CONCLUSIONS AS TO MELANCHOLY

Generally thus much we may conclude of melancholy: that it is most

pleasant at first, I say, _mentis gratissimus error_, a most delightsome

humor, to be alone, dwell alone, walk alone, meditate, lie in bed whole

days, dreaming awake as it were, and frame a thousand phantastical

imaginations unto themselves. They are never better pleased than when

they are so doing; they are in Paradise for the time, and cannot well

endure to be interrupt; with him in the Poet:--

"--pol! me occidistis, amici,

Non servastis, ait:"

you have undone him, he complains, if you trouble him: tell him what

inconvenience will follow, what will be the event, all is one, _canis ad

vomitum_, 'tis so pleasant he cannot refrain. He may thus continue

peradventure many years by reason of a strong temperature, or some

mixture of business, which may divert his cogitations: but at the last

_laesa imaginatio_, his phantasy is crazed, & now habituated to such

toys, cannot but work still like a fate; the Scene alters upon a sudden;

Fear and Sorrow supplant those pleasing thoughts, suspicion, discontent,

and perpetual anxiety succeed in their places; so little by little, by

that shoeing-horn of idleness, and voluntary solitariness, Melancholy

this feral fiend is drawn on, _et quantum vertice ad auras AEthereas,

tantum radice in Tartara tendit_; "extending up, by its branches, so far

towards Heaven, as, by its roots, it does down towards Tartarus;" it was

not so delicious at first, as now it is bitter and harsh: a cankered

soul macerated with cares and discontents, _taedium vitae_, impatience,

agony, inconstancy, irresolution, precipitate them unto unspeakable

miseries. They cannot endure company, light, or life itself, some unfit

for action, and the like. Their bodies are lean and dried up, withered,

ugly; their looks harsh, very dull, and their souls tormented, as they

are more or less entangled, as the humor hath been intended, or

according to the continuance of time they have been troubled.

To discern all which symptoms the better, _Rhasis_ the _Arabian_ makes

three degrees of them. The first is _falsa cogitatio_, false conceits

and idle thoughts: to misconstrue and amplify, aggravating everything

they conceive or fear: the second is _falso cogitatio loqui_, to talk to

themselves, or to use inarticulate incondite voices, speeches, obsolete

gestures, and plainly to utter their minds and conceits of their hearts,

by their words and actions, as to laugh, weep, to be silent, not to

sleep, eat their meat, &c.; the third is to put in practice that which

they think or speak. _Savanarola, Rub. II, Tract. 8, cap. 1, de

aegritudine_, confirms as much: _when he begins to express that in words,

which he conceives in his heart, or talks idly, or goes from one thing

to another_, which _Gordonius_ calls _nec caput habentia nec caudam_

[having neither head nor tail], he is in the middle way: _but when he

begins to act it likewise, and to put his fopperies in execution, he is

then in the extent of melancholy, or madness itself._ This progress of

melancholy you shall easily observe in them that have been so affected,

they go smiling to themselves at first, at length they laugh out; at

first solitary, at last they can endure no company, or if they do, they

are now dizzards, past sense and shame, quite moped, they care not what

they say or do; all their actions, words, gestures, are furious or

ridiculous. At first his mind is troubled, he doth not attend what is

said, if you tell him a tale, he cries at last, What said you? but in

the end he mutters to himself, as old women do many times, or old men

when they sit alone; upon a sudden they laugh, whoop, halloo, or run

away, and swear they see or hear Players, Devils, Hobgoblins, Ghosts,

strike, or strut, &c., grow humorous in the end: like him in the Poet,

_saepe ducentos saepe decem servos_ [he often keeps two hundred slaves,

often only ten], he will dress himself, and undress, careless at last,

grows insensible, stupid or mad. He howls like a wolf, barks like a dog,

and raves like _Ajax_ and _Orestes_, hears Music and outcries which no

man else hears....

Who can sufficiently speak of these symptoms, or prescribe rules to

comprehend them? As _Echo_ to the painter in _Ausonius_, _vane_, _quid

affectas_, &c.--foolish fellow, what wilt? if you must needs paint me,

paint a voice, _et similem si vis pingere, pinge sonum_; if you will

describe melancholy, describe a phantastical conceit, a corrupt

imagination, vain thoughts and different, which who can do? The

four-and-twenty letters make no more variety of words in divers

languages, than melancholy conceits produce diversity of symptoms in

several persons. They are irregular, obscure, various, so infinite,

_Proteus_ himself is not so diverse; you may as well make the Moon a new

coat, as a true character of a melancholy man; as soon find the motion

of a bird in the air, as the heart of man, a melancholy man. They are so

confused, I say, diverse, intermixt with other diseases. As the species

be confounded (which I have shewed) so are the symptoms; sometimes with

headache, _cachexia_, dropsy, stone, (as you may perceive by those

several examples and illustrations, collected by _Hildesheim, spicel.

2_,_ Mercurialis, consil. 118, cap. 6 et 11_), with headache, epilepsy,

_priapismus_ (_Trincavellius, consil. 12, lib. I, consil. 49_), with

gout, _caninus appetitus_ (_Montanus, consil. 26, &c., 23, 234, 249_),

with falling-sickness, headache, _vertigo_, _lycanthropia_, _&c._ (_J.

Caesar Claudinus, consult. 4, consult. 89 et 116_), with gout, agues,

haemrods, stone, &c. Who can distinguish these melancholy symptoms so

intermixt with others, or apply them to their several kinds, confine

them into method? 'Tis hard I confess, yet I have disposed of them as I

could, and will descend to particularize them according to their

species. For hitherto I have expatiated in more general lists or terms,

speaking promiscuously of such ordinary signs, which occur amongst

writers. Not that they are all to be found in one man, for that were to

paint a Monster or Chimaera, not a man; but some in one, some in another,

and that successively, or at several times.

Which I have been the more curious to express and report, not to upbraid

any miserable man, or by way of derision (I rather pity them), but the

better to discern, to apply remedies unto them; and to shew that the

best and soundest of us all is in great danger; how much we ought to

fear our own fickle estates, remember our miseries and vanities, examine

and humiliate ourselves, seek to God, and call to him for mercy, that

needs not look for any rods to scourge ourselves, since we carry them in

our bowels; and that our souls are in a miserable captivity, if the

light of grace and heavenly truth doth not shine continually upon us;

and by our discretion to moderate ourselves, to be more circumspect and

wary in the midst of these dangers.

Library of the World's Best Literature, Ancient and Modern — Volume 07 · 第 133 / 285 题