XVI

The idea of the National Gallery had been with her from the moment of

her hearing from Sir Luke Strett about his hour of coming. It had been

in her mind as a place so meagrely visited, as one of the places that

had seemed at home one of the attractions of Europe and one of its

highest aids to culture, but that--the old story--the typical frivolous

always ended by sacrificing to vulgar pleasures. She had had perfectly,

at those whimsical moments on the Brünig, the half-shamed sense of

turning her back on such opportunities for real improvement as had

figured to her, from of old, in connection with the continental tour,

under the general head of "pictures and things"; and now she knew for

what she had done so. The plea had been explicit--she had done so for

life, as opposed to learning; the upshot of which had been that life

was now beautifully provided for. In spite of those few dips and dashes

into the many-coloured stream of history for which of late Kate Croy

had helped her to find time, there were possible great chances she had

neglected, possible great moments she should, save for to-day, have all

but missed. She might still, she had felt, overtake one or two of them

among the Titians and the Turners; she had been honestly nursing the

hour, and, once she was in the benignant halls, her faith knew itself

justified. It was the air she wanted and the world she would now

exclusively choose; the quiet chambers, nobly overwhelming, rich but

slightly veiled, opened out round her and made her presently say "If I

could lose myself _here!"_ There were people, people in plenty, but,

admirably, no personal question. It was immense, outside, the personal

question; but she had blissfully left it outside, and the nearest it

came, for a quarter of an hour, to glimmering again into sight was when

she watched for a little one of the more earnest of the lady-copyists.

Two or three in particular, spectacled, aproned, absorbed, engaged her

sympathy to an absurd extent, seemed to show her for the time the right

way to live. She should have been a lady copyist--it met so the case.

The case was the case of escape, of living under water, of being at

once impersonal and firm. There it was before one--one had only to

stick and stick.

Milly yielded to this charm till she was almost ashamed; she watched

the lady-copyists till she found herself wondering what would be

thought by others of a young woman, of adequate aspect, who should

appear to regard them as the pride of the place. She would have liked

to talk to them, to get, as it figured to her, into their lives, and

was deterred but by the fact that she didn't quite see herself as

purchasing imitations and yet feared she might excite the expectation

of purchase. She really knew before long that what held her was the

mere refuge, that something within her was after all too weak for the

Turners and Titians. They joined hands about her in a circle too vast,

though a circle that a year before she would only have desired to

trace. They were truly for the larger, not for the smaller life, the

life of which the actual pitch, for example, was an interest, the

interest of compassion, in misguided efforts. She marked absurdly her

little stations, blinking, in her shrinkage of curiosity, at the

glorious walls, yet keeping an eye on vistas and approaches, so that

she shouldn't be flagrantly caught. The vistas and approaches drew her

in this way from room to room, and she had been through many parts of

the show, as she supposed, when she sat down to rest. There were chairs

in scant clusters, places from which one could gaze. Milly indeed at

present fixed her eyes more than elsewhere on the appearance, first,

that she couldn't quite, after all, have accounted to an examiner for

the order of her "schools," and then on that of her being more tired

than she had meant, in spite of her having been so much less

intelligent. They found, her eyes, it should be added, other occupation

as well, which she let them freely follow: they rested largely, in her

vagueness, on the vagueness of other visitors; they attached themselves

in especial, with mixed results, to the surprising stream of her

compatriots. She was struck with the circumstance that the great

museum, early in August, was haunted with these pilgrims, as also with

that of her knowing them from afar, marking them easily, each and all,

and recognising not less promptly that they had ever new lights for

her--new lights on their own darkness. She gave herself up at last, and

it was a consummation like another: what she should have come to the

National Gallery for to-day would be to watch the copyists and reckon

the Baedekers. That perhaps was the moral of a menaced state of

health--that one would sit in public places and count the Americans. It

passed the time in a manner; but it seemed already the second line of

defence, and this notwithstanding the pattern, so unmistakable, of her

country-folk. They were cut out as by scissors, coloured, labelled,

mounted; but their relation to her failed to act--they somehow did

nothing for her. Partly, no doubt, they didn't so much as notice or

know her, didn't even recognise their community of collapse with her,

the sign on her, as she sat there, that for her too Europe was "tough."

