After the resurrection of Jesus, we find further fruits of the

harvest sown by a chance interview of Jesus with this woman. In the

eighth of Acts we read of the ingathering of a church in a city of

Samaria, where it is said that "the people, with one accord, gave

heed to the things spoken by Philip, and there was great joy in that

city."

One thing in this story impresses us strongly,--the power which

Jesus had to touch the divinest capabilities in the unlikeliest

subjects. He struck at once and directly for what was highest and

noblest in souls where it lay most hidden. As physician of souls he

appealed directly to the vital moral force, and it acted under his

touch. He saw the higher nature in this woman, and as one might draw

a magnet over a heap of rubbish and bring out pure metal, so he from

this careless, light-minded, good-natured, unprincipled creature,

brought out the suppressed and hidden yearning for a better and

higher life. She had no prejudices to keep, no station to preserve;

she was even to her own low moral sense consciously a sinner, and

she was ready at the kind and powerful appeal to leave all and

follow him.

We have no further history of her. She is living now somewhere; but

wherever she may be, we may be quite sure she never has forgotten

the conversation at the well in Samaria, and the man who "told her

all that ever she did."

[Illustration: MARY MAGDALENE]

MARY MAGDALENE.

One of the most splendid ornaments of the Dresden Gallery is the

Magdalen of Batoni. The subject has been a favorite among artists,

and one sees, in a tour of the various collections of Europe,

Magdalens by every painter, in every conceivable style. By far the

greater part of them deal only with the material aspects of the

subject. The exquisite pathos of the story, the passionate anguish

and despair of the penitent, the refinement and dignity of Divine

tenderness, are often lost sight of in mere physical accessories.

Many artists seem to have seen in the subject only a chance to

paint a voluptuously beautiful woman in tears. Titian appears

to have felt in this wonderful story nothing but the beauty of

the woman's _hair_, and gives us a picture of the most glorious

tresses that heart could conceive, perfectly veiling and clothing a

very common-place weeping woman. Correggio made of the study only

a charming effect of light and shade and color. A fat, pretty,

comfortable little body lying on the ground reading, is about the

whole that he sees in the subject.

Batoni, on the contrary, seems, by some strange inspiration, to set

before us one of the highest, noblest class of women,--a creature

so calm, so high, so pure, that we ask involuntarily, How could

such a woman ever have fallen? The answer is ready. There is a

class of women who fall through what is highest in them, through

the noblest capability of a human being,--utter self-sacrificing

love. True, we cannot flatter ourselves that these instances are

universal, but they do exist. Many women fall through the weakness

of self-indulgent passion, many from love of luxury, many from

vanity and pride, too many from the mere coercion of hard necessity;

but among the sad, unblest crowd there is a class who are the

victims of sovereign power to forgive sins and dispense favors.

The repentant Magdalene became henceforth one of the characteristic

figures in the history of the Christian Church. Mary Magdalene

became eventually a prominent figure in the mythic legends of

the mediæval mythology. A long history of missionary labors and

enthusiastic preaching of the gospel in distant regions of the earth

is ascribed to her. Churches arose that bore her name, hymns were

addressed to her. Even the reforming Savonarola addresses one of

his spiritual canticles to St. Mary Magdalene. The various pictures

of her which occur in every part of Europe are a proof of the

interest which these legends inspired. The most of them are wild and

poetic, and exhibit a striking contrast to the concise brevity and

simplicity of the New Testament story.

