CHAPTER I.

Transcriber's notes:

Source of scans: Google Books:

"http://books.google.com/books?pg=PA2&dq=editions:UCALB4287293&id=ZYQFAQ

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THE SERAPION BRETHREN.

VOLUME II.

THE SERAPION BRETHREN.

BY

ERNST THEODOR WILHELM HOFFMANN

Translated from the German

BY

LIEUT.-COLONEL ALEX. EWING,

A.P.D.,

TRANSLATOR OF J. P. RICHTER'S "FLOWER, FRUIT, AND THORN PIECES,"

ETC.

VOLUME II.

LONDON:

GEORGE BELL & SONS, YORK STREET, COVENT GARDEN,

AND NEW YORK.

1892.

LONDON:

PRINTED BY WILLIAM CLOWES AND SONS, LIMITED,

STAMFORD STREET AND CHARING CROSS.

CONTENTS.

SECTION V.

PAGE

THE LIFE OF A WELL-KNOWN CHARACTER

ALBERTINE'S WOOERS

THE UNCANNY GUEST

SECTION VI.

MADEMOISELLE SCUDERI

GAMBLERS' FORTUNE

SECTION VII.

SIGNOR FORMICA

PHENOMENA

SECTION VIII.

THE MUTUAL INTERDEPENDENCE OF THINGS

THE KING'S BETHROTHED

THE SERAPION BRETHREN.

SECTION V.

The ever-fluctuating vicissitudes of human life had once more scattered

our little group of friends asunder. Sylvester had gone back to his

country home; Ottmar had travelled away on business, and so had

Cyprian; Vincent was still in the town, but (after his accustomed

fashion) he had disappeared in the turmoil, and was nowhere to be seen;

Lothair was nursing Theodore, who had been laid on a bed of sickness by

a malady long struggled against, which was destined to keep him there

for a considerable time.

Indeed, several months had gone by, when Ottmar (whose sudden and

unlooked-for departure had been the chief cause of the breaking up of

the "Club") came back, to find, in place of the full-fledged "Serapion

Brotherhood," one friend, barely convalescent, and bearing the traces

of a severe illness in his pale face, abandoned by the Brethren, with

the exception of one, who was tasking him severely by constant

outbreaks of a grim and capricious "humour."

For Lothair was once more finding himself in one of those strange and

peculiar moods of mind in which all life seemed to him to have become

weary, stale, flat and unprofitable, by reason of the everlasting

mockery ("chaff" might be the modern expression of this idea) of the

inimical daemonic power which, like a pedantic tutor, ignores and

contemns the _nature_ of men; giving man (as a tutor of the sort would

do) bitter drugs and nauseous medicines, instead of sweet and delicious

macaroons, to the end that his said pupil, man, may take a distaste at

his own nature, enjoy it no more, and thus keep his digestion in good

order.

"What an unfortunate idea it was," Lothair cried out, in the gloomiest

ill-humour, when Ottmar came in and found him sitting with

Theodore--"what an unfortunate idea it was of ours to insist on binding

ourselves together again so closely, jumping over all the clefts which

time had split between us! It is Cyprian whom we have to thank for

laying the foundation-stone of Saint Serapion, on which we built an

edifice which seemed destined to last a lifetime, and tumbled down into

ruin in a few moons. One ought not to hang one's heart on to anything,

or give one's mind over to the impressions of excitements from without;

and I was a fool to do so, for I must confess to you that the way in

which we came together on those Serapion evenings took such a hold on

my whole being that, when the brethren so suddenly dispersed themselves

over the world, my life felt to me as weary, stale, flat and

unprofitable as the melancholy Prince Hamlet's did to him."

"Forasmuch as no spirit has arisen from the grave, revisiting the

glimpses of the moon, to incite you to revenge," said Ottmar, with a

laugh, "and as you are not called upon to send your sweetheart

to a nunnery, or to thrust a poisoned rapier into the heart of a

murderer-king, I think you ought not to give way to Prince Hamlet's

melancholy, and should consider that it would be the grossest

selfishness to renounce every league of alliance into which

congenially-minded people enter because the storms of life possess the

power of interfering with it. Human beings ought not to draw in their

antennas at every ungentle touch, like supersensitive insects. Is the

remembrance of hours passed in gladsome kindly intercourse nothing to

you? All through my journeyings I have thought of you continually. On

the evenings of the meetings of the Serapion Club (which, of course, I

supposed to be still in full swing) I always took my place amongst you,

in spirit; assimilated all the delightful and entertaining things going

on amongst you (entertaining you, at the same time, with whatever the

spirit moved me to contribute to you). But it is absurd to continue in

this vein. Is there, in Lothair's mind, really the slightest trace of

that which his momentary 'out-of-tuneness' has made him say? Does he

not himself admit that the cause of his being out of tune is merely the

fact of our having been dispersed?"

"Theodore's illness," said Lothair, "which nearly sent him to his

grave, was not a matter, either, calculated to put me into a happy

state of mind."

"No," said Ottmar, "but Theodore is well again; and as to the Serapion

Club, I cannot see why it should not be considered to be in full

working order, now that three of the Brethren are met together."

"Ottmar is perfectly right," said Theodore; "it is a matter of

indisputable necessity that we should have a meeting, in true

Serapiontic fashion, as early as possible. The germ which we form will

sprout into a tree full of fresh life and vigour, bearing flowers and

fruit--I mean that that bird of passage, Cyprian, will come back:

Sylvester will soon be unhappy, there where he is, away; and when the

nightingales cease singing, he will long for music of another kind; and

Vincent will emerge from the billows again, no doubt, and chirp his

little song."

"Have it your own way," said Lothair, rather more gently than before;

"only don't expect _me_ to have anything to do with it. However, I

promise that I will be present when you assemble Serapiontically; and,

as Theodore ought to be in the open air as much as possible, I suggest

that we hold our meeting out of doors."

So they fixed upon the last day of May--which was only a few days

off--for the time; and on a pretty public-garden in the neighbourhood,

not too much frequented, for the place, of their next Serapiontic

meeting.

A thunderstorm, passing quickly over, and merely sprinkling the trees

and bushes with a few drops of Heaven's balsam, had relieved the sultry

oppressiveness of the day. The beautiful garden was lying all still, in

the most exquisite brightness. The delicious perfume of leaves and

flowers streamed through it, while the birds, twittering and trilling

in happiness, went rustling amongst the branches, and bathed themselves

in the bedewed leafage.

"How refreshed I feel, through and through!" Theodore cried, when the

friends had sate themselves down in the shade of some thickly-foliaged

lime-trees; "every trace of illness, down to the most infinitesimal,

has left me. I feel as if a redoubled life had dawned on me, in my

active consciousness of reciprocity of action between me and the

external. A man must have been as ill as I have been to be capable of

this sensation, which, strengthening mind and body, must surely be (as

I feel it to be) the true life-elixir which the Eternal Power, the

ruling World-spirit, administers to us, directly and without

intermediation. The vivifying breath of Nature is breathing out of my

own breast. I seem to be floating in that glorious blue Heaven which is

vaulted over us, with every burden lifted away from me!"

"This," said Ottmar, "shows that you are quite well again, beloved

friend; and all glory to the Eternal Power which fitted you out with an

organisation strong enough to survive an illness like that which you

have gone through. It is a marvel that you recovered at all, and still

a greater that you recovered so quickly."

"For my part," said Lothair, "I am not surprised that he got well so

soon, because I never had a moment's doubt that he would. You may

believe me, Ottmar, when I tell you that, wretched as the state in

which his physical condition appeared to be, he was never really ill,

mentally; and so long as the spirit keeps sound--well! it was really

enough to vex one to death that Theodore, ill as he was, was always in

better spirits than I was, although I was a perfectly well and sound

man; and that, so soon as his bodily sufferings gave him an interval of

rest, he delighted in the wildest fun and jests. At the same time, he

has the rare power of remembering his feverish illusions. The doctor

had forbidden him to talk; but when _I_ wished to tell him this, that

and the other in quiet moments, he would motion me to be silent and not

disturb his thoughts, which were busy over some important composition,

or other matter of the kind."