It came to her idly thus--for her humour could still play--that she

didn't seem then the same success with them as with the inhabitants of

London, who had taken her up on scarce more of an acquaintance. She

could wonder if they would be different should she go back with that

glamour attached; and she could also wonder, if it came to that,

whether she should ever go back. Her friends straggled past, at any

rate, in all the vividness of their absent criticism, and she had even

at last the sense of taking a mean advantage. There was a finer

instant, however, at which three ladies, clearly a mother and

daughters, had paused before her under compulsion of a comment

apparently just uttered by one of them and referring to some object on

the other side of the room. Milly had her back to the object, but her

face very much to her young compatriot, the one who had spoken and in

whose look she perceived a certain gloom of recognition. Recognition,

for that matter, sat confessedly in her own eyes: she _knew_ the three,

generically, as easily as a schoolboy with a crib in his lap would know

the answer in class; she felt, like the schoolboy, guilty

enough--questioned, as honour went, as to her right so to possess, to

dispossess, people who hadn't consciously provoked her. She would have

been able to say where they lived, and how, had the place and the way

been but amenable to the positive; she bent tenderly, in imagination,

over marital, paternal Mr. Whatever-he-was, at home, eternally named,

with all the honours and placidities, but eternally unseen and existing

only as some one who could be financially heard from. The mother, the

puffed and composed whiteness of whose hair had no relation to her

apparent age, showed a countenance almost chemically clean and dry; her

companions wore an air of vague resentment humanised by fatigue; and

the three were equally adorned with short cloaks of coloured cloth

surmounted by little tartan hoods. The tartans were doubtless

conceivable as different, but the cloaks, curiously, only thinkable as

one. "Handsome? Well, if you choose to say so." It was the mother who

had spoken, who herself added, after a pause during which Milly took

the reference as to a picture: "In the English style." The three pair

of eyes had converged, and their possessors had for an instant rested,

with the effect of a drop of the subject, on this last

characterisation--with that, too, of a gloom not less mute in one of

the daughters than murmured in the other. Milly's heart went out to

them while they turned their backs; she said to herself that they ought

to have known her, that there was something between them they might

have beautifully put together. But she had lost _them_ also--they were

cold; they left her in her weak wonder as to what they had been looking

at. The "handsome" disposed her to turn--all the more that the "English

style" would be the English school, which she liked; only she saw,

before moving, by the array on the side facing her, that she was in

fact among small Dutch pictures. The action of this was again

appreciable--the dim surmise that it wouldn't then be by a picture that

the spring in the three ladies had been pressed. It was at all events

time she should go, and she turned as she got on her feet. She had had

behind her one of the entrances and various visitors who had come in

while she sat, visitors single and in pairs--by one of the former of

whom she felt her eyes suddenly held.

This was a gentleman in the middle of the place, a gentleman who had

removed his hat and was for a moment, while he glanced, absently, as

she could see, at the top tier of the collection, tapping his forehead

with his pocket-handkerchief. The occupation held him long enough to

give Milly time to take for granted--and a few seconds sufficed--that

his face was the object just observed by her friends. This could only

have been because she concurred in their tribute, even qualified, and

indeed "the English style" of the gentleman--perhaps by instant

contrast to the American--was what had had the arresting power. This

arresting power, at the same time--and that was the marvel--had already

sharpened almost to pain, for in the very act of judging the bared head

with detachment she felt herself shaken by a knowledge of it. It was

Merton Densher's own, and he was standing there, standing long enough

unconscious for her to fix him and then hesitate. These successions

were swift, so that she could still ask herself in freedom if she had

best let him see her. She could still reply to that that she shouldn't

like him to catch her in the effort to prevent this; and she might

further have decided that he was too preoccupied to see anything had

not a perception intervened that surpassed the first in violence. She

was unable to think afterwards how long she had looked at him before

knowing herself as otherwise looked at; all she was coherently to put

together was that she had had a second recognition without his having

noticed her. The source of this latter shock was nobody less than Kate

Croy--Kate Croy who was suddenly also in the line of vision and whose

eyes met her eyes at their next movement. Kate was but two yards

off--Mr. Densher wasn't alone. Kate's face specifically said so, for

after a stare as blank at first as Milly's it broke into a far smile.

