young man and

however Christian and upright his life, he's apt to forget himself once

in a while. That's where the natural function of the spiritual adviser

comes in.

MRS. FIELITZ

Yes, yes, I s'ppose you're right enough there. An' I'll never forget what

the pastor did for us that time! If Schmarowski had gone an' left the

girl, she'd never have lived through it, that's certain.

WEHRHAHN

There we've got an instance of what happens when a church and a pastor

are in a place. The house of God that we've built together has brought

many a blessing. So, good evening and good luck to you.--Oh, what I was

going to say, Fielitz: the celebration takes place on Monday morning. You

will be there surely?

MRS. FIELITZ

Naturally he'll come.

FIELITZ

Sure an' certain.

WEHRHAHN

I would hardly know what to do without you, Fielitz. In the meantime,

come in for a moment on Sunday, I'm proposing certain points ... certain

very marked points, and we must pull together vigorously. So, good

evening! Don't forget--we've got to have a strong parade.

FIELITZ

That's right. You can't do them things without one.

[_Exit WEHRHAHN._

FIELITZ

You go an' take that candle out! Will you, please?

MRS. FIELITZ

You're as easy scared as a rabbit, Anton! That's what you are--a reg'lar

rabbit.

_She takes the candle out of the little box. Almost at the same

moment RAUCHHAUPT opens the door and looks in._

RAUCHHAUPT

Good evenin'. Am I intrudin'?

FIELITZ

-- -- -- --

MRS. FIELITZ

Aw, come right into our parlour!

RAUCHHAUPT

Ain't Langheinrich the smith come in yet?

MRS. FIELITZ

Was he goin' to come? No, he ain't been here.

RAUCHHAUPT

We made a special engagement.--I brought along the cross too. Here,

Gustav! Bring that there cross in! [_GUSTAV brings in a cross of cast

iron with an inscription on it._] Go an' put it down on that there box.

FIELITZ

[_Quickly._] No, never mind, Edward, that'll break.

RAUCHHAUPT

Then you c'n just lean it against the wall.

MRS. FIELITZ

So you got through with it at last. [_Calls out through the door._]

Leontine! You come down a minute!

RAUCHHAUPT

Trouble is I had so much to do. I'm buildin' a new hot house, you know.

MRS. FIELITZ

Another one, eh? Ain't that a man for you! You're a reg'lar mole,

Rauchhaupt. The way that man keeps diggin' around in the ground.

RAUCHHAUPT

A man feels best when he's doin' that. That's what we're all made

of--earth: an that's what we're all goin' to turn to again. Why shouldn't

we be diggin' around in the earth? [_He helps himself from the snuff-box

which FIELITZ holds out to him._] That's got a earthy smell, too,

Fielitz. That smells like good, fresh earth.

_LEONTINE enters. A pair of scissors hangs by her side; she has a

thimble on her finger._

LEONTINE

Here I am, mama. What's up?

MRS. FIELITZ

He just brought in papa his hephitaph.

_LEONTINE and MRS. FIELITZ regard the cross thoughtfully._

MRS. FIELITZ

Light the candle for me, girl. [_She hands her the tallow-candle with

which she has been experimenting._] We wants to study the writin' a bit.

RAUCHHAUPT

I fooled around with that thing a whole lot. But I got it to please me in

the end. You c'n go an' look through the whole cemetery three times over

and you'll come away knowin' this is the finest inscription you c'n get.

I went an' convinced myself of that.

[_He sits down on the low platform and fills his nose anew with

snuff._

_MRS. FIELITZ holds the lighted lamp and puzzles out the

inscription._

MRS. FIELITZ

Here rests in ...

LEONTINE

[_Reading on._] In God.

RAUCHHAUPT

That's what I said: in God. I was goin' to write first: in the Lord. But

that's gettin' to be so common.

MRS. FIELITZ

[_Reads on with trembling voice._] Here rests in God the unforgotten

carpenter ... [_Weeping aloud._] Oh, no, I tell you, it's too awful! That

man--he was the best man in the world, he was. A man like that, you c'n

take my word for it, you ain't likely to find no more these days.

