Then, in order, apparently, to cover her confusion, she added--

"I must really go. I shall be late for dinner, and my mother hates to

wait for me. Good-bye."

Our hands clasped, our eyes met, and I saw in hers a look of deep

mystery, as though she held me in suspicion. Her manner and her

identification of that object extracted from the pocket of the dead man

were very puzzling.

"Good-bye," I said. "I hope soon to have the pleasure of meeting you

again. I have enjoyed this walk of ours immensely."

"When we meet--if ever we do," she answered with a mischievous smile,

"remember that I have promised to wear the mask. Good-bye." And she

twisted her skirts gracefully, entered the cab, and a moment later was

driven off, leaving me alone on the kerb.

I hesitated whether to return home by 'bus or Underground Railway, but,

deciding on the latter, continued along the High Street to the station,

and journeyed to the Temple by that sulphurous region of dirt and

darkness known as the "Inner Circle."

The reader may readily imagine how filled with conflicting thoughts was

my mind on that homeward journey. Although I adored Mabel Anson with a

love beyond all bounds, and would on that evening have declared my

passion for her had I dared, yet I could not disguise from myself that

sight of the pencil-case I had taken from the dead unknown had wrought

an instant and extraordinary change in her.

She had identified it. Of that fact there was no doubt. Her lame

explanation that it bore a resemblance to the one she had given to her

friend was too palpably an afterthought. I was vexed that she should

have thus attempted a deception. It was certainly true that one gold

pencil-case is very like another, and that a Birmingham maker may turn

out a thousand of similar pattern, yet the intricate cypher engraved on

the one in question was sufficient by which to identify it. It was

these very initials which had caused her to deny that it was really the

one she had purchased and presented; yet I felt convinced that what she

had told me was untrue, and that those very initials had been placed

upon it by her order.

Again, had she not spoken of its owner in the past tense? This, in

itself, was a very suspicious circumstance, and led me to the belief

that she was aware of his death. If he were dead, then certainly he

would no longer be her friend.

Her sudden and abject amazement at seeing the pencil in my hand; her

exclamation of surprise; her eagerness to examine it; all were facts

which showed plainly that she knew that it remained no longer in his

possession, and was yet dumbfounded to find it in my hand. Had she not

also regarded me with evident suspicion? Perhaps, having identified her

present, she suspected me of foul play?

The thought held me petrified. For aught I knew she might be well aware

of that man's tragic end, and the discovery of part of his property in

my possession was to her evidence that I had committed murder.

My position was certainly growing serious. I detected in the rather

formal manner in which she took leave of me a disinclination to shake my

hand. Perhaps she believed it to be the hand of the murderer. Indeed,

my declaration that I had found that incriminating object was in itself

sufficient to strengthen her suspicion if, as seemed quite probable, she

was aware of her friend's tragic end. Yet I had really found it. It

was no lie. I had found it in his pocket, and taken it as a clue by

which afterwards to identify him.

Now, if it were true that the man who had been struck dead at my side

was actually Mabel's friend, then I was within measurable distance of

elucidating the mystery of that fateful night and ascertaining the

identity of the mysterious Edna, and also of that ruler of my destiny,

who corresponded with me under the pseudonym of "Avel."

This thought caused me to revert to that hour when I had sat upon the

seat in the Park, keeping a tryst with some person unknown. Seated in

the corner of the railway-carriage I calmly reflected. More than a

coincidence it seemed that at the moment my patience became exhausted,

and I rose to leave the spot my mysterious correspondent had appointed

for the meeting, I should have come face to face with the woman whose

grace and beauty held me beneath their spell. For some purpose--what I

knew not--I had been sent to that particular seat to wait. I had

remained there in vain, smoking a dozen cigarettes, reading through my

paper even to the advertisements, or impatiently watching every person

who approached, yet the moment I rose I encountered the very person for

whom I had for days past been in active search.

Had Mabel's presence there any connexion with the mysterious order which

I had obeyed? Upon this point I was filled with indecision. First,

what possible connecting link could there be between her natural

movements and the letter from that unknown hand? As far as I could

discern there was absolutely none, I tried to form theories, but failed.

I knew that Mabel attended at the Royal Academy of Music, and what was

more natural than that she should cross the Park on her way home? Her

way did not lie along the path where I had kept such a watchful vigil,

and had I not risen and passed towards Grosvenor Gate at that moment we

should not have met. There, indeed, seemed no possible combination

between the request I had received from my unknown correspondent and her

presence there. In my wild imaginings I wondered whether she were

actually the woman whom in my blindness I had known as Edna, but next

instant flouted the idea.

