PREFACE

In the Introduction to his charming Tales of Old Japan, Mr. Mitford

wrote in 1871:

'The books which have been written of late years about Japan have either

been compiled from official records, or have contained the sketchy

impressions of passing travellers. Of the inner life of the Japanese the

world at large knows but little: their religion, their superstitions,

their ways of thought, the hidden springs by which they move--all these

are as yet mysteries.'

This invisible life referred to by Mr. Mitford is the Unfamiliar Japan

of which I have been able to obtain a few glimpses. The reader may,

perhaps, be disappointed by their rarity; for a residence of little more

than four years among the people--even by one who tries to adopt their

habits and customs--scarcely suffices to enable the foreigner to begin

to feel at home in this world of strangeness. None can feel more than

the author himself how little has been accomplished in these volumes,

and how much remains to do.

The popular religious ideas--especially the ideas derived from Buddhism

and the curious superstitions touched upon in these sketches are little

shared by the educated classes of New Japan. Except as regards his

characteristic indifference toward abstract ideas in general and

metaphysical speculation in particular, the Occidentalised Japanese

of to-day stands almost on the intellectual plane of the cultivated

Parisian or Bostonian. But he is inclined to treat with undue contempt

all conceptions of the supernatural; and toward the great religious

questions of the hour his attitude is one of perfect apathy. Rarely does

his university training in modern philosophy impel him to attempt any

independent study of relations, either sociological or psychological.

For him, superstitions are simply superstitions; their relation to the

emotional nature of the people interests him not at all. [1] And this

not only because he thoroughly understands that people, but because

the class to which he belongs is still unreasoningly, though quite

naturally, ashamed of its older beliefs. Most of us who now call

ourselves agnostics can recollect the feelings with which, in the

period of our fresh emancipation from a faith far more irrational

than Buddhism, we looked back upon the gloomy theology of our fathers.

Intellectual Japan has become agnostic within only a few decades; and

the suddenness of this mental revolution sufficiently explains the

principal, though not perhaps all the causes of the present attitude

of the superior class toward Buddhism. For the time being it certainly

borders upon intolerance; and while such is the feeling even to religion

as distinguished from superstition, the feeling toward superstition as

distinguished from religion must be something stronger still.

But the rare charm of Japanese life, so different from that of all other

lands, is not to be found in its Europeanised circles. It is to be

found among the great common people, who represent in Japan, as in all

countries, the national virtues, and who still cling to their delightful

old customs, their picturesque dresses, their Buddhist images, their

household shrines, their beautiful and touching worship of ancestors.

This is the life of which a foreign observer can never weary, if

fortunate and sympathetic enough to enter into it--the life that

forces him sometimes to doubt whether the course of our boasted Western

progress is really in the direction of moral development. Each day,

while the years pass, there will be revealed to him some strange and

unsuspected beauty in it. Like other life, it has its darker side;

yet even this is brightness compared with the darker side of Western

existence. It has its foibles, its follies, its vices, its cruelties;

yet the more one sees of it, the more one marvels at its extraordinary

goodness, its miraculous patience, its never-failing courtesy, its

simplicity of heart, its intuitive charity. And to our own larger

Occidental comprehension, its commonest superstitions, however condemned

at Tokyo have rarest value as fragments of the unwritten literature of

its hopes, its fears, its experience with right and wrong--its primitive

efforts to find solutions for the riddle of the Unseen flow much the

lighter and kindlier superstitions of the people add to the charm

of Japanese life can, indeed, be understood only by one who has long

resided in the interior. A few of their beliefs are sinister--such as

that in demon-foxes, which public education is rapidly dissipating; but

a large number are comparable for beauty of fancy even to those Greek

myths in which our noblest poets of today still find inspiration; while

many others, which encourage kindness to the unfortunate and kindness to

animals, can never have produced any but the happiest moral results.

The amusing presumption of domestic animals, and the comparative

fearlessness of many wild creatures in the presence of man; the white

clouds of gulls that hover about each incoming steamer in expectation

of an alms of crumbs; the whirring of doves from temple-eaves to pick up

the rice scattered for them by pilgrims; the familiar storks of ancient

public gardens; the deer of holy shrines, awaiting cakes and caresses;

the fish which raise their heads from sacred lotus-ponds when the

stranger's shadow falls upon the water--these and a hundred other pretty

sights are due to fancies which, though called superstitious, inculcate

in simplest form the sublime truth of the Unity of Life. And even when

considering beliefs less attractive than these, superstitions of which

the grotesqueness may provoke a smile--the impartial observer would do

well to bear in mind the words of Lecky:

Many superstitions do undoubtedly answer to the Greek conception of

slavish "fear of the Gods," and have been productive of unspeakable

misery to mankind; but there are very many others of a different

tendency. Superstitions appeal to our hopes as well as our fears. They

often meet and gratify the inmost longings of the heart. They offer

certainties where reason can only afford possibilities or probabilities.

They supply conceptions on which the imagination loves to dwell. They

sometimes impart even a new sanction to moral truths. Creating wants

which they alone can satisfy, and fears which they alone can quell,

they often become essential elements of happiness; and their consoling

efficacy is most felt in the languid or troubled hours when it is

most needed. We owe more to our illusions than to our knowledge. The

imagination, which is altogether constructive, probably contributes more

to our happiness than the reason, which in the sphere of speculation is

mainly critical and destructive. The rude charm which, in the hour of

danger or distress, the savage clasps so confidently to his breast,

the sacred picture which is believed to shed a hallowing and protecting

influence over the poor man's cottage, can bestow a more real

consolation in the darkest hour of human suffering than can be afforded

by the grandest theories of philosophy. . . . No error can be more

grave than to imagine that when a critical spirit is abroad the pleasant

beliefs will all remain, and the painful ones alone will perish.

That the critical spirit of modernised Japan is now indirectly aiding

rather than opposing the efforts of foreign bigotry to destroy the

simple, happy beliefs of the people, and substitute those cruel

superstitions which the West has long intellectually outgrown--the

fancies of an unforgiving God and an everlasting hell--is surely to be

regretted. More than hundred and sixty years ago Kaempfer wrote of

the Japanese 'In the practice of virtue, in purity of life and outward

devotion they far outdo the Christians.' And except where native morals

have suffered by foreign contamination, as in the open ports, these

words are true of the Japanese to-day. My own conviction, and that of

many impartial and more experienced observers of Japanese life, is that

Japan has nothing whatever to gain by conversion to Christianity, either

morally or otherwise, but very much to lose.

Of the twenty-seven sketches composing these volumes, four were

originally purchased by various newspaper syndicates and reappear in

a considerably altered form, and six were published in the Atlantic

Monthly (1891-3). The remainder forming the bulk of the work, are new.

Glimpses of Unfamiliar Japan: First Series · 第 3 / 222 题