LEONTINE

[_Reading on._] ... the unforgotten carpenter Mr. Julian Wolff ...

[_She snivels._

FIELITZ

--Don't you be takin' on now, y'understand? No corpse ain't goin' to come

to life for all your howlin'. [_He hands the whiskey bottle to

RAUCHHAUPT._] Here, Edward, that'll do you good. Them goin's on don't.

[_He gets up and brushes off his blue apron with the air of a man who

has completed his day's work._

RAUCHHAUPT

[_Pointing with the bottle._] Them lines there I made up myself. I'll say

'em over for you; listen now:

"The hearts of all to sin confess" ...

'Tain't everybody c'n do that neither!--

"The hearts of all to sin confess,

The beggar's and the king's no less.

But this man's heart from year to year

Was spotless and like water clear."

[_The women weep more copiously. He continues._] I gotta go over that

with white paint. An' this part here about God is goin' to be Prussian

blue.

[_He drinks._

_The smith LANGHEINRICH enters._

LANGHEINRICH

[_Regarding LEONTINE desirously._] Well now, look here, Rauchhaupt, old

man, I been lookin' for you half an hour! I thought I was to come an'

fetch you, you chucklehead.--Well, are you pleased with the job?

MRS. FIELITZ

Oh, go an' don't bother me, any of you! If a person loses a man like that

one, how's she goin' to get along with you jackasses afterwards!

FIELITZ

Come on, man, an' pull up a stool. You just let her get back to her right

mind.

LANGHEINRICH

[_With sly merriment._] That's right, I always said so myself: this here

dyin' is a invention of the devil.

MRS. FIELITZ

We was married for twenty years an' more. An' there wasn't so much as one

angry word between us. An' the way that man was honest. Not a penny,

no,--he never cheated any man of a penny in all his days. An' sober! He

didn't so much as know what whiskey was like. You could go an' put the

bottle before him an' he wouldn't look at it. An' the way he brought up

his children! What _d'you_ think about, but playin' cards and swillin'

liquor ...

LEONTINE

Gustav is poking out his tongue at me.

RAUCHHAUPT

[_Takes hold of a cobbler's last and throws himself enragedly upon

GUSTAV, who has been making faces at LEONTINE and has poked out his

tongue at her.] You varmint! Ill break your bones!--That rotten crittur

is goin' to be the death o' me yet. I just gets so mad sometimes I think

it's goin' to be the death o' me.

LANGHEINRICH

The poor crittur ain't got his right senses.

RAUCHHAUPT

I wish to God the dam' brat was dead. I'll get so dam' wild some day, if

he ain't, that I'll go an' kill my own flesh an' blood.

FIELITZ

I'd go an' have him locked up in the asylum. Then you don't have the

worry of him no more. D'you want me to write out a petition for you?

RAUCHHAUPT

Don't I know all about petitions? What does they say then: he ain't

dangerous bein' at large.--The whole world ain't nothin' but a asylum. It

ain't dangerous, o' course, that he fires bricks at me, an' unscrews

locks and steals house keys--oh, no, that ain't considered dangerous. No,

an' it's all right for him to eat my tulip bulbs. I c'n just go ahead an'

do the best I can.

MRS. FIELITZ

How did that happen at Grabow's the other day--I mean when his inn the

"Prussian Eagle" burned down?

LANGHEINRICH

Aw, Grabow, he needed just that. It wasn't no Gustav that set that there

fire. He wasn't needed there.

MRS. FIELITZ

They say he's always playin' with matches.

RAUCHHAUPT

Gustav an' matches? Aw, that's all right. If he c'n just go an' hunt up

matches some place, trouble ain't very far off. You know I needs

coverin's for my hot house plants; so I built a kind of a shed. I stored

the straw in there. Well, I tell you, Mrs. Fielitz, that there idjit went

an' burned the shed down. It was bright day an' o' course nobody wasn't

thinkin', an' I got loose boards all over my lot. The shed crackled right

off. It wasn't more'n a puff! But Grabow--he took care o' his fire

hisself.

