CHAPTER V.

NORMAN PERIOD.

PRINCIPAL CHARACTERISTIC.

THE UNIVERSAL USE OF THE CIRCULAR ARCH IN EVERY PART OF A BUILDING

THROUGHOUT THE WHOLE PERIOD.

_Exterior Compartment._

The walls of a Norman building are usually strong and massive, and

built of small stones. They have a plain BASE-COURSE, of little

projection, and are generally finished above with a CORBEL-TABLE,

consisting sometimes of a series of small arches, on rude heads, and

sometimes of a projecting horizontal table resting on a series of

rudely sculptured blocks. Upon this Corbel-table is a plain PARAPET and

COPING where these are left, which is rarely the case.

The compartments are divided by a shallow BUTTRESS or PILASTER STRIP.

The WINDOWS are low and broad, and have usually a single shaft set in

an angular recess, carrying a cubical capital and a single roll.

The STRING-COURSES, when not plain, have frequently indented ornaments

of different kinds--such as the _billet_, the _saw-tooth_, the _star_,

and the _chevron_.

The CLERE-STORY WINDOWS, in the larger and richer buildings, are

usually placed in an arcade, consisting of three or more arches, of

which the centre one, filled by the window, is the largest.

_Interior Compartment._

The proportions of the interior are invariably heavy and massive.

The PIERS consist either of a stout cylindrical column, or of a

rectangular mass, having semicircular shafts attached to its different

faces. They are sometimes, when circular, scored and ornamented with

zig-zag, spiral, and other mouldings.

The CAPITALS are formed of a cubical block, rounded off on the lower

side from the square to the circle, and are ordinarily of a heavy

cumbrous character, and sometimes ornamented with rude sculpture of

leaves and animals, carved in slight relief on the surface of the

block.

The PIER-ARCHES, in early examples, are perfectly plain, and square

edged, without mouldings or ornament; but more frequently they carry

one or more heavy rolls on the angle of each order of the arch; and are

often ornamented richly with concentric rows of chevron, billet, and

other Norman ornaments.

The VAULTING or ROOF-SHAFT is usually a semicircular shaft rising from

the floor--on the face of every alternate Pier--to the springing of the

vault or roof.

In the earlier buildings the TRIFORIUM is generally occupied by one

large arch, of somewhat less span and height than the pier-arch: but in

the later examples, this arch is generally subdivided into two, and

later still, into four small arches, carried on single shafts; the

capitals, arch-mouldings, and other details, being all on a smaller

scale, but of similar character, to those of the Ground-story.

In most Norman buildings of large size, the Triforium forms a very

important part of the design of the Interior.

The CLERE-STORY in nearly all large buildings carries a gallery made in

the thickness of the wall, which passes between the Clere-story Window

and the inner face of the _Main Wall_. This inner face is accordingly

carried on one or more arches. In Norman buildings, this Clere-story

arcade usually consists of three arches, of which the middle one is the

largest, and corresponds with the window. In some examples, this middle

arch is stilted above the others, by being lifted on a second small

shaft on each side, standing on the lower one which carries the side

arches.

In almost all buildings of importance, an ARCADE is carried along the

walls of the Church below the side-aisle windows. In Norman buildings

this usually consists of a series of single or intersecting circular

arches, resting on small cushion capitals on single shafts.

The side-aisles are usually covered with a plain circular quadripartite

VAULT, having sometimes a diagonal rib, as well as a transverse band,

moulded with single roll mouldings.

PRINCIPAL BUILDINGS

OF

THE NORMAN PERIOD.

TOWER OF LONDON White Chapel.

ST. ALBANS Abbey Church Transepts, Nave.

ROCHESTER Cathedral Church Nave.

WINCHESTER Cathedral Church Transepts.

HEREFORD Cathedral Church Nave.

ELY Cathedral Church Transepts.

LINCOLN Cathedral Church West End.

CARLISLE Cathedral Church Nave.

SELBY Abbey Church Transepts, Nave.

GLOUCESTER Cathedral Church Nave.

CHICHESTER Cathedral Church Nave.

WALTHAM Abbey Church Choir.

SOUTHWELL Abbey Church Transepts, Nave.

DURHAM Cathedral Church Choir.

CHRISTCHURCH Priory Church Transepts, Nave.

NORWICH Cathedral Church Choir.

TEWKESBURY Abbey Church Nave.

DURHAM Cathedral Church Nave.

LINDISFARNE Abbey Church Transepts, Nave.

ROMSEY Abbey Church Choir, Transepts.

WINCHESTER Cathedral Church Tower, Transepts.

ELY Cathedral Church Nave.

PETERBOROUGH Cathedral Church Choir.

NORWICH Cathedral Church Nave.

CASTLE ACRE Priory Church Nave.

The Seven Periods of English Architecture Defined and Illustrated · 第 5 / 10 章