CHAPTER XIX.

AND THAT WAS THE END OF IT.

The roses fell, one by one, in Miss Clarissa’s flower beds, and so

at last did the palest autumn-bloom; the leaves dropped from the

trees, and the winds from the sea began to blow across the sands,

in chilly gusts. But Lisbeth stayed bravely on. Rainy days dragged

by wearily enough, and cold ones made their appearance, but she did

not give up even when Mrs. Despard wondered, and Georgie implored in

weekly epistles. The winter routine of the Tregarthyn household was

not exciting, but it was a sort of safeguard. Better dullness than

something worse! Perhaps, in time, by spring, it might be different.

And yet she could not say that she found her state of mind improving.

And as to her body--well, Miss Clarissa might well sigh over her in

secret. If she had been pale and thin before, she had not gained flesh

and color. She persisted in her long walks in desperation, and came

home after them, looking haggard and hollow-eyed. She wandered about

the garden, in self-defense, and was no less tired. She followed Dr.

Puddifoot’s directions to the letter, and, to the Misses Tregarthyn’s

dismay, was not improved. In fact, as that great man, Dr. Puddifoot,

observed, “Something was radically wrong.”

It was an unequal, miserable-enough struggle, but it had its

termination; and, like all such terminations, it was an abrupt,

unexpected, almost fantastic one. Lisbeth had never thought of such an

end to her self-inflicted penance. No such possibility had presented

itself to her mind. It was not her way to romance, and she had confined

herself to realities.

Sitting at her bedroom window, one chill, uncomfortable December day,

she arrived at a fanciful caprice. It was as raw and miserable a day

as one would, or rather would not, wish to see. The wind blew over

the sea in gusts, the gulls flew languidly under the gray sky, a few

dead leaves swirled about in eddies in the road, and yet this caprice

took possession of Lisbeth, as she looked out, and appreciated the

perfection of desolateness. Since Georgie had left Pen’yllan, she had

never once been near the old trysting-place. Her walks had always been

in the opposite direction, and now it suddenly occurred to her, that

she would like to go and see how things would look in her present mood.

In five minutes from the time the fancy seized her, Miss Clarissa

caught a glimpse of something through the parlor window, which made her

utter an exclamation:

“Lisbeth!” she said. “Out again, and on such a day! Dear me! I do trust

she is well wrapped up.”

Lisbeth made her way against the damp, chill wind, with a touch of

positively savage pleasure in her own discomfort. The sands were

wet, and unpleasant to walk on; and she was not sorry. What did it

matter? She was in the frame of mind to experience a sort of malicious

enjoyment of outward miseries. The tryst looked melancholy enough when

she reached it. She made her way to the nook, behind the sheltering

rocks, and stood there, looking out to sea. She had not expected to

find the place wearing its summer aspect, but she was scarcely prepared

to face such desolateness. Everything was gray--gray tossing sea, gray

screaming gulls, gray lowering sky.

“It would have been better to have stayed at home,” she said.

Still she could not make up her mind to turn back at once, and lingered

a little, leaning against a rock, shivering, and feeling dreary; and

so it was that the man who was approaching first caught sight of her

figure.

Lisbeth did not see this man. She did not care to see either man or

woman, at present. The gulls suited her better than human beings, and

she believed herself to be utterly alone, until footsteps upon the

sand, quite near, made her turn with an impatient start.

The man--he was not a yard from her side--raised his hat and stood

still. The man was Hector Anstruthers.

For a moment neither uttered a word. Lisbeth thought her heart must

have stopped beating. She had turned cold as marble. When she could

control herself sufficiently to think at all, she thought of Georgie.

“What is the matter?” she exclaimed. “Is somebody ill? Georgie?”

“Georgie is quite well,” he answered.

Then he came close, and held out his hand, with a strange, melancholy

smile.

“I ask pardon for alarming you,” he said. “I ask pardon for coming

without an excuse; but I have no excuse. Won’t you shake hands with me,

Lisbeth?”

She got through the ceremony as quickly as possible, and then drew

back, folding her shawl about her. She was shivering with something,

besides cold. If she had only been safe at home. If nobody was in

danger, what on earth had he come for?

“I was a little startled,” she said. “Pen’yllan is not very attractive

to people, as a rule, in winter, and it seemed the most natural thing

that Georgie was ill, and had sent you to me.” Then, after a little

pause, and a sidelong glance at him, “You look as if you had been ill

yourself.”

