OUR BOOKING-OFFICE.

Pocket-books for next year are coming in. Which for choice? "_Solvitur

ambulando_" should be the resolution of the difficulty, given by

one firm at least, that firm being "WALKER." They are handy, and

conveniently pocketable, but to "The chiels amang ye taking notes,"

plain leaves, and no fruit, and no dates, we should say, would be

preferable. They're reasonable prices, and you can't expect to get 'em

for nothing; if you do--"WALKER!"

[Illustration]

The Baron highly approves of Messrs. DE LA RUE's pocket-books. It is

pleasant to have something in one's pocket, even if only a book. As

to account-books and diaries--well enter nothing therein but what has

been pleasant and profitable, and most diarians who adopt this rule

will not find their memoranda overcrowded at the end of the year.

"Letts be happy, while we can, and good luck to you, Ladies all, in

1892. Leap year!" quoth the Baron. "Over you go like the villagers in

the German story, after the sheep, into the sea of matrimony, where

may you all get on swimmingly." _À propos_, Mesdames BLYTHE and GAY

say that the Christmas Number of _Woman_, produced by a number of

women, is as full of attractive power as the Magnetic Lady herself.

"ARROWSMITH's Shilling Sensational, by 'a New Author,'" quoth the

Baron, "would, methought, serve _pour me distraire_." The "New Author"

uses the remarkably new device of a mole on the lost child's breast.

Isn't that original? _Miss Box_ and _Miss Cox_ are lost, and found.

"Have you a mole on your left breast?" "Yes!" "Then it is both of

you!" Charming! So useful is the explanation that "Hanwell is a little

village, a few miles from London." Perhaps it is the locality, there

or thereabouts, where this thrillingly interesting tale--which could

have been told in fifty pages, and needn't have been told at all--was

written. Well, well, "All's Hanwell that ends Hanwell," and "I've

galloped through a worse story before now," quoth the Baron, yawning,

and so to bed.

[Illustration: Turning over the pages.]

In _John Leech, His Life and Work_ (BENTLEY) Mr. FRITH quotes from an

anonymous but obviously not an original authority, the dictum, "It is

the happiness of such a life (as LEECH's) that there is so little to

be told of it." Mr. BENTLEY has produced two handsome volumes worthy

the reputation of his ancient and honourable house. They enshrine

admirable reproductions of some of LEECH's best work, selected by

the trained hand and sympathetic eye of Mr. FRITH. These are and will

remain the chief attractions of a work to which the Baron, in common

with the civilised world, has been looking forward to with interest,

and of whose realisation he regrets to hear so disappointing an

account from his trusty "Co." It is difficult to find dates in this

higgledy-piggledy chance-medley of facts and opinions. But we all know

that LEECH died in October, 1864. It was in _Mr. Punch's_ pages that

he found the true field for his heaven-born genius For twenty years at

least he was one of the most prominent, best known, and best liked men

in England. Surely within that period there must lie to the hand of

the dilligent seeker material for a memoir worthy to be linked with

the name of JOHN LEECH. Mr. FRITH has not given us such a book,

and criticism is only partly disarmed by the comical reiteration of

confession that he has failed in his appointed task. For what he has

to say in the way of making known to the world the man JOHN LEECH, a

very thin volume would have sufficed, even had he included the more

useful of his remarks on LEECH's work and his method. But there being

two volumes to fill, Mr. FRITH genially summarises _The Physiology of

Evening Parties_, by Mr. ALBERT SMITH; _Mr. Sponge's Sporting Tour_,

and other not very high-class literature, whose only claim to being

remembered is that LEECH illustrated them. Of _The Marchioness of

Brinvilliers_, ALBERT SMITH's attempt to rival the attractions of the

_Newgate Calendar_, Mr. FRITH positively gives two whole chapters! He

allots one to the _Bon Gaultier Ballads_, and nineteen mortal pages

to telling the _Story of Miss Kilmansegg_, with copious extracts from

that easily accessible work.

This is not Memoir-writing, it is book-making. The reader can skip

these chapters, and, diligently searching, will find here and there a

ray of light thrown on this beautiful placid life, weighed down as it

was from earliest manhood by family circumstances at which Mr. FRITH

delicately hints. "Give, give!" was, truly, the cry of the daughters

of the horseleach. There are, however, several other anecdotes

contributed by personal friends of LEECH's, who have come to Mr.

FRITH's assistance, and succeed in the main in making the book an

interesting one, as giving the outside world some glimpses of a sweet

and manly character. The volumes are crowded with illustrations.

These are LEECH's own work, and make the volumes worth more than their

published price.

Punch, or the London Charivari, Volume 101, December 12, 1891 · 第 13 / 37 题