[Illustration: OR PERHAPS WHEN IT WANTS TO LISTEN IT RAISES A FLIPPER TO

ITS EAR.]

Birds have no ears, nor have crocodiles, nor frogs, nor snakes. Ears

seem to be for beasts only. And not for all beasts. Seals are divided by

naturalists into two great families--those with ears, and those without.

The common seal belongs to the latter class, and the sea-lion to the

former. A common seal lives in the sea, and when it does wriggle up on

the beach of an iceberg there is nothing to hear, I suppose, or perhaps

when it wants to listen it raises a flipper to its ear. I never saw one

doing so, but we do not see everything that happens in the world. The

sea-lion, with its stouter limbs, can lift its forepart, raise its head

and look about it, and even flop about the ice-fields at a respectable

rate. And there is no doubt that one of these is as much above an

earless seal as fifty years of Europe are better than a cycle of Cathay.

When performing seals are exhibited at a circus sitting on chairs,

catching balls on the points of their noses and playing diabolo with

them, or balancing billiard cues on their snouts, and doing other

miraculous things, they are always sea-lions, not common seals. Of

course, I do not mean to insinuate that sea-lions invented the ear and

stuck it on: that would be unscientific; but I mean that their general

intelligence and interest in affairs created that demand for more

distinct hearing which led to the development of an ear trumpet. This

view is wholly scientific, though pedants may quarrel with my way of

putting it.

The sea-lion's ears are very minute, mere apologies one might think; but

don't be hasty. The finny prey of the sea-lion makes no sound as it

skims through the water; and perhaps the padded foot of that stealthy

garrotter, the Polar bear, makes as little on the smooth ice; for

catching the one and not being caught by the other the sea-lion must

trust to the keenness of its great goggle eyes. But it is a social

beast, and it wants to catch the bellowing of its fellows far across

the foggy waste of ice-floes; and that little leather scoop standing

behind the ear-hole seems to be just the instrument required to catch

and send down those sounds which would otherwise glance off the glossy

fur and never find entrance to the tiny orifice at all. If it were any

larger than is absolutely necessary it would be a serious impediment to

a professional diver and swimmer like the sea-lion. This is the reason

why otters have very small ears, and why whales and porpoises have none

at all.

But when a beast lives on land the conditions are all altered, and then

the ear blossoms out into an infinite variety of forms and sizes, from

each of which the true naturalist may divine the manner of life of its

wearer as surely as the palmist tells your past, present and future from

the lines on your hand. First, he will divide all beasts into those that

pursue and those that flee, oppressors and oppressed. The former point

their ears forwards, but the latter backwards. There may be a good deal

of free play in both cases, but I am thinking of the habitual position.

When a cat is making its felonious way along the garden wall, wrapped in

thoughts of blackbirds and thrushes, its ears look straight forwards,

and this is the way in which a cat's portrait is always taken, because

it is characteristic, It cannot turn them round to catch sounds from

behind, and would scorn to do so; when accosted from behind, it turns

its head and looks danger in the face. It can fold them down backwards

when the danger is a terrier and the decks are cleared for action, but

that is another story. Contrast Brer Rabbit as he comes "lopin' up de

big road," His ears are turning every way scouting for danger, not

always in unison, but independently; but when he is at rest they are set

to alarm from the flank and rear.

[Illustration: "TEAR OUT THE HOUSE LIKE THE DOGS WUZ ATTER HIM."]

But when he "tear out the house like the dogs wuz atter him," then they

point straight back. He was made to be eaten, and he knows it. So it is

with the whole tribe of deer, and even with the horse, pampered and

cared for and unacquainted with danger; his ears are a weathercock

registering the drift of all his petty hopes and fears. I see the left

ear go forward and prepare for a desperate shy at that wheelbarrow. He

knows a wheelbarrow familiarly--there is one in his stall all day--but I

am taking him a road he does not want to go, and so the hypocrite is

going to pretend that barrow is of a dangerous sort. I prepare to apply

a counter-irritant: he sees it with the corner of his eye, and both ears

turn back like a tuning-fork.