The mythic legends make up a romance in which Mary the sister of

Martha and Mary Magdalene the sinner are oddly considered as the

same person. It is sufficient to read the chapter in St. John which

gives an account of the raising of Lazarus, to perceive that such a

confusion is absurd. Mary and Martha there appear as belonging to

a family in good standing, to which many flocked with expressions

of condolence and respect in time of affliction. And afterwards,

in that grateful feast made for the restoration of their brother,

we read that so many flocked to the house that the jealousy of

the chief priests was excited. All these incidents, representing

a family of respectability, are entirely inconsistent with any

such supposition. But while we repudiate this extravagance of

the tradition, there does seem ground for identifying the Mary

Magdalene, who was one of the most devoted followers of our Lord,

with the forgiven sinner of this narrative. We read of a company

of women who followed Jesus and ministered to him. In the eighth

chapter of Luke he is said to be accompanied by "certain women

which had been healed of evil spirits and infirmities," among whom

is mentioned "Mary called Magdalene," as having been a victim of

demoniacal possession. Some women of rank and fortune also are

mentioned as members of the same company: "Joanna the wife of Chusa,

Herod's steward, and Susanna, and many others who ministered to him

of their substance." A modern commentator thinks it improbable that

Mary Magdalene could be identified with the "sinner" spoken of by

St. Luke, because women of standing like Joanna and Susanna would

not have received one of her class to their company. We ask why

not? If Jesus had received her, had forgiven and saved her; if _he_

acknowledged previously her grateful ministrations,--is it likely

that they would reject her? It was the very peculiarity and glory

of the new kingdom that it had a better future for sinners, and for

sinful woman as well as sinful man. Jesus did not hesitate to say

to the proud and prejudiced religious aristocracy of his day, "The

publicans and harlots go into the kingdom of heaven before you." We

cannot doubt that the loving Christian women who ministered to Jesus

received this penitent sister as a soul absolved and purified by the

sovereign word of their Lord, and henceforth there was for her a

full scope for that ardent, self-devoting power of her nature which

had been her ruin, and was now to become her salvation.

Some commentators seem to think that the dreadful demoniacal

possession which was spoken of in Mary Magdalene proves her not to

have been identical with the woman of St. Luke. But on the contrary,

it would seem exactly to account for actions of a strange and

unaccountable wickedness, for a notoriety in crime that went far to

lead the Pharisees to feel that her very touch was pollution. The

story is symbolic of what is too often seen in the fall of woman. A

noble and beautiful nature wrecked through inconsiderate prodigality

of love, deceived, betrayed, ruined, often drifts like a shipwrecked

bark into the power of evil spirits. Rage, despair, revenge,

cruelty, take possession of the crushed ruin that should have been

the home of the sweetest affections. We are not told when or where

the healing word was spoken that drove the cruel fiends from Mary's

soul. Perhaps before she entered the halls of the Pharisee, while

listening to the preaching of Jesus, the madness and despair had

left her. We can believe that in his higher moods virtue went from

him, and there was around him a holy and cleansing atmosphere from

which all evil fled away,--a serene and healing purity which calmed

the throbbing fever of passion and gave the soul once more the image

of its better self.

We see in the manner in which Mary found her way to the feet of

Jesus the directness and vehemence, the uncalculating self-sacrifice

and self-abandon, of one of those natures which, when they move,

move with a rush of undivided impulse; which, when they love, trust

all, believe all, and are ready to sacrifice all. As once she had

lost herself in this self-abandonment, so now at the feet of her God

she gains all by the same power of self-surrender.

We do not meet Mary Magdalene again till we find her at the foot

of the cross, sharing the last anguish of our Lord and his mother.

We find her watching the sepulcher, preparing sweet spices for

embalming. In the dim gray of the resurrection morning she is there

again, only to find the sepulcher open and the beloved form gone.

Everything in this last scene is in consistency with the idea of

the passionate self-devotion of a nature whose sole life is in its

love. The disciples, when they found not the body, went away; but

Mary stood without at the sepulcher weeping, and as she wept she

stooped down and looked into the sepulcher. The angels said to her,

"Woman, why weepest thou? She answered, Because they have taken away

my Lord, and I know not where they have laid him." She then turns

and sees through her tears dimly the form of a man standing there.

"Jesus saith unto her, Woman, why weepest thou? whom seekest thou?

She, supposing him to be the gardener, saith unto him, Sir, if thou

have borne him hence, tell me where thou hast laid him, and I will

go and take him away. Jesus saith unto her, Mary! She turned herself

and said unto him, Rabboni,--Master!"

