CHAPTER VIII.

GUENDOLEN'S BOWER.

"Four gray walls, and four square towers,

Overlook a space of flowers,

And the silent isle imbowers,

The Lady of Shalott."

TENNYSON.

High up in the gray square tower, which constituted the keep of the

castle of Waltheofstow, there was a suite of apartments, the remains

of which are discoverable to this day, known as the Lady's Bower;

which had, it is probable, from the construction of the edifice, been

set apart, not only as the private chambers of the chatelaine and

ladies of the family, her casual guests and their attendants, but as

what we should now call the drawing-rooms, wherein the more social

hours of those rude days were passed, when the sexes intermingled,

whether for the enjoyment of domestic leisure, or for gayety and

pleasure.

The keep of Waltheofstow consisted, as did indeed all the smaller

fortalices of that date, when private dwellings, even of the great and

powerful, were constructed with a view to defense above all beside, of

one large massive building of an oblong square form, with a solid

circular buttress at each angle, which, above the basement floor, was

hollowed into a lozenge-shaped turret, extending above the esplanade

of the highest battlements, and terminating at a giddy height in a

crenellated and machicolated lookout, affording a shelter to the

sentries, and a flanking defense to the _corps de logis_.

For its whole height, from the guard-room, which occupied the whole

ground-floor, to the battlements, one of these turrets contained the

great winding stone staircase of the castle, lighted at the base by

mere shot-holes and loops, but, as it rose higher and higher above the

danger of escalade, by mullioned windows of increasing magnitude,

until, at the very summit, it was surmounted by a beautifully-wrought

lanthorn of Gothic stone-work. The other three, lighted in the same

manner, better and better as they ascended, formed each a series of

small pleasant rooms, opening upon the several stories, and for the

most part were fitted as the sleeping-rooms of the various officers.

The whole floor, first above the guard-room, was divided into the

kitchen, butteries, and household offices; while the next in order,

being the third in elevation above the court-yard, was reserved in one

superb parallelogram of ninety feet by sixty, well lighted by narrow

lanceolated windows, and adorned with armors of plate and mail,

scutcheons rich with heraldic bearings, antlers of deer and elk, horns

of the bull, yet surviving, of the great Caledonian forests, skulls of

the grizzly boars grinning with their ivory tusks, and banners

dependent from the lofty groinings of the arched roof, trophies of

many a glorious day. This was the knight's hall, the grand

banqueting-saloon of the keep; while of its three turrets, one was the

castle chapel, a second a smaller dining-hall, and the last the

private cabinet and armory of the castellan. Above this, again, on the

fourth plat, were bed-chambers of state, the larger armory, and the

dormitories of the warders, esquires, pages, and seneschal, who alone

dwelt within the keep, the rest of the garrison occupying the various

out-buildings and towers upon the flanking walls and ramparts.

The fifth story, at least a hundred feet in air above the inner court,

and nearly thrice that elevation above the base of the scarped mount

on which the castle stood, contained the Lady's bower; and its whole

area of ninety feet by sixty was divided, in the first instance,

laterally by three partitions, into three apartments, each sixty feet

in length by thirty wide. Of these, however, the first and last were

subdivided equally in two squares of thirty feet. The whole of the

bower, thus, contained a handsome ante-chamber, opening from the great

staircase, with a large room for the waiting-women to the right,

communicating with the turret chamber corresponding to the stairway.

Beyond the vestibule, by which access was had to it, lay the grand

ladies' hall, furnished with all the superabundance of splendor and

magnificence, and all the lack of real convenience, which was the

characteristic of the time; divans, and deep settles, and ponderous

arm-chairs covered with gold and velvet; embroideries and emblazoned

foot-cloths on the floor; mirrors of polished steel, emulating

Venetian crystals, on the walls; mighty candelabra of silver gilt;

tables of many kinds, some made for the convenience of long-forgotten

games, some covered with cups and vessels of gold, silver, and

richly-colored glass, and one or two, smaller, and set away in quiet

nooks, with easy seats beside them, showing the feminine character of

the occupants, by a lute, a gittern, and two or three other musical

implements long since fallen into disuse; pages of music written in

the old musical notation of the age; some splendidly-bound and

illuminated missals and romances, in priceless manuscript, each

actually worth its weight in gold; silks and embroideries; a

working-stand, with a gorgeous surcoat of arms half finished, the

needle sticking in the superb material where the fairy fingers had

left it, when last called from their gentle task; and great vases full

of the finest flowers of the season.