"Yes," said Theodore, laughing, "I can assure you that Lothair's

communications were of a very peculiar kidney at that time. Directly

after the dispersion of the Serapion Brethren he became possessed by a

foul fiend of evil humours. This you probably have gathered; but you

cannot, by any possibility, divine the extraordinary ideas which he got

into his head at this period of gloom and dejection. One day he came

to my bedside (for I had taken to my bed by that time) stating

that the old Chronicle Books were the grandest and richest mines and

treasure-houses of tales, legends, novels and dramas. Cyprian said the

same long ago, and it is true. Next day I noticed, although my malady

was besetting me sorely, that Lothair was sitting immersed in an old

folio. Moreover, he went every day to the public library and got

together all the old Chronicles he could lay his hands upon. _That_ was

all very well; but, besides, he got his head filled with the strange

old legends which are contained in those venerable books; and when, in

my hours of comparative quiet, he bestirred himself to talk to me on

'entertaining' subjects, what I heard of was war and pestilence,

monstrous abortions, hurricanes, comets, fires and floods, witches,

auto-da-fé's, enchantments, miracles, and, above all other subjects,

his talk was of the manifold works and devices of the Devil--who, as we

know, plays such an important part in all those old stories that one

can hardly imagine what has become of him _now_, when he seems to keep

so quietly in the background, unless he may perhaps have put on some

new dress which renders him unrecognizable. Now tell me, Ottmar, don't

you think such subjects of conversation well suited for a man in my

then state of health?"

"Don't condemn me unheard," cried Lothair. "It is true, and I will

maintain it fearlessly, that, for writers of tales, there is an immense

amount of splendid material in those ancient Chronicles. But you know

that _I_ have never taken much interest in them, and least of all in

their _diablerie_. However, the evening before Cyprian went away I had

a great argument with him as to his having far too much to do with the

Devil and his family; and I told him candidly that my present opinion

of his tale, 'The Singers' Contest,' is that it is a thoroughly faulty

and bungling piece of work, although when he read it to us I approved

of it, for many specious reasons. Upon this he attacked me in the

character of a real _advocatum diaboli_, and told me such a quantity of

things, out of old Chronicles and from other sources, that my head

fairly reeled. And then, when Theodore fell ill, I was seized upon and

overmastered by real, bitter gloom and misery. Somehow, I scarce know

how or why, Cyprian's 'Singers' Contest' came back to my mind again.

Nay, the Devil himself appeared to me in person one night when I

couldn't sleep; and although I was a good deal frightened by the evil

fellow, still I could not help respecting him, and paying him my duty

as an ever helpful aide-de-camp of tale-writers in lack of help; and,

by way of spiting you all, I determined to set to work and surpass even

Cyprian himself in the line of the fearsome and the terrible."

"_You_, Lothair, undertake the fearful and terrible!" said Ottmar,

laughing--"you, whose bright and fanciful genius would seem expressly

adapted to wave the wand of comedy!"

"Even so," said Lothair; "such was my idea. And as a first step towards

carrying it out, I set to work to rummage in those old Chronicles which

Cyprian had told me were the very treasure-houses of the diabolical;

but I admit that it all turned out quite differently from what I had

expected."

"I can fully confirm that," said Theodore. "I can assure you it is

astonishing, and most delicious, the way in which the Devil and the

gruesomest witch-trials adapt themselves to the mental bent and style

of the author of 'Nutcracker and the King of Mice.' Just let me tell

you, dear Ottmar, how I chanced to lay my hands upon an experimental

essay on this subject of our doughty Lothair's. He had just left me one

day when I was getting to be strong enough to creep about the room a

little, and I found, upon the table where he had been writing, the

truly remarkable book entitled 'Haftitii Michrochronicon Berlinense,'

open at the page where, _inter alia_, occurs what follows:--

"'Ye Divell, in this year of Grace, appeared bodily in ye streets of

Berlin, and attended funerals, conducting himself thereat

sorrowfullie,' &c., &c., &c.

"You will see, my dear Ottmar, that this entertaining piece of

intelligence was of a nature to delight me immensely; but some pages in

Lothair's handwriting delighted me still more. In those he had welded

up the accounts of this curious conduct of the Devil with a horrible

case of misbirth, and a gruesome trial for witchcraft, into an

_ensemble_ of the most delightful and entertaining description. I have

got those pages here; I brought them in my pocket to amuse you with

them."

He took them out of his pocket and handed them to Ottmar.

"What!" cried Lothair, "the affair which I styled 'Some Account of the

Life of a Well-known Character,' which I thought was torn up and

destroyed long ago--the abortive product of a fit of capricious fancy;

can it be that you have captured _that_ from me and kept it, to bring

me into discredit with persons of taste and culture? Here with the

wretched piece of scribbling, that I may tear it up and scatter it to

the winds of heaven."

"No, no," cried Theodore; "you must read it to Ottmar, as a penance for

what you inflicted on me in my illness with your horrible weird

Chronicle matter."

"Well," said Lothair, "I suppose I can't refuse, though I shall cut a

strange figure before this very grave and carefully-behaved gentleman.

However, here goes." So Lothair took the papers, and read as follows:--

THE LIFE OF A WELL-KNOWN CHARACTER.

In the year one thousand five hundred and fifty-one there was to be

seen in the streets of Berlin, particularly in the evening twilight, a

gentleman of fine and distinguished appearance. He wore a rich and

beautiful doublet, trimmed with sable, white galligaskins, and slashed

shoes; on his head was a satin barret cap with a red feather. His

manners were charming, and highly polished. He bowed politely to

everybody, particularly to ladies, both married and single; and to

_them_ he was wont to address civil and complimentary speeches. He

would say: "Donna! if you have any wish or desire in the depths of your

heart, pray command your most humble servant, who will devote his

humble powers to the utmost to be entirely at your disposal and

service." This was what he said to married ladies of position. To the

unmarried he said: "Heaven grant you a nice husband, worthy of your

loveliness and virtues." To the men he behaved just as charmingly, and

it was no wonder that everybody was fond of this stranger, and came to

his assistance when he would stand hesitating, in doubt and difficulty,

at some crossing, apparently not knowing how to get over it; for though

a well-grown and handsomely-proportioned person in most respects, he

had one lame foot, and was obliged to go about with a crutch. But as

soon as anybody gave him a hand to help him at a crossing, he would

instantly jump up with him some six ells or so into the air, and not

come to the ground again within a distance of some twelve paces on the

other side of the crossing. This rather astonished people, it need not

be said, and one or two sprained their legs slightly in the process.

But the stranger excused himself by saying that, before his leg was

lame, he had been principal dancer at the Court of the King of Hungary;

so that, when he felt himself called upon to take a jump, the old habit

came back upon him, and, willy-nilly, he could not help springing up

into the air as he used to do in the exercise of his profession. The

people were satisfied with this explanation, and even took much delight

in seeing some privy councillor, clergyman, or other person of position

and respectability, taking a great jump of this sort hand-in-hand with

the stranger.

