CHAPTER XII.

As Giovanni sat in solitude in his room he was not aware that his

father had received a visit from no less a personage than Prince

Montevarchi. The latter found Saracinesca very much preoccupied, and in

no mood for conversation, and consequently did not stay very long. When

he went away, however, he carried under his arm a bundle of deeds and

documents which he had long desired to see and in the perusal of which

he promised himself to spend a very interesting day. He had come with

the avowed object of getting them, and he neither anticipated nor met

with any difficulty in obtaining what he wanted. He spoke of his

daughter's approaching marriage with San Giacinto, and after expressing

his satisfaction at the alliance with the Saracinesca, remarked that

his son-in-law had told him the story of the ancient deed, and begged

permission to see it for himself. The request was natural, and

Saracinesca was not suspicious at any time; at present, he was too much

occupied with his own most unpleasant reflections to attach any

importance to the incident. Montevarchi thought there was something

wrong with his friend, but inasmuch as he had received the papers, he

asked no questions and presently departed with them, hastening

homewards in order to lose no time in satisfying his curiosity.

Two hours later he was still sitting in his dismal study with the

manuscripts before him. He had ascertained what he wanted to know,

namely, that the papers really existed and were drawn up in a legal

form. He had hoped to find a rambling agreement, made out principally

by the parties concerned, and copied with some improvements by the

family notary of the time, for he had made up his mind that if any flaw

could be discovered in the deed San Giacinto should become Prince

Saracinesca, and should have possession of all the immense wealth that

belonged to the family. San Giacinto was the heir in the direct line,

and although his great-grand-father had relinquished his birthright in

the firm expectation of having no children, the existence of his

descendants might greatly modify the provisions of the agreement.

Montevarchi's face fell when he had finished deciphering the principal

document. The provisions and conditions were short and concise, and

were contained upon one large sheet of parchment, signed, witnessed and

bearing the official seal and signature which proved that it had been

ratified.

It was set forth therein that Don Leone Saracinesca, being the eldest

son of Don Giovanni Saracinesca, deceased, Prince of Saracinesca, of

Sant' Ilario and of Torleone, Duke of Barda, and possessor of many

other titles, Grandee of Spain of the first class and Count of the Holy

Roman Empire, did of his own free will, by his own motion and will,

make over and convey to, and bestow upon, Don Orsino Saracinesca, his

younger and only brother, the principalities of Saracinesca--here

followed a complete list of the various titles and estates--including

the titles, revenues, seigneurial rights, appanages, holdings, powers

and sovereignty attached to and belonging to each and every one, to

him, the aforesaid Don Orsino Saracinesca and to the heirs of his body

in the male line direct for ever.

Here there was a stop, and the manuscript began again at the top of the

other side of the sheet. The next clause contained the solitary

provision to the effect that Don Leone reserved to himself the estate

and title of San Giacinto in the kingdom of Naples, which at his death,

he having no children, should revert to the aforesaid Don Orsino

Saracinesca and his heirs for ever. It was further stated that the

agreement was wholly of a friendly character, and that Don Leone bound

himself to take no steps whatever to reinstate himself in the titles

and possessions which, of his own free will, he relinquished, the said

agreement being, in the opinion of both parties, for the advantage of

the whole house of Saracinesca.

"He bound himself, not his descendants," remarked Montevarchi at last,

as he again bent his head over the document and examined the last

clause. "And he says 'having no children'--in Latin the words may mean

in case he had none, being in the ablative absolute. Having no

children, to Orsino and his heirs for ever--but since he had a son, the

case is altered. Ay, but that clause in the first part says to Orsino

and his heirs for ever, and says nothing about Leone having no

children. It is more absolute than the ablative. That is bad."

