CHAPTER XIV.

THE LARYNGOSCOPE.

(1854-1857.)

It was in 1854 (the year which saw the ultimatum of England and France

presented to St Petersburg, the prelude to the Crimean War) that the

important invention was made--or, as the maestro with characteristic

modesty described it, "the idea dawned on him"--of the laryngoscope.

As to its lasting value to the world at large, it will be sufficient to

point out that since that year, according to reliable estimates, 3 per

cent of the entire human race have been benefited by the invention.

With regard to the history of the discovery, an account of the earlier

attempts which had been made has been set down in the number of the

'British Medical Journal' published at the time of the Garcia Centenary.

Before proceeding further, it may be well to warn the reader that the

next few pages are bound to deal with a certain amount of technical

detail which it is impossible to avoid in relating this portion of the

maestro's career.

Although the dentist's mirror was in use among the ancient Romans, the

first trace of an attempt to examine the throat by means of reflected

light is found about the middle of the eighteenth century.

In 1734 Levret, whose name is still held in honour among obstetricians,

described a speculum, consisting of a plate of polished metal, which

"reflected the luminous rays in the direction of the tumour," and

received the image of the tumour on its reflecting surface. Levret seems

to have used the mirror, not as a means of diagnosis, but as a guide in

the application of ligatures to tumours in the throat. At any rate, his

invention bore no fruit.

Half a century later Bozzini, of Frankfort-on-the-Main, devoted much

attention to devising means of illuminating the main canals of the human

body. In 1807 he published a description of an apparatus by which the

throat and the posterior nares could be examined by reflected light. The

official heads of the profession laughed away his invention, which,

though cumbrous, deserved a better fate.

In 1825 Cagniard de Latour introduced a little mirror into the back of

the throat, hoping with the aid of the sun's rays and a second mirror to

be able to see the epiglottis, and even the glottis, but failed. In 1827

another unsuccessful attempt was made by Senn of Geneva; and two years

later Benjamin Guy Babington exhibited at the Hunterian Society of

London an instrument very like the laryngoscope now in use: he employed

it in many cases, but for some reason seems to have left no record of

them.

In 1832 Bennati of Paris stated that he could see the vocal cords by

means of a double-tubed speculum, invented by a patient suffering from

laryngeal phthisis. Trouseau, however, proved to his own satisfaction

that the epiglottis must always make it impossible to see the inside of

the larynx.

In 1838 Baumès of Lyons showed a mirror with which he said the larynx

could be examined.

In 1844 Warden of Edinburgh reported two cases in which he said he had

been able to make "satisfactory ocular inspection of diseases affecting

the glottis," by using two prisms of flint glass. In the same year Avery

of London devised a laryngoscope in which a laryngeal mirror was

combined with a lamp and reflector: the apparatus embodied the essential

features of the modern laryngoscope, but its clumsiness made its

practical application difficult, and in many cases impossible.

Up to 1850, then, the different attempts had met with failure in varying

degrees. When Garcia attacked the problem he was quite ignorant of the

fact that others had been at work, and his reason for wishing to

overcome the difficulty and catch a glimpse of the glottis was perfectly

different from theirs. His was one connected entirely with his work as a

teacher of singing. Ever since he had given attention to the scientific

aspects of voice-emission, he had longed to see a healthy glottis in the

very act of singing. The idea of employing mirrors for the purpose of

studying the interior of the larynx came to him in 1854. The following

is the story of the discovery as he related it one day:--

"During all the years of study and investigation of the problems of the

voice-emission," he said, "one wish was ever uppermost in my mind--'if

only I could see the glottis!'"

One day in the September of 1854, when on a visit to Paris, he was

standing in the Palais Royal. Suddenly there came to him an idea. "Why

should I not _try_ to see it?" How must this be done? Why, obviously by

some means of reflection. Then, like a flash, he seemed to see the two

mirrors of the laryngoscope in their respective positions as though

actually before his eyes. He went straight to Charrière, the surgical

instrument maker, asked whether they happened to possess a small mirror

with a long handle, and was at once supplied with a dentist's mirror,

which had been one of the failures of the London Exhibition of 1851. He

bought it for six francs.

Returning home, he placed against the uvula this little piece of glass,

which he had heated with warm water and carefully dried. Then with a

hand-mirror he flashed on to its surface a ray of sunlight. By good

fortune he hit upon the proper angle at the very first attempt. There

before his eyes appeared the glottis, wide open and so fully exposed

that he could see a portion of the trachea. So dumfounded was he that he

sat down aghast for several minutes. On recovering from his amazement he

gazed intently for some time at the changes which were presented to his

vision while the various tones were being emitted. From what he

witnessed it was easy to conclude that his theory, attributing to the

glottis alone the power of engendering sound, was confirmed, and thence

it followed that the different positions taken by the larynx in the

front of the throat had no action whatever in the formation of the

sound. At last he tore himself away, and wrote a description of what he

had seen.

Six months later, on March 22, 1855, his paper, "Physiological

Observations on the Human Voice," was submitted to the Royal Society of

London. In it was set down the scientific thesis of his discovery in

language which would have done credit to expert anatomists and

physiologists.

