He's quite right. Stop that singin', lads.

BECKER

[_Roars._] But we must march past Dreissiger's, boys, and let him hear it

ones more.

WIEGAND

You'd better take care--you may march once too often!

[_Laughter and cries of_ Ho, ho!

_WITTIG has entered; a grey-haired old smith, bareheaded, with

leather apron and wooden shoes, sooty from the smithy. He is standing

at the counter waiting for his schnapps._

WITTIG

Let 'em go on with their doin's. The dogs as barks most, bites least.

OLD WEAVERS

Wittig, Wittig!

WITTIG

Here he is. What do you want with him?

OLD WEAVERS

"It's Wittig!"--"Wittig, Wittig!"--"Come here, Wittig."--"Sit beside us,

Wittig."

WITTIG

Do you think I would sit beside a set of rascals like you?

JAEGER

Come and take a glass with us.

WITTIG

Keep your brandy to yourselves. I pay for my own drink. [_Takes his glass

and sits down beside BAUMERT and ANSORGE. Clapping the latter on the

stomach._] What's the weavers' food so nice? Sauerkraut and roasted lice!

OLD BAUMERT

[_Drunk with excitement._] But what would you say now if they'd made up

their minds as how they would put up with it no longer.

WITTIG

[_With pretended astonishment, staring open-mouthed at the old weaver._]

Heinerle! you don't mean to tell me that that's you? [_Laughs

immoderately._] O Lord, O Lord! I could laugh myself to death. Old

Baumert risin' in rebellion! We'll have the tailors at it next, and then

there'll be a rebellion among the baa-lambs, and the rats and the mice.

Damn it all, but we'll see some sport.

[_He nearly splits with laughter._

OLD BAUMERT

You needn't go on like that, Wittig. I'm the same man I've always been. I

still say 'twould be better if things could be put right peaceably.

WITTIG

Rot! How could it be done peaceably? Did they do it peaceably in France?

Did Robespeer tickle the rich men's palms? No! It was: Away with them,

every one! To the gilyoteen with 'em! Allongs onfong! You've got your

work before you. The geese'll not fly ready roasted into your mouths.

OLD BAUMERT

If I could make even half a livin' ...

FIRST OLD WEAVER

The water's up to our chins now, Wittig.

SECOND OLD WEAVER

We're afraid to go home. It's all the same whether we works or whether we

lies abed; it's starvation both ways.

FIRST OLD WEAVER

A man's like to go mad at home.

OLD ANSORGE

I've come to that pass now that I don't care how things goes.

OLD WEAVERS

[_With increasing excitement._] "We've no peace anywhere."--"We've no

spirit left to work."--"Up with us in Steenkunzendorf you can see a

weaver sittin' by the stream washin' hisself the whole day long, naked as

God made him. It's driven him clean out of his mind."

THIRD OLD WEAVER

[_Moved by the spirit, stands up and begins to "speak with tongues,"

stretching out his hand threateningly._] Judgement is at hand! Have no

dealings with the rich and the great! Judgement is at hand! The Lord God

of Sabaoth ...

[_Some of the weavers laugh. He is pulled down on to his seat._

WELZEL

That's a chap that can't stand a single glass--he gets wild at once.

THIRD OLD WEAVER

[_Jumps up again._] But they--they believe not in God, not in hell, not

in heaven. They mock at religion....

FIRST OLD WEAVER

Come, come now, that's enough!

BECKER

You let him do his little bit o' preaching. There's many a one would be

the better for takin' it to heart.

VOICES

[_In excited confusion._] "Let him alone!" "Let him speak!"

THIRD OLD WEAVER

[_Raising his voice._] But hell is opened, saith the Lord; its jaws are

gaping wide, to swallow up all those that oppress the afflicted and

pervert judgement in the cause of the poor. [_Wild excitement._]

THIRD OLD WEAVER

[_Suddenly declaiming schoolboy fashion._]

When one has thought upon it well,

It's still more difficult to tell

Why they the linen-weaver's work despise.

BECKER

But we're fustian-weavers, man.