The size and quality of the ear serve to show how far the owner depends

on it. You will never begin to understand Nature until you see clearly

that every life is dominated by two supreme anxieties which push aside

all other concerns--viz., to eat, and not to be eaten. The one is

uppermost in those that pursue, and the other in those that flee. Now if

the pursuer fails he loses a dinner, but if the fugitive fails he loses

his life, from which it follows that the very best sort of ears will be

found among those beasts that do not ravage but run.

But there is another matter to be taken into account. The ears are not

the whole of the beast's outfit. It has eyes, and it has a nose. Which

of the three it most relies on depends upon the manner of its life. A

bird lives in trees or the air, looking down at the prowling cat or up

at the hawk hovering in the clear sky; so it does not keep ears, and its

nose is of no account. But what four-footed thing can see like a bird?

The squirrel also lives in the trees, and its ears are frivolously

decorated with tufts of hair. You will not find many beasts that can

afford to prostitute their ears to ornamental purposes. The only other

beast that I can think of at this moment which has tufted ears is the

lynx. Now the lynx is a tree cat, and there is proverbial wisdom in the

saying "Eyes like a lynx."

[Illustration: A GREAT CATHOLIC CONGRESS OF DISTINGUISHED EARS.]

But go to the timid beasts that spend their lives on the ground among

grass and brushwood and woods and coppices, where murderous foes are

prowling unseen, and you will see ears indeed--expansive, tremulous,

turning lightly on well-oiled pivots, and catching, like large

sea-shells, the mingled murmur of rustling leaves and snapping twigs and

chirping insects and falling seeds, and the slight, occasional, abrupt,

fateful sound which is none of these. It is impossible, no doubt, for us

ever to think ourselves into the life which these beasts live--moving,

thinking and sleeping in a circumambient atmosphere of never-ceasing

sound; sitting, as it were, at the receiving station of a system of

wireless telegraphy, and catching cross-currents of floating

intelligence from all quarters, mostly undiscernible by us if we

listened for it, but which they, by long practice, instantly locate and

interpret without conscious effort.

The zoologist classifies them under many heads. The field mouse and

rabbits are rodentia, the deer ungulata, the kangaroos marsupialia. In

my museum they are all one family, and their labels are their ears. In

these days of international conferences, parliaments of religion,

pan-everything-in-turn councils, might we not arrange for a great

catholic congress of distinguished ears? What a glow of new life it

would shed upon our straitened, traditional ways of thinking about the

social problems of our humble fellow-creatures! I would exclude the

eared owls, whose ears are a mere sport of fashion, like the hideous

imitations of birds' wings which ladies stick on their hats.

But just when this peep into the rare show of Nature is lifting my soul

into sublimity, I am brought down to the base earth again by an

exception. This is the plague of all high science. You design a stately

theory, collect from many quarters a wealth of facts to establish it

with, and have arranged them with cumulative and irresistible force,

when some disgusting, uninvited case thrusts itself in on your notice

and refuses to fit into your argument at all. In this instance it is

"my lord the elephant." That he has no need to concern himself about any

bloodthirsty beast that may be lurking in the jungle is not more obvious

than that his ears are the biggest in the world. Now there are two ways

of getting rid of an obstruction of this kind. One is to betake yourself

to your thinking chair and pipe and to rake up the possibilities of the

Pleiocene and Meiocene ages, and prove that when the immense ear of the

elephant was evolved there must have been some carnivorous monster, some

sabre-toothed tiger or cave bear, which preyed on elephants.