But, merry and cheerful as he seemed to be, his behaviour changed at

times in a most extraordinary manner; for he would often go about the

streets at night and knock at people's doors; and when they opened to

him, he would be standing there in white grave clothes, raising a

terrible crying and howling, at which they were fearfully frightened;

but he would apologize the following day, saying that he was compelled

to do this to remind the citizens and himself of the perishableness of

the body, and the imperishableness of the soul, to which their minds

ought always to be carefully directed. He would weep a little as he

said this, which touched the folks very much. He went to all the

funerals, following the coffin with reverent step, and conducting

himself like one overwhelmed with sorrow, so that he could not join in

the hymns for sobbing and lamenting. But, overcome with grief as he was

on those occasions, he was just as delighted and happy at marriages,

which in those days were celebrated in a very splendid style at the

town-hall. There he would sing all sorts of songs in a loud and

delightful voice, and dance for hours on end with the bride and the

young ladies (on his sound leg, adroitly drawing the lame one out of

the way), behaving and evincing himself on those occasions as a man of

the most delightful manners and bearing. But the best of it was that he

always gave the marrying couples delightful presents, so that of course

he was always a most welcome guest. He gave them gold chains,

bracelets, and other valuable things; so that the goodness, the

liberality, and the superior morality of this stranger became bruited

abroad throughout the city of Berlin, and even reached the ears of the

Elector himself. The Elector thought that a person of this sort would

be a great ornament at his own Court, and caused him to be sounded as

to his willingness to accept an appointment there. The stranger,

however, wrote back an answer (in vermilion letters, on a piece of

parchment a yard and a half in length, and the same in breadth) to the

effect that he was most submissively grateful for the honour offered to

him, but implored his Serene Highness to permit him to remain in the

enjoyment of the citizenesque life which was so wholly conformed to all

his sentiments, in peace; adding that he had selected Berlin, in

preference to many other cities, as his residence, because he had

nowhere else met with such charming people, persons of such

truthfulness and uprightness, of so much "feeling," of such a sense for

fine and delightful "manners" so exquisitely after his own heart in

every respect. The Elector, and his whole Court along with him, much

admired and wondered at the beautiful style in which this reply of the

stranger was conceived, and the matter was allowed to rest there.

It happened that just then the lady of Councillor Walter Lütkens was,

for the first time, "as ladies wish to be who love their lords"; and

the old _accoucheuse_, Mistress Barbara Roloffin, predicted that this

fine, grand lady, overflowing with health and strength, would

undoubtedly bring into the world a grand and vigorous son, so that Herr

Walter Lütkens was all hope and gladness. Our "stranger," who had been

a guest at Lütkens's wedding, was in the habit of calling at his house

now and then; and it chanced that he made one of those calls of his on

an evening when Barbara Roloffin was there.

As soon as old Barbara set eyes on the stranger she gave a marvellous

loud ejaculation of delight, and it appeared as though all the deep

wrinkles of her face smoothed themselves out in an instant. Her pale

lips and cheeks grew red, and the youth and beauty to which she had

long said "good-bye" came back to her again. She cried out, "Ah, ah,

Herr Junker! Is this you that I see here really and truly? Is this you,

yourself? Oh, I welcome you! I am so delighted to see you!" and she was

nearly falling down at his feet.

But he answered this demonstration in words of anger, whilst his eyes

flashed fire. Nobody could understand what it was that he said to her.

But the old woman shrunk into a corner, as pale and wrinkled as she had

been at first, and whimpering faintly and unintelligibly.

"My dear Mr. Lütkens," the stranger said to the master of the house, "I

hope you will take great care lest something annoying may happen in

your house here. I really hope, with all my heart, that everything will

go well on this auspicious occasion. But this old creature, Barbara

Roloffin, is by no means so well up to her business as perhaps you

suppose. She is an old acquaintance of mine, and I am sorry to say that

she has on many occasions not paid proper attention to her patients."

Both Lütkens and his wife had been very anxious, and had felt most eery

and uncanny about this whole business, and full of suspicion as to old

Barbara Roloffin, particularly when they remembered the extraordinary

transfiguration which took place in her when she saw the stranger. They

had very great suspicions that she was in the practice of black and

unholy arts, so that they forbade her to cross the threshold of their

house any more, and they made arrangements with another _accoucheuse_.

On this, old Barbara was very angry, and said that Lütkens and his wife

would pay very dearly for what they had done to her.

Lütkens's hope and gladness were turned into bitter heart-sorrow and

deep grief, when his wife brought into the world a horrible changeling

in place of the beautiful boy predicted by Barbara Roloffin. It was a

creature all chestnut brown, with two horns on its head, great fat

eyes, no nose whatever, a big wide mouth with a white tongue sticking

out of it upside down, and no neck. Its head was down between its

shoulders; its body was wrinkled and swollen; its arms came out just

above its hips, and it had long, thin shanks.

Mr. Lütkens wept and lamented terribly. "Oh, just heavens!" he cried;

"what in the name of goodness is going to be the outcome of this? Can

this little one ever be expected to tread in his father's steps? Was

there ever such a thing known as a Member of Council with a couple of

horns on his head, and chestnut brown all over?"

The stranger consoled Lütkens as much as ever he could. He pointed out

to him that a good education does a great deal; that though, as

concerned form and appearance, the new-born thing was really to be

characterized as a most arrant schismatic, still he ventured to say

that it looked about it very understandingly with its fat eyes, and

that there was room for a deal of wisdom between the two horns on its

forehead. Also that though it might, perhaps, never be fit to be a

Member of Council, it was perfectly capable of becoming a distinguished

_savant_, inasmuch as excessive ugliness is often a characteristic of

_savants_, and even causes them to be highly respected and much looked

up to.

However, Lütkens could not but ascribe his misfortune in the depths of

his heart to old Barbara Roloffin, particularly when he learned that

she had been sitting at the door of the room during his wife's

_accouchement_; and Frau Lütkens had declared, with many tears, that

the old woman's face had been before her eyes all the time of it, and

that she had not been able to get rid of the sight of her.

Now Mr. Lütkens's suspicions were not, it is true, enough to base any

legal proceedings upon in the matter; but Heaven so ordered things that

in a very short time all the infamous deeds which old Barbara had

committed were brought into the clear light of day.

For it happened that shortly after those events there came on one day,

about twelve at noon, a terrible storm, and a most violent wind, and

the people in the streets saw Barbara Roloffin (who was on her way to

attend a lady in need of her professional services) borne, rushing away

on the wings of a blast, high up through the air, over the housetops

and the church steeples, and set down, none the worse for the trip, in

a meadow close to Berlin.

After this, of course, there could be no more doubt about the "black

art" of Barbara Roloffin. Lütkens lodged his plaint before the proper

tribunal, and the woman was taken into custody. She denied everything

obstinately, till she was put to the rack. Upon that, unable to endure

the agony, she confessed that she had been in league with the Devil,

and had practised magical arts for a very long time. She admitted that

she had bewitched poor Frau Lütkens, and foisted off the vile abortion

upon her; and that, over and above that, she had in company with two

other witches belonging to Blumber killed and boiled several children

of Christian parents, with the object of causing a famine in the land.

Accordingly she was sentenced to be burnt alive in the market-place. So

when the appointed day arrived old Barbara was conducted there in

presence of a great concourse of people, and made to ascend the

scaffold which was there erected. When ordered to take off a fur cloak

which she was wearing, she would by no means obey, insisting that they

should tie her to the stake just as she was. This was done. The pile of

wood was already alight, and burning at all four corners, when suddenly

the stranger appeared, seemingly grown to gigantic dimensions, and

glaring over the heads of the populace at Barbara Roloffin with eyes of

flame.

The clouds of black smoke were rolling on high, the crackling flames

were catching the woman's dress, she cried out, in a terrible screaming

voice, "Satan! Satan! is this how thou holdest the pact thou hast made

with me? Help, Satan! Help! my time is not out yet!" and the stranger,

it was found, had suddenly vanished. But from the spot where he had

been standing an enormous bat went fluttering up, darted into the thick

of the flames, and thence rose screaming into the air with the old

woman's fur cloak; and the burning pyre went crashing down into

extinction.

Horror seized upon all the spectators; every one now saw clearly that

the distinguished stranger had been none other than the very Devil in

person. He must have had some special grudge against the folks of

Berlin, to whom he had so long behaved so smoothly and in such friendly

fashion, and with hellish deceit betrayed Councillor Lütkens and many

other sapient men and women.

Such is the power of the Evil One; from whom and from all his snares

may Heaven in its mercy defend us all.

When Lothair had finished, he looked into Ottmar's face, in utter

self-irony, with the peculiar expression of bitter sweetness which he

had at his command on such occasions.