In all this we see the characteristic devotion and energy of her who

loved much because she was forgiven much. It was the peculiarity

of Jesus that he saw the precious capability of every nature, even

in the very dust of defilement. The power of devoted love is the

crown-jewel of the soul, and Jesus had the eye to see where it

lay trampled in the mire, and the strong hand to bring it forth

purified and brightened. It is the deepest malignity of Satan to

degrade and ruin souls through love. It is the glory of Christ,

through love, to redeem and restore.

In the history of Christ as a teacher, it is remarkable, that, while

he was an object of enthusiastic devotion to so many women, while

a band of them followed his preaching and ministered to his wants

and those of his disciples, yet there was about him something so

entirely unworldly, so sacredly high and pure, that even the very

suggestion of scandal in this regard is not to be found in the

bitterest vituperations of his enemies of the first two centuries.

If we compare Jesus with Socrates, the moral teacher most frequently

spoken of as approaching him, we shall see a wonderful contrast.

Socrates associated with courtesans, without passion and without

reproof, in a spirit of half-sarcastic, philosophic tolerance. No

quickening of the soul of woman, no call to a higher life, came from

him. Jesus is stern and grave in his teachings of personal purity,

severe in his requirements. He was as intolerant to sin as he was

merciful to penitence. He did not extenuate the sins he forgave.

He declared the sins of Mary to be _many_, in the same breath that

he pronounced her pardon. He said to the adulterous woman whom he

protected, "Go, sin no more." The penitents who joined the company

of his disciples were so raised above their former selves, that,

instead of being the shame, they were the glory of the new kingdom.

St. Paul says to the first Christians, speaking of the adulterous

and impure, "Such were some of you, but ye are washed, but ye are

sanctified, but ye are justified in the name of the Lord Jesus, and

by the Spirit of God."

The tradition of the Church that Mary Magdalene was an enthusiastic

preacher of Jesus seems in keeping with all we know of the strength

and fervor of her character. Such love must find expression, and

we are told that when the first persecution scattered the little

church at Jerusalem, "they that were scattered went everywhere,

preaching the word." Some of the most effective preaching of

Christ is that of those who testify in their own person of a great

salvation. "He can save to the uttermost, for he has saved ME," is

a testimony that often goes more straight to the heart than all the

arguments of learning. Christianity had this peculiarity over all

other systems, that it not only forgave the past, but made of its

bitter experiences a healing medicine; so that those who had sinned

deepest might have therefrom a greater redeeming power. "When thou

art converted, strengthen thy brethren," was the watchword of the

penitent.

The wonderful mind of Goethe has seized upon and embodied this

peculiarity of Christianity in his great poem of Faust. The first

part shows the Devil making of the sweetest and noblest affection of

the confiding Margaret a cruel poison to corrupt both body and soul.

We see her driven to crime, remorse, shame, despair,--all human

forms and forces of society united to condemn her, when with a last

cry she stretches her poor hands to heaven and says, "Judgment of

God, I commend myself to you"; and then falls a voice from heaven,

"She is judged; she is saved."

In the second part we see the world-worn, weary Faust passing

through the classic mythology, vainly seeking rest and finding

none; he seeks rest in a life of benevolence to man, but fiends

of darkness conflict with his best aspirations, and dog his steps

through life, and in his dying hour gather round to seize his soul

and carry it to perdition. But around him is a shining band. Mary

the mother of Jesus, with a company of purified penitents, encircle

him, and his soul passes, in infantine weakness, to the guardian

arms of Margaret,--once a lost and ruined woman, now a strong and

pitiful angel,--who, like a tender mother, leads the new-born soul

to look upon the glories of heaven, while angel-voices sing of the

victory of good over evil:--

"All that is transient

Is but a parable;

The unattainable

Here is made real.

The indescribable

Here is accomplished;

The eternal womanly

Draws us upward and onward."

[Illustration: MARTHA AND MARY]

MARTHA AND MARY.

The dramatic power of the brief Bible narratives is one of their

most wonderful characteristics. By a few incidents, a word here and

there, they create a vivid image of a personality that afterwards

never dies from our memory. The women of Shakespeare have been set

upon the stage with all the accessories of dress, scenery, and the

interpreting power of fine acting, and yet the vividness of their

personality has not been equal to that of the women of the Bible.