He certainly did. He was thin, and haggard, and care-worn. His eyes

were dangerously bright, and he had a restless air. He was not so

sublime a dandy, either, as he had been; there was even a kind of

negligence about him.

“Aunt Clarissa must have been very much alarmed when she saw you,”

Lisbeth proceeded, trying to get up a creditable smile.

“I have not seen Miss Clarissa,” he answered. “I came here first.”

This was so ominous, that Lisbeth succumbed. She knew, when he said

this, that he did not intend to keep up appearances. But she made one

more poor effort.

“Then, perhaps, we had better go home,” she remarked.

“No,” he returned, quickly. “I have something to say.”

She felt herself losing strength. But what did it matter, let him say

what he would? Perhaps it was something about Georgie. She had a dreary

feeling that she was ready for anything.

“Go on!” she said.

“Oh!” he cried, in bitter, impatient resignation of her stoicism. “Arm

yourself against me; I know you will do that. Sneer at my folly; I am

prepared for that, too. But I shall speak. It is Fate. I am a fool, but

I must speak.”

“Was it to say this that you came here?” interposed Lisbeth.

“I came because I could not stay away. You are my Fate, I tell you,”

almost angrily. “You will not let me rest. When I kissed your hands,

that last night, I gave myself up to my madness. I had tried to

persuade myself that I had no love for you; but that cured me, and

showed me how I had deceived myself. I have never ceased to love you,

from the first; and you----”

His words died upon his lips. She looked as he had never seen her look

before. She leaned against the rock, as if she needed support. Suddenly

her eyes and lashes were wet, and she began to tremble slightly. He

checked himself, full of swift remorse. What a rough brute he was!

“Don’t!” he said. “I did not mean to frighten you.”

She lifted her eyes, piteously; her lips parted, as if she was going to

speak; but she did not speak. She was even weaker than she had thought.

She had never been so helpless and shaken before. She shrank from him,

and drooping her face upon the rock, burst into hysterical tears.

He did not pause to ask himself what it meant. He did not understand

women’s nerves. He only comprehended that she had given way, that

everything was changed, that she was unstrung and weeping. In a moment

he had her in his arms, exclaiming, passionately:

“Lisbeth! Lisbeth!” And then the little straw hat, with its blue

ribbon, slipping away from the small, pale face, that lay upon his

breast, he bent and covered it, this small, pale, tear-wet face, with

reckless kisses.

For the moment he did not care what came next, nor what doom he brought

upon himself, he was so mad with long pent-up love and misery. He found

the little hand under the shawl, too, and fell to kissing that, also,

and would not let it go.

“Don’t be cruel to me, Lisbeth!” he pleaded, when she tried to draw it

away; and she was forced to let it remain. “Don’t be cruel to me,” he

said, and still held this hand, when she released herself at last, and

stood up, miserable and shame-faced, yet far less miserable than she

had been.

“It--it is you who are cruel!” she faltered. “What am I to say to you!

You have left me nothing to say.”

She hung back, half afraid of his vehemence. He had begun with bitter

ravings, and in five minutes had ended by crushing her in his arms. It

was her punishment that she should be so humbled and brought down.

“Say nothing,” he cried. “Let me say all. I love you. It is Fate.”

She could not help seeing the fantastic side of this, and she smiled, a

little, daring smile, though she hung her head.

“Are you--proposing to me?” she ventured, hoping to retrieve herself.

He could not stand that, but she would not let him burst out again, and

leave her no chance to assert her privilege to struggle at retaining

the upper hand.

“You told me that you came in spite of yourself, because you could not

stay away. Was it true?” she asked.

“Yes.”

She could not help feeling a glow of triumph, and it shone in her eyes.

“I am glad of that,” she said. “I am glad. It saves me so much.”

“And I may stay?” he exclaimed, in his old, impetuous fashion.

“Lisbeth----”

Though he held her hand fast, she managed to stoop down, under pretense

of rescuing the blue-ribboned hat from the sand.

“You need not go,” she answered.

And that was the end of it.

The three Misses Tregarthyn looked at each in blank dismay, when these

two walked into the parlor, an hour after. But Hector grasped his

nettle with a matter-of-fact boldness, for which Lisbeth intensely

admired him in secret.

