“There ain’t anyone ‘specially that I’ve got to worry about, ‘cept the

boy. Of course it’s awful hard for a poor feller to start, anyhow,

unless he’s real smart, and I don’t know how ‘twill be with the boy. We

always thought he was awful cunnin’; but I s’pose most parents does. But

I don’t see how he’d ever be very smart, ‘cause I wa’n’t and neither was

his mother. As I was sayin’, ‘twould be awful hard for him anyhow, but

now when he’s growed up, and anyone tells him about how his mother was

murdered by his father, and how his father got hung for it, and they

show him the pictures in the paper and all that, I don’t see how he’ll

ever have any show. It seems as if the state had ought to do somethin’

for a child when the state kills its father that way, but it don’t

unless they sends him to a poor house, or something like that.

“Now, I haven’t told you a single lie—and you can see how it all was,

and that I wa’n’t so awful bad, and that I’m sorry, and would be willin’

to die if it would bring her back. And if you can, I wish you’d just

kind of keep your eye on the boy. I guess it’ll be a good deal better to

change his name and not let him nor anyone else know anything about

either of us. A good many poor people grow up that way. I don’t really

know nothin’ ‘bout my folks. They might’ve been hung too, for all I

know. But you kind of watch the boy and keep track of him, and if he

comes up all right and seems to be a smart feller and looks at things

right, and he gets to wonderin’ about me, and you think ‘twill do any

good you can tell him just what you feel a mind to, but don’t tell him

‘less’n you think it will do him good. Of course, I can’t never pay you

in any way for what you’ve done for me, but mebbe you’ll think it’s

worth while for a feller that hain’t a friend in the world, and who’s

got to be hung so quick.”

Hank struggled as hard as he could to keep back the tears. He was not

much used to crying, but in spite of all his efforts they rolled down

his face.

“Well, Jim, old feller,” he said. “I didn’t know how it was—when I come

I felt as if you’d been awful bad, and of course I know it wa’n’t right,

but somehow I know it might have happened to me, or ‘most anybody,

almost, and that you ain’t so bad. I can’t tell you anything about how I

feel, but I’m glad I come. It’s done me good. I don’t think I’ll ever

feel the same about the fellers that go to jail and get hung. I don’t

know’s they could help it any more’n any of us can help the things we

do. Anyhow, I sha’n’t never let the boy out of my mind a single minit,

and I’ll do as much for him as if he was mine. I’ll look him up the

first thing I do. I don’t know about changin’ his name, I’ll see.

Anyhow, if he ever gets to hear a bit of it, I’ll see he knows how it

was.”

Jim wrung Hank’s hand for a minute in silence, and then said: “And just

one word more, Hank; tell him not to be poor; don’t let him get married

till he’s got money, and can afford it, and don’t let him go in debt.

You know I don’t believe I ever would have done it if I hadn’t been so

poor.”

Hank drew back his hand and stepped to the grated door and looked out

along the gloomy iron corridors and down toward the courtyard below.

Then he looked up at the tiers of cells filled with the hapless outcasts

of the world. On the skylight he could see the faint yellowish glow that

told him that the day was about to dawn. The guard got up from his stool

and passed him another flask of whiskey.

“Here, you’d better get Jim to drink all he can,” he whispered, “for his

time is almost up.”

Hank took a little sip himself, and then motioned Jim to drink. Jim took

the bottle, raised it to his mouth and gulped it down, scarcely stopping

to catch his breath. Then he threw the bottle on the bed and sat down on

his chair. With the story off his mind it was plain that the whiskey was

fast numbing all his nerves. He was not himself when he looked up again.

“I guess mebbe I’d better change my clothes, while I have a chance,” he

said. “I don’t want anyone else to have to do it for me, and I want to

look all right when the thing comes off.”

A new guard came up to the door, unlocked it and came in. He nodded to

Hank and told him he must go.

“His breakfast is just comin’ up and it’s against the rules to have

anyone here at the time. The priest will come to see him after he gets

through eatin’.”

Over in the corridor where Hank had seen the beams and lumber he could

hear the murmur of muffled voices, evidently talking about the work.

Along the corridor two waiters in white coats were bringing great trays

filled with steaming food.

Slowly Hank turned to Jim and took his hand.

“Well, old fellow,” he said, “I’ve got to go. I see you’re all right,

but take that Scotch whiskey when it comes; it won’t do you any hurt.

I’ll look after everything just as I said. Good-bye.”

Jim seemed hardly to hear Hank’s farewell words.

“Well, good-bye.”

Hank went outside the door and the guard closed and locked it as he

turned away.

Then Jim got up from his chair and stumbled to the door.