[_Laughter._

HORNIG

The linen-weavers is ever so much worse off than you. They're wanderin'

about among the hills like ghosts. You people here have still got the

pluck left in you to kick up a row.

WITTIG

Do you suppose the worst's over here? It won't be long till the

manufacturers drain away that little bit of strength they still has left

in their bodies.

BECKER

You know what he said: It will come to the weavers workin' for a bite of

bread.

[_Uproar._

SEVERAL OLD AND YOUNG WEAVERS

Who said that?

BECKER

Dreissiger said it.

A YOUNG WEAVER

The damned rascal should be hung up by the heels.

JAEGER

Look here, Wittig. You've always jawed such a lot about the French

Revolution, and a good deal too about your own doings. A time may be

coming, and that before long, when every one will have a chance to show

whether he's a braggart or a true man.

WITTIG

[_Flaring up angrily._] Say another word if you dare! Has you heard the

whistle o' bullets? Has you done outpost duty in an enemy's country?

JAEGER

You needn't get angry about it. We're comrades. I meant no harm.

WITTIG

None of your comradeship for me, you impudent young fool.

_Enter KUTSCHE, the policeman._

SEVERAL VOICES

Hush--sh! Police!

[_This calling goes on for some time, till at last there is complete

silence, amidst which KUTSCHE takes his place at the central pillar

table._

KUTSCHE

A small brandy, please.

[_Again complete silence._]

WITTIG

I suppose you've come to see if we're all behavin' ourselves, Kutsche?

KUTSCHE

[_Paying no attention to WITTIG._] Good-morning, Mr. Wiegand.

WIEGAND

[_Still in the corner in front of the counter._] Good morning t'you.

KUTSCHE

How's trade?

WIEGAND

Thank you, much as usual.

BECKER

The chief constable's sent him to see if we're spoilin' our stomach on

these big wages we're gettin'.

[_Laughter._

JAEGER

I say, Welzel, you will tell him how we've been feastin' on roast pork

an' sauce an' dumplings and sauerkraut, and now we're sittin' at our

champagne wine.

[_Laughter._

WELZEL.

The world's upside down with them to-day.

KUTSCHE

An' even if you had the champagne wine and the roast meat, you wouldn't

be satisfied. I've to get on without champagne wine as well as you.

BECKER

[_Referring to KUTSCHE'S nose._] He waters his beet-root with brandy and

gin. An' it thrives on it too.

[_Laughter._

WITTIG

A p'liceman like that has a hard life. Now it's a starving beggar boy he

has to lock up, then it's a pretty weaver girl he has to lead astray;

then he has to get roarin' drunk an' beat his wife till she goes

screamin' to the neighbours for help; and there's the ridin' about on

horseback and the lyin' in bed till nine--nay, faith, but it's no easy

job!

KUTSCHE

Jaw away; you'll jaw a rope round your neck in time. It's long been known

what sort of a fellow you are. The magistrates knows all about that

rebellious tongue o' yours, I know who'll drink wife and child into the

poorhouse an' himself into gaol before long, who it is that'll go on

agitatin' and agitatin' till he brings down judgment on himself and all

concerned.

WITTIG

[_Laughs bitterly._] It's true enough--no one knows what'll be the end of

it. You may be right yet. [_Bursts out in fury._] But if it does come to

that, I know who I've got to thank for it, who it is that's blabbed to

the manufacturers an' all the gentlemen round, an' blackened my character

to that extent that they never give me a hand's turn of work to do--an'

set the peasants an' the millers against me, so that I'm often a whole

week without a horse to shoe or a wheel to put a tyre on. I know who's

done it. I once pulled the damned brute off his horse, because he was

givin' a little stupid boy the most awful flogging for stealin' a few

unripe pears. But I tell you this, Kutsche, and you know me--if you get

me put into prison, you may make your own will. If I hears as much as a

whisper of it. I'll take the first thing as comes handy, whether it's a

horseshoe or a hammer, a wheel-spoke or a pail; I'll get hold of you if

I've to drag you out of bed from beside your wife, and I'll beat in your

brains, as sure as my name's Wittig.

