CHAPTER XIV

THE SKIES FALL

Before morning words began coming to her--gradually. First she moaned,

then muttered, then raged. The chill disappeared and fever came on. By

daybreak, however, they had both been left with the things that were,

and mother slipped into her kimono.

"Go bring me the morning paper," she condescended, after the passing

of the creamery wagon announced that busy life was still going on.

I rushed out into the front yard. The tree-tops were misty with that

white fog which looks as if darkness were trailing her nightrobe

behind her; and already on the neighboring lawns the automatic

sprinklers were caroming across the green as if they had St. Vitus'

dance.

"On a day like this _nothing_ is too good to be true!" I decided, as I

picked up the paper and scurried back into the house.

"And got _your_ name to it--Grace Chalmers Christie!" mother wailed in

despair, as she opened the sheet and saw two columns, broken by a face

that could do much more sensible things than "launch a thousand ships

and burn the topless towers of Ilium."

"Let's--see," I suggested, peering over her shoulder and watching the

words dancing up and down on either side of this face. I couldn't read

anything, but I managed to catch an occasional "Macdermott" as it

pranced along in front of an occasional "model cottage."

"Take it!--Burn it!" mother commanded, after she had read enough to

realize that the thing was entirely too dull to prove interesting to

any feminine creature.

She thrust it into my hand, and I took it into my bedroom, where I

began a frenzied search for the scissors.

"I'd rather have you by yourself--away from all suggestions of

Macdermotts and enlarged traction companies," I whispered, snipping

the picture from the page and laying it caressingly in the drawer of

the old-fashioned desk.

There it lay all morning--and I whispered to it and caressed it.

"A picture in a drawer is worth two on the wall," I said once, as I

pushed it away quickly to keep mother from seeing it. But the fun of

the secret was not at all times uppermost.

"You are so beautiful--so beautiful," I wailed, as I looked at it

another time. "I almost wish you were not--so beautiful."

For you must know that no woman in love ever _enjoys_ her man's good

looks! She loves him for so many other things besides beauty that she

feels this demand is a needless cruelty--adding to her torture and

making her love him the more. The only male beauty she can

ungrudgingly adore is that which she cradles in her arms--the

miniature of the Big Good Looks which have lured her and tormented

her!

Then--just for the sake of keeping away from this drawer--I did

different things to pass away the morning. I said good-by to the

picture, then went into the library and looked up a word in the

dictionary. I looked at the picture again after that--to make sure

that it was still there--then I decided to wash my hair. But I changed

my mind, for I was afraid the water might drip on the picture and ruin

it. I looked up a bodkin and some blue baby ribbon--and forgot to gear

up the corset-cover whose eyelets were gaping hungrily before my eyes.

While I was trying to remember what one usually does with a bodkin and

blue ribbon I looked at the picture again--and, well, if you have ever

been there you can understand; and if you haven't no words could ever

explain.

Then the telephone in the hall! I tried to keep away from it as hard

as they say a murderer tries to keep away from the scene of his

crime.

"I won't call him until afternoon," I kept telling myself. "It would

be perfectly outrageous. I'll call him from the office--just about

dusk, and----"

Then I began seeing things again--houses and English gardens, with

children and schoolhouses in the background, and a smile on the face

of Pope Gregory, the Somethingth, when he saw the Union Jack and Old

Glory flying in peace above this vision--until I came to the office in

time for the one o'clock staff meeting.

The first thing I saw there was a note lying on my desk. It bore no

post-mark, so I knew that it must have come by messenger.

"What can he have said?" I thought, catching it up and weighing it in

my hands. "And I wonder why he sent it here to the _Herald_ office,

instead of out home--and why he addressed it to Miss G. C. Christie,

as if it were a business communication instead of to Miss Grace

Chalmers Christie, and why----"

I looked at it again. It was surely from him, for it was written on

traction company paper. I was glad of this, for I can forgive a man

for anything--if he doesn't use fancy note-paper with his monogram in

the corner.

I weighed it, and turned it over several times, and found a vague

"Habana" fragrance about it--before I ran a hairpin under the flap and

opened it. It ran as follows:

"My dear Miss Christie--

"I have no doubt that you already know every man to be an

Achilles--who welds a heel protector out of his egotism. Now,

it happens that my most vulnerable spot is a distaste to

being made a fool of; and to-day I can realize what a heavy

coating of self-importance lay over this spot yesterday to

blind me to your real motive.

"My apology for being such an easy-mark is that it was a case

of mistaken identity. I want you to know that, as an actress,

you are amazing! I firmly believed that an unusually fair and

charming woman was doing me a great honor--but I awoke this

morning from my trance to find that a clever newspaper

reporter had outwitted me.

"I understand now why American Woman must be kept as a

tormenting side-issue in a man's busy life. He can't afford

to let her come to the front or she throws dust in his eyes.

"Of course the words I said to the vision of my own fancy and

the promises I exacted, do not hold good with the reporter. I

am leaving Oldburgh at noon to-day, and even if I were not,

you would not care to see me again, since I know nothing more

that would serve as a front-page article for the _Herald_."

"Very sincerely yours,

"MAITLAND TAIT."

Now, do you know what happens when a woman receives such a letter as

this--a letter that starts seismic disturbances? Well, first she

blames her eyesight. She thinks she hasn't read the thing aright! Then

she carries it off into some dark corner where she hopes she can see

better, for the strong glare of day seems to make matters worse. If

there's an attic near, so much the better!

But there was no available attic to the _Herald_ office, so I walked

into the society editor's private room and slammed the door. I had

thrust the note into my blouse, so that I'd have a little

breathing-spell while I was getting it out, and as I tugged with a

contrary belt pin I breathed very hard and fast.

