A SKETCH FROM SUNDRY NOVELS.

(_For the Mirror._)

She must be, _à plaisir_, tall and slender in person, or of humbler

stature, but never inclining to stoutness, since the _en bon point_

savours (at least in romance) of vulgarity. Her complexion may be light

or dark, according to fancy; but her interesting pallidness may

occasionally be relieved by a hectic flush, yet more interesting. She

must possess small _alabaster_ hands, _coral_ or _ruby_ lips, enchasing

a double row of _pearls_; a neck rivalling _ivory_ or driven _snow_,

(yes, even if our heroine be a brunette, for incongruity is the very

essence of romance); _velvet_ cheeks, _golden_ or _jet_ black hair,

_diamond_ eyes, marvellous delicate feet, shrouded at all times in

_bas-de-soie_, and defended by the most enchanting slippers imaginable;

her figure must be a model for the statuary, and at all seasons, and in

every situation, arrayed in muslins or silks, which, wondrous to relate,

resist the injuries of time, weather, and wear in a manner perfectly

astounding. What heroine had ever an hiatus in her stocking, or a

fracture in her gown of finest woof? Ye gods! what an insult to suppose

her _repairing such_! The lady's mental accomplishments and

qualifications are as follow:--She sings divinely, plays on the harp

(and piano too in modern days) _à merveille_; occasionally condescends

to fascinate on the guitar, and the lute also, should that instrument,

now rather antiquated, fall in her way. She takes portraits, and

sketches from nature; she understands _all_ languages, or rather that

desideratum, an _universal tongue_, since in the most foreign lands she

is never at a loss to render herself understood, nor to comprehend that

which is addressed to her; she is of a melancholy cast of mind, and

carries sal-volatile in her reticule, and fountains of tears in her

eyes, for use on the most _public_ occasions; she likes gloomy

apartments, looking upon the sea, mountains, or black forests, and

leading into endless corridors; she has an Æolian lyre ever at her

casement, writes verses and weeps by moonlight, for--effect, or--

_nothing_; and is enamoured with a being, who, in the common course

of nature, could not exist; he possessing, amongst other fine qualities,

that of omnipresence in an impious degree. Should the heroine reside in

a town, and especially London, she must have dwelt previously in some

isolated mansion, seldom visited by beings superior in intellect to the

foxes they hunt; an idiot mother, vulgar aunt, a father, an uncle, or a

guardian in his dotage, must have superintended her education; and when,

at the age of sixteen, some fortunate chance throws her into society,

her accomplishments and manners are found more fitting for it and

finished, than those of persons who have from their cradles associated

with families of the highest distinction, and possessed all the

advantages of a polished and liberal education. The heroine has, in all

situations, an abundant store of money, jewels, and clothes, supplied no

one knows when, how, or by whom; and these, with her musical

instruments, drawing materials, &c. accompany her into every reverse of

situation, in a manner perfectly incomprehensible, but highly amusing

and edifying. A miniature portrait of some mysterious relative or

friend, seldom or ever seen, nay, indeed, a sacred memento of the dead,

is highly scenic and effective in a romance. The heroine ought, by all

means, to possess such; it _may_ do good, and it _can_ do no harm.

Finally, the lady must frequently faint, be twice or thrice on the brink

of the grave, undergo exquisite varieties of suffering, run all hazards,

but retain her beauty and reputation unblemished to the _last_, i.e. to

her _marriage_; after which, this wondrous and superlative creature, and

her partner in perfection, are never heard of more. _Why_?

The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 331, September 13, 1828 · 第 15 / 47 题