"Well," said Theodore, "what think you of Lothair's pretty little

specimen of _diablerie_? One of the best points about it, I think, is

that there is not too much of it."

Whilst Lothair had been reading, Ottmar had laughed a great deal, but

towards the close he had become grave and silent. "I must admit," he

said, "that in this little tale or 'prank'--for I don't know what else

to call it--of Lothair's there predominates an attempt, often more or

less successful, at a certain sort of amusing _naïveté_, very

appropriate to the character of the German Devil. Also, that when he

talks about the Devil's jumping over the streets hand in hand with

respectable townfolk and of the 'chestnut brown schismatic,' who might

turn out a quaint and ugly _savant_, though never a nice, natty,

spick-and-span Member of Council, we see the curvets and the caprioles

of the same little Pegasus which was bestridden by the author of

'Nutcracker.' Still, I think that he ought to have got on the back of a

horse of a different colour; and, indeed, I cannot say what the reason

exactly is why the pleasantly comic impression which the earlier part

of the story produces vanishes away into nothingness; whilst, out of

this nothingness, there ultimately develops a certain something which

becomes most uncanny and unpleasant; and the concluding words, which

are intended to do away with this feeling, do not succeed in doing away

with it."

"Oh, thou most sapient of all critics," Lothair cried, "who dost such

high honour to this most insignificant thing of all the insignificant

things which I have ever written down as to dissect it carefully with

magnifying glasses on nose, let me tell you that it served me as an

anatomical study long ago. Did I not style it a mere product of a mood

of caprice? Have I not anathematized it myself? However, I am glad that

I read it to you, because it gives me an opportunity of speaking my

mind concerning tales of this kind. And I am sure that my Serapion

Brethren will agree with me. In the first place, Ottmar, I should

like to trace out for you the germ of that unpleasant--or, better,

'uncanny'--feeling which you were conscious of when you were at first

beginning to see what you have called the 'amusing _naïveté_' of it.

Whatever grounds the good old Hafftitz may have had for telling us that

the Devil passed a certain time leading the life of a townsman of

Berlin, this remains for us a wholly 'fanciful' or 'fantastic'

incident. And the quality of the 'supernatural'--the 'spookishness' (to

use an expression now not unfamiliar)--which is a leading

characteristic of that tremendous 'principle of negation'--that 'spirit

which eternally denies and destroys'--is, by reason of the (in a

manner) comic contrastedness in which it is presented, calculated to

cause in us the strange sensation, compounded of terror and irony,

which fetters our attention in a manner the reverse of unpleasant. But

the case is quite different as to the terrible witch stories. In them

actual life is brought on to the stage with all its reality of horror.

When I read about Barbara Roloffin's execution, I felt as though I saw

the funeral pyre smoking in the market-place. All the horror of the

terrible witchcraft-trials rose to my memory. A pair of sparkling red

eyes, and an attenuated weazened body, were enough to cause a poor old

creature to be assumed to be a witch, guilty of every description of

wicked and unholy arts and practices; to have legal process instituted

against her, and to be led to the scaffold. The application of the

rack, or other form of torture, confirmed the accusations against her,

and decided the case."

"Still," said Theodore, "it is very remarkable that so many of those

supposititious witches of their own accord confessed their pact, and

other relations, with the Evil One, without any coercion whatever. Two

or three years ago it happened that a number of legal documents fell

into my hands relating to trials for witchcraft; and I could scarce

believe my eyes when I read in them confessions of things which made my

flesh creep. They told of ointments, the use of which turned human

beings into various animals; they spoke of riding on broomsticks, and,

in fact, of all the devilish practices which we read of in old legends.

Bat, first and foremost, and invariably, those supposititious witches

always openly and shamelessly avowed, and boasted--usually of their own

accord--as to their unchaste relations with the unclean and diabolical

'gallant' (as their term for him was). Now, how could such things be

possible?"

"Because," Lothair said, "belief in a diabolical compact actually

brought such a compact about."

"How do you mean? What do you say?" the two others cried together.

"Understand me properly, that is all I ask," said Lothair, "It is

matter of certainty that, in the times when nobody doubted of the

direct and immediate influence of the Devil, or that he constantly

appeared visibly, those miserable creatures, who were hunted down and

put so mercilessly to fire and sword, actually and firmly believed in

all that they were accused of; and that many, in the wickedness of

their hearts, tried their utmost, by means of every description of

supposed arts of witchcraft, to enter into compact with the Devil, for

the sake of gain, or for the doing of evil deeds; and _then_, in

conditions of brain-excitement, produced by beverages affecting their

senses, and by terrible oaths and ceremonies of conjuration, _saw_ the

Evil One, and entered into those compacts which were to confer upon

them supernatural powers. The wildest of the fabrications of the brain

which those confessions contain--based upon inward conviction--do not

seem too wild when one considers what strange fancies--nay, what

terrible infatuations--even hysteria itself is capable of producing in

women. Thus the wickedness of the hearts of those putative witches was

often paid for by a fearful death. We cannot reasonably reject the

testimony of those old witch-trials, for they are supported by the

evidence of witnesses, or other clearly recorded facts; and there are

many instances of people who have committed crimes deserving of death.

Remember Tieck's magnificent tale, 'The Love-Spell.' There is a deed

mentioned in the papers I have been speaking of very analogous to the

crime of the horrible woman in Tieck's tale. So that a death on the

funeral pyre was often really the proper punishment for those fearful

misdoings."

"There occurs to my remembrance," Theodore said, "an occasion when an

accursed crime of that description chanced to be brought vividly before

my own eyes, filling me with the profoundest pain and sorrow. When I

was living in W---- I went to see a certain charming country seat,

L----, which you know. It has been justly said of it that it seems to

float like some stately swan mirrored on the beautiful lake which lies

at its feet. I had heard, before, that there were dark rumours to the

effect that the unfortunate possessor of it, who had died but a short

time before, had carried on magical practices, with the help of an old

woman; and that the aged keeper of the chateau could tell a good deal

about this business, could one gain his confidence. As soon as I saw

this man he struck me as a very remarkable person. Imagine to

yourselves a hoary-headed old man with imprints of the profoundest

terror in his face, dressed poorly, like a peasant, but indicating,

by his manner, unusual cultivation. Remark that this man, whom you

would have taken for an ordinary labourer at the first glance, would

talk to you--if you did not happen to understand the patois of the

district--in the purest French, or in equally good Italian, just as you

chose. I managed to interest and to animate him by touching, as we

wandered through the great halls, on the troubles which his late master

had had to go through, and by showing that I was, to some extent,

acquainted with the subject, and with what had happened in those bygone

days. He explained the deeper meaning of many of the paintings and

adornments (which, to the uninitiated, seemed mere unmeaning

prettinesses), and grew more and more frank and confidential. At last

he opened a small closet, floored with slabs of white marble, in which

the only piece of furniture was a cauldron of brass. The walls seemed

to have been stripped of their former adornments. I knew, I felt, that

I was in the place where the former master of the house, blinded and

befooled by his lust for sensuous enjoyment, had descended to

diabolical practices. When I dropped a word or two hinting at this

subject, the old man raised his eyes to heaven with an expression of

the bitterest melancholy, and said, with a deep sigh, 'Ah! Holy Virgin!

hast thou forgiven him?' He then silently pointed to a large marble

slab embedded in the middle of the flooring. I looked at this slab with

much closeness of observation, and became aware that there were reddish

veins meandering about through the stone. And, as I fixed my attention

upon them more and more closely, heaven aid me! the features of a human

face grew more and more distinctly traceable and visible, just as when,

on looking at a distorted picture through a lens specially constructed,

all its lines and effects then, and not till then, grow clear and

sharp.