“Hank! Hank! S’pose—you—stop at the—telegraph—office—the Western Union—

and the—Postal—all of ‘em—mebbe—might—be somethin’——”

“All right,” Hank called back, “I will! I will!—I’ll go to both to make

sure if there’s anything there; and I’ll telephone you by the time

you’ve got through eatin’.”

------------------------------------------------------------------------

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=B–44= Algebra Self Taught: With Problems and Answers. Lawrence A.

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=B–7= Studies In Rationalism. E. Haldeman-Julius.

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SANE SEX SERIES

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Are you ignorant of the facts of Life? Do you want authentic

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50 Volumes-–750,000 Words

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_The Child’s Sex-Life_

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_Evolution of Sex_

_Physiology of Sex_

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_Sleep and Sex Dreams_

_Chats with Wives_

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_Art of Kissing_

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_Beginning Marriage Right_

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_Sex Ethics_

_Modern Sex Morality_

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_Psychology of Affections_

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_Eugenics Explained_

_Genetics Made Plain_

_Heredity Made Plain_

_Venereal Diseases_

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=Salome=, Importance of Being Earnest, Lady Windermere’s Fan.

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=De Profundis= (Out of the Depths).

=Dorian Gray= (Novel).

=Poems= (Harlot’s House, Sphinx, Reading Gaol, etc.)

=Fairy Tales= and Poems in Prose.

=Pen, Pencil and Poison.=

ANATOLE FRANCE

=Crime of Sylvestre Bonnard.=

=Queen Pedauque.=

=Red Lily.=

=Thais.=

GABRIELE D’ANNUNZIO

=Flame of Life.=

=Child of Pleasure.=

=Maidens of the Rocks.=

=Triumph of Death.=

THOMAS HARDY

=Jude the Obscure.=

=Major of Casterbridge.=

=Return of the Native.=

FRIEDRICH NIETZSCHE

=Thus Spake Zarathustra.=

=Beyond Good and Evil.=

=Genealogy of Morals.=

=Ecce Homo and The Birth of Tragedy.=

HENRIK IBSEN

=Doll’s House=, Ghosts, and An Enemy of the People.

=Hedda Gabler=, Pillars of Society and The Master Builder.

=Wild Duck=, Rosmersholm and The League of Youth.

GUY DE MAUPASSANT

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Night, Moonlight, etc.)

=Mademoiselle Fifi and Other Tales= (Piece of String, Tallow

Ball, Useless Beauty, The Horla, A Farm Girl, etc.).

=Une Vie= (Story of a Woman’s Heart).

SHERWOOD ANDERSON

=Poor White= (A Novel).

=Winesburg, Ohio= (Short Stories).

SAMUEL BUTLER

=Erewhon=, or Over the Range.

=Way of All Flesh.=

JAMES BRANCH CABELL

=Beyond Life.=

=Cream of the Jest.=

NORMAN DOUGLAS

=South Wind= (A Novel).

=Old Calabria.=

LORD DUNSANY

=Dreamer’s Tales.=

=Book of Wonder.=

GUSTAVE FLAUBERT

=Madame Bovary.=

=Temptation of St. Anthony.=

W. S. GILBERT

=Mikado=, Iolanthe, Pirates of Penzance, and The Gondoliers.

=H. M. S. Pinafore=, Patience, Yeomen of the Guard and

Ruddigore.

GEORGE GISSING

=New Grub Street.=

=Private Papers of Henry Ryecroft.=

REMY DE GOURMONT

=Night in the Luxembourg.=

=Virgin Heart= (Translated by Aldous Huxley).

W. H. HUDSON

=Green Mansions.=

=Purple Land.=

D. H. LAWRENCE

=Rainbow.=

=Sons and Lovers.=

GEORGE MEREDITH

=Diana of the Crossways.=

=Ordeal of Richard Feverel.=

WALTER PATER

=Renaissance.=

=Marius the Epicurean.=

ARTHUR SCHNITZLER

=Anatol=, Green Cockatoo, and Living Hours.

=Bertha Garlan.=

AUGUST STRINDBERG

=Married.=

=Miss Julie=, The Creditor, The Stronger Woman, Motherly Love,

Paria and Simoon.

LEO TOLSTOY

=Redemption=, Power of Darkness and Fruits of Culture.

=Death of Ivan Ilyitch=, Polikushka, Two Hussars, Snowstorm, and

Three Deaths.

IVAN TURGENEV

=Fathers and Sons.=

=Smoke.=

MISCELLANEOUS

=Modern American Poetry.= Ed. Conrad Aiken.

=Seven That Were Hanged= and the Red Laugh. Leonid Andreyev.