The other way is to get acquainted with the elephant, cultivate an

intimacy with him, and find out what his ears are to him. I prefer the

second way. I would patiently watch him as he stands drowsily under an

umbrageous banian tree on a sultry day before the monsoon has burst and

refreshed earth and air. So might I note that his ears are incessantly

moving, but not turning this way and that to catch sounds--just

flapping, flapping, as if to cool his great temples. So have I seen the

gigantic fruit bats, called flying foxes in India, hanging in hundreds

in the upper branches of a tall peepul tree at noon, feeling too hot to

sleep, and all fanning themselves in unison with one wing--a comic

spectacle. And at each flap of the elephant's ears I would observe that

a cloud of flies (for the elephant is not too great to be pestered by

the despicable hordes of beggars for blood) were dislodged from their

feeding grounds about his head and neck, and, trying to settle about his

rear parts, were driven back again by the swinging of his tail. Then I

should say that ear is just a fan. How significant it is that among the

emblems of royalty in the East the three chiefest are an

umbrella-bearer, two men who stand behind and swing great punkahs

modelled on the elephant's ear, and two others carrying yak's tails

wherewith to scare the flies from the royal person! The elephant is a

rajah!

There is another mysterious ear which is a stumbling-block to the simple

theory-monger. It is in fashion among a tribe of bats to which belongs

the so-called vampire of India. This monster is fond of coming into your

bedroom at midnight through the open windows, but not to suck your

blood, for it has little in common with the true vampire of South

America. It brings its dinner with it and hangs from the ceiling,

"feeding like horses when you hear them feed." You hear its jaws

working--crunch, crunch, crunch, but feel too drowsy to get up and expel

it.

When you get up in the morning there on your clean dressing table, just

below the place where it hung, are the bloody remains of a sparrow, or

the crumbs of a tree-frog. The servants will tell you that the sparrow

was killed and eaten by a rat, but if you rise softly next night when

you hear the sound of feeding, and shut the windows, you will find a

goblin hanging from the ceiling in the morning, hideous beyond the

power of words to tell. Its ears, thin, membranous and longer than its

head, tremble incessantly. Inside of them is another pair, much smaller

than the first, and tuned to their octave, I should guess, while two

membranous smelling trumpets of similar pattern rise over the nose. What

is the meaning of these repulsive instruments, and how does that strange

beast catch sparrows? When it comes out after dark and quarters the

garden, passing swiftly under and through the branches of trees, they

are sound asleep hidden among the leaves, motionless and silent. But

their flesh may be scented, and their gentle breathing heard if you have

instruments sufficiently delicate. Then the ample wings may suddenly

enfold the sleeping body, and the savage jaws grip the startled head

before there is time even to scream. Without a doubt this is the secret

of the vampire bat's ears.

But to find food and flee death are not the only interests in life even

to the meanest creature. There are social pleasures, family affections

and fellowship, sympathy and co-operation in the struggles of life. And

there is love.

Omne adeo genus in terris hominumque ferarumque,

Et genus aequoreum, pecudes, pictaeque volucres,

In furias ignemque ruunt: amor omnibus idem.

The chirping of the cricket, the song of the lark, the call of the

sentinel crane, the watchword with which the migratory geese keep their

squadrons together, the howling of jackals, the lowing of cows, the hum

of the hive, the chatter of the drawing-room, and a hundred other voices

in forest and field and town remind us that the voice and the ear are

the pair of wheels on which society runs.

And this thought points the way out of another contradictious puzzle,

that which confronts my argument from the ears of an ass. It roams

treeless deserts where no foe can approach unseen. Thistles make no

sound. Why should it be adorned with ears which in their amplitude are

scarcely surpassed by those of the rabbit and the hare. There is no

answer unless their function is to hear the bray of a fellow-ass.... One

may object that that majestic sound is surely of force to impress itself

without any aid from an external ear; but that is a vain argument built

on the costermonger's moke--dreary exile from its fatherland. Remember

that its ancestors wandered on the steppes of Central Asia or the

borders of the Sahara. In those boundless solitudes, with nothing that

eye can see or that common ear can hear to remind her that she is not

the sole inhabitant of the universe, the wild ass "snuffeth up the wind

in her desire," and lifting her windsails to the hot blast, hears, borne

across miles of white sand and shimmering mirage, the joyful

reverberations of that music which tells of old comrades and boon

companions scouring the plain and kicking up their exultant heels.

Monkeys taking to trees were like the birds, they scarcely needed ears.

And so by the high road of evolution you arrive at man and the enigma of

his ear. It is a shrunken and shrivelled remnant, a moss-grown ruin, a