For a long time he pondered over the writing. The remaining documents

were merely transfers of the individual estates, in each of which it

was briefly stated that the property in question was conveyed in

accordance with the conditions of the main deed. There was no

difficulty there. The Saracinesca inheritance depended solely on the

existence of this one piece of parchment, and of the copy or

registration of it in the government offices. Montevarchi glanced at

the candle that stood before him in a battered brass candlestick, and

his old heart beat a little faster than usual. To burn the sheet of

parchment, and then deny on oath that he had ever seen it--it was very

simple. Saracinesca would find it hard to prove the existence of the

thing. Montevarchi hesitated, and then laughed at himself for his

folly. It would be necessary first to ascertain what there was at the

Chancery office, otherwise he would be ruining himself for nothing.

That was certainly the most important step at present. He pondered over

the matter for some time and then rose from his chair.

As he stood before the table he glanced once more at the sheet. As

though the greater distance made it more clear to his old sight, he

noticed that there was a blank space, capable of containing three lines

of writing like what was above, while still leaving a reasonable margin

at the bottom of the page. As the second clause was the shorter, the

scribe had doubtless thought it better to begin afresh on the other

side.

Montevarchi sat down again, and took a large sheet of paper and a pen.

He rapidly copied the first clause to the end, but after the words "in

the male line direct for ever" his pen still ran on. The deed then read

as follows:--

"... In the male line direct for ever, provided that the aforesaid Don

Leone Saracinesca shall have no son born to him in wedlock, in which

case, and if such a son be born, this present deed is wholly null, void

and ineffectual."

Montevarchi did not stop here. He carefully copied the remainder as it

stood, to the last word. Then he put away the original and read what he

had written very slowly and carefully. With the addition it was

perfectly clear that San Giacinto must be considered to be the lawful

and only Prince Saracinesca.

"How well those few words would look at the bottom of the page!"

exclaimed the old man half aloud. He sat still and gloated in

imagination over the immense wealth which would thus be brought into

his family.

"They shall be there--they must be there!" he muttered at last.

"Millions! millions! After all it is only common justice. The old

reprobate would never have disinherited his son if he had expected to

have one."

His long thin fingers crooked themselves and scratched the shabby green

baize that covered the table, as though heaping together little piles

of money, and then hiding them under the palm of his hand.

"Even if there is a copy," he said again under his breath, "the little

work will look as prettily upon it as on this--if only the sheets are

the same size and there is the same space," he added, his face falling

again at the disagreeable reflection that the duplicate might differ in

some respect from the original.

The plan was simple enough in appearance, and provided that the

handwriting could be successfully forged, there was no reason why it

should not succeed. The man who could do it, if he would, was in the

house at that moment, and Montevarchi knew it. Arnoldo Meschini, the

shrivelled little secretary and librarian, who had a profound knowledge

of the law and spent his days as well as most of his nights in poring

over crabbed manuscripts, was the very person for such a piece of work.

He understood the smallest variations in handwriting which belonged to

different periods, and the minutest details of old-fashioned penmanship

were as familiar to him as the common alphabet. But would he do it?

Would he undertake the responsibility of a forgery of which the success

would produce such tremendous responsibilities, of which the failure

would involve such awful disgrace? Montevarchi had reasons of his own

for believing that Arnoldo Meschini would do anything he was ordered to

do, and would moreover keep the secret faithfully. Indeed, as far as

discretion was concerned, he would, in case of exposure, have to bear

the penalty. Montevarchi would arrange that. If discovered it would be

easy for him to pretend that being unable to read the manuscript he had

employed his secretary to do so, and that the latter, in the hope of

reward, had gratuitously imposed upon the prince and the courts of law

before whom the case would be tried.

One thing was necessary. San Giacinto must never see the documents

until they were produced as evidence. In the first place it was

important that he, who was the person nearest concerned, should be in

reality perfectly innocent, and should be himself as much deceived as

any one. Nothing impresses judges like real and unaffected innocence.