[_He has jumped up and is going to rush at KUTSCHE._]

OLD AND YOUNG WEAVERS

[_Holding him back._] Wittig, Wittig! Don't lose your head!

KUTSCHE

[_Has risen involuntarily, his face pale. He backs towards the door while

speaking. The nearer the door the higher his courage rises. He speaks the

last words on the threshold, and then instantly disappears._] What are

you goin' on at me about? I didn't meddle with you. I came to say

somethin' to the weavers. My business is with them an' not with you, and

I've done nothing to you. But I've this to say to you weavers: The

superintendent of police herewith forbids the singing of that

song--Dreissiger's song, or whatever it is you calls it. And if the

yelling of it on the streets isn't stopped at once, he'll provide you

with plenty of time and leisure for goin' on with it in gaol. You may

sing there, on bread an' water, to your hearts' content.

[_Goes out._

WITTIG

[_Roars after him._] He's no right to forbid, it--not if we was to roar

till the windows shook an' they could hear us at Reichenbach--not if we

sang till the manufacturers' houses tumbled about their ears an' all the

superintendents' helmets danced on the top of their heads. It's nobody's

business but our own.

[_BECKER has in the meantime got up, made a signal for singing, and

now leads off, the others joining in._

The justice to us weavers dealt

Is bloody, cruel, and hateful;

Our life's one torture, long drawn out;

For Lynch law we'd be grateful.

[_WELZEL attempts to quiet them, but they pay no attention to him.

WIEGAND puts his hands to his ears and rushes off. During the singing

of the next stanza the weavers rise and form, into procession behind

BECKER and WITTIG, who have given pantomimic signs for a general

break-up._

Stretched on the rack, day after day,

Hearts sick and bodies aching,

Our heavy sighs their witness bear

To spirit slowly breaking.

[_Most of the weavers sing the following stanza, out on the street,

only a few young fellows, who are paying, being still in the bar. At

the conclusion of the stanza no one is left in the room except WELZEL

and his wife and daughter, HORNIG, and OLD BAUMERT._

You villains all, you brood of hell,

You fiends in fashion human,

A curse will fall on all like you

Who prey on man and woman.

WELZEL

[_Phlegmatically collecting the glasses._] Their backs are up to-day, an'

no mistake.

HORNIG

[_To OLD BAUMERT, who is preparing to go._] What in the name of Heaven

are they up to, Baumert?

BAUMERT

They're goin' to Dreissiger's to make him add something on to the pay.

WELZEL

And are you joining in these foolish goings on?

OLD BAUMERT

I've no choice, Welzel. The young men may an' the old men must.

[_Goes out rather shamefacedly._

HORNIG

It'll not surprise me if this ends badly.

WELZEL

To think that even old fellows like him are goin' right off their heads!

HORNIG

We all set our hearts on something!

END OF THE THIRD ACT

THE FOURTH ACT

_Peterswaldau.--Private room of DREISSIGER, _the fustian

manufacturer--luxuriously furnished in the chilly taste of the first

half of this century. Ceiling, doors, and stove are white, and the

wall paper, with its small, straight-lined floral pattern, is dull

and cold in tone. The furniture is mahogany, richly-carved, and

upholstered in red. On the right, between two windows with crimson

damask curtains, stands the writing-table, a high bureau with falling

flap. Directly opposite to this is the sofa, with the strong-box;

beside it; in front of the sofa a table, with chairs and easy-chairs

arranged about it. Against the back wall is a gun-rack. All three

walls are decorated with bad pictures in gilt frames. Above the sofa

is a mirror with a heavily gilt rococo frame. On the left an ordinary

door leads into the hall. An open folding door at the back shows the

drawing-room, over-furnished in the same style of comfortless

ostentation. Two ladies, MRS. DREISSIGER and MRS. KITTELHAUS, the

Pastor's wife, are seen in the drawing-room, looking at pictures.