Such was the aspect of the room, beheld by the declining rays of the

sun, which had already sunk so low that his stray beams, instead of

falling downward through the gorgeous hues of the tinted-windows,

streamed upward into that lofty place, playing on the richly-carved

and gilded ceilings, catching here on a mirror, there on a vase of

gold or silver, and sending hundreds of burning specks of light

dancing through the motley haze of gold and purple, which formed the

atmosphere of that almost royal bower.

From this rich withdrawing-room, strangely out of place in appearance,

though not so in reality, in the old gray Norman fortress, among the

din of arms and flash of harness, opened two bed-rooms, equal in

costliness of decoration to the saloon without, each having its

massive four-post bedstead in a recess, accessible by three or four

broad steps, as if it were a throne of honor, each with its mirror and

toilet, its appurtenances for the bath, its easy couches, and its

chair of state; its _prie dieu_ and kneeling-hassock, in a niche,

with a perfumed lamp burning before a rudely-painted picture of the

Madonna, each having communication with a pretty turret-chamber,

fitted with couch and reading-desk, and opening on a bartizan or

balcony, which, though they were intended in times of war or danger

for posts of vantage to the defense, whence to shower missiles or pour

seething pitch or oil on the heads of assailants, were filled in the

pleasant days of peace with shrubs and flowers, planted in large tubs

and troughs, waving green and joyous, and filling the air with sweet

smells two hundred feet above their dewy birth-place.

It may be added, that so thick and massive were the walls at this

almost inaccessible height, that galleries had been, as it were,

scooped out of them, offering easy communication from one room to

another, and even private staircases from story to story, with secret

closets large enough for the accommodation of a favorite page or

waiting-damsel, where nothing of the sort would be expected, or could

indeed exist, within a modern dwelling.

Thus, the inconveniences of such an abode, all except the height to

which it was necessary for the female inmates to climb, were more

imaginary than real; and it was perfectly easy, and indeed usual, for

the ladies of such a castle to pass to and fro from the rooms of their

husbands, fathers, or brothers, and even from the knights' hall to

their own bower, without meeting any of the retainers of the place,

except what may be called the peaceful and familiar servants of the

household.

Through the thick-vaulted roofs of stone, which rendered every story

of the keep a separate fortress, no sound of arms, of revelry or riot,

could ascend to the region of the ladies; and if their comforts were

inferior to those of our modern beauties, their magnificence, their

splendor of costume, of equipage, of followings, their power at home,

and their influence abroad, where they shone as "Queens of Love and

Beauty," were held the arbiters of fame and dispensers of honor, where

their smiles were held sufficient guerdon for all wildest feats of

bravery, their tears expiable by blood only, their importance in the

outer world of arms, of romance, of empire, were at the least as far

superior; and it may be doubted, whether some, even the most spoiled

of our modern fair ones, would not sigh to exchange, with the dames

and demoiselles of the twelfth century, their own soft empire of the

ball-room for the right to hold Courts of Love, as absolute

unquestioned sovereigns, to preside at tilt and tournament, and send

the noblest and the most superb of champions into mortal combat, or

yet more desperate adventure, by the mere promise of a sleeve, a

kerchief, or a glove.