Secondly, if he were consulted, it was impossible to say what view he

might take of the matter. Montevarchi suspected him of possessing some

of the hereditary boldness of the Saracinesca. He might refuse to be a

party in a deception, even though he himself was to benefit by it, a

consideration which chilled the old man's blood and determined him at

once to confide the secret to no one but Arnoldo Meschini, who was

completely in his power.

The early history of this remarkable individual was uncertain. He had

received an excellent education and it is no exaggeration to call him

learned, for he possessed a surprising knowledge of ancient manuscripts

and a great experience in everything connected with this branch of

archaeology. It was generally believed that he had been bred to enter

the church, but he himself never admitted that he had been anything

more than a scholar in a religious seminary. He had subsequently

studied law and had practised for some time, when he had suddenly

abandoned his profession in order to accept the ill-paid post of

librarian and secretary to the father of the present Prince

Montevarchi. Probably his love of mediaeval lore had got the better of

his desire for money, and during the five and twenty years he had spent

in the palace he had never been heard to complain of his condition. He

lived in a small chamber in the attic and passed his days in the

library, winter and summer alike, perpetually poring over the

manuscripts and making endless extracts in his odd, old-fashioned

handwriting. The result of his labours was never published, and at

first sight it would have been hard to account for his enormous

industry and for the evident satisfaction he derived from his work. The

nature of the man, however, was peculiar, and his occupation was

undoubtedly congenial to him, and far more profitable than it appeared

to be.

Arnoldo Meschini was a forger. He was one of that band of manufacturers

of antiquities who have played such a part in the dealings of foreign

collectors during the last century, and whose occupation, though slow

and laborious, occasionally produces immense profits. He had not given

up his calling with the deliberate intention of resorting to this

method of earning a subsistence, but had drifted into his evil

practices by degrees. In the first instance he had quitted the bar in

consequence of having been connected with a scandalous case of

extortion and blackmailing, in which he had been suspected of

constructing forged documents for his client, though the crime had not

been proved against him. His reputation, however, had been ruined, and

he had been forced to seek his bread elsewhere. It chanced that the

former librarian of the Montevarchi died at that time and that the

prince was in search of a learned man ready to give his services for a

stipend about equal to the wages of a footman. Meschini presented

himself and got the place. The old prince was delighted with him and

agreed to forget the aforesaid disgrace he had incurred, in

consideration of his exceptional qualities. He set himself

systematically to study the contents of the ancient library, with the

intention of publishing the contents of the more precious manuscripts,

and for two or three years he pursued his object with this laudable

purpose, and with the full consent of his employer.

One day a foreign newspaper fell into his hands containing an account

of a recent sale in which sundry old manuscripts had brought large

prices. A new idea crossed his mind, and the prospect of unexpected

wealth unfolded itself to his imagination. For several months he

studied even more industriously than before, until, having made up his

mind, he began to attempt the reproduction of a certain valuable

writing dating from the fourteenth century. He worked in his own room

during the evening and allowed no one to see what he was doing, for

although it was rarely that the old prince honoured the library with a

visit, yet Meschini was inclined to run no risks, and proceeded in his

task with the utmost secrecy.