"It was the face of a child that was looking at me out of that stone,

marked with the heartrending anguish of the agony of death. I could see

drops of blood welling from the breast; but the rest of the form of the

body seemed to flow vaguely into indistinctness, as if a stream of

water were carrying it away. It was with a hard struggle that I

overcame the horror which well-nigh overmastered me. I could not bring

myself to utter a word. We left that terrible, mysterious place in

silence. Not till I had walked about in the park and the lawns for some

time could I overcome the inexplicable feeling which had so annulled my

enjoyment of that little earthly paradise. From many things which I

gathered from the detached utterances of the old man, I was led to

conclude that the crazy being who had thrust herself into such intimate

relations with the last proprietor of the place (in other respects a

large-hearted and cultivated man) had worked upon him by promising him,

through the exercise of her accursed arts, the fulfilment of his

dearest wishes--unfailing and everlasting happiness in love--and so led

him on to unutterable crime."

"This is an affair for Cyprian," Ottmar said. "He would be as delighted

over the bleeding baby in the marble, and in the old Castellan, as we."

"Well," Theodore went on to say, "although all this affair may be

traceable to foolish fancies--although it may be nothing but a fable

kept up by the people--still, if that strangely-veined slab of marble

is capable, even under the influence of a lively imagination, of

showing the lineaments of a bleeding baby when looked at closely and

carefully, something uncanny must have happened, or the faithful old

servant could not have felt his master's guilt so deeply in his heart,

nor would that strange stone give such a terrible evidence of it."

Ottmar said, replying, "We will take an early opportunity of laying

this matter before Saint Serapion, that we may ascertain exactly how it

stands; but for the time, I think we ought to let witches alone, and go

back to our subject of the 'German Devil,' as to which I would fain say

a word or two. What I am driving at is--that the characteristic German

manner of treating this subject is seen in its truest colour when it is

a question of the Devil's manner of conducting himself in ordinary

everyday life. Whenever he takes part in that, he is thoroughly 'up' in

every description of evil and mischief--in everything that is terrible

and alarming. He is always on the alert to set traps for the good, so

as to lead as many of them as possible over to his own kingdom; but yet

he is a thoroughly fair and honourably-dealing personage, abiding by

his compacts and contracts in the most accurate and punctilious manner.

From this it results that he is often outwitted, so that he appears in

the character of a 'stupid' Devil (and this is not improbably the

origin of the common expression 'stupid devil'); but, besides all this,

the character of the German Satan has a strong tincture of the

burlesque mixed up with the more predominant quality of mind-disturbing

terror--that horror which oppresses the mind and disorganizes it. Now,

the art of portraying the Devil in this distinctively German fashion

seems to be very much lost. For this aforesaid amalgamation of his

characteristics does not seem to occur in any of the more recent

attempts at representing him. He is either shown as a mere buffoon, or

as a being so terrible that the mind is revolted by him."

"I think," said Lothair, "you are forgetting one recent story in which

this said mingling of the brightly Intellectual (verging sometimes on

the comic) with the Terrific is very finely managed, and in which the

full effectiveness of the old-world sort of devil-spook-story is

carried out in a masterly manner. I mean Fouqué's splendid tale, the

'Galgenmännlein.'[1] The terribly vivacious little creature in the

phial--who comes out of it at night, and lays himself down on the

breast of that master of his, who has such awful dreams--the fearsome

man in the mountain glen, with his great coal-black steed which crawls

up the perpendicular cliffs like a fly on a wall--in short, all the

uncanny and supernatural elements which are present in the story in

such plentiful measure--together rivet and strain the attention to an

extent absolutely frightening; it affects one like some powerful drink,

which immensely excites the senses and at the same time sheds a

beneficent warmth through the heart. It is owing to the tone which

pervades it all through, and to the vividness of the separate pictures,

that, although at the end one is thoroughly delighted that the poor

wretch does get out of the Devil's clutches, still, the element of the

Intellectuality of the evil beings, and the scenes which touch upon the

realm of comedy (such as the part about the 'Half Heller') stand out

with the principal high-lights upon them. I scarcely can think of any

tale of _diablerie_ which has produced such an impression upon me."

[Footnote 1: Known in English as "The Bottle Imp."]

"There can't be much doubt," said Theodore, "that Fouqué got the

materials for that story out of some old chronicle."

"Even if he did," Lothair said, "I should hope you wouldn't detract

from the author's merit on that score, like the more common class of

critics, whose peculiar system obliges them always to try and find out

the fundamental materials from which a writer has 'taken' his work.

They make immense capital out of pointing out said source, and look

down with great contempt on the wretched author who merely kneads his

characters together out of a pre-existent dough. As if it mattered that

the author absorbed into himself germs from without him! The shaping of

the material is the important part of the business. We ought to think

of our Patron Saint Serapion. His stories were told out of his soul as

he had seen them with his eyes, not as he had read about them."

"You do me much injustice, Lothair," said Theodore, "if you suppose I

am of any other opinion. And there is nobody who has shown more

admirably how a subject may be vividly represented than Heinrich Kleist

in his tale of Kohlhaas, the horse dealer."

"However," said Lothair, "as we have been talking of Hafftitz's book, I

should like to read to you a story of which I took most of the leading

ideas from the Michrochronicon. I wrote it during an attack of a very

queer mood of mind, which beset me for a very considerable time. And I

hope, Ottmar, my dear friend, it will lead you to admit that the

'spleen,' which Theodore says I am suffering from, is not so very

serious as he would make it out to be."

He took out a manuscript, and read:

ALBERTINE'S WOOERS.

(A story in which many utterly improbable adventures happen.)

CHAPTER I.

WHICH TREATS OF SWEETHEARTS, WEDDINGS, CLERKS OF THE PRIVY CHANCERY,

PERTURBATIONS, WITCHCRAFT TRIALS, AND OTHER DELECTABLE MATTERS.

On the night of the autumnal equinox, Mr. Tussmann, a clerk in the

Privy Chancery, was making his way from the café, where he was in the

habit of passing an hour or two regularly every evening, towards his

lodgings in Spandau Street. The Clerk of the Privy Chancery was

excessively regular and punctilious in every action of his life. He

always had just done taking off his coat and his boots at the exact

moment when the clocks of St. Mary's and St. Nicholas's churches struck

eleven; so that, as the reverberating echo of the last stroke died

away, he always drew his nightcap over his ears, and placed his feet in

his roomy slippers.

On the night we are speaking of he, in order not to be late in going

through those ceremonies (for the clocks were just going to strike

eleven), was just going to turn out of King Street, round the corner

of Spandau Street, with a rapid sweep--almost to be denominated a

jump--when the sound of a strange sort of knocking somewhere in his

immediate proximity rivetted him to the spot.

And he became aware that, down at the bottom of the Town-house

Tower--rendered visible by the light of the neighbouring lamp--there

was a tall, meagre figure standing, wrapped in a dark cloak, knocking

louder and louder on the closed shutters of Mr. Warnatz, the

ironmonger's shop (which, as everybody knows, is therein situated);

knocking louder and louder, and then going back a few paces and sighing

profoundly, gazing up as he did so at the windows of the Tower, which

were shut.

"My dear sir," said the Clerk of the Privy Chancery, addressing this

personage in a civil and courteous manner, "you are evidently under

some misapprehension. There is not a single human creature up in that

Tower; and indeed--if we except a certain number of rats and mice, and

a few little owls--not a living thing. If you wish to provide yourself

with something superior in the hardware line from Warnatz's celebrated

emporium here, you will have to take the trouble to come back in the

forenoon."

"Respected Herr Tussmann----" the stranger began.

And Tussmann chimed in with "Clerk of the Privy Chancery, of many

years seniority." He was a little annoyed, too--astonished, at all

events--that the stranger seemed to know him. But the latter did not

seem to mind that in the least, but recommenced:

"Respected Herr Tussmann, you are kind enough to be making a complete

mistake as to the nature of my proceedings here. I do not want

ironmongery or hardware of any description; neither have I anything to

do with Mr. Warnatz. This is the night of the autumnal equinox, and I

want to see my future wife! She has heard my ardent and longing

summons, and my sighs of affection, and she will come and show herself

up at that window directly."

