I could now shrewdly guess what his drift was.

“Take, for instance, Mme. Wildenhoff. She enjoys a change

of—affections—once a month. That’s her business: but why the devil does

she bring in Philosophy and Sociology, and Emancipation? The thing she

does is as old as the hills, and why trouble about her and women like

her?”

I had long ago made the remark that men object to women who argue. On

the other hand, they rate their souls very high indeed. Now, Witold

confesses, it is the soul—the soul alone, the soul at any price—that he

wants to have.

Who knows whether he will not again become a faithful husband to Martha?

I dislike all colourless people. And I dislike myself along with them,

since I find I am growing more and more colourless day by day. I feel

out of sympathy with my own type of character: I am ordinary. I have had

enough of my life; more than enough of it.

How terribly I am craving now for some one who shall tell me—and tell me

incessantly—that I am good-looking and clever and original in mind, that

I dress nicely and move gracefully.

For though at this moment I am quite satisfied that none of these things

are so: yet, if I were told so this day, I should at once believe it to

be true.

I am in pain. At times I feel a special need of saying all that I think.

At times it is so hard to wear a mask.... And I want some sympathy....

I was at the Wildenhoff’s to-day, and had a talk with Witold. I cannot

conceive how it came about, but on a sudden I found I was saying too

much—or rather, speaking too much to the point.

Finding the position I had taken up was too advanced and too much

exposed, I decided to beat a retreat.

“But can you conceive in what the tragedy of my life consists in

reality?” I asked.

On which, in mute questioning, he raised his beautiful mournful eyes to

mine.

“In that all I have told you is untrue ... and all I have not told you

is untrue likewise. It is my style to talk of my sadness one day, and

the next to tell of my life’s cloudless philosophy.”

“And to whom of all men do you tell the truth? To Wiazewski? I don’t

know. Perhaps to no one. When I have taken off, one after another, all

the styles I wear, there is nothing more left of me.”

At this juncture, Mme. Wildenhoff, dressed in a very low-cut black

velvet gown, came up to us.

“Why has not Martha been here to-day?” she asked. “We have not seen her

for ever so long.”

“She meant to come but she is continually a victim to sick headaches.”

“Ah, yes, those sick headaches,” she remarked sympathizingly. “They are

so very hard to get rid of!”

Presently she asked if I would come and look at a beautiful screen, a

birthday gift for her, painted by Gina. Imszanski remained where he was.

Kobiety (Women): A Novel of Polish Life · 第 20 / 56 题