MRS. FIELITZ

I'd give notice about a thing like that, Rauchhaupt--I mean burnin' down

the shed.

RAUCHHAUPT

I don't get along so very well with Constable Schulze. That's often the

way with people in your own profession. I was honourably retired. He

don't like that. He ain't sooted with that. All right; all that may be

so. An' that I own my own lot, an' that my old woman died. Sure, it ain't

no use denyin' it! I made a few crowns outta all that. An' that my

gardenin' brings in somethin'--well, he don't like to see it. So then

it's easy to say: Rauchhaupt? He don't need no help. He c'n take care o'

hisself. An' that's the end of it.

MRS. FIELITZ

Fred Grabow, he's all right now!

LANGHEINRICH

[_Eagerly._] An' he's got me to thank for it. Only thing is, I pretty

near got into a dam' mess myself that time. You see, I'm captain of the

hook an' ladder. Well, I says to my boys, says I:--I don't know but I

must ha' had more'n I could carry. The whole crowd was pretty well

full!--Well, I says to my boys: Sail right in an' see that there ain't a

stone left standin', 'cause if there is, Grabow'll get one reduction of

insurance after another an' then the whole thing ain't no good to him. I

guess I hollered that out a bit too loud. So when I takes a step or two

backward I thinks all hell's broke loose, 'cause there stands Constable

Schulze an' stares at me. Your health, says I, your health,

captain!--Grabow, you know, was treatin' to beer!--An' then Schulze was

real sociable and took a drink with me.

MRS. FIELITZ

It's queer that nothin' don't come out there. That fellow ain't a bit

cute. How did he manage to do it?

LANGHEINRICH

Everybody likes Fritz Grabow.

MRS. FIELITZ

He ain't got sense enough to count up to three. An' anyhow he had to go

an' take oath.

RAUCHHAUPT

Takin' oath? Aw, that ain't so much! I'll just tell you how 'tis, 'cause

you never can't tell. Who knows about it? Anybody might have to do that

some day. All you do is to twist off one o' your breeches buttons while

you goes ahead and swears reel quiet. You just try it. That's easy as

slidin'.

[_General laughter._

MRS. FIELITZ

He's got one o' his jokin' spells again. I won't have to go an' twist off

a button, I c'n tell you. Things can't get that way with me.--But tell me

this: whose turn is it goin' to be now? It's about time for somebody, you

know. Somethin's got to burn pretty soon now.

LANGHEINRICH

It could be most anybody. Things is lookin' pretty poor over at

Strombergers. The rain's comin' right down into his sittin' room,--Well,

good evenin'. A man's got to have his joke.

MRS. FIELITZ

But who's goin' to drink my hot toddy now?

FIELITZ

You stay right where you are!

LANGHEINRICH

Can't be done. I gotta be goin'. [_He puts an arm around LEONTINE, who

frees herself carelessly and with a contemptuous expression._]--If mother

don't hear my hammerin' downstairs she'll be swimmin' away in tears an'

the bed with her when I gets home.

LEONTINE

That's nothin' but jealousy, mama.

MRS. FIELITZ

Maybe it is, an' maybe she's got reason. You go on up to your work.--How

is the Missis?

LANGHEINRICH

Pretty low. What c'n you expect?

LEONTINE

You'll be drivin' me to work till I gets consumption.

MRS. FIELITZ

If you get consumption, it won't be your dress-makin' that's the cause of

it. You act as much like a ninny as if you was a man.

LANGHEINRICH

[_Putting his arms around MRS. FIELITZ._] Come now, young woman, don't be

so cross! Young people wants to have their fling--that's all. An' they'll

have it, if it's only with Constable Schulze.

[_Exit._

MRS. FIELITZ

Now what's the meanin' o' that?

RAUCHHAUPT

Wait there a minute an' I'll join you.

[_He gets up and motions to GUSTAV, who lifts the iron cross again._

MRS. FIELITZ

Why d'you go an' run off all of a sudden?

RAUCHHAUPT

I gotta go an' get rid o' some work.

[_Exit with GUSTAV.

