I am coming home from the office, alone and forsaken by all.

I am dreaming (like a dream indeed it is) of the boundless fields, the

picturesque ridges, the dark forests and fragrant meadows of Klosow. I

see the park, too, with its neatly-trimmed shrubberies and lofty trees;

their bare trunks and leafy tops forming a canopy high overhead under

the sky, and the foliage turning yellow or red in the sunny glare. The

pond, too, do I see—so large that it may be called a lake—the pond,

bleak and desolate in the moonless, starless night; that night, when I

broke away from the magic spell of Life, and slew my own felicity with

my own hands.

Before my eyes, people are walking along the avenues, strewn with dry

dead leaves. The slightest breath of air brings down from the trees

these tatters and strips, once a purple kingly mantle: but men go on,

pitilessly trampling down the rustling leaves.

Now I am in a strange humour—a sort of Pantheistic mood. My Ego is

multiplying, growing into countless gods, and penetrating the whole

world, wherein there is no room for aught save Me. And, therefore,

prodigious amazement takes hold of me, when I think how all these crowds

of people can tread upon my golden autumnal leaves, or glance at me,

because I have a noticeable face and a hat _à la diable m’enporte_. Can

I think that they live? There is no life but mine only.

No, they have not life.

And there,—an immense way off, on the farther shore of the Ocean of

Infinity,—there he stands, he, the only foe worthy of me: and he waits

that I should go onward to meet him!

And I—I stand in fear. For a week I have not been at Obojanski’s, where

he goes pretty nearly every night.

When the thought comes to me of the splendid sorrel mount I had, and of

Janusz whose lips were so sweet, I have a mind to burst out crying. But

I shall not go back there, unless.... Oh, if I could help going back!

I have an irresistible inclination to seek for types amongst people. I

do not like things accidental, either without logical connection, or

without connection with the special nature of a given mind. If it

depended upon me, I would, like a scientist at work in his laboratory,

remove from every character whatever is unnecessary and unessential,

lest this should render its reactions with others too complicated and

obscure. For example, I should like to make of Obojanski a sage of

ancient Greece, and eliminate from him everything that disagreed with

this type. Smilowicz should be a narrow-minded Socialist: as matters

stand, he is too clever for his type, and most needlessly cleverer than

Obojanski. Roslawski is almost perfect. I should only desire—and this,

too, for purely personal motives—that he might look upon marriage from a

less absolutely ideal standpoint.

What my own type is, I do not know. Very likely I have none; and this

has troubled my mind for ever so many a year. I am unable to find

anything general in myself, or to define my own nature in one word and

make an abstraction of it. For that, I am far too complex.

My father was a bricklayer; and yet there is nothing vulgar in my face

or postures or motions. I sweep my floor and clean my own shoes: yet my

hands are as soft as velvet. During the whole of my childhood, I used

either to go barefoot, or in cheap, clumsy boots; yet my feet are white

and bear no mark that I ever went so. My work for the greater part of

the day—the adding up of innumerable columns of figures—is such as might

benumb most brains, and yet I am quite able to think keenly. Though I

neither write poetry, nor sing, nor paint, I have a thoroughly artistic

mind. My way of living borders on the penurious; yet I have all the

epicurean instincts of those who live at another’s expense. After all, I

am (as I am perfectly well aware) nothing extraordinary; and yet, to be

the little that I am, I have not undergone one twinge of conscience; in

all that is Me, there is not one atom of harm done to any one, and no

one single tear of any being alive.

A post-card from Martha, with a “Decadent” figure of a woman, all

covered over with microscopic handwriting.

“Grandfather is dangerously ill. I have not had a wink of sleep for a

week, and am almost light-headed in consequence. Nervous energy alone

has sustained me till now: I cannot answer for the morrow. I continually

feel as if my brain were swelling, and would presently fly to pieces. I

am tormented with the horrible uselessness of undeserved pain. I don’t

want to think what the end of all this is to be. I only know that

something within me is giving way. Never yet has my spirit been so

broken down: I am now paying the score of the Past, and with usurious

interest besides. The autumn of life has come upon me, taking me

unawares: nor is it relieved by any reminiscence of a springtime that

never was mine. Every night, and all night long, I am sitting by poor

Grandfather’s bed, going over my interminable litany of sorrow, and

shedding my heart’s blood drop by drop.—M.”