The hollow tones in which the man spoke these words had about them

something so solemn--nay, so spectral and supernatural--that the Clerk

of the Privy Chancery felt an icy shudder run through his veins. The

first stroke of eleven rung down from the tower of St. Mary's, and as

it did so, there came a clattering and a clinking up at the broken old

window of the Tower, and a female form became visible at it. As the

bright light of the street lamps fell upon the face of this figure,

Tussmann whimpered out in lamentable tones, "Oh, ye just powers!--Oh,

ye heavenly hosts!--what--_what_ is this?"

At the last stroke of eleven--that is, at the moment when Tussmann

generally put on his nightcap--the female figure vanished.

This extraordinary apparition seemed to drive the Clerk of the Privy

Chancery completely out of his senses. He sighed, groaned, gazed up at

the window, and whispered "Tussmann! Tussmann! Clerk of the Privy

Chancery--bethink yourself, sir! Consider what you're about. Don't let

your heart be troubled. Be not deceived by Satan, good soul."

"You seem to be put out by what you have seen, Mr. Tussmann," the

stranger said. "I only wanted to see my sweetheart--my wife, that is to

be. You must have seen something else, apparently."

"Please, please," Tussmann said in a whimper, "I should be so much

obliged to you if you would be good enough to address me by my little

title. I am Clerk of the Privy Chancery, and truly, at this moment, a

greatly perturbed Clerk of the Privy Chancery--in fact, one almost out

of his senses. I beg you, with all due respect, my very dear sir

(though I regret that I am unable to style you by your proper title, as

I have not the honour to be in the least acquainted with you, having

never met you before--however, I shall address you as 'Herr Geheimer

Rath'--'Mr. Privy Councillor'--there are such an extraordinary number

of gentlemen here in Berlin bearing that title that one can scarcely be

in error in applying it)--I beg you, therefore, Herr Geheimer Rath, to

be so very kind as not to keep me longer in ignorance as to whom the

lady, your future wife, may be, whom you expected to see here at this

hour of the night."

"You're a curious fellow, you and your 'titles,'" the stranger said,

raising his voice. "If a man who knows a number of secrets and

mysteries, and can give good counsel too, is one of your 'privy' or

'secret' councillors, I think _I_ may so style myself. I am surprised

that a gentleman who is so well versed in ancient writings and curious

manuscripts as you are, dear Mr. Tussmann, Clerk of the Privy Chancery,

should not know that when an expert--an _expert_, observe!--knocks at

the door of this Tower here--or even on the wall of it, on the night of

the autumnal equinox, there will appear to him, up at yonder window,

the girl who is to be the happiest and luckiest sweetheart in Berlin

till the spring equinox comes round."

"Mr. Privy Councillor," Tussmann cried, as if in a sudden inspiration,

and with joyful rapture--"Most respected Mr. Privy Councillor! is that

really the case?"

"It is," said the stranger. "But what's the good of our standing in the

street here any longer? It is past your bed time. Let us go to the

new wine-shop in Alexander Street; just that you may hear a little

more about this young lady, and recover your peace of mind, which

something--I have no idea what--has disturbed so tremendously."

Tussmann was a most abstemious person. His sole recreation (for

"dissipation" we cannot term it) consisted in his spending an hour or

two every evening in a café; where, whilst he read assiduously

political and other articles in newspapers, as well as books which he

brought with him, he sipped a glass of good beer. Wine he seldom

touched, except that after service on Sundays he allowed himself a

small glass of Malaga with a biscuit, in a certain restaurant. To go

about dissipating at nights was an abomination in his eyes. So that it

seemed incomprehensible how, on this particular occasion, he allowed

the stranger, who hurried away towards Alexander Street with long

strides, resounding in the darkness, to carry him away with him without

a word of objection.

When they came into the wine-shop there was nobody there but one single

customer, sitting by himself at a table, with a big glass of Rhine wine

before him. The depth of the wrinkled lines on his face indicated

extreme age. His eyes were sharp and piercing, and his grand beard

marked him as a Hebrew, faithful to the ancient laws and customs of his

people. Also his costume was very much in the old Frankish style, as

people dressed about the year 1720; and perhaps that was why he had the

effect of having come back to life out of a period of remote antiquity.

But the stranger whom Tussmann had come across was still more

remarkable of aspect.

A tall, meagre man, powerfully formed as to his limbs and muscles,

seemingly about fifty years of age. His face might once have passed for

handsome, and the great eyes still flashed out from under the black

bushy eyebrows with youthful fire and vigour. The brow was broad and

open; the nose strongly aquiline. All this would not have distinguished

him from a thousand others. But, whilst his coat and trousers were of

the fashion of the present day, his collar, his cloak, and his barret

cap belonged to the latter part of the sixteenth century. But it was

more especially the wonderful eyes of the man, and the blaze of them

(which seemed to come streaming out of deep mysterious night), and the

hollow tones of his voice, and his whole bearing--all in the most

absolute contrast with things of the present day--it was, we say, all

these things taken together which made everybody experience a strong

sense of eeriness in his proximity.

He nodded to the man who was sitting at the table as if to an old

acquaintance.

"Ha!" he cried, "here _you_ are again, after all this time. How do you

feel? Are you all alive and kicking?"

"Just as you see," the old man growled. "Sound as a roach. All ready on

my legs at the proper time. All _there_--when there's anything up."

"I'm not quite so sure about that," the stranger said, laughing loudly;

"we shall see!" And he ordered the waiter to bring a bottle of the

oldest claret in the cellar.

"My good Mr. Privy Councillor," Tussmann began, deprecatingly. But the

stranger interrupted him hastily, saying:

"Let us drop the 'titles,' Tussmann, for once and all! I am neither a

Privy Councillor nor a Clerk of the Privy Council. What I am is an

artist, a worker in the noble metals and the precious jewels; and my

name is Leonhard."

"Oh, indeed!" Tussmann murmured to himself--"a goldsmith! a jeweller!"

And he bethought himself that he might have seen at the first glance

that the stranger could not possibly be an ordinary Privy Councillor,

seeing that he had on an antique mantle, collar, and barret cap, such

as Privy Councillors never went about in nowadays. Leonhard and

Tussmann sat down at the same table with the old Jew, who received them

with a grinning kind of smile.

When Tussmann, at Leonhard's instigation, had taken two or three

glasses of the full-bodied wine, his pale cheeks began to glow, and as

he swallowed the liquor, he glanced about him with smirks and smiles,

as if the most delightful ideas were rising in his brain.

"And now," Leonhard said, "tell me openly and candidly, Mr. Tussmann,

why you went on in such an extraordinary manner when the lady showed

herself at the Tower-window; and what it is that your head is so very

full of at the present moment. You and I are very old acquaintances,

whether you believe it or not; and as to this old gentleman here, you

need be on no ceremony with him."

"Oh, heavens!" answered the Privy Chancery Clerk--"Oh, good heavens!

most respected Herr Professor--(I do beg you to allow me to address you

by that title; I am sure you are a most celebrated artist, and quite in

a position to be a professor in the Academy of Arts)--and so, most

respected Herr Professor, how can I hide from you that I am, as the

proverb puts it, 'walking on wooer's feet.' I am expecting to bring the

happiest of brides home about the vernal equinox. Could it be otherwise

than a rather startling thing, when you, most respected Herr Professor,

were so very kind as to let me see a fortunate bride that is to be?"

"What!" the old Jew broke in, in a screaming voice--"What! are you

thinking of marrying? Why, you're as old as the hills, and as ugly as a

baboon into the bargain."

"Never mind him," Leonbard said; for Tussmann was so startled by what

the old man said that he could not utter a syllable. "He means no harm,

dear Mr. Tussmann, though you may think he seems to do so. I must say,

candidly, that it seems to me, too, that it is a little too late in

life for you to be thinking about such a thing. You must be well on to

your fiftieth birthday; aren't you?"

"I shall be forty-eight," said Tussman, with a certain amount of

irritability, "on the 9th of next October--St. Dionysius's day."

