Nijinsky's Distinction

|WE must not belittle him by merely admiring him for his miraculously

agile leaps and jumps. As I said at the start, dancing is not only

_sauterie_. There was probably no _sauterie_ at all in the dancing of

the ancients. I am told that Nijinsky was much affected by the dancing

of Isadora Duncan when, some years ago, she appeared in St. Petersburg,

and I can well believe it, for there was manifested in her at her best

what was probably the supreme object of religious dancing---and all

ancient dancing was religious--the training of the body to the point of

making it docile to the rhythm of the soul. There are many young men in

the Russian ballet who dance excellently with their bodies, even if they

cannot leap as high as Nijinsky, but what really separates him from them

is the fact that he dances not only with his body, but with his soul.

Unfortunately this expression is often used lightly to mean merely "with

enthusiasm." But it can be used in a graver sense, and it is in that

sense that I use it.

[Illustration: 0036]

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