=Short Stories= by Honore de Balzac (Don Juan, Christ in

Flanders, Time of the Terror, Passion in the Desert, Accursed

House, Atheist’s Mass, etc.).

=Prose and Poetry.= Baudelaire.

=Art of Aubrey Beardsley= (64 Reproductions).

=Art of Rodin= (64 Reproductions).

=Jungle Peace.= William Beebe.

=Zuleika Dobson.= Max Beerbohm.

=In the Midst of Life= (Stories). Ambrose Bierce.

=Poems of William Blake.=

=Wuthering Heights.= Emily Bronte.

=House With the Green Shutters.= George Douglas Brown.

=Love’s Coming of Age.= Edward Carpenter.

=Alice in Wonderland=, Through the Looking-Glass and Hunting of

the Snark. Lewis Carroll.

=Autobiography of Benvenuto Cellini.=

=Rothschild’s Fiddle.= Anton Chekhov.

=Man Who Was Thursday.= G. K. Chesterton.

=Men, Women and Boats.= Stephen Crane.

=Sapho.= Alphonse Daudet. Also contains =Manon Lescaut= (When a

Man Loves) by Antoine Prevost.

=Moll Flanders.= Daniel Defoe.

=Poor People.= Feodor Dostoyevsky.

=Poems and Prose.= Ernest Dowson.

=Free and Other Stories.= Theodore Dreiser.

=Camille.= Alexandre Dumas.

=New Spirit, The.= Havelock Ellis.

=Life of the Caterpillar.= Jean Henri Fabre.

=Jorn Uhl.= Gustav Frenssen.

=Mlle. de Maupin.= Theophile Gautier.

=Bed of Roses.= W. L. George.

=Renee Mauperin.= E. and J. de Goncourt.

=Creatures That Once Were Men= and Other Stories. Maxim Gorki.

=Scarlet Letter.= Nathaniel Hawthorne.

=Some Chinese Ghosts.= Lafcadio Hearn.

=Erik Dorn.= Ben Hecht.

=Daisy Miller= and An International Episode. Henry James.

=Philosophy of William James.=

=Dubliners.= James Joyce.

=Soldiers Three.= Rudyard Kipling.

=Men in War.= Andreas Latzko.

=Upstream.= Ludwig Lewisohn.

=Mme. Chrysantheme.= Pierre Loti.

=Spirit of American Literature.= John Macy.

=Miracle of St. Anthony=, Pelleas and Melisande, and Four Other

Plays. Maurice Maeterlinck.

=Moby Dick=, or The Whale. Herman Melville.

=Romance of Leonardo da Vinci.= Dmitri Merejkowski.

=Plays by Moliere= (Highbrow Ladies, School for Wives, Tartuffe,

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=Confessions of a Young Man.= George Moore.

=Tales of Mean Streets.= Arthur Morrison.

=Moon of the Caribbees= and Other Plays (Bound East for Cardiff,

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=Writings of Thomas Paine.=

=Pepys’ Diary.=

=Best Tales of Poe.=

=Life of Jesus.= Ernest Renan.

=Selected Papers of Bertrand Russell.=

=Imperial Orgy.= Edgar Saltus.

=Studies in Pessimism.= Arthur Schopenhauer.

=Story of an African Farm.= Olive Schreiner.

=Unsocial Socialist.= George Bernard Shaw.

=Philosophy of Spinoza.=

=Treasure Island.= Robert Louis Stevenson.

=Ego and His Own.= Max Stirner.

=Dame Care.= Hermann Sudermann.

=Poems of Algernon Charles Swinburne.=

=Complete Poems of Francis Thompson.=

=Ancient Man.= Hendrik Willem van Loon.

=Poems of Francois Villon.=

=Candide.= Voltaire.

=Ann Veronica.= H. G. Wells.

=Poems of Walt Whitman.=

=Selected Addresses and Papers of Woodrow Wilson.=

=Irish Fairy and Folk Tales.= William Butler Yeats.

=Nana.= Emile Zola.

COLLECTIONS—SYMPOSIUMS

=A Modern Book of Criticisms=: Edited by Ludwig Lewisohn, with

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=The Woman Question=: Westermarck’s Subjection of Wives, Ellen

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Maeterlinck’s On Women, Havelock Ellis’ Changing Status of

Women, etc.

=Evolution in Modern Thought=: Complete survey of modern views

of the evolution of man.

=Best Russian Stories=: Pushkin, Gogol, Turgeney, Dostoyevski,

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=Best Ghost Stories=: Kipling’s Phantom Rickshaw, Blackwood’s

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Thing, etc.

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Visit to the Asylum, O. Henry’s Duplicity of Hargraves, etc.

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leading authorities, on physics, engineering, enzymes,

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An eye for an eye · 第 10 / 11 段