The voice, the touch, the hand, all were different. Again, her personal

appearance was not at all that of the woman described by West, the

cabman who had driven me home after my strange adventures.

No; she could not be Edna.

As the train roared through the stifling tunnels City-wards, I strove to

arrive at some decision. Puzzled and perplexed at the various phases

presented by the enigma which ever grew more and more complicated, I

found any decision an extremely difficult matter. I am not a man given

to forming theories upon insufficient evidence, nor jumping to immature

conclusions, therefore I calmly and carefully considered each fact in

its sequence as related in this narrative. The absence of motives in

several instances prevented any logical deduction. Nevertheless, I

could not somehow prevent a suspicion arising within me that the

appointment made by my anonymous correspondent had some remote connexion

with my meeting with the woman who had so suddenly come into my life--a

mere suspicion, it is true, but the fact that no one had appeared to

keep the appointment strengthened it considerably.

Whenever I thought of Mabel, recollections of Channing's strange

admonition arose within me. Why had he uttered that warning ere I had

been acquainted with her a few hours? To say the least, it was

extraordinary. And more especially so as he refused to give any

explanation of his reasons.

The one dark spot in my life, now that I had recovered my sight, was the

ever-present recollection of that midnight tragedy. Its remembrance

held me appalled when I thought of it. And when I reflected upon my own

culpability in not giving information to the police, and that in all

probability this neglect of mine had allowed the assassin to escape scot

free, I was beside myself with vexation and regret. My thoughts for

ever tortured me, being rendered the more bitter by the reflection that

I had placed myself in the power of one who had remained concealed, and

whose identity was inviolable.

As I declared in the opening of the narrative, it seems almost

incredible that in these end-of-the-century-days a man could find

himself in such a plight, surrounded by mysterious enemies, and held in

bondage by one unknown and unrevealed. Laboriously I tried to unravel

the tangled skein of events and so extricate myself, but, tired with the

overtask, I found that the mystery grew only more inscrutable.

The woman I loved--the woman to whom I had fondly hoped some day ere

long to make the declaration of the secret of my heart--had discovered

in my possession an object which might well be viewed as evidence of a

foul and cowardly crime. I feared--indeed, I felt assured--that her

sweet sympathy had, in an instant, been turned to hatred.

I loved her. I adored her with all the strength of my being, and I knew

that without her my life, in the future must only be an aimless blank.

In the sweetest natures there can be no completeness and consistency

without moral energy, and that Mabel possessed it was plainly shown. In

her confidences with me as we traversed the Park and Kensington Gardens

she had shown, with the most perfect artfulness, that she had that

instinctive unconscious address of her sex which always renders a woman

doubly charming. Persons who unite great sensibility and lively fancy

possess unconsciously the power of placing themselves in the position of

another and imagining rather than perceiving what is in their hearts. A

few women possess this faculty, but men never. It is not inconsistent

with extreme simplicity of character, and quite distinct from that kind

of art which is the result of natural acuteness and habits of

observation--quick to perceive the foibles of others, and as quick to

turn them to its own purpose; which is always conscious of itself, and

if united with strong intellect, seldom perceptible to others.

In her chat with me she had no design formed or conclusion previously

drawn, but her intuitive quickness of feeling, added to her imagination,

caused her to half-confide in me her deep sorrow. Her compassionate

disposition, her exceeding gentleness, which gave the prevailing tone to

her character, her modesty, her tenderness, her grace, her almost

ethereal refinement and delicacy, all showed a true poetic nature

within, while her dark, fathomless eyes betrayed that energy of passion

which gave her character its concentrated power.

Was it any wonder, even though she might have been betrayed into a

momentary tergiversation, that I bowed down and worshipped her? She was

my ideal; her personal beauty and the tender sweetness of her character

were alike perfect. Therefore my love for her was a passion--that

headlong vehemence, that fluttering and hope, fear and transport, that

giddy intoxication of heart and sense which belongs to the novelty of

true love which we feel once, and but once, in our lives.

Yet I was held perplexed and powerless by her unexpected and

unacknowledged identification of that clue to the unknown dead.

The Wiles of the Wicked · 第 33 / 90 题