Nothing could exceed the care he showed in the preparation and use of

his materials. One of his few acquaintances was a starving, but clever

chemist, who kept a dingy shop in the neighbourhood of the Ponte

Quattro Capi. To this poor man he applied in order to obtain a

knowledge of the ink used in the old writings. He professed himself

anxious to get all possible details on the subject for a work he was

preparing upon mediaeval calligraphy, and his friend soon set his mind

at rest by informing him that if the ink contained any metallic parts

he would easily detect them, but that if it was composed of animal and

vegetable matter it would be almost impossible to give a satisfactory

analysis. At the end of a few days Meschini was in possession of a

recipe for concocting what he wanted, and after numerous experiments,

in the course of which he himself acquired great practical knowledge of

the subject, he succeeded in producing an ink apparently in all

respects similar to that used by the scribe whose work he proposed to

copy. He had meanwhile busied himself with the preparation of

parchment, which is by no means an easy matter when it is necessary to

give it the colour and consistency of very ancient skin. He learned

that the ligneous acids contained in the smoke of wood could be easily

detected, and it was only through the assistance of the chemist that he

finally hit upon the method of staining the sheets with a thin broth of

untanned leather, of which the analysis would give a result closely

approaching that of the parchment itself. Moreover, he made all sorts

of trials of quill pens, until he had found a method of cutting which

produced the exact thickness of stroke required, and during the whole

time he exercised himself in copying and recopying many pages of the

manuscript upon common paper, in order to familiarise himself with the

method of forming the letters.

It was nearly two years before he felt himself able to begin his first

imitation, but the time and study he had expended were not lost, and

the result surpassed his expectations. So ingeniously perfect was the

facsimile when finished that Meschini himself would have found it hard

to swear to the identity of the original if he had not been allowed to

see either of the two for some time. The minutest stains were

reproduced with scrupulous fidelity. The slightest erasure was copied

minutely. He examined every sheet to ascertain exactly how it had been

worn by the fingers rubbing on the corners and spent days in turning a

page thousands of times, till the oft-repeated touch of his thumb had

deepened the colour to the exact tint.

When the work was finished he hesitated. It seemed to him very perfect,

but he feared lest he should be deceiving himself from having seen the

thing daily for so many months. He took his copy one day to a famous

collector, and submitted it to him for examination, asking at the same

time what it was worth. The specialist spent several hours in examining

the writing, and pronounced it very valuable, naming a large sum, while

admitting that he was unable to buy it himself.

Arnoldo Meschini took his work home with him, and spent a day in

considering what he should do. Then he deliberately placed the

facsimile in his employer's library, and sold the original to a learned

man who was collecting for a great public institution in a foreign

country. His train of reasoning was simple, for he said to himself that

the forgery was less likely to be detected in the shelves of the

Montevarchi's palace than if put into the hands of a body of famous

scientists who naturally distrusted what was brought to them.

Collectors do not ask questions as to whence a valuable thing has been

taken; they only examine whether it be genuine and worth the money.

Emboldened by his success, the forger had continued to manufacture

facsimiles and sell originals for nearly twenty years, during which he

succeeded in producing nearly as many copies, and realised a sum which

to him appeared enormous and which was certainly not to be despised by

any one. Some of the works he sold were published and annotated by

great scholars, some were jealously guarded in the libraries of rich

amateurs, who treasured them with all the selfish vigilance of the

bibliomaniac. In the meanwhile Meschini's learning and skill constantly

increased, till he possessed an almost diabolical skill in the art of

imitating ancient writings, and a familiarity with the subject which

amazed the men of learning who occasionally obtained permission to

enter the library and study there. Upon these, too, Meschini now and

then experimented with his forgeries, not one of which was ever

detected.

Prince Montevarchi saw in his librarian only a poor wretch whose

passion for ancient literature seemed to dominate his life and whose

untiring industry had made him master of the very secret necessary in

the present instance. He knew that such things as he contemplated had

been done before and he supposed that they had been done by just such

men as Arnoldo Meschini. He knew the history of the man's early

disgrace and calculated wisely enough that the fear of losing his

situation on the one hand, and the hope of a large reward on the other,

would induce him to undertake the job. To all appearances he was as

poor as when he had entered the service of the prince's father five and

twenty years earlier. The promise of a few hundred scudi, thought

Montevarchi, would have immense weight with such a man. In his

eagerness to accomplish his purpose, the nobleman never suspected that

the offer would be refused by a fellow who had narrowly escaped being

convicted of forgery in his youth, and whose poverty was a matter

concerning which no doubt could exist.