"Very well," said Leonhard. "But it isn't only your age that's against

you--you have always been leading a simple, solitary, virginal

existence. You have no knowledge or experience of women. I can't see

what is to become of you in their hands!"

"Knowledge of them--experience of them! Dear Herr Professor, you must

really take me for a most foolish and inconsiderate person if you think

I am going to plunge into matrimony without any counsel or reflection

or advice. I weigh, consider, and reflect upon every step most

maturely; and, having perceived myself to be pierced to the heart by

the dart of the wanton deity yclept 'Cupid' by the ancients, could I do

otherwise than bend all my thoughts upon the preparation of myself for

the matrimonial life? Would any one who was preparing for a difficult

examination not be careful to study all the subjects on which he is to

be interrogated? Very well, most respected Herr Professor, my marriage

is an examination, for which I have prepared myself, and I feel pretty

certain that I shall pass it admirably--with honours! Look here, at

this little book, which I have always carried about in my pocket,

studying it constantly, since the time when I made up my mind to fall

in love and get married. Look at it, my dear sir; and you will be

convinced that I am setting about this business in the most thorough

and fundamental manner possible, and that I shall certainly not be

found an ignoramus in it; although, as you say (and as I must admit),

the feminine sex is--so far, and up to the present date--to me a

complete _terra incognita_."

With these words Tussmann produced from his pocket a little book in

parchment binding, and turned up its title-page, which ran as

follows:--

"Brief Tractate on Diplomatic Acumen. Embracing methods of Self-Counsel

for guidance in all Societies of our fellow-creatures, conducing to the

attainment of a proper system of Conduct. Of the utmost importance to

all Persons who deem themselves Wise, or wish to become Wiser.

Translated from the Latin of Herr Thomasius. With a complete Index.

Frankfurt and Leipzig. Johann Grossen's Successors. 1710."

"Now just let me show you," said Tussmann, with a sweet smile, "what

this worthy author (in his seventh chapter, which deals with the

subjects 'Wedlock, and the Duties of the Father of a Family and Master

of a Household') says, in the seventh section of that chapter. You see,

what he says is this:

"'Above all things, let there be no hurry about it. He who does not

marry till of mature age is so much the wiser, and the better able to

cope with the exigencies of the situation. Over-early marriages produce

shameless, subtle, and disingenuous people, and sacrifice the vigour of

both body and mind. Although the age of manhood is not the commencement

of youth, the one should not terminate before the other.'"

"And then, with regard to the choice of the object of the

affections--her whom one is to love and to marry--this grand Thomasius

says, in his nineteenth section:

"'The middle course is the safest. We should not select one too

beautiful or too ill-favoured, too rich nor too poor, too high-born or

too low-born, but of like social standing with one's self. And,

similarly, as regards the other qualities, the middle course will be

found always the safest to follow.'"

"Very well, you see, this is what I have always guided myself by. And

(as directed by Thomasius--section seventeen), not only have I had

occasional conversations with the lady of my choice, but (inasmuch as,

in occasional interviews, misapprehensions may arise with respect to

peculiarities of character and modes of looking at matters, &c.) I have

taken opportunities to have very _frequent_ interviews and

conversations with her; because those frequent interviews necessarily

make it very difficult for people to conceal themselves from one

another, don't you see?"

"My dear Mr. Tussmann," the goldsmith said, "it appears to me that all

this sort of intercourse, 'conversation,' or whatever you please to

call it, with women requires one to have a good deal of experience,

extending over a very considerable period of time, if one is to avoid

being befooled and made an ass of by it."

"Even in this," said Tussmann, "our grand Thomasius comes to our aid,

giving us completely adequate instruction as to how we are to

'converse' with ladies, in the most rational and delightful style; even

telling us exactly how and when to introduce the due amount of

playfulness and wit, suitable to the occasion. My author says, in his

fifth chapter, that one ought to be careful to introduce such jocular

sayings sparingly--as a cook uses salt; and that pointed speeches

should never be employed as weapons against others, but altogether in

our own defence--just as a hedgehog uses his spines. And also, that it

is wise to rely more upon the actions than upon the words; because it

is often the case that what is hidden by words is made evident by

actions, and that words very often do not do so much to awaken liking

or disliking as actions do."

"I see," the goldsmith said, "there is no getting anything like a rise

out of you. You are closed up in armour of proof. So I am prepared to

bet, heavily, that you have gained the affections of the lady of your

choice by means of those wonderfully deep diplomatic dodges of yours."

Tussmann answered, "I study to direct all my endeavours (following

Thomasius's advice) to attain a deferential, though kindly,

agreeableness of demeanour, that being the most natural and usual

indication of affection, and what is most adapted to awaken liking in

reciprocation: just as if you yawn, you will set an entire company

gaping too, from sympathy. But, reverentially as I follow his

instructions, I don't go too far; I always recollect that (as Thomasius

says) women are neither good angels nor bad angels, but mere human

beings; and, in fact, as regards strength of mind and body, weaker than

we are, which, of course, is fully accounted for by the diversity which

exists between the sexes."

"A black year come over you!" the old Jew cried wrathfully, "sitting

there chattering your cursed stuff and nonsense without a stop;

spoiling for me the good hour in which I hoped to enjoy myself a little

after all the hard work I've been going through."

"Hold your tongue, old man," the goldsmith said. "You ought to be very

thankful that we put up with you here. I can tell you your company is

anything but pleasant; your manners are so abominable. You ought to be

kicked out of decent society, if you had your deserts. Don't let the

old man disturb you, dear Mr. Tussmann. You believe in the old times;

you're fond of old Thomasius. I go a good deal further back. What I

care about is the time to which, as you see, my dress partly belongs.

Aye! my good friend, those were the days! It is to them that that

little spell belongs which you saw me putting into practice to-night at

the Town-house Tower."

"I don't quite understand you, Herr Professor,'' Tussmann said.

"Well," said the goldsmith, "there used to be splendid weddings in

those old days in the Town-hall--very different affairs from the

weddings nowadays. Plenty of happy brides used to look out of those

Tower-windows in those days, so that it's a piece of pleasant glamour

when an aerial form comes and tells us what is going to happen now,

from knowledge of olden times. Let me tell you, this Berlin was a very

different place in those old days; nowadays everything is marked with

the same stamp of tediousness and _ennui_, and people _ennuyer_ one

another just because they are so _ennuyées_ and weary in themselves. In

those days there were entertainments, feastings, rejoicings worthy the

name, very different from the affairs that are so called now. I shall

only speak of what was done at Oculi, in the year 1581, when the

Elector Augustus of Saxony, with his Consort, and Don Christian, his

son, were escorted to Cologne by all the nobles and gentry. There were

over a hundred horse, and the citizens of both the cities--Berlin and

Cologne--and those of Spandau lined both sides of the road from the

gate to the palace in complete armour. Next day there was a splendid

running at the ring, at which the Elector of Saxony and Count Jost of

Barby appeared, with many nobles--in fine suits of gold embroidery, and

tall golden helms, golden lions' heads on their shoulders, knees, and

elbows, with flesh-coloured silk on the other parts of their arms and

legs, just as if they had been naked---exactly as you see the heathen

warriors painted in pictures. There were singers and musicians hidden

inside a gilt Noah's Ark, and on the top of it sat a little boy in

flesh-coloured silk tights, with his eyes bandaged, as Cupid is

represented. Two other boys, dressed as doves, with white ostrich

feathers, golden eyes and beaks, drew ±he ark along; and when the

prince had run at the ring and been successful, the music in the ark

played, and a number of pigeons were let fly from it. One of them

flapped its wings and sang a most delightful Italian _aria_, and did it

much better than our Court singer Bernard Pasquino Grosso from Mantua

did seventy years afterwards (but not so charmingly as our _prime

donne_ sing nowadays). Then there was a foot tournay, to which the

Elector and the Count went in a ship, which was all dressed over with

black and yellow cloth, and had a sail of gold taffeta; and behind His

Highness sate the little boy who had been Cupid the day before, in a

long coat of many colours, a peaked black and yellow hat, and a

long grey beard. The singers and musicians were dressed in the same

way; and nil round about the ship a number of gentlemen danced and

jumped--gentlemen of good family, mind you!--with heads and tails of

salmon, herrings, and fishes of other sorts: most delightful to behold.