On May 24 this was read before the Society by Professor Sharpey at a

meeting held under the presidency of Lord Wrottesley, and was duly

published in the 'Proceedings of the Royal Society,' vol. vii.

Investigation shows that primarily it is an account of the oral cavity

and of the physiology of the voice, exemplified by the mechanical

contrivance of the author's own thoughtful invention, actually used in

an autoscopic manner with the idea of elucidating the action of the

larynx during vocal effort.

As far as Garcia was concerned, the laryngoscope ceased to be of any

special use as soon as his first investigations were concluded. By his

examination of the glottis he had had the satisfaction of proving that

all his theories with regard to the emission of the voice were

absolutely correct. Beyond that, he did not see that anything further

was to be gained beyond satisfying the curiosity of those who might be

interested to see for themselves the forms and changes which the inside

of the larynx assumed during singing and speaking. The method of making

scientific use of the voice is due to his discovery and ocular

verification of the action of the vocal cords and of the glottis in the

emission of sound.

As to the subsequent use of the laryngoscope in another sphere of

investigation, and the far-reaching results which are due to it, it was

nearly two years before the possibility of making practical use was

seen. The medical profession was slow to realise what an invaluable

instrument of observation the musician had provided, and at first it was

treated by superior persons as nothing more than a physiological toy; in

fact, as so often happens when a discovery is made by some one not

belonging to the craft, Garcia's communication was originally received

by the doctors with indifference, if not with incredulity.

It might have been expected that the uses to which the instrument could

be put for diseases of the throat would forthwith have been perceived,

and its value as a means of diagnosis appreciated. Yet, but for an

accident, the paper might have lain buried in the dusty tomb of the

'Proceedings' of the Royal Society.

It is generally said that Türck of Vienna, coming by chance across it

two years after the date of its presentation, was inspired to apply the

invention to the examination of the upper air-passages. "This," says the

'British Medical Journal,' "is not accurate. Türck had been working

independently on much the same lines as Garcia, and had even devised a

laryngoscope. He showed the instrument to a friend, who at once informed

him that the invention was not new, and directed his attention to the

paper in question."

Türck continued his experiments for a time; and it was in this year,

1857, that the instrument was actually used for the first time for

diagnostic purposes. He seems, however, to have given up his experiments

later, owing to the want of sunlight in the winter.

Soon after this, Professor J. N. Czermak of Buda-Pesth, another great

physiologist, visited Vienna, and was shown the instrument, in which he

was keenly interested. With it he made the observations which he

published. This fact gave rise to one of those bitter controversies as

to priority, of which the history of science offers so many examples.

The famous dispute had the immediate effect of directing the attention

of the whole world to the laryngoscope. As to the rights of the matter,

it would appear that while there is no doubt that Czermak owed his

knowledge of the method to Türck and indirectly to Garcia, he made the

important modification of substituting artificial illumination for the

uncertain light of the sun.

One thing is certain, and that is that to Czermak belongs the credit of

making known to the world the laryngoscope, and to some extent the

possibilities lying hidden in the little mirror. He visited the

principal medical centres of Europe, and, luckily being gifted with a

capacious and exceptionally tolerant throat, he was able to give

convincing demonstrations of the value of the discovery, and its

scientific and practical possibilities. If Garcia was the founder,

Czermak was the apostle, of laryngology.

As to the demonstrations with the instrument, many amusing incidents

have taken place. Two in particular I remember hearing Garcia relate.

His pupil Charles Battaille, to whom reference has been already made in

an earlier chapter, was most enthusiastic over it, and, having been a

medical student at one time, considered himself well qualified to

demonstrate its virtues. Hearing that the Turkish Ambassador in Paris

was going to give a dinner to the most prominent French inventors of

that time, he obtained permission to show off the uses of the new

exhibit during the evening. After pointing out that it would

revolutionise the scientific study of the throat, he proceeded to force

the instrument down the gullet of an unfortunate Court official who had

barely finished dinner. The result was disastrous.

The other story was a comical experience of a well-known specialist.

Like all very sensitive areas of the human body, the organ of the voice

is sometimes invaded by special symptoms, notably in hysterical

patients.

When the laryngoscope became a speciality, a young lady who for two

whole years had lost all power of articulation was brought up to London

by her mother for advice and treatment. The experienced laryngologist to

whom she was introduced placed her in proper position before his lamp,

while the parent poured out the prolonged tale of affliction. Without

taking any apparent notice of the latter, he placed the mirror in the

girl's throat with the usual request, delivered in a cool and commanding

tone, "Say 'aw,' please"; when the young lady snappishly drew back her

head with, "How can I with that thing in my throat?"--followed by, "Oh,

dear, I've spoken!" The specialist turned at once to the anxious parent,

and told her she might take her daughter home cured,--as she proved to

be.

In the present state of our knowledge of such matters, it is rather

startling to remember that two and a half centuries ago the famous

physician of Norwich, Sir Thomas Brown, thought it a part of his duty,

as an advanced teacher of his contemporaries, to devote a chapter of one

of his books to stating and proving that food and drink did not descend

into the body by two separate tubes. It appears that at that date the

majority of the British public actually believed that, as Nature had

placed two pipes in the neck, solids were transmitted by one and fluids

by the other during the ordinary act of swallowing.