But the second reading disclosed few details that had not been sent

over the wires at the first report. Likewise the third, fourth and

fifth. After that I lost count, and when I regained consciousness

there was a heavy knock at the door--a knock in the possessive case. I

rose wearily and admitted the rightful owner.

"Say, Grace," she commenced excitedly, "the old man's asking for

you--Captain Macauley! He wants you to come down to his den at once

for an interview. How does it feel to be the biggest thing on the

_Herald_--for a day?"

I put my hand up to my forehead.

"It feels like----"

She laughed.

"Then try to look like it," she suggested. "Why, you look positively

seasick to-day."

I didn't stop to explain my bearing false witness, but dashed past her

to the head of the stairs. Captain Macauley's office was on a lower

floor, and by the time I had gone leisurely down the steps I had

quieted my eyelids somewhat.

"Well, Grace--how about the illegitimate use of weapons?" the old man

laughed, lifting his shaggy head from the front page of the day's

_Herald_, as I entered. "Sit down! Sit down--I want to talk with you."

But for a moment he failed to talk. He looked me over quizzically,

then turned to his desk and drew a yellow envelope from a pigeonhole.

It was a telegram. I opened it wonderingly.

"Pauline Calhoun met with a serious motor-car accident yesterday and

will be compelled to cancel her contract with you." I read. I looked

at the old man.

"To go abroad this summer for the _Herald_?" I asked.

He nodded.

"We've _advertised_ her going," he said mournfully. "And the

transportation is here."

"She was to have sailed Saturday week?" I asked, wondering at the

cunning machinery of my own brain, which could keep on working after

it was cold and dead! Every inch of my body was paralyzed.

"On the _Luxuria_," he said cheeringly, as he saw my expression. "The

_Luxuria_, mind you, young lady!"

"And to miss it? How tragic!" I kept on absently, wishing that the

whole Cunard Line was at the bottom of the sea if he meant to keep me

there chattering about it all day.

"But it's tragic for the _Herald_," he snapped. "Don't you see we're

up against it? Here, every paper in the South is doing stunts like

this--getting out special stuff with its individual brand--and Pauline

Calhoun can deliver the goods."

"Not with her arm broken," I mused aloud.

He looked at me impatiently.

"The thing is, we've got to send _somebody_ abroad next week--somebody

whose leg is not broken!"

"Oh!"

"And Hudson and I have been discussing you. This job you roped in

last night was more than we'd given you credit for, and--so--well,

can't you speak?"

I couldn't speak, but I could laugh. I felt as if my fairy godmother

had taken me to a moving-picture show--where one scene was from

Dante's _Inferno_ and the next one was from a novel by the Duchess.

"There'd be Italy----" Captain Macauley began, but I shrank back.

"Not Italy!" I begged. "I couldn't go to Italy now."

"Why?"

"Because you'd want me to write a lot of sentimental stuff from

there--and I'm not sentimental--now."

He smiled.

"Italy is the land of lovers," he whispered, his eyes twinkling over

some 1870 recollection. "You must be in love with _somebody_ when

you're in Italy--and you can no more hide it than you can hide

nettle-rash."

"I don't want to go there," I said stiffly.

[Illustration: "Well, can't you speak?"]

"Well, you wouldn't have to!" he answered readily. "This steamer

ticket reads from New York to Liverpool."

"Liverpool?" I repeated, as blankly as if geography hadn't been my

favorite book at school--to eat apples behind.

"And Hudson suggested, since you showed last night that you were keen

on getting the news of the hour, that you'd likely succeed in a new

line in England. We've been surfeited on Westminster Abbey and the

lakes, so we want _news_! Coal strikes and suffragettes--and other

curses!"

"News?"

"Instead of mooning around Hampstead Heath listening to the newest

scandal about George Romney and his lady friend, stay strictly in the

twentieth century and get in line with the militants. Describe how

they address crowds from cart-tails."

"I see," I said slowly.

But in my attempts to see I think I must have passed my left hand

across my forehead. At all events, he caught sight of its ringless

state.

"Grace!" he exclaimed, catching my fingers roughly and scrutinizing

the little pallid circle left by the ring's long contact--sometimes

the healthiest, sometimes the deadliest pallor that female flesh is

heir to! "Does this mean that you've broken off with Guilford Blake?"

"Yes."

His face grew grave.

"Then, child, I beg your pardon for talking so glibly about your going

away!--I didn't know."

"But it isn't that--it's not that I'm worrying over now," I explained

forlornly. "And Guilford's not hurt! Please don't waste sympathy on

him. He'll be glad, when the first shock gets over, for I've tormented

him unmercifully."

"Then--what is it?" he asked, very gently.

I drew away my hand.

"It's--something _else_! And please don't change your mind about

sending me abroad! I'd like very much to go away from here. Anywhere

except to Italy."

He reached over and patted my bereft hand affectionately.

"So the something else is the same sort of something, after all?"

"Perhaps."

"Then run along and begin getting ready," he said. "Get clothes in

your head--and salt-sprayed decks on moonlight nights, and wild

adventures."

I smiled.

"That's right! Smile! I _can't_ send out a representative with a

broken leg--and I'd prefer not sending out one with a broken heart."

I turned away then, struggling fiercely with something in my throat,

but just for an instant.

"Broken heart!" I repeated scornfully. "It's not that bad. You mustn't

think I'm such a fool."

"Well," he said briskly, "whatever it is, cut it out! And, believe me,

my dear, a steamer trunk is the best possible grave for unrequited

love."

Amazing Grace, Who Proves That Virtue Has Its Silver Lining · 第 14 / 17 章