In the evening, about ten, there was a grand display of fireworks, with

thousands of detonations; and the master-gunners played all sorts of

pranks--had combats; and there were explosions of fiery stars; and

fiery men and horses, strange birds and other creatures, went up into

the air with a terrible rushing and banging. They went on for more than

two hours, those fireworks."

Whilst the goldsmith was narrating all this, the Clerk of the

Privy Chancery gave every sign of the liveliest interest and the

utmost enjoyment, crying, in a sympathizing and interested manner,

"Ey!--oh!--ah!"--smiling, rubbing his hands, moving backwards and

forwards on his chair, and gulping down glass after glass of the wine

the while.

"Dearest Professor," he cried at last, in falsetto (always a mark in

him of intense enjoyment)--"My dearest, most respected Herr Professor!

what delightful things you have been having the kindness to tell me

about!--really _quite_ as though you had been there and seen them

yourself."

"Well!" the goldsmith said, "and wasn't I there?"

Tussmann, who didn't in the least understand this extraordinary

query, was going to try to get some further light thrown upon it, when

the old Jew came in with a growl, to the following effect: "Don't

forget those delightful entertainments when the pyres burned in the

market-place--the Berlin folks were much delighted with them, you know;

and the streets ran red with the blood of the wretched victims, slain

in the most terrific manner, after confessing whatever was imputed to

them by the wildest infatuation and the most idiotic superstition.

Don't, I merely say, forget to tell your friend about them!"

"Yes, yes," Tussmann said; "of course you mean those terrible

witchcraft trials which took place in those old days. Ah! they were

atrocious businesses; fortunately the enlightenment of the present age

has altered all those things."

The goldsmith cast strange looks at the old Jew and at Tussmann; and

presently asked the latter, with a mysterious smile, if he had ever

heard about the Jew-coiner, Lippold, and what had happened to him in

the year 1512.

Ere Tussmann could answer, the goldsmith went on to say: "This

Jew-coiner, Lippold, was accused of an important imposture, and a

serious roguery. He had at one time been much in the confidence of the

Elector, and was at the head of all the affairs of the mints and the

coinage in the country; always ready to produce large sums of money, no

matter how large, when required. Whether because he was clever at

shifts, or that he had powers at his command which enabled him to clear

himself from all blame in the Elector's eyes, or that he was able to

'shoot with a silver bullet' (to use an expression of those times)

those who had influence over the Elector's proceedings, he was on the

very point of getting off scot free from the accusations brought

against him. But he was still kept under guard, by the town-watch, in

his little house in Stralau Street. And it so chanced that he had a

quarrel with his wife, in the course of which she said to him, in the

hearing of the guard, 'If our gracious lord the Elector only knew what

a villain you are, and what atrocities you manage to commit by the help

of that magic book of yours, you'd be in your coffin long ago.' This

was reported to the Elector, who had careful search made in Lippold's

house. The magic book was found, and, when it was examined by those who

understood it, Lippold's guilt was clearly established. He had

practised magical arts to give him power over the Elector, and to

enable him to rule the whole country; and it was only the piety and

Godfearingness of the Elector which had enabled him to withstand those

spells. Lippold was burned in the market-place. But when the fire was

taking effect on his body and upon the magic book, a great mouse came

out from under the scaffold, and leaped into the fire. Many supposed

that this was Lippold's familiar demon."

Whilst the goldsmith had been relating this, the old Jew had sate

leaning his arms on the table, with his hands before his eyes, groaning

and sighing like one suffering unendurable tortures. On the other hand,

the Clerk of the Privy Chancery did not seem to be paying much

attention to what the goldsmith was saying. He was in high good-humour,

and his mind was full of quite other ideas and images; and, when the

goldsmith had ended, he asked, with many smiles, and in a lisping

manner: "Tell me, dear Herr Professor, if you will be so kind, was it

really Miss Albertine Bosswinkel who came and looked out of the window

of the Tower?"

"What?" cried the goldsmith, furiously--"what business have _you_ with

Miss Albertine Bosswinkel?"

"My dear sir!" said Tussmann, timidly--"good gracious! My dear friend,

she is the very lady whom I have made up my mind to marry!"

"Good God, sir!" the goldsmith cried, with a face as red as a furnace,

and eyes glaring with anger; "you must be out of your reason

altogether. _You_, an old, worn-out pedant, to think of marrying that

beautiful young creature! _You_, who, with all your erudition, and your

'diplomatic acumen,' taken from the idiotic treatise of that old goose

Thomasius, can't see a quarter of an inch before that nose of yours! I

advise you to drive every idea of the kind out of your head as quickly

as you can, or you will probably find that you stand a good chance of

having that weazened neck of yours drawn, on this autumn equinoctial

night!"

The Clerk of the Privy Chancery was a quiet, peaceable, nay, timorous

man, incapable of saying a hard word to anybody, even when attacked;

but what the goldsmith had said was just a trifle too infernally

insulting; and then, Tussmann had taken more strong wine than he was

accustomed to. Accordingly, there was no wonder that he did what he had

never done before in his life---that is, he burst into a fury, and

yelled out, right into the goldsmith's teeth: "Eh! What the devil

business have you with me, Mr. Goldsmith (whose acquaintance I haven't

the honour of); and how dare you talk to me in this sort of way? You

seem to me to be trying to make an ass of me, by all sorts of childish

delusions. I presume you have the effrontery to be paying your

addresses to Miss Bosswinkel yourself; you've got hold of a portrait of

her on glass, and shown it at the Town-hall in a magic-lantern held

under your cloak. My good sir, _I_ know something about these matters,

as well as _you_ do; you're going the wrong way to work if you think

you're going to frighten and bully _me_ in this sort of way."

"Be careful what you're about," the goldsmith said, very quietly, and

with a strange smile. "Be very careful what you're about; you've got

strange sort of people to do with here."

And as he so spake, lo! instead of the goldsmith's face, there was a

horrid-looking fox's face snarling and showing its teeth at Tussmann

from under the goldsmith's bonnet.

The Clerk of the Privy Chancery fell back in his chair in the

profoundest terror.

The old Jew did not seem to be in the least degree surprised by this

transformation; rather, he had suddenly lost his mood of ill-temper

altogether. He laughed, and cried, "Aha! capital sport! But there's

nothing to be _made_ by those arts. I know better ones. I can do things

which were always beyond _you_, Leonhard."

"Let us see," said the goldsmith, who had assumed his human countenance

again--"let us see what you can do."

The old man took from his pocket a large black radish, trimmed it and

scraped it with a little knife, which also came from his pocket,

shredded it into thin strips, and laid them in order on the table. Then

he struck each of them a blow with his clenched fist; when they sprung

up, one by one, ringing, in the shape of gold coins, which he took up

and threw across to the goldsmith. But as soon as the goldsmith took

hold of one of those coins, it fell to dust, in a little shower of

crackling sparks of fire. This infuriated the old man. He went on

striking the radish-shavings into gold pieces faster and faster,

hitting them harder and harder, and they crackled away in the

goldsmith's hand with fierier and fierier sparks.

Tussmann was nearly out of his senses with fear and agitation. At last

he pulled himself together out of the swoon into which he was nearly

falling, and said, in trembling accents: "Really, I must beg, with all

due courtesy and respect, to say that I feel that I should much prefer

to bid 'Good-evening' on this occasion." And grasping his hat and

stick, he bolted out of the room as quickly as he could. When he

reached the street, he heard those two uncanny people setting up a

shout of screaming laughter after him, which made the blood run cold in

his veins.

The Serapion Brethren, Vol. II · 第 1 / 14 章