Mary and Martha, the two sisters of Bethany, have had for ages a

name and a living power in the Church. Thousands of hearts have

throbbed with theirs; thousands have wept sympathetic tears in their

sorrows and rejoiced in their joy. By a few simple touches in the

narrative they are so delicately and justly discriminated that they

stand for the representatives of two distinct classes. Some of the

ancient Christian writers considered them as types of the active

and the contemplative aspects of religion. Martha is viewed as

the secular Christian, serving God in and through the channels of

worldly business, and Mary as the more peculiarly religious person,

devoted to a life of holy meditation and the researches of heavenly

truth. The two were equally the friends of Jesus. Apparently, the

two sisters with one brother were an orphan family, united by the

strongest mutual affection, and affording a circle peculiarly

congenial to the Master.

They inhabited a rural home just outside of Jerusalem; and it seems

that here, after the labors of a day spent in teaching in the

city, our Lord found at evening a home-like retreat where he could

enjoy perfect quiet and perfect love. It would seem, from many

touches in the Gospel narrative, as if Jesus, amid the labors and

applauses and successes of a public life, yearned for privacy and

domesticity,--for that home love which he persistently renounced, to

give himself wholly to mankind. There is a shade of pathos in his

answer to one who proposed to be his disciple and dwell with him:

"Foxes have holes; the birds of the air have nests; but the Son of

Man hath not where to lay his head." This little orphan circle, with

their quiet home, were thus especially dear to him, and it appears

that this was his refuge during that last week of his life, when he

knew that every day was bringing him nearer to the final anguish.

It is wonderful how sharply and truly, in a narrative so brief,

the characters of Martha and Mary are individualized. Martha, in

her Judæan dress and surroundings, is, after all, exactly such a

good woman as is often seen in our modern life,--a woman primarily

endowed with the faculties necessary for getting on in the

world, yet sincerely religious. She is energetic, business-like,

matter-of-fact, strictly orthodox, and always ready for every

emergency. She lives in the present life strongly and intensely, and

her religion exhibits itself through regular forms and agencies.

She believes in the future life orthodoxly, and is always prompt

to confess its superior importance as a matter of doctrine, though

prone to make material things the first in practice. Many such

women there are in the high places of the Christian Church, and

much good they do. They manage fairs, they dress churches, they

get up religious festivals, their names are on committees, they

are known at celebrations. They rule their own homes with activity

and diligence, and they are justly honored by all who know them.

Now, nothing is more remarkable in the history of Jesus than the

catholicity of his appreciation of character. He never found fault

with natural organization, or expected all people to be of one

pattern. He did not break with Thomas for being naturally a cautious

doubter, or Peter for being a precipitate believer; and it is

specially recorded in the history of this family that Jesus loved

Martha. He understood her, he appreciated her worth, and he loved

her.

In Mary we see the type of those deeper and more sensitive natures

who ever aspire above and beyond the material and temporal to the

eternal and divine; souls that are seeking and inquiring with a

restlessness that no earthly thing can satisfy, who can find no

peace until they find it in union with God.

In St. Luke we have a record of the manner in which the first

acquaintance with this family was formed. This historian says:

"A woman named Martha received him at her house." Evidently the

decisive and salient power of her nature caused her to be regarded

as mistress of the family. There was a grown-up brother in the

family; but this house is not called the house of Lazarus, but the

house of Martha,--a form of speaking the more remarkable from the

great superiority or leadership which ancient customs awarded to the

male sex. But Martha was one of those natural leaders whom everybody

instinctively thinks of as the head of any house they may happen to

belong to. Her tone toward Mary is authoritative. The Mary-nature

is a nature apt to appear to disadvantage in physical things. It

is often puzzled, and unskilled, and unready in the details and

emergencies of a life like ours, which so little meets its deepest

feelings and most importunate wants. It acquires skill in earthly

things only as a matter of discipline and conscience, but is always

yearning above them to something higher and divine. A delicacy

of moral nature suggests to such a person a thousand scruples

of conscientious inquiry in every turn of life, which embarrass

directness of action. To the Martha-nature, practical, direct, and

prosaic, all these doubts, scruples, hesitations, and unreadinesses

appear only as pitiable weaknesses.