PASTOR KITTELHAUS is there too, engaged in conversation with

WEINHOLD, the tutor, a theological graduate._

KITTELHAUS

[_A kindly little elderly man, enters the front room, smoking and

chatting familiarly with the tutor, who is also smoking; he looks round

and shakes his head in surprise at finding the room empty._] You are

young, Mr. Weinhold, which explains everything. At your age we old

fellows held--well, I won't say the same opinions--but certainly opinions

of the same tendency. And there's something fine about youth--youth with

its grand ideals. But unfortunately, Mr. Weinhold, they don't last; they

are as fleeting as April sunshine. Wait till you are my age. When a man

has said his say from the pulpit for thirty years--fifty-two times every

year, not including saints' days--he has inevitably calmed down. Think of

me, Mr. Weinhold, when you come to that pass.

WEINHOLD

[_Nineteen, pale, thin, tall, with lanky fair hair; restless and nervous

in his movements._] With all due respect, Mr. Kittelhaus.... I can't

think ... people have such different natures.

KITTELHAUS

My dear Mr. Weinhold, however restless-minded and unsettled, a man may

be--[_in a tone of reproof_]--and you are a case in point--however

violently and wantonly he may attack the existing order of things, he

calms down in the end. I grant you, certainly, that among our

professional brethren individuals are to be found, who, at a fairly

advanced age, still play youthful pranks. One preaches against the drink

evil and founds temperance societies, another publishes appeals which

undoubtedly read most effectively. But what good do they do? The distress

among the weavers, where it does exist, is in no way lessened--but the

peace of society is undermined. No, no; one feels inclined in such cases

to say: Cobbler, stick to your last; don't take to caring for the belly,

you who have the care of souls. Preach the pure Word of God, and leave

all else to Him who provides shelter and food for the birds, and clothes

the lilies of the field.--But I should like to know where our good host,

Mr. Dreissiger, has suddenly disappeared to.

[_MRS. DREISSIGER, followed by MRS. KITTELHAUS, now comes forward.

She is a pretty woman of thirty, of a healthy, florid type. A certain

discrepancy is noticeable between her deportment and way of

expressing herself and her rich, elegant toilette._]

MRS. DREISSIGER

That's what I want to know too, Mr. Kittelhaus. But it's what William

always does. No sooner does a thing come into his head than off he goes

and leaves me in the lurch. I've said enough about it, but it does no

good.

KITTELHAUS

It's always the way with business men, my dear Mrs. Dreissiger.

WEINHOLD

I'm almost certain that something has happened downstairs.

_DREISSIGER enters, hot and excited._

DREISSIGER

Well, Rosa, is coffee served?

MRS. DREISSIGER

[_Sulkily._] Fancy your needing to run away again!

DREISSIGER

[_Carelessly._] Ah! these are things you don't understand.

KITTELHAUS

Excuse me--has anything happened to annoy you, Mr. Dreissiger?

DREISSIGER

Never a day passes without that, my dear sir. I am accustomed to it. What

about that coffee, Rosa?

[_MRS. DREISSIGER goes ill-humouredly and gives one or two violent

tugs at the broad embroidered bell-pull._

DREISSIGER

I wish you had been downstairs just now, Mr. Weinhold. You'd have gained

a little experience. Besides.... But now let us have our game of whist.

KITTELHAUS

By all means, sir. Shake off the dust and burden of the day, Mr.

Dreissiger; forget it in our company.

DREISSIGER

[_Has gone to the window, pushed aside a curtain, and is looking out.

Involuntarily._] Vile rabble!! Come here. Rosa! [_She goes to the

window._] Look ... that tall red-haired fellow there!...

KITTELHAUS

That's the man they call Red Becker.

DREISSIGER

Is he the man that insulted you the day before yesterday? You remember

what you told me--when John was helping you into the carriage?

MRS. DREISSIGER

[_Pouting, drawls._] I'm sure I don't know.

DREISSIGER

Come now, drop that offended air! I must know. I am thoroughly tired of

their impudence. If he's the man, I mean to have him arrested. [_The

strains of the Weavers' Song are heard._] Listen to that! Just listen!