“I went out on the beach to find Miss Crespigny, and I found her,” he

announced. “Here she is, Miss Clarissa, Miss Millicent, Miss Hetty! She

has promised to marry me. Oblige us with your blessing.”

The trio fell upon their beloved Lisbeth, and embraced, as they had

done on the previous occasion; but this time she bore it better.

That night Lisbeth sat up until one o’clock, writing a long letter to

Georgie Esmond, and trying, in a strangely softened and penitent mood,

to be open and straightforward for once.

“I am going to marry Hector Anstruthers, and try to be better,” she

wrote. “You know what I mean, when I say ‘better.’ I mean that I want

to make Lisbeth Anstruthers a far different creature from Lisbeth

Crespigny. Do you think I ever can be a ‘good’ woman, Georgie--like

you and your mother? If I ever am one, it will be you two whom I must

thank.” And as she wrote this, she shed not unhappy tears over it.

“Perhaps,” she said, “Love will make me as tender as other women.”

And this Love did.

DR. EGGLESTON’S NEW STORY.

“One of the ablest of recent American novels, and indeed of all recent

works of fiction.”--LONDON SPECTATOR.

ROXY.

BY

EDWARD EGGLESTON,

Author of “The Hoosier Schoolmaster,” “Circuit Rider,” Etc.

One volume, 12mo, cloth, with Twelve full-page Illustrations from

original designs by Mr. Walter Shirlaw.

Price, $1.50.

CRITICAL NOTICES.

“‘Roxy’ may be accepted as the latest example of a purely American

novel, and to say the least, one of the very best.”--_New York

Tribune._

“In this novel Mr. Eggleston’s powers appear at their best and

amplest, and he has accomplished the by no means easy task of

excelling himself.”--_Boston Journal._

“There can be no doubt whatever that ‘Roxy’ is the best product of

Dr. Eggleston’s activity in the field of fiction.”--_New York Eve.

Post._

“As a pure, but vigorous American romance, Mr. Eggleston’s new

work is better even than his ‘Hoosier Schoolmaster’ and ‘Circuit

Rider.’”--_Phila. Eve. Bulletin._

“It strengthens the author’s position as a writer who has brought

new life and a decided manliness into our native fiction.”--_Boston

Courier._

“‘Roxy,’ a story whose purport and power are much deeper than the

author has before reached.”--_Springfield Republican._

“The story is powerfully told, and if Mr. Eggleston had written

nothing else, ‘Roxy’ would place him in a foremost position among

American authors.”--_N. Y. Commercial Advertiser._

“Its pictures of Western life are vivid, and throughout betray the

hand of a master in literature and fiction.”--_Episcopal Register._

“As a faithful picture of American life, it ranks far above any

novel published in the United States during the past twenty

years.”--_Brooklyn Times._

“We advise our readers to buy and read ‘Roxy.’ They will find the

plot deeply interesting, and will gather from it not only transient

pleasure, but permanent good.”--_Louisville Post._

“The story of ‘Roxy’ is Dr. Eggleston’s best work. It attains a

higher merit than his other works in epic purpose as well as a

dramatic form.”--_The Methodist._

“Buy the book and read it, as it is well worth the time spent to do

it.”--_Washington Chronicle._

‰ _The above book for sale by all booksellers, or will be sent, post or

express charges paid, upon receipt of the price by the publishers_,

CHARLES SCRIBNER’S SONS,

743 AND 745 BROADWAY, NEW YORK.

JUST PUBLISHED

_THE MOST POPULAR BOOK OF THE SEASON._

RUDDER GRANGE,

By FRANK R. STOCKTON.

_One Volume, Square 12mo, Cloth, $1.25._

=THE RUDDER GRANGE PAPERS=--which have been so keenly enjoyed by

the readers of SCRIBNER, that the doings of their hero and

heroine are already laughingly quoted in hundreds of households--are

now published in book form.

The adventures of Mr. Stockton’s young couple in solving the problem of

housekeeping on a small income, and the ingenuity of their devices, are

as irresistible as the capital quiet humor with which they are told.

Euphemia’s naivete and intense seriousness, and her absolutely

woman-like way of approaching every question, are so perfectly typical,

too, that she alone is enough to have made “Rudder Grange” famous.

All of the little household are hardly less excellent than this

inimitable character; Pomona, the servant who looks at life through the

medium of dime-novels, being almost as worthy of an enduring celebrity

as her mistress.