Montevarchi scarcely hesitated before going to the library. If he

paused at all, it was more to consider the words he intended to use

than to weigh in his mind the propriety of using them. The library was

a vast old hall, surrounded on all sides, and nearly to the ceiling,

with carved bookcases of walnut blackened with age to the colour of old

mahogany. There were a number of massive tables in the room, upon which

the light fell agreeably from high clerestory windows at each end of

the apartment. Meschini himself was shuffling along in a pair of

ancient leather slippers with a large volume under his arm, clad in

very threadbare black clothes and wearing a dingy skullcap on his head.

He was a man somewhat under the middle size, badly made, though

possessing considerable physical strength. His complexion was of a

muddy yellow, disagreeable to see, but his features rendered him

interesting if not sympathetic. The brow was heavy and the gray

eyebrows irregular and bushy, but his gray eyes were singularly clear

and bright, betraying a hidden vitality which would not have been

suspected from the whole impression he made. A high forehead, very

prominent in the upper and middle part, contracted below, so that there

was very little breadth at the temples, but considerable expanse above.

The eyes were near together and separated by the knifelike bridge of

the nose, the latter descending in a fine curve of wonderfully delicate

outline. The chin was pointed, and the compressed mouth showed little

or nothing of the lips. On each side of his head the coarsely-shaped

and prominent ears contrasted disagreeably with the fine keenness of

the face. He stooped a little from the neck, and his shoulders sloped

in a way that made them look narrower than they really were.

As the prince closed the door behind him and advanced, Meschini lifted

his cap a little and laid down the book he was carrying, wondering

inwardly what had brought his employer to see him at that hour of the

morning.

"Sit down," said Montevarchi, with more than usual affability, and

setting the example by seating himself upon one of the high-backed

chairs which were ranged along the tables. "Sit down, Meschini, and let

us have a little conversation."

"Willingly, Signor Principe," returned the librarian, obeying the

command and placing himself opposite to the prince.

"I have been thinking about you this morning," continued the latter.

"You have been with us a very long time. Let me see. How many years?

Eighteen? Twenty?"

"Twenty-five years, Excellency. It is a long time, indeed!"

"Twenty-five years! Dear me! How the thought takes me back to my poor

father! Heaven bless him, he was a good man. But, as I was saying,

Meschini, you have been with us many years, and we have not done much

for you. No. Do not protest! I know your modesty, but one must be just

before all things. I think you draw fifteen scudi a month? Yes. I have

a good memory, you see. I occupy myself with the cares of my household.

But you are not so young as you were once, my friend, and your faithful

services deserve to be rewarded. Shall we say thirty scudi a month in

future? To continue all your life, even if--heaven avert it--you should

ever become disabled from superintending the library--yes, all your

life."

Meschini bowed as he sat in acknowledgment of so much generosity, and

assumed a grateful expression suitable to the occasion. In reality, his

salary was of very little importance to him, as compared with what he

realised from his illicit traffic in manuscripts. But, like his

employer, he was avaricious, and the prospect of three hundred and

sixty scudi a year was pleasant to contemplate. He bowed and smiled.

"I do not deserve so much liberality, Signor Principe," he said. "My

poor services--"

"Very far from poor, my dear friend, very far from poor," interrupted

Montevarchi. "Moreover, if you will have confidence in me, you can do

me a very great service indeed. But it is indeed a very private matter.

You are a discreet man, however, and have few friends. You are not

given to talking idly of what concerns no one but yourself."

"No, Excellency," replied Meschini, laughing inwardly as he thought of

the deceptions he had been practising with success during a quarter of

a century.

"Well, well, this is a matter between ourselves, and one which, as you

will see, will bring its own reward. For although it might not pass

muster in a court of law--the courts you know, Meschini, are very

sensitive about little things--" he looked keenly at his companion,

whose eyes were cast down.

"Foolishly sensitive," echoed the librarian.

"Yes. I may say that in the present instance, although the law might

think differently of the matter, we shall be doing a good deed,

redressing a great injustice, restoring to the fatherless his

birthright, in a word fulfilling the will of Heaven, while perhaps

paying little attention to the laws of man. Man, my friend, is often

very unjust in his wisdom."

