Sec. 9

'Tera?'

'Yes, Cha, tera.'

But only for a brief while do I traverse Japanese streets. The houses

separate, become scattered along the feet of the hills: the city thins

away through little valleys, and vanishes at last behind. And we follow

a curving road overlooking the sea. Green hills slope steeply down to

the edge of the way on the right; on the left, far below, spreads a vast

stretch of dun sand and salty pools to a line of surf so distant that

it is discernible only as a moving white thread. The tide is out; and

thousands of cockle-gatherers are scattered over the sands, at such

distances that their stooping figures, dotting the glimmering sea-bed,

appear no larger than gnats. And some are coming along the road before

us, returning from their search with well-filled baskets--girls with

faces almost as rosy as the faces of English girls.

As the jinricksha rattles on, the hills dominating the road grow higher.

All at once Cha halts again before the steepest and loftiest flight of

temple steps I have yet seen.

I climb and climb and climb, halting perforce betimes, to ease the

violent aching of my quadriceps muscles; reach the top completely out

of breath; and find myself between two lions of stone; one showing his

fangs, the other with jaws closed. Before me stands the temple, at the

farther end of a small bare plateau surrounded on three sides by low

cliffs,-a small temple, looking very old and grey. From a rocky height

to the left of the building, a little cataract rumbles down into a pool,

ringed in by a palisade. The voice of the water drowns all other sounds.

A sharp wind is blowing from the ocean: the place is chill even in the

sun, and bleak, and desolate, as if no prayer had been uttered in it for

a hundred years.

Cha taps and calls, while I take off my shoes upon the worn wooden steps

of the temple; and after a minute of waiting, we hear a muffled step

approaching and a hollow cough behind the paper screens. They slide

open; and an old white-robed priest appears, and motions me, with a low

bow, to enter. He has a kindly face; and his smile of welcome seems

to me one of the most exquisite I have ever been greeted with. Then he

coughs again, so badly that I think if I ever come here another time, I

shall ask for him in vain.

I go in, feeling that soft, spotless, cushioned matting beneath my feet

with which the floors of all Japanese buildings are covered. I pass the

indispensable bell and lacquered reading-desk; and before me I see

other screens only, stretching from floor to ceiling. The old man, still

coughing, slides back one of these upon the right, and waves me into

the dimness of an inner sanctuary, haunted by faint odours of incense.

A colossal bronze lamp, with snarling gilded dragons coiled about its

columnar stem, is the first object I discern; and, in passing it, my

shoulder sets ringing a festoon of little bells suspended from the

lotus-shaped summit of it. Then I reach the altar, gropingly, unable yet

to distinguish forms clearly. But the priest, sliding back screen after

screen, pours in light upon the gilded brasses and the inscriptions;

and I look for the image of the Deity or presiding Spirit between the

altar-groups of convoluted candelabra. And I see--only a mirror, a

round, pale disk of polished metal, and my own face therein, and behind

this mockery of me a phantom of the far sea.

Only a mirror! Symbolising what? Illusion? or that the Universe exists

for us solely as the reflection of our own souls? or the old Chinese

teaching that we must seek the Buddha only in our own hearts? Perhaps

some day I shall be able to find out all these things.

As I sit on the temple steps, putting on my shoes preparatory to going,

the kind old priest approaches me again, and, bowing, presents a bowl. I

hastily drop some coins in it, imagining it to be a Buddhist alms-bowl,

before discovering it to be full of hot water. But the old man's

beautiful courtesy saves me from feeling all the grossness of my

mistake. Without a word, and still preserving his kindly smile, he takes

the bowl away, and, returning presently with another bowl, empty, fills

it with hot water from a little kettle, and makes a sign to me to drink.

Tea is most usually offered to visitors at temples; but this little

shrine is very, very poor; and I have a suspicion that the old priest

suffers betimes for want of what no fellow-creature should be permitted

to need. As I descend the windy steps to the roadway I see him still

looking after me, and I hear once more his hollow cough.

Then the mockery of the mirror recurs to me. I am beginning to wonder

whether I shall ever be able to discover that which I seek--outside of

myself! That is, outside of my own imagination.

Glimpses of Unfamiliar Japan: First Series · 第 15 / 222 题