Again, Martha's nature attaches a vast importance to many things

which, in the view of Mary, are so fleeting and perishable, and have

so little to do with the deeper immortal wants of the soul, that it

is difficult for her even to remember and keep them in sight. The

requirements of etiquette, the changes and details of fashion, the

thousand particulars which pertain to keeping up a certain footing

in society and a certain position in the world,--all these Martha

has at her fingers' ends. They are the breath of her nostrils, while

Mary is always forgetting, overlooking, and transgressing them.

Many a Mary has escaped into a convent, or joined a sisterhood, or

worn the plain dress of the Quaker, in order that she might escape

from the exaction of the Marthas of her day, "careful [or, more

literally, _full of care_] and troubled about many things."

It appears that in her way Martha was a religious woman, a sincere

member of the Jewish Church, and an intense believer. The preaching

of Christ was the great religious phenomenon of the times, and

Martha, Mary, and Lazarus joined the crowd who witnessed his

miracles and listened to his words. Both women accepted his message

and believed his Messiahship,--Martha, from the witness of his

splendid miracles; Mary, from the deep accord of her heart with

the wonderful words he had uttered. To Martha he was the King that

should reign in splendor at Jerusalem, and raise their nation to an

untold height of glory; to Mary he was the answer to the eternal

question,--the Way, the Truth, the Life, for which she had been

always longing.

Among many who urge and press hospitality, Martha's invitation

prevails. A proud home is that, when Jesus follows her,--her prize,

her captive. The woman in our day who has captured in her net of

hospitalities the orator, the poet, the warrior,--the star of all

eyes, the central point of all curiosity, desire, and regard,--can

best appreciate Martha's joy. She will make an entertainment

that will do credit to the occasion. She revolves prodigies of

hospitality. She invites guests to whom her acquisition shall

be duly exhibited, and all is hurry, bustle, and commotion. But

Mary follows him, silent, with a fluttering heart. His teaching

has aroused the divine longing, the immortal pain, to a throbbing

intensity; a sweet presentiment fills her soul, that she is near One

through whom the way into the Holiest is open, and now is the hour.

She neither hears nor sees the bustle of preparation; but apart,

where the Master has seated himself, she sits down at his feet, and

her eyes, more than her voice, address to him that question and

that prayer which are _the_ question and the _one great reality_ of

all this fleeting, mortal life.

The question is answered; the prayer is granted. At his feet she

becomes spiritually clairvoyant. The way to God becomes clear and

open. Her soul springs toward the light; is embraced by the peace of

God, that passeth understanding. It is a soul-crisis, and the Master

sees that in that hour his breath has unfolded into blossom buds

that had been struggling in darkness. Mary has received in her bosom

the "white stone with the new name, which no man knoweth save him

that receiveth it," and of which Jesus only is the giver. As Master

and disciple sit in that calm and sweet accord, in which giver and

receiver are alike blessed, suddenly Martha appears and breaks into

the interview, in a characteristically imperative sentence: "Lord,

dost thou not care that my sister hath left me to serve alone? Bid

her, therefore, that she help me."

Nothing could more energetically indicate Martha's character than

this sentence. It shows her blunt sincerity, her conscientious,

matter-of-fact worldliness, and her dictatorial positiveness.

Evidently, here is a person accustomed to having her own way and

bearing down all about her; a person who believes in herself without

a doubt, and is so positive that her way is the only right one that

she cannot but be amazed that the Master has not at once seen as

she does. To be sure, this is in her view the Christ, the Son of

God, the King of Israel, the human being whom in her deepest heart

she reverences; but no matter, she is so positive that she is right

that she does not hesitate to say her say, and make her complaint

of him as well as of her sister. People like Martha often arraign

and question the very Providence of God itself when it stands in

the way of their own plans. Martha is sure of her ground. Here is

the Messiah, the King of Israel, at her house, and she is getting

up an entertainment worthy of him, slaving herself to death for

him, and he takes no notice, and most inconsiderately allows her

dreamy sister to sit listening to him, instead of joining in the

preparation.

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