CHAPTER II

RUE AND ROSEMARY

They are not easy to take, siestas aren't. They are the word for

going to sleep in the daytime when you would rather not.

Sometimes you have to take medicine with them, and nearly always

you feel that you must have a drink of milk. It is so easy to

discover that you are thirsty, and besides, it usually gives you

a chance to stay awake a little while longer. Frequently you find

that you don't care as much for the milk as you thought you did,

but in one way there is always a satisfaction in it. If you have

a looking-glass, you can see the white mustache the drink has

left on your lip. Another satisfaction is that if Mother forgets

to bring your milk in the mug you like best, you can send her

right back for it.

If David wants to be particularly polite he sometimes asks Mother

to tell him her story about the young man with the mustache. She

has one that is tremendous dull because there are so many

thinking places in it. "And then--and then--" Mother will say,

and after that the story doesn't get on worth anything. The worst

about it is that it always takes such a long while for her to

reach the part which tells of the time when the young man started

to raise a mustache.

"How did he start?" David never fails to ask.

"By not shaving his lip."

It is now that David feels of his white lip with the tip of his

red tongue and then stoutly declares:

"I have not shaved _my_ lip."

"It was brown, like your hair," says Mother, "and when it was

about half-grown it began to curl up at the ends. The boys made

fun of it, but it was very beautiful and ever so soft and fine."

"Truly, was it?" asks David, and then something blooms pink in

Mother's cheeks. That is the one interesting thing about her

story, and up to that point he can always stand her narrative very

well; for he is always watching for the pretty pinkness. But when

that is gone, his interest goes too. It seems very ordinary to him

that this young man should have studied mechanics and become a

great engineer and invented things, and made discoveries.

Now, if he had ever been shipwrecked, or if he had ever been

eaten up by bears, or if he had fought Indians, or done some

other notable thing with a scare in it, why, _that_ would be

worth talking about. But why tell so much about a young man who

had done none of these things? Why speak of the way she had

encouraged him and helped him and studied with him? You can see

for yourself that it was a very stupid tale.

It was clever of David, though, to have her tell him the story,

for then she would sometimes forget that her little boy was not

having his siesta. To show her that he was trying to keep up an

interest he would now and then ask a question, as, for example,

when she spoke of the honors the young man had won at college.

"Could he spit through his teeth?" David would inquire, and it

was always a sad thing to him that this was not one of the young

man's accomplishments. A very disappointing chap, to be sure.

"Do you know, my little boy," Mother would say in a strange, soft

voice, "do you know that your eyes are as bright as his eyes used

to be, and that--"

"It's a nice story," David would say courageously, and like as

not, while Mother was still talking about the handsome young man

with the mustache, her little boy would fall fast asleep.

It is good, David, that you do not hear the story that is hid

away in the thinking places; it is good that you do not know the

worn look which sometimes comes into Mother's face and crowds

from it all the pretty pinkness that you love to see. You will

never know that other look which was often in Mother's face

before you came to nestle in her arms and frighten it away. You

have done well, brave soldier-man, for now I am right sure she

does not wonder any more why the day should have come when the

one she had helped so much should have forgotten the help and

been thankless for all the love that she had given him.

A Melody in Silver · 第 2 / 14 章