She, however, who now occupied alone the Lady's Bower of Waltheofstow

was none of your proud and court-hardened ladies, who could look with

no emotion beyond a blush of gratified vanity on the blood of an

admirer or a lover. Though for her, young as she was, steeds had been

spurred to the shock, and her name shouted among the splintering of

lances and the crash of mortal conflict, she was still but a simple,

amiable, and joyous child, who knew more of the pleasant fields and

waving woodlands of her fair lake-country, than of the tilt-yard, the

court pageant, or the carousal, and who better loved to see the

heather-blossom and the blue-bell dance in the free air of the breezy

fells, than plumes and banners flaunt and flutter to the blare of

trumpets.

The only child of Sir Yvo de Taillebois, a knight and noble of the

unmixed Norman blood, a lineal descendant of one of those hardy barons

who, landing with Duke William on his almost desperate emprise, had

won "the bloody hand" at Hastings, and gained rich lands in the

northern counties during the protracted struggle which ensued, the

Lady Guendolen had early lost her mother, a daughter of the noble

house of Morville, and not a very distant relative of the good knight,

Sir Philip, whose hospitality she was now partaking with her father.

To a girl, for the most part, the loss of a mother, before she has

reached the years of discretion, is one never to be repaired, more

especially where the surviving parent is so much occupied with duties,

martial or civil, as to render his supervision of her bringing-up

impossible. It is true that, in the age of which I write, the

accomplishments possessed by the most delicate and refined of ladies

were few and slight, as compared to those now so sedulously inculcated

to our maidens, so regularly abandoned by our matrons; and that, at a

period later by several centuries, he who has been styled, by an

elegant writer,[3] the last of the Norman barons, great Warwick the

Kingmaker, held it a boast that his daughters possessed no arts, no

knowledge, more than to spin and to be chaste.

[3] Sir E. Lytton Bulwer.

Yet even this small list of feminine attainments was far beyond the

teaching of the illiterate and warlike barons, who knew nought of the

pen, save when it winged the gray-goose shaft from the trusty yew, and

whose appropriate and ordinary signatures were the impress of their

sword-hilts on the parchments, which they did not so much as pretend

to read; and, in truth, the Kingmaker's statement must either be

regarded as an exaggeration, or the standard of female accomplishment

had degenerated, as is not unlikely to have been actually the case,

during the cruel and devastating wars of the Roses, which, how little

soever they may have affected the moral, political, or agricultural

condition of the English people at large, had unquestionably dealt a

blow to the refinement, the courtesy, the mental culture, and personal

polish of the English aristocracy, from which they began only to

recover in the reigns of the later Tudors.

But in the case of the fair Guendolen, neither did the loss of her

mother deprive her of the advantages of her birth, nor would the

incapacity of her father, had the occasion been allowed him of

superintending the culture of his child, have done so; for he was--at

that day rarer in England than was a wolf, though literary culture had

received some impulse from the present monarch, and his yet more

accomplished father, Beauclerc--a man of intellectual ability, and not

a little cultivation.

He had been largely employed by both princes on the continent, in

diplomatic as well as military capacities; had visited Provence, the

court of poetry and minstrelsy, and the _gai science_; had dwelt

in the Norman courts of Italy, and even in Rome herself, then the seat

of all the rising schools of literature, art, and science; and while

acquiring, almost of necessity, the tongues of southern Europe, had

both softened and enlarged his mind by not a few of their acquirements.

Of this advantage, however, it was only of late years, when she was

bursting into the fairest dawn of adolescence, that she had been

permitted to profit; for, between her fifth and her fifteenth years,

she had seen but little of her father, who, constantly employed, either

as a statesman at home, an embassador abroad, or a conquering invader

of the wild Welsh marches, or the wilder and more barbarous shores of

Ireland, had rarely been permitted to call a day his own, much less to

devote himself to those home duties and pleasures for which he was,

beyond doubt, more than ordinarily qualified.

Yet, however unfortunate she might have been in this particular, she

had been as happy in other respects, and had been brought up under

circumstances which had produced no better consequences on her head

than on her heart, on the graces of her mind and body, than on the

formation of her feminine and gentle character.

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