WHAT I SAW.

"How you men gossip!" Mabel exclaimed, tingling upon the piano-stool,

and laughing merrily.

"I wasn't aware that we had been very long," I answered, sinking into a

low armchair near her. "If so, I'm sure I apologise. The fact is, that

Mr Hickman was explaining a new system of how to break the bank at

Monte Carlo."

"Oh, Mr Hickman!" she cried, turning at once to him. "Do explain it,

and I'll try it when we go to the Riviera."

"Mabel, my dear," exclaimed her mother, scandalised, "you'll do nothing

of the kind. You know I don't approve of gambling."

"Oh, I think it's awfully good fun," her daughter declared.

"If you win," I added.

"Of course," she added; then, turning again to Hickman, she induced him

to explain his new and infallible system just as he had explained it to

me.

The trend of the conversation was, however, lost to me. My ears were

closed to all sound, and now that I reflect I am surprised that I

succeeded in retaining my self-possession. I know I sat there rigid, as

one held motionless in terror; I only replied in monosyllables to any

remark addressed to me, and I knew instinctively that the colour had

left my countenance. The discovery was as bewildering as it was

unexpected.

Every detail of that handsome room was exactly as I had pictured it.

The blind, with their keen sense of touch, are quick to form mental

impressions of places and things, and the general character of this

apartment I had riveted upon my mind with the fidelity of a photograph.

The furniture was of gilt, just as I had detected from its smoothness,

and covered with a rich brocade in wide stripes of art green and dull

red-brown--an extremely handsome pattern; the carpet was dark, with a

pile so thick that one's feet fell noiselessly; the three long windows,

covered by heavy curtains of brocade to match the furniture, reached

from the high-painted ceiling to the ground, exactly as I had found them

in my blind gropings. About the room were two or three tables with

glass tops, in trays beneath which were collections of choice

_bric-a-brac_, including some wonderful Chinese carvings in ivory, while

before the fireplace was spread the great tiger-skin, with paws and head

preserved, which I so well remembered.

I sat there speechless, breathless. Not a single detail was there

wanting. Never before, in all my life, had amazement held me so

absolutely dumbfounded.

Close to where I saw was a spacious couch, over the centre of which was

thrown an antimacassar of silken crochet-work. It was covered with the

same brocade as the rest of the furniture, and I stretched forth my

hand, with feigned carelessness and touched it. Its contact was the

same, its shape exact; its position in the room identical.

Upon that very couch I had reclined while the foul tragedy had been

enacted in that room. My head swam; I closed my eyes. The great gilt

clock, with its pendulum representing the figure of a girl swinging

beneath the trees, standing on the mantelshelf, ticked out low and

musically, just as it had done on that fateful night. In an instant, as

I sat with head turned from my companions and my eyes shut, the whole of

that tragic scene was re-enacted. I heard the crash, the woman's

scream, the awe-stricken exclamation that followed in the inner room. I

heard, too, the low swish of a woman's skirts, the heavy blow struck by

an assassin's hand, and in horror felt the warm life-blood of the

unknown victim as it trickled upon my hand.

Mabel suddenly ran her white fingers over the keys, and the music

brought me back to a realisation of my true position. I had at length

discovered the actual house in which the mysterious tragedy had been

enacted, and it became impressed upon me that by the exercise of

greatest care I might further be enabled to prosecute secret

investigations to a successful issue, and at length solve the enigma.

My eyes fixed themselves upon the couch. It was the very spot where I

had rested, sightless, helpless, while those strange events had taken

place about me. Was it any wonder that I became filled with

apprehensions, or that I sat there petrified as one turned to stone?

The square, dark-green antimacassar had been placed in the exact centre

of the couch, and sewed down in order to keep it in its place. Where I

was sitting was fortunately in the shadow, and when Mabel commenced

playing I rose--unsteadily I think--and reseated myself upon the couch,

as being more comfortable. Then, while the woman who held me entranced

played a selection from the "Trovatore," I, unnoticed by the others,

succeeded in breaking the stitches which tacked the antimacassar to the

brocade. The feat was a difficult one, for one does not care to be

detected tearing the furniture of one's hostess. Nevertheless, after

ten minutes or so I succeeded in loosening it, and then, as if by the

natural movement of my body, commenced to work aside.

The music ceased, and even though all my attention was now centred upon

my investigations, I congratulated Mabel upon her accurate execution.