"Very. I can only applaud your Excellency's sentiments, which do

justice to a man of heart."

"No, no, I want no praise," replied the prince in a tone of

deprecation. "What I need in order to accomplish this good action is

your assistance and friendly help. To whom should I turn, but to the

old and confidential friend of the family? To a man whose knowledge of

the matter on hand is only equalled by his fidelity to those who have

so long employed him?"

"You are very good, Signor Principe. I will do my best to serve you, as

I have served you and his departed Excellency, the Signor Principe,

your father."

"Very well, Meschini. Now I need only repeat that the reward for your

services will be great, as I trust that hereafter your recompense may

be adequate for having had a share in so good a deed. But, to be short,

the best way to acquaint you with the matter is to show you this

document which I have brought for the purpose."

Montevarchi produced the famous deed and carefully unfolded it upon the

table. Then, after glancing over it once more, he handed it to the

librarian. The latter bent his keen eyes upon the page and rapidly

deciphered the contents. Then he read it through a second time and at

last laid it down upon the table and looked up at the prince with an

air of inquiry.

"You see, my dear Meschini," said Montevarchi in suave tones, "this

agreement was made by Don Leone Saracinesca because he expected to have

no children. Had he foreseen what was to happen--for he has legitimate

descendants alive, he would have added a clause here, at the foot of

the first page--do you see? The clause he would have added would have

been very short--something like this, 'Provided that the aforesaid Don

Leone Saracinesca shall have no son born to him in wedlock, in which

case, and if such a son be born, this present deed is wholly null, void

and ineffectual.' Do you follow me?"

"Perfectly," replied Meschini, with a strange look in his eyes. He

again took the parchment and looked it over, mentally inserting the

words suggested by his employer. "If those words were inserted, there

could be no question about the view the tribunals would take. But there

must be a duplicate of the deed at the Cancellaria."

"Perhaps. I leave that to your industry to discover. Meanwhile, I am

sure you agree with me that a piece of horrible injustice has been

caused by this document; a piece of injustice, I repeat, which it is

our sacred duty to remedy and set right."

"You propose to me to introduce this clause, as I understand, in this

document and in the original," said the librarian, as though he wished

to be quite certain of the nature of the scheme.

Montevarchi turned his eyes away and slowly scratched the table with

his long nails.

"I mean to say," he answered in a lower voice, "that if it could be

made out in law that it was the intention of the person, of Don Leone--"

"Let us speak plainly," interrupted Meschini. "We are alone. It is of

no use to mince matters here. The only way to accomplish what you

desire is to forge the words in both parchments. The thing can be done,

and I can do it. It will be successful, without a shadow of a doubt.

But I must have my price. There must be no misunderstanding. I do not

think much of your considerations of justice, but I will do what you

require, for money."

"How much?" asked Montevarchi in a thick voice. His heart misgave him,

for he had placed himself in the man's power, and Meschini's

authoritative tone showed that the latter knew it, and meant to use his

advantage.

"I will be moderate, for I am a poor man. You shall give me twenty

thousand scudi in cash, on the day the verdict is given in favour of

Don Giovanni Saracinesca, Marchese di San Giacinto. That is your

friend's name, I believe."

Montevarchi started as the librarian named the sum, and he turned very

pale, passing his bony hand upon the edge of the table.

"I would not have expected this of you!" he exclaimed.

"You have your choice," returned the other, bringing his yellow face

nearer to his employer's and speaking very distinctly. "You know what

it all means. Saracinesca, Sant' Ilario, and Barda to your son-in-law,

besides all the rest, amounting perhaps to several millions. To me, who

get you all this, a paltry twenty thousand. Or else--" he paused and

his bright eyes seemed to penetrate into Montevarchi's soul. The

latter's face exhibited a sudden terror, which Meschini understood.