That was what, wonderfully--in addition to the marvel of their

meeting--passed from her for Milly; the instant reduction to easy terms

of the fact of their being there, the two young women, together. It was

perhaps only afterwards that the girl fully felt the connection between

this touch and her already established conviction that Kate was a

prodigious person; yet on the spot she none the less, in a degree, knew

herself handled and again, as she had been the night before, dealt

with--absolutely even dealt with for her greater pleasure. A minute in

fine hadn't elapsed before Kate had somehow made her provisionally take

everything as natural. The provisional was just the charm--acquiring

that character from one moment to the other; it represented happily so

much that Kate would explain on the very first chance. This left

moreover--and that was the greatest wonder--all due margin for

amusement at the way things happened, the monstrous oddity of their

turning up in such a place on the very heels of their having separated

without allusion to it. The handsome girl was thus literally in control

of the scene by the time Merton Densher was ready to exclaim with a

high flush, or a vivid blush--one didn't distinguish the embarrassment

from the joy--"Why, Miss Theale: fancy!" and "Why, Miss Theale: what

luck!"

Miss Theale had meanwhile the sense that for him too, on Kate's part,

something wonderful and unspoken was determinant; and this although,

distinctly, his companion had no more looked at him with a hint than he

had looked at her with a question. He had looked and he was looking

only at Milly herself, ever so pleasantly and considerately--she scarce

knew what to call it; but without prejudice to her consciousness, all

the same, that women got out of predicaments better than men. The

predicament of course wasn't definite or phraseable--and the way they

let all phrasing pass was presently to recur to our young woman as a

characteristic triumph of the civilised state; but she took it for

granted, insistently, with a small private flare of passion, because

the one thing she could think of to do for him was to show him how she

eased him off. She would really, tired and nervous, have been much

disconcerted, were it not that the opportunity in question had saved

her. It was what had saved her most, what had made her, after the first

few seconds, almost as brave for Kate as Kate was for her, had made her

only ask herself what their friend would like of her. That he was at

the end of three minutes, without the least complicated reference, so

smoothly "their" friend was just the effect of their all being

sublimely civilised. The flash in which he saw this was, for Milly,

fairly inspiring--to that degree in fact that she was even now, on such

a plane, yearning to be supreme. It took, no doubt, a big dose of

inspiration to treat as not funny--or at least as not unpleasant--the

anomaly, for Kate, that _she_ knew their gentleman, and for herself,

that Kate was spending the morning with him; but everything continued

to make for this after Milly had tasted of her draught. She was to

wonder in subsequent reflection what in the world they had actually

said, since they had made such a success of what they didn't say; the

sweetness of the draught for the time, at any rate, was to feel success

assured. What depended on this for Mr. Densher was all obscurity to

her, and she perhaps but invented the image of his need as a short cut

to service. Whatever were the facts, their perfect manners, all round,

saw them through. The finest part of Milly's own inspiration, it may

further be mentioned, was the quick perception that what would be of

most service was, so to speak, her own native wood-note. She had long

been conscious with shame for her thin blood, or at least for her poor

economy, of her unused margin as an American girl--closely indeed as,

in English air, the text might appear to cover the page. She still had

reserves of spontaneity, if not of comicality; so that all this cash in

hand could now find employment. She became as spontaneous as possible

and as American as it might conveniently appeal to Mr. Densher, after

his travels, to find her. She said things in the air, and yet flattered

herself that she struck him as saying them not in the tone of agitation

but in the tone of New York. In the tone of New York agitation was

beautifully discounted, and she had now a sufficient view of how much

it might accordingly help her.