⁂ _The above book for sale by all booksellers, or will be sent,

prepaid, upon receipt of price, by_

CHARLES SCRIBNER’S SONS, PUBLISHERS,

743 AND 745 BROADWAY, NEW YORK.

A NEW BOOK

By the Author of “That Lass o’ Lowrie’s.”

SURLY TIM

AND OTHER STORIES.

BY MRS. FRANCES HODGSON BURNETT,

_Author of “That Lass o’ Lowrie’s.”_

One volume, small 12mo. Cloth extra, $1.25.

The volume includes eight of Mrs. Burnett’s shorter stories which have

appeared in the magazines during the last few years. It is needless to

say that these have been among the most popular tales that have lately

been written. _Surly Tim_ (told in Lancashire dialect), which gives the

title to the book, is perhaps better known than any short story yet

published in SCRIBNER’S.

The present collection, including _Esmeralda_, _Lodusky_, _Le Monsieur

de la Petite Dame_, etc., shows that the author can be successful in

other scenes than those, the treatment of which has gained her so much

critical praise and such wide popularity.

CRITICAL NOTICES.

“They are powerful and pathetic stories, and will touch the

sympathies of all readers.”--_The Commonwealth, Boston._

“A good service has been rendered to all lovers of good fiction by

the publication of these stories in this permanent form.”--_The

Evening Mail._

Mrs. Burnett has made for herself a reputation which places her in

the front rank of female novelists.”--_The Baptist Weekly._

“The authoress has taken her place as one of the best novelists of

our time, and these stories are interesting as showing the steps

up which she has ascended to her acknowledged eminence.”--_The

Advance._

“Each of these narratives have a distinct spirit, and can be

profitably read by all classes of people. They are told not only

with true art but with deep pathos.”--_Boston Post._

“The stories collected in the present volume are uncommonly

vigorous and truthful stories of human nature.”--_Chicago Tribune._

“Each story is very readable, and the whole volume will be well

received as it well deserves.”--_The Chi. Instructor, Phila._

⁂ _The above book for sale by all booksellers, or will be sent, post or

express charges paid, upon receipt of the price by the publishers_,

CHARLES SCRIBNER’S SONS,

743 AND 745 BROADWAY, NEW YORK.

“_The_ best original novel _that has appeared in this country for many

years_.”--PHIL. PRESS.

THAT LASS O’ LOWRIE’S

BY FRANCES HODGSON BURNETT.

PRESS NOTICES

“The publication of a story like ‘That Lass o’ Lowrie’s’ is =a

red-letter day= in the world of literature.”--_N. Y. Herald._

“We know of =no more powerful work from a woman’s hand=

in the English language, not even excepting the best of George

Eliot’s.”--_Boston Transcript._

“It =creates a sensation= among book readers.”--_Hartford

Times._

“The novel is one of the very best of recent fictions, and =the

novelist is hereafter a person of rank= and consideration =in

letters=.”--_Hartford Courant._

“The author might have named her book ‘=Joan Lowrie, Lady=,’

and it is =worthy a place= in the family library =beside

Miss Muloch’s ‘John Halifax, Gentleman,’= and =George Eliot’s

‘Adam Bede.’=”--_Boston Watchman._

“The story is one of mark, and let none of our readers who enjoy

=the truest artistic work= overlook it.”--_Congregationalist._

“Is written with great =dramatic power=.”--_N. Y. Observer._

“Of absorbing interest, and is as =unique in its style= and

its incidents =as it is= entertaining.”--_Worcester Spy._

“It is a tale of English pit life, and =graphic, absorbing,

irresistible=, from first page to last.”--_Boston Commonwealth._

“It is a =healthy, vigorous story=, such as would find a warm

welcome in any household.”--_Baltimore Bulletin._

“Unlike most of the current works of fiction, this novel is a

study. It cannot be sifted at a glance, nor fully understood at a

single reading, =so fruitful and comprehensive is its word and

character painting=.”--_Boston Post._

_Price, Paper Covers, 90 cents; or $1.50 Extra Cloth_

CHARLES SCRIBNER’S SONS,

743 AND 745 BROADWAY, NEW YORK.

* * * * * *

Transcriber’s note:

Obvious printer errors corrected silently.

Inconsistent spelling and hyphenation are as in the original.

Miss Crespigny · 第 19 / 19 章