THE RUINS OF THE ABBEY OF ST. JOHN THE BAPTIST.
The sun is fast sinking. In the depths of an immense piny wood, in the
midst of profound solitude, rise the ruins of an abbey, once sacred to
St. John the Baptist. Ivy, moss, and creeping plants, almost entirely
conceal the stones, now black with age. Some broken arches, some walls
pierced with ovals, still remain standing, visible on the dark background
of the thick wood. Looking down upon this mass of ruins from a broken
pedestal, half-covered with ivy, a mutilated, but colossal statue of
stone still keeps its place. This statue is strange and awful. It
represents a headless human figure. Clad in the antique toga, it holds in
its hand a dish and on that dish is a head. This head is its own. It is
the statue of St. John the Baptist and Martyr, put to death by wish of
Herodias.
The silence around is solemn. From time to time, however, is heard the
dull rustling of the enormous branches of the pine-trees, shaken by the
wind. Copper-colored clouds, reddened by the setting sun, pass slowly
over the forest, and are reflected in the current of a brook, which,
deriving its source from a neighboring mass of rocks, flows through the
ruins. The water flows, the clouds pass on, the ancient trees tremble,
the breeze murmurs.
Suddenly, through the shadow thrown by the overhanging wood, which
stretches far into endless depths, a human form appears. It is a woman.
She advances slowly towards the ruins. She has reached them. She treads
the once sacred ground. This woman is pale, her look sad, her long robe
floats on the wind, her feet covered with dust. She walks with difficulty
and pain. A block of stone is placed near the stream, almost at the foot
of the statue of John the Baptist. Upon this stone she sinks breathless
and exhausted, worn out with fatigue. And yet, for many days, many years,
many centuries, she has walked on unwearied.
For the first time, she feels an unconquerable sense of lassitude. For
the first time, her feet begin to fail her. For the first time, she, who
traversed, with firm and equal footsteps, the moving lava of torrid
deserts, while whole caravans were buried in drifts of fiery sand--who
passed, with steady and disdainful tread, over the eternal snows of
Arctic regions, over icy solitudes, in which no other human being could
live--who had been spared by the devouring flames of conflagrations, and
by the impetuous waters of torrents--she, in brief, who for centuries had
had nothing in common with humanity--for the first time suffers mortal
pain.
Her feet bleed, her limbs ache with fatigue, she is devoured by burning
thirst. She feels these infirmities, yet scarcely dares to believe them
real. Her joy would be too immense! But now, her throat becomes dry,
contracted, all on fire. She sees the stream, and throws herself on her
knees, to quench her thirst in that crystal current, transparent as a
mirror. What happens then? Hardly have her fevered lips touched the
fresh, pure water, than, still kneeling, supported on her hands, she
suddenly ceases to drink, and gazes eagerly on the limpid stream.
Forgetting the thirst which devours her, she utters a loud cry--a cry of
deep, earnest, religious joy, like a note of praise and infinite
gratitude to heaven. In that deep mirror, she perceives that she has
grown older.
In a few days, a few hours, a few minutes, perhaps in a single second,
she has attained the maturity of age. She, who for more than eighteen
centuries has been as a woman of twenty, carrying through successive
generations the load of her imperishable youth--she has grown old, and
may, perhaps, at length, hope to die. Every minute of her life may now
bring her nearer to the last home! Transported by that ineffable hope,
she rises, and lifts her eyes to heaven, clasping her hands in an
attitude of fervent prayer. Then her eyes rest on the tall statue of
stone, representing St. John. The head, which the martyr carries in his
hand, seems, from beneath its half-closed granite eyelid, to cast upon
the Wandering Jewess a glance of commiseration and pity. And it was she,
Herodias who, in the cruel intoxication of a pagan festival, demanded the
murder of the saint! And it is at the foot of the martyr's image, that,
for the first time, the immortality, which weighed on her for so many
centuries, seems likely to find a term!
"Oh, impenetrable mystery! oh, divine hope!" she cries. "The wrath of
heaven is at length appeased. The hand of the Lord brings me to the feet
of the blessed martyr, and I begin once more to feel myself a human
creature. And yet it was to avenge his death, that the same heaven
condemned me to eternal wanderings!
"Oh, Lord! grant that I may not be the only one forgiven. May he--the
artisan, who like me, daughter of a king, wanders on for
centuries--likewise hope to reach the end of that immense journey!
"Where is he, Lord? where is he? Hast thou deprived me of the power once
bestowed, to see and hear him through the vastness of intervening space?
Oh, in this mighty moment, restore me that divine gift--for the more I
feel these human infirmities, which I hail and bless as the end of my
eternity of ills, the more my sight loses the power to traverse
immensity, and my ear to catch the sound of that wanderer's accent, from
the other extremity of the globe?"
Night had fallen, dark and stormy. The wind rose in the midst of the
great pine-trees. Behind their black summits, through masses of dark
cloud, slowly sailed the silver disk of the moon. The invocation of the
Wandering Jewess had perhaps been heard. Suddenly, her eyes closed--with
hands clasped together, she remained kneeling in the heart of the
ruins--motionless as a statue upon a tomb. And then she had a wondrous
dream!