"Or else?" said the prince. "Or else, I suppose you will try and

intimidate me by threatening to expose what I have told you?"

"Not at all, Excellency," replied the old scholar with sudden humility.

"If you do not care for the bargain let us leave it alone. I am only

your faithful servant, Signor Principe. Do not suspect me of such

ingratitude! I only say that if we undertake it, the plan will be

successful. It is for you to decide. Millions or no millions, it is the

same to me. I am but a poor student. But if I help to get them for

you--or for your son-in-law--I must have what I asked. It is not one

per cent--scarcely a broker's commission! And you will have so much.

Not but what your Excellency deserves it all, and is the best judge."

"One per cent?" muttered Montevarchi. "Perhaps not more than half per

cent. But is it safe?" he asked suddenly, his fears all at once

asserting themselves with a force that bewildered him.

"Leave all that to me," answered Meschini confidently. "The insertion

shall be made, unknown to any one, in this parchment and in the one in

the Chancery. The documents shall be returned to their places with no

observation, and a month or two later the Marchese di San Giacinto can

institute proceedings for the recovery of his birthright. I would only

advise you not to mention the matter to him. It is essential that he

should be quite innocent in order that the tribunal may suspect

nothing. You and I, Signor Principe, can stay at home while the case is

proceeding. We shall not even see the Signor Marchese's lawyers, for

what have we to do with it all? But the Signor Marchese himself must be

really free from all blame, or he will show a weak point. Now, when all

is ready, he should go to the Cancellaria and examine the papers there

for himself. He himself will suspect nothing. He will be agreeably

surprised."

"And how long will it take you to do the--the work?" asked Montevarchi

in hesitating tones.

"Let me see," Meschini began to make a calculation under his breath.

"Ink, two days--preparing parchment for experiments, a week--writing,

twice over, two days--giving age, drying and rubbing, three days, at

least. Two, nine, eleven, fourteen. A fortnight," he said aloud. "I

cannot do it in less time than that. If the copy in the Chancery is by

another hand it will take longer."

"But how can you work at the Chancery?" asked the prince, as though a

new objection had presented itself.

"Have no fear, Excellency. I will manage it so that no one shall find

it out. Two visits will suffice. Shall I begin at once? Is it agreed?"

Montevarchi was silent for several minutes, and his hands moved

uneasily.

"Begin at once," he said at last, as though forcing himself to make a

determination. He rose to go as he spoke.

"Twenty thousand scudi on the day the verdict is given in favour of the

Signor Marchese. Is that it?"

"Yes, yes. That is it. I leave it all to you."

"I will serve your Excellency faithfully, never fear."

"Do, Meschini. Yes. Be faithful as you have always been. Remember, I am

not avaricious. It is in the cause of sound justice that I stoop to

assume the appearance of dishonesty. Can a man do more? Can one go

farther than to lose one's self-esteem by appearing to transgress the

laws of honour in order to accomplish a good object; for the sake of

restoring the birthright to the fatherless and the portion to the

widow, or indeed to the widower, in this case? No, my dear friend. The

means are more than justified by the righteousness of our purpose.

Believe me, my good Meschini--yes, you are good in the best sense of

the word--believe me, the justice of this world is not always the same

as the justice of Heaven. The dispensations of providence are

mysterious."

"And must remain so, in this case," observed the librarian with an evil

smile.

"Yes, unfortunately, in this case we shall not reap the worldly praise

which so kind an action undoubtedly deserves. But we must have patience

under these trials. Good-bye, Meschini, good-bye, my friend. I must

busy myself with the affairs of my household. Every man must do his

duty in this world, you know."

The scholar bowed his employer to the door, and then went back to the

parchment, which he studied attentively for more than an hour, keeping

a huge folio volume open before him, into which he might slip the

precious deed in case he were interrupted in his occupation.

Sant' Ilario · 第 12 / 30 章