And about Janusz not one word!

As I am going home from the office to-day, I come across Smilowicz, with

a big parcel of books under his arm. In spite of his ridiculous smile,

the man impresses me: the life he leads is in such strict conformity

with the doctrines which he professes. Obojanski tells me he is a very

able teacher of Natural Science; but he loses all his lessons, because

he cannot reconcile his advanced opinions with what the school

superintendents require. For some time past, he has had nothing, or

nearly nothing, to eat: he spends his mornings in the University

Library, and his evenings at Obojanski’s.

As we pass along by the “Philharmonia” building, he informs me that he

has never been inside it.

“Do you object to going there?”

“Most certainly. I am against music, fine costumes, everything that

represents satisfaction and amusement. To me all that only suggests

extortion, wrong-doing, and injustice: for but a few are able to go

there, and that only at the expense of others.”

“But you forget that wrong-doing and injustice are by no means

essentials of the Beautiful, of Art, and of artistic delight, though at

the present time they happen to exist in connection with these. Your

theory seems to me to make far too much of what actually _is_. Try to

deliver yourself from the fetters of the Temporal; look upon the present

day, as being yourself outside of it and soaring above it: do you see

what I mean?—I also resent whatever is unjust, but I can separate the

Beautiful therefrom and love it, both in Art and in life.”

“Well, you may be right, but I cannot take up so objective a point of

view. In me indignation overbears any gentler artistic sentiment. Yet

more: I think it is not now the time to enjoy Art, or to plunge into the

deep and subtle analyses of Estheticism. What we want at the present

time is Action.”

“But, for myself, I quiet my conscience with the fact, which I know to

be true, that I am living now just as I should live in that future when,

as Ferri says, all are from the very outset to have equal opportunities

for their development.”

Smilowicz is pleased.

“Ah, then you understand.... I was afraid you had been surprised at my

friendship for Obojanski, seeing the way I am accustomed to talk. But,

you know, if scientific work were properly remunerated, Obojanski’s

monographs would bring him in enough money to live as sumptuously as he

is doing now. So he arrives at the very same result, though by different

roads. Yet that, unfortunately, is paltering with principles.”

Oh, I should not object, so far as I am concerned, to any such

“paltering!” As things stand, I am working too much: I might work less

and do something better.... All my talent is quite thrown away on those

everlasting accounts.

My dream is now, how to make more money. And this renders me somewhat

uneasy; perhaps it is on account of pecuniary circumstances that I am

now considering the possibility of marriage with Janusz, in case

Roslawski....

This I should not like. Not because it would show my character in an

ignoble light. That’s nonsense. No, but it would mark how little I care

for the creature I could take on such terms.

I am of those whose sin is greater than the sin of Eve and Adam: I have

eaten of the fruit of the knowledge that there is neither good nor evil.

Yes, for I have gone on—on to the very end. Every one has something he

can call his own. Sufferers magnify in their mind the power of

suffering; those who have abandoned everything make a god of their

strength of will to do so. But I have nothing left, nothing absolutely.

Of beauty I have not enough to love that beauty in myself. Wisdom is

wisdom from one standpoint only: that lost, its very idea ceases to

exist. I have too much mind to be artful and mysterious, so I strike no

one as being uncommon. I have all the shortcomings of a perfect sage;

for I believe in nothing, and am indifferent to all things. But I am

not, as sages are, encyclopædic, nor do I love knowledge, nor have I

any. At the same time, I do not, like a typical Decadent, hug myself at

the thought of my doubts and of my indifference. Quite the contrary—to

others, nay, even to myself, I play the part of one that is blithe,

well-favoured, happy, and quite satisfied with being what I am. This is

not because I deliberately try to keep my secret to myself, but because

merriment is to my mind less wearisome than the apathy of doubt. And I

have not as my own even what I say here, for I am not sure that it is

true....

Roslawski...? Well, say I am attracted by the interest of an experiment.

Out of which I am making a grave and important affair, simply because of

my love for some pathos in life....

Why, Janusz himself can be “distinguished” on certain occasions.

Madame, (he writes),

May I venture to remind you that the period chosen by you, within which

to give me a definite answer, will have come to an end on Monday next?

Kobiety (Women): A Novel of Polish Life · 第 12 / 56 题