KITTELHAUS

[_Highly incensed._] Is there to be no end to this nuisance? I must

acknowledge now that it is time for the police to interfere. Permit me.

[_He goes forward to the window._] See, see, Mr. Weinhold! These are not

only young people. There are numbers of steady-going old weavers among

them, men whom I have known for years and looked upon as most deserving

and God-fearing. There they are, taking part in this unheard-of mischief,

trampling God's law under foot. Do you mean to tell me that you still

defend these people?

WEINHOLD

Certainly not, Mr. Kittelhaus. That is, sir ... _cum grano salis_. For

after all, they are hungry and they are ignorant. They are giving

expression to their dissatisfaction in the only way they understand. I

don't expect that such people....

MRS. KITTELHAUS

[_Short, thin, faded, more like an old maid than a married woman._] Mr.

Weinhold, Mr. Weinhold, how can you?

DREISSIGER

Mr. Weinhold, I am sorry to be obliged to.... I didn't bring you into my

house to give me lectures on philanthropy, and I must request that you

will confine yourself to the education of my boys, and leave my other

affairs entirely to me--entirely! Do you understand?

WEINHOLD

[_Stands for a moment rigid and deathly pale, then bows, with a strained

smile. In a low voice._] Certainly, of course I understand. I have seen

this coming. It is my wish too.

[_Goes out._

DREISSIGER

[_Rudely._] As soon as possible then, please. We require the room.

MRS. DREISSIGER

William, William!

DREISSIGER

Have you lost your senses, Rosa, that you're taking the part of a man who

defends a low, blackguardly libel like that song?

MRS. DREISSIGER

But, William, he didn't defend it.

DREISSIGER

Mr. Kittelhaus, did he defend it or did he not?

KITTELHAUS

His youth must be his excuse, Mr. Dreissiger.

MRS. KITTELHAUS

I can't understand it. The young man comes of such a good, respectable

family. His father held a public appointment for forty years, without a

breath on his reputation. His mother was overjoyed at his getting this

good situation here. And now ... he himself shows so little appreciation

of it.

PFEIFER

[_Suddenly opens the door leading from the hall and shouts in._] Mr.

Dreissiger, Mr. Dreissiger! they've got him! Will you come, please?

They've caught one of 'em.

DREISSIGER

[_Hastily._] Has some one gone for the police?

PFEIFER

The superintendent's on his way upstairs.

DREISSIGER

[_At the door._] Glad to see you, sir. We want you here.

[_KITTELHAUS makes signs to the ladies that it will be better for

them to retire. He, his wife, and MRS. DREISSIGER disappear into the

drawing-room._

DREISSIGER

[_Exasperated, to the POLICE SUPERINTENDENT, who has now entered._] I

have at last had one of the ringleaders seized by my dyers. I could stand

it no longer--their insolence was beyond all bounds--quite unbearable. I

have visitors in my house, and these blackguards dare to.... They insult

my wife whenever she shows herself; my boys' lives are not safe. My

visitors run the risk of being jostled and cuffed. Is it possible that in

a well-ordered community incessant public insult offered to unoffending

people like myself and my family should pass unpunished? If so ... then

... then I must confess that I have other ideas of law and order.

SUPERINTENDENT

[_A man of fifty, middle height, corpulent, full-blooded. He wears

cavalry uniform with a long sword and spurs._] No, no, Mr. Dreissiger ...

certainly not! I am entirely at your disposal. Make your mind easy on the

subject. Dispose of me as you will. What you have done is quite right. I

am delighted that you have had one of the ringleaders arrested. I am very

glad indeed that a day of reckoning has come. There are a few disturbers

of the peace here whom I have long had my eye on.

DREISSIGER

Yes, one or two raw lads, lazy vagabonds, that shirk every kind of work,

and lead a life of low dissipation, hanging about the public-houses until

they've sent their last half-penny down their throats. But I'm determined

to put a stop to the trade of these professional blackguards once and for

all. It's in the public interest to do so, not only my private interest.