The help was fairly rendered before they left the place; when her

friends presently accepted her invitation to adjourn with her to

luncheon at her hotel, it was in the Fifth Avenue that the meal might

have waited. Kate had never been there so straight, but Milly was at

present taking her; and if Mr. Densher had been he had at least never

had to come so fast. She proposed it as the natural thing--proposed it

as the American girl; and she saw herself quickly justified by the pace

at which she was followed. The beauty of the case was that to do it all

she had only to appear to take Kate's hint. This had said, in its fine

first smile, "Oh yes, our look is queer--but give me time;" and the

American girl could give time as nobody else could. What Milly thus

gave she therefore made them take--even if, as they might surmise, it

was rather more than they wanted. In the porch of the museum she

expressed her preference for a four-wheeler; they would take their

course in that guise precisely to multiply the minutes. She was more

than ever justified by the positive charm that her spirit imparted even

to their use of this conveyance; and she touched her highest

point--that is, certainly, for herself--as she ushered her companions

into the presence of Susie. Susie was there with luncheon, with her

return, in prospect; and nothing could now have filled her own

consciousness more to the brim than to see this good friend take in how

little she was abjectly anxious. The cup itself actually offered to

this good friend might in truth well be startling, for it was composed

beyond question of ingredients oddly mixed. She caught Susie fairly

looking at her as if to know whether she had brought in guests to hear

Sir Luke Strett's report. Well, it was better her companion should have

too much than too little to wonder about; she had come out "anyway," as

they said at home, for the interest of the thing; and interest truly

sat in her eyes. Milly was none the less, at the sharpest crisis, a

little sorry for her; she could of necessity extract from the odd scene

so comparatively little of a soothing secret. She saw Mr. Densher

suddenly popping up, but she saw nothing else that had happened. She

saw in the same way her young friend indifferent to her young friend's

doom, and she lacked what would explain it. The only thing to keep her

in patience was the way, after luncheon, Kate almost, as might be said,

made up to her. This was actually perhaps as well what most kept Milly

herself in patience. It had in fact for our young woman a positive

beauty--was so marked as a deviation from the handsome girl's previous

courses. Susie had been a bore to the handsome girl, and the change was

now suggestive. The two sat together, after they had risen from table,

in the apartment in which they had lunched, making it thus easy for the

other guest and his entertainer to sit in the room adjacent. This, for

the latter personage, was the beauty; it was almost, on Kate's part,

like a prayer to be relieved. If she honestly liked better to be

"thrown with" Susan Shepherd than with their other friend, why that

said practically everything. It didn't perhaps altogether say why she

had gone out with him for the morning, but it said, as one thought,

about as much as she could say to his face.

Little by little indeed, under the vividness of Kate's behaviour, the

probabilities fell back into their order. Merton Densher was in love,

and Kate couldn't help it--could only be sorry and kind: wouldn't that,

without wild flurries, cover everything? Milly at all events tried it

as a cover, tried it hard, for the time; pulled it over her, in the

front, the larger room, drew it up to her chin with energy. If it

didn't, so treated, do everything for her, it did so much that she

could herself supply the rest. She made that up by the interest of her

great question, the question of whether, seeing him once more, with all

that, as she called it to herself, had come and gone, her impression of

him would be different from the impression received in New York. That

had held her from the moment of their leaving the museum; it kept her

company through their drive and during luncheon; and now that she was a

quarter of an hour alone with him it became acute. She was to feel at

this crisis that no clear, no common answer, no direct satisfaction on

this point, was to reach her; she was to see her question itself simply

go to pieces. She couldn't tell if he were different or not, and she

didn't know nor care if _she_ were: these things had ceased to matter

in the light of the only thing she did know. This was that she liked

him, as she put it to herself, as much as ever; and if that were to

amount to liking a new person the amusement would be but the greater.