Most people nowadays are aware that the vibrations of the elastic bands,

of which there is one on each side beneath the membrane of the upper

part of the larynx, produce the sounds of the voice by their effect on

the air issuing from the lungs. Certain qualities of tone, and of course

the pitch of a note, are determined by their length and tension, while

the special characteristics which make the voice of each individual

definitely recognisable are due to the varied forms of the several parts

of the throat, nose, mouth, &c., above that level. Again, the "breaking"

of the voice of a boy on reaching the threshold of adolescence is due

to the mechanical effect of the elongation of the elastic bands above

referred to--so-called "vocal cords,"--produced by the forward growth of

the cartilages of the larynx which determine the formation of the

"Adam's apple." All these simple facts were absolute mysteries

previously to the enlightening device of Manuel Garcia.

Though Czermak took up the laryngoscope and added to its general

feasibility by the introduction of artificial light, it still had many

obstacles to overcome, but in this it only shared the common fate of all

innovations. A number of the men who bore the heat of the day in the

early time of storm and stress are still alive, and must rejoice in the

fulness of recognition which their speciality has gained.

Intralaryngeal medication and surgery soon followed the discovery of the

diagnostic properties, and its principles were extended to the

elucidation and treatment of diseases of the parts situated between the

nose and throat.

Professor Osler has told us that if we take the sum of human achievement

in science and the arts, and subtract the work of those above forty,

"while we should miss great treasures, even priceless treasures, we

should practically be where we are to-day." The achievement of Garcia

supplies a striking comment on these hasty words. He was ten years over

the limit fixed by the professor when by his invention he opened up a

new world to scientific exploration. Subtract the laryngoscope from

medicine, and what a gap is left in modern methods of diagnosis and

treatment! Before its invention threw light into places which had been

dark since the birth of the human race, the larynx was an undiscovered

country, and its diseases lay beyond the limits of medical art.

"Had Garcia's work ended when he was forty, we should still not

improbably be powerless to deal with functional aphonia, with laryngeal

growths, with tuberculosis of the larynx, and with many conditions in

the upper air-passages which can now be treated satisfactorily, because

they can be seen. What is more important, we should be without a means

of diagnosis which has proved invaluable in the detection of unsuspected

disease of the brain and in the elucidation of obscure mediastinal

affections. Abductor paralysis of a vocal cord is often the only

appreciable symptom in the early stage of tabes, and it may give the key

to the situation of a growth in the fourth ventricle, the medulla, or

the cerebellum. Faint appearances, discoverable only by laryngosocopy,

may furnish the first indication of pulmonary tuberculosis before any

physical signs are present. The state of the larynx, in fact, is often a

danger-signal to those who can read its meaning. The laryngoscope may

also reveal the presence of an aortic aneurism or a mediastinal tumour.

Its value in medicine is greater than that of the ophthalmoscope,

because its application is wider, and the indications which it supplies

are often more definite."

While touching general medicine at many points, laryngology is also to a

large extent an autonomous territory in the great federation of the

human organism. The extensions of Garcia's discovery which have been

made in so many directions, have given it a field of usefulness vaster

than was dreamt of by those who first applied the laryngoscope to

medicine.

As to the development of the instrument, Manuel Garcia, the discoverer

of the hidden land, attained his results by the most simple means. He

merely placed the little dentist's mirror (previously heated) with a

long handle against the uvula, holding it at an angle of 135 degrees,

and then, by means of an ordinary hand-mirror, flashed a ray of sunlight

upon its surface. Next Czermak and Türck took the matter up, and made

certain improvements in the instrument, substituting artificial light so

as to render it useful independently of the sun. The laryngoscope was

illumined by a concave mirror fastened to the forehead of the observer.

This mirror received the rays of a lamp situated close to the head of

the subject, and focussed their concentrated light on to the

laryngoscope. The position to be given to the patient was definitely

fixed by these workers.

With the advent of electric light fresh perfections were introduced;

while in 1896 Kirstein, of Berlin, discovered a novel method of

laryngeal investigation which led to the establishment by Killian, in

1902, of a new method of "bronchoscopy," which permits of the direct

exploration of the "bronchiæ."

But all these discoveries are only a continuation of that invention

which assures to Garcia a glorious name in the history of medicine.

With the advent of March 17, 1905, which saw not only Manuel Garcia's

hundredth birthday, but the fiftieth anniversary of this discovery, the

acorn which he had planted in the middle of the nineteenth century had

grown to a stately and wide-branching oak-tree. We shall see later, when

we come to the description of this event, how medical representatives

from every part of the world combined to do honour to him as the author

of a most fruitful addition to the resources of medical art and as the

initiator of a great advance in medical science. It must have brought

the centenarian a great and justifiable pride when on that day he looked

on the representatives of the Laryngological societies encircling the

world, who united to call him Father.

Garcia the Centenarian and His Times Being a Memoir of Manuel Garcia's Life and Labours for the Advancement of Music and Science · 第 14 / 21 章