SUPERINTENDENT

Of course it is! Most undoubtedly, Mr. Dreissiger! No one can possibly

blame you. And everything that lies in my power....

DREISSIGER

The cat-o'-nine tails is what should be taken to the beggarly pack.

SUPERINTENDENT

You're right, quite right. We must institute an example.

_KUTSCHE, the policeman, enters and salutes. The door is open, and

the sound of heavy steps stumbling up the stair is heard._

KUTSCHE

I have to inform you, sir, that we have arrested a man.

DREISSIGER

[_To SUPERINTENDENT._] Do you wish to see the fellow?

SUPERINTENDENT

Certainly, most certainly. We must begin by having a look at him at close

quarters. Oblige me, Mr. Dreissiger, by not speaking to him at present.

I'll see to it that you get complete satisfaction, or my name's not

Heide.

DREISSIGER

That's not enough for me, though. He goes before the magistrates. My

mind's made up.

_JAEGER is led in by five dyers, who have come straight from their

work--faces, hands, and clothes stained with dye. The prisoner, his

cap set jauntily on the side of his head, presents an appearance of

impudent gaiety; he is excited by the brandy he has just drunk._

JAEGER

Hounds that you are!--Call yourselves working men!--Pretend to be

comrades! Before I would do such a thing as lay hands on a mate, I'd see

my hand rot off my arm!

[_At a sign from the SUPERINTENDENT KUTSCHE orders the dyers to let

go their victim. JAEGER straightens himself up, quite free and easy.

Both doors are guarded._

SUPERINTENDENT

[_Shouts to JAEGER._] Off with your cap, lout! [_JAEGER takes it off, but

very slowly, still with an impudent grin on his face._] What's your name?

JAEGER

What's yours? I'm not your swineherd.

[_Great excitement is produced among the audience by this reply._

DREISSIGER

This is too much of a good thing.

SUPERINTENDENT

[_Changes colour, is on the point of breaking out furiously, but controls

his rage._] We'll see about this afterwards.--Once more, what's your

name? [_Receiving no answer, furiously._] If you don't answer at once,

fellow, I'll have you flogged on the spot.

JAEGER

[_Perfectly cheerful, not showing by so much as the twitch of an eyelid

that he has heard the SUPERINTENDENT'S angry words, calls over the heads

of those around him to a pretty servant girl, who has brought in the

coffee and is standing open-mouthed with astonishment at the unexpected

sight._] Hillo, Emmy, do you belong to this company now? The sooner you

find your way out of it, then, the better. A wind may begin to blow here,

an' blow everything away overnight.

[_The girl stares at JAEGER, and as soon as she comprehends that it

is to her he is speaking, blushes with shame, covers her eyes with

her hands, and rushes out, leaving the coffee things in confusion on

the table. Renewed excitement among those present._

SUPERINTENDENT

[_Half beside himself, to DREISSIGER._] Never in all my long service ...

a case of such shameless effrontery.... [_JAEGER spits on the floor._

DREISSIGER

You're not in a stable, fellow! Do you understand?

SUPERINTENDENT

My patience is at an end now. For the last time: What's your name?

_KITTELHAUS who has been peering out at the partly opened

drawing-room door, listening to what has been going on, can no longer

refrain from coming forward to interfere. He is trembling with

excitement._

KITTELHAUS

His name is Jaeger, sir. Moritz ... is it not? Moritz Jaeger. [_To

JAEGER._] And, Jaeger, you know me.

JAEGER

[_Seriously._] You are Pastor Kittelhaus.

KITTELHAUS

Yes, I am your pastor, Jaeger! It was I who received you, a babe in

swaddling clothes, into the Church of Christ. From my hands you took for

the first time the body of the Lord. Do you remember that, and how I

toiled and strove to bring God's Word home to your heart? Is this your

gratitude?

JAEGER

[_Like a scolded schoolboy. In a surly voice._] I paid my half-crown like

the rest.

KITTELHAUS

The Dramatic Works of Gerhart Hauptmann, Volume I · 第 12 / 25 段