CHAPTER IX.

CURVILINEAR PERIOD.

PRINCIPAL CHARACTERISTIC.

FLOWING TRACERY IN THE WINDOWS, AND THE PREVALENCE OF THE OGEE CURVE IN

ALL THE DETAILS.

_Exterior Compartment._

As the Circle characterises the previous Period, so the Ogee marks the

present Period. It is found not only in the principal outline of the

tracery, but also in its smaller subdivisions; not only in the profiles

of the mouldings, but also in the contour of the foliage and carved

work.

The WINDOWS are the most important features in the Churches of this

Period. In the more important buildings they are frequently of great

size and elaborate design, and in the smaller buildings, the rest of

the work seems often to have been impoverished for the sake of the

Windows.

The infinite variety of design that is contained in the Tracery of this

Period is very remarkable, and distinguishes its Architecture, in a

manner not to be mistaken, from that of other nations during the same

Period.

The BASE-COURSE carries a series of mouldings in which the Ogee profile

is almost invariably found. The STRING-COURSES, HOOD-MOULDINGS, and

SET-OFFS exhibit it also.

The BUTTRESSES are usually divided into a greater number of equal

stages; their canopies, and those of their pinnacles, are invariably

richly crocketed, and have usually the Ogee form instead of the

straight pedimental finish.

The CORNICE carries usually a row of large square pateras of foliage,

in a shallow hollow, and is often surmounted with a battlement, or a

parapet pierced or panelled with a flowing trefoil or a quatrefoil.

The BALL-FLOWER which appeared at the end of the previous Period,

became a favourite ornament for a short time in the commencement of

this Period.

_Interior Compartment._

The PIERS are usually disposed in plan in the form of a diamond; and

consist generally of four shafts with intervening hollows. The BASES

and CAPITALS are not unfrequently octagonal in form; and the foliage of

the latter consists of crumpled leaves, not growing out of the neck of

the capital, as in the earlier Periods, but apparently attached to it,

or bound round it.

The mouldings of the PIER-ARCHES are fewer in number; they are

shallower than those of the preceding Period, and often contain the

double Ogee; the walls being thinner, the arches frequently carry, in

this Period, as well as in the following one, only two orders of

mouldings instead of three. The small square patera, consisting of four

leaves, is a common ornament of the Period, and all the foliage is

formed of peculiar crumpled leaves, which are easily distinguished from

those of the preceding Period.

It is not uncommon in this Period to find the arch mouldings continued,

without the intervention of impost or capital, down to the ground; or,

inversely, the mouldings of the piers carried uninterruptedly upwards

through the arch. This is the case as well in the arches of the

Ground-story, as in the windows and doorways.

The TRIFORIUM rarely occurs in its full proportions, and in such cases

exhibits the usual window tracery of the Period: it oftener consists of

a panel enclosed within the prolonged jambs of the Clere-story window,

and is sometimes reduced to a row of quatrefoils.

The CLERE-STORY has its inner arch sometimes foliated, but oftener the

window is flush with the face of the inner wall, and the gallery is

omitted.

The VAULTING exhibits much more intricacy; and a variety of ribs

generally intersect the surface of the different cells.

The AISLE-ARCADE is not often seen.

PRINCIPAL BUILDINGS

OF

THE CURVILINEAR PERIOD.

HOWDEN Collegiate Church Choir.

ELY Cathedral Church Lantern.

ELY Cathedral Church Choir.

ELY Cathedral Church Crauden's Chapel.

ELY Cathedral Church Trinity Chapel.

HINGHAM St. Andrew's Church Nave.

HECKINGTON St. Andrew's Church Chancel, Transepts, Nave.

HAWTON All Saints' Church Chancel.

EWERBY St. Andrew's Church Chancel, Nave.

SLEAFORD St. Giles' Church Nave.

CHESTER Cathedral Church South Transept.

COVENTRY St. John's Hospital Chapel.

CARLISLE Cathedral Church Choir (part).

NEWARK St. Mary's Church South Aisle.

BEVERLEY St. Mary's Church North Aisle of Choir.

SELBY Abbey Church Choir (part).

WALSINGHAM Abbey Church Choir.

CHESTER Cathedral Church South Transept.

NANTWICH St. Mary's Church Chancel.

MELROSE Abbey Church Nave, Transept.

BOLTON Abbey Church Choir.

BOSTON St. Botolph's Church Nave.

LICHFIELD Cathedral Church Choir.

WELLS Cathedral Church Choir, Lady Chapel.

BURY ST. EDMUND'S Abbey Gateway.

HULL Holy Trinity Church Chancel.

The Seven Periods of English Architecture Defined and Illustrated · 第 9 / 10 章