Sec. 21

It is still the season of mists in this land whose most ancient name

signifies the Place of the Issuing of Clouds. With the passing of

twilight a faint ghostly brume rises over lake and landscape, spectrally

veiling surfaces, slowly obliterating distances. As I lean over the

parapet of the Tenjin-bashi, on my homeward way, to take one last look

eastward, I find that the mountains have already been effaced. Before

me there is only a shadowy flood far vanishing into vagueness without a

horizon--the phantom of a sea. And I become suddenly aware that little

white things are fluttering slowly down into it from the fingers of a

woman standing upon the bridge beside me, and murmuring something in a

low sweet voice. She is praying for her dead child. Each of those little

papers she is dropping into the current bears a tiny picture of Jizo and

perhaps a little inscription. For when a child dies the mother buys

a small woodcut (hanko) of Jizo, and with it prints the image of the

divinity upon one hundred little papers. And she sometimes also writes

upon the papers words signifying 'For the sake of...'--inscribing never

the living, but the kaimyo or soul-name only, which the Buddhist

priest has given to the dead, and which is written also upon the little

commemorative tablet kept within the Buddhist household shrine, or

butsuma. Then, upon a fixed day (most commonly the forty-ninth day

after the burial), she goes to some place of running water and drops the

little papers therein one by one; repeating, as each slips through her

fingers, the holy invocation, 'Namu Jizo, Dai Bosatsu!'

Doubtless this pious little woman, praying beside me in the dusk, is

very poor. Were she not, she would hire a boat and scatter her tiny

papers far away upon the bosom of the lake. (It is now only after

dark that this may be done; for the police--I know not why--have been

instructed to prevent the pretty rite, just as in the open ports they

have been instructed to prohibit the launching of the little straw boats

of the dead, the shoryobune.)

But why should the papers be cast into running water? A good old Tendai

priest tells me that originally the rite was only for the souls of

the drowned. But now these gentle hearts believe that all waters flow

downward to the Shadow-world and through the Sai-no-Kawara, where Jizo

is.

Glimpses of Unfamiliar Japan: First Series · 第 94 / 222 题