Hickman was standing beside her, and together they began to search for

some piece he had requested her to play, while Miss Wells, with her

hearts and elephants jingling, turned to me and commenced to talk. By

this I was, of course, interrupted; nevertheless, some ten minutes

later, I rose, and naturally turned back to straighten the rumpled

antimacassar. In doing so I managed to lift it and glance beneath.

In an instant the truth was plain. Concealed beneath that square of

green crochet-work was a large dark-brown stain upon the brocade. It

was the mark of the life-blood of that thin, well-dressed, unknown

victim, who had, in an instant, been struck to the heart!

The shock at its discovery caused me to start, but next instant I

smoothed out the antimacassar into its former place without attracting

any attention, and passed across the room with the motive of inspecting

an object which I well remembered discovering when I had made my blind

search. Upon a pedestal of black marble stood an exquisite little

statuette of a Neapolitan dancing-woman, undoubtedly the work of some

Italian master. Without pausing to examine it, I took in its every

detail as I passed. It was exactly as I had felt it, and in the

self-same spot as on that fatal night.

Beside the couch, as I turned again to look, I saw that a large skin rug

had been thrown down. Without doubt it had been placed there to conceal

the ugly stain of blood upon the carpet.

And yet there, on the scene of one of the foulest and most cowardly

assassinations, we were actually spending the evening quietly, as became

a respectable household. The thing seemed absolutely incredible. A

dozen times I endeavoured to persuade myself that the whole discovery

was but a chimera, arising from my disordered imagination.

Nevertheless, it was impossible to disguise from myself the fact that in

every detail the truth was borne out. In that very room the unknown man

had been struck dead. The marks of his blood still remained as evidence

of the truth.

I saw that beside the high lamps at that moment in use, there was a

magnificent candelabra suspended from the ceiling, and in this were

electric lamps. Then, at the door, I noticed the switch, and knew that

it was the same which I had heard turned off by the assassin before

leaving the house.

At the end of the room, too, were the folding doors, now concealed by

curtains. It was through those very doors that Edna, my mysterious

protectress, had passed and repassed to that inner room whence had come

the sound of champagne being uncorked and the woman's piercing scream.

Mabel leaned over and spoke to me, whereupon I sank again into the chair

I had previously occupied. She began to chat, but although her

beautiful eyes held me fixed, and her face seemed more handsome than any

I had ever seen, the diamonds in her hair dazzled my eyes, and I fear

that my responses were scarcely intelligible.

"You are not quite yourself to-night, I think," she remarked at last,

rising from the piano, and taking the low chair that I drew up for her.

"Are you unwell?"

"Why?" I asked, laughing.

"Because you look rather pale. What's the matter?"

"Nothing," I answered, as carelessly as I could. "A slight headache.

But it has passed now."

My eyes wandered to those curtains of green plush. How I longed to

enter that room beyond!

At that moment she took out her handkerchief. Even that action added to

the completion of the mental picture I had formed. Her tiny square of

lawn and lace exhaled a sweet odour. It was that of _peau d'Espagne_,

the same subtle perfume used by the mysterious Edna! It filled my

nostrils until I seemed intoxicated by its fragrance combined with her

beauty.

Her dress was discreetly _decollete_, and as she sat chatting to me with

that bright vivaciousness which was so charming, her white neck slowly

heaved and fell. She had, it seemed, been striving all the evening to

get a tete-a-tete chat with me, but the chatter of that dreadful

Irritating Woman and the requests made by Hickman had prevented her.

As she gossiped with me, now and then waving her big feather fan, she

conveyed to my mind an impression of extreme simplicity in the midst of

the most wonderful complexity. She seemed to take the peculiar traits

from many characters, and so mingle them that, like the combination of

hues in a sunbeam, the effect was as one to the eye. I had studied her

carefully each time we had met, and had found that she had something of

the romantic enthusiasm of a Juliet, of the truth and constancy of a

Helen, of the dignified purity of an Isabel, of the tender sweetness of

a Viola, of the self-possession and intellect of a Portia--combined

together so equally and so harmoniously that I could scarcely say that

one quality predominated over the other. Her dignity was imposing, and

stood rather upon the defensive; her submission, though unbounded, was

not passive, and thus she stood wholly distinct in her sweetness from

any woman I had ever met.

The following day was one on which she was due to take her music-lesson,

and I inquired whether I might, as usual, meet her and escort her across

the Park.

"You are really very kind," she responded; "but I fear I take up far too

much of your time."

"Not at all," I hastened to assure her. "I always enjoy our walks

together."

The Wiles of the Wicked · 第 37 / 90 题