MRS. FIELITZ

What's the trouble with you an' Langheinrich again? You act like a

fool--that's what you do!

LEONTINE

There ain't no trouble. I want him to leave me alone.

MRS. FIELITZ

He'll be willin' to do that all right! If you're goin' to turn up your

nose an' wriggle around that way, you won't have to take much trouble to

get rid o' him. He don't need nothin' like that!

LEONTINE

But he's a married man.

MRS. FIELITZ

So he is. Let him be. You got no sense 'cause you was born a fool. You

got a baby and no husband; Adelaide's got a husband an' no baby.

[_LEONTINE goes slowly out._

MRS. FIELITZ

If she'd only go an' take advantage o' her chances. There ain't no

tellin' how soon Langheinrich'll be a widower.

FIELITZ

I don't know's I like to see the way Constable Schulze runs after that

girl.

MRS. FIELITZ

[_Sententiously._] You can't run your head through no stone walls. [_She

sits down, takes out a little notebook and turns its leaves._] You got a

office. All right. Why shouldn't you have? Things is _as_ they is. But

havin' a office you got to look out all around. You just let Constable

Schulze alone! Did you read the letter from Schmarowski?

FIELITZ

Aw, yes, sure. I got enough o' him all right. I wish somebody'd given me

the money--half the money--that feller's had the use of. But no: nobody

never paid no attention to me. Nobody sent me to no school o'

architecture.

MRS. FIELITZ

I'd like to know what you got against Schmarowski! You're pickin' at him

all the time.

FIELITZ

Hold on! Not me! He ain't no concern o' mine. But every time you open

your mouth I gets ready to bet ten pairs o' boots that you're goin' to

talk about Schmarowski.

MRS. FIELITZ

Did he do you any harm, eh? Well?

FIELITZ

No, I can't say as he has. Not that I know. An' I wouldn't advise him to

try neither. Only when I sees him I gets kind o' sick at my stomick. You

oughta have married him yourself.

MRS. FIELITZ

If I had been thirty years younger--sure enough.

FIELITZ

Well, why don't you go an' move over to your daughter then! Go right on!

Hurry all you can an' go to Adelaide's. Then they got hold of you good

and tight an' you c'n get rid o' your savin's.

MRS. FIELITZ

That's an ambitious man. He don't have to wait, for me; that's

sure!--there ain't no gettin' ahead with your kind. Instead o' you

fellows helpin' each other, you're always hittin' out at each other. Now

Schmarowski--he's a wide-awake kind o' man. No money ain't been wasted on

him. You needn't be scared: he'll make his way all right.--But if you

knew just a speck o' somethin' about life, you'd know what you'd be doin'

too.

FIELITZ

Me? How's that? Why me exactly?

MRS. FIELITZ

What was it that there bricklayer boss told me? I saw him one day when he

was full; they was just raisin' that church. He says: Schmarowski, says

he, that's a sly dog. An' he knew why he was sayin' that. Them plans o'

his takes 'em all in.

FIELITZ

I ain't got no objection to his takin' 'em in.

MRS. FIELITZ

He ain't the kind o' man to sit an' draw till he's blind an' let the

bricklayers get all the profit.

FIELITZ

Well, I ain't made the world.

MRS. FIELITZ

No, nor you ain't goin' to stop it neither.

FIELITZ

An' I don't want to.

MRS. FIELITZ

You ain't goin' to stop it, Fielitz--not the world an' not me. That's

settled.--

[_She has said this in a slightly ironical way, yet with a half

embarrassed laugh. She now puts away her little book excitedly._

FIELITZ

I can't get to understand reel straight. I'm always thinkin' there's

somethin' wrong with you.

MRS. FIELITZ

Maybe there was somethin' wrong with Grabow too, eh? I s'ppose that's the

reason he's livin' in his new house this day.--I wish there'd be

somethin' like that wrong with you onct in a while. But if somebody don't

pull an' poke at you, you'd grow fast to the stool you're sittin' on.

FIELITZ

The Dramatic Works of Gerhart Hauptmann, Volume I · 第 20 / 25 段