She had thought him at first very quiet, in spite of recovery from his

original confusion; though even the shade of bewilderment, she yet

perceived, had not been due to such vagueness on the subject of her

reintensified identity as the probable sight, over there, of many

thousands of her kind would sufficiently have justified. No, he was

quiet, inevitably, for the first half of the time, because Milly's own

lively line--the line of spontaneity--made everything else relative;

and because too, so far as Kate was spontaneous, it was ever so finely

in the air among them that the normal pitch must be kept. Afterwards,

when they had got a little more used, as it were, to each other's

separate felicity, he had begun to talk more, clearly bethought

himself, at a given moment, of what _his_ natural lively line would be.

It would be to take for granted she must wish to hear of the States,

and to give her, in its order, everything he had seen and done there.

He abounded, of a sudden he almost insisted; he returned, after breaks,

to the charge; and the effect was perhaps the more odd as he gave no

clue whatever to what he had admired, as he went, or to what he hadn't.

He simply drenched her with his sociable story--especially during the

time they were away from the others. She had stopped then being

American--all to let him be English; a permission of which he took, she

could feel, both immense and unconscious advantage. She had really

never cared less for the "States" than at this moment; but that had

nothing to do with the matter. It would have been the occasion of her

life to learn about them, for nothing could put him off, and he

ventured on no reference to what had happened for herself. It might

have been almost as if he had known that the greatest of all these

adventures was her doing just what she did then.

It was at this point that she saw the smash of her great question as

complete, saw that all she had to do with was the sense of being there

with him. And there was no chill for this in what she also presently

saw--that, however he had begun, he was now acting from a particular

desire, determined either by new facts or new fancies, to be like

everyone else, simplifyingly "kind" to her. He had caught on already as

to manner--fallen into line with everyone else; and if his spirits

verily _had_ gone up it might well be that he had thus felt himself

lighting on the remedy for all awkwardness. Whatever he did or he

didn't, Milly knew she should still like him--there was no alternative

to that; but her heart could none the less sink a little on feeling how

much his view of her was destined to have in common with--as she now

sighed over it--_the_ view. She could have dreamed of his not having

_the_ view, of his having something or other, if need be quite

viewless, of his own; but he might have what he could with least

trouble, and _the_ view wouldn't be, after all, a positive bar to her

seeing him. The defect of it in general--if she might so ungraciously

criticise--was that, by its sweet universality, it made relations

rather prosaically a matter of course. It anticipated and superseded

the--likewise sweet--operation of real affinities. It was this that was

doubtless marked in her power to keep him now--this and her glassy

lustre of attention to his pleasantness about the scenery in the

Rockies. She was in truth a little measuring her success in detaining

him by Kate's success in "standing" Susan. It would not be, if she

could help it, Mr. Densher who should first break down. Such at least

was one of the forms of the girl's inward tension; but beneath even

this deep reason was a motive still finer. What she had left at home on

going out to give it a chance was meanwhile still, was more sharply and

actively, there. What had been at the top of her mind about it and then

been violently pushed down--this quantity was again working up. As soon

as their friends should go Susie would break out, and what she would

break out upon wouldn't be--interested in that gentleman as she had

more than once shown herself--the personal fact of Mr. Densher. Milly

had found in her face at luncheon a feverish glitter, and it told what

she was full of. She didn't care now for Mr. Densher's personal fact.

Mr. Densher had risen before her only to find his proper place in her

imagination already, of a sudden, occupied. His personal fact failed,

so far as she was concerned, to be personal, and her companion noted

the failure. This could only mean that she was full to the brim, of Sir

Luke Strett, and of what she had had from him. What _had_ she had from

him? It was indeed now working upward again that Milly would do well to

know, though knowledge looked stiff in the light of Susie's glitter. It

was therefore, on the whole, because Densher's young hostess was

divided from it by so thin a partition that she continued to cling to

the Rockies.

The Wings of the Dove, Volume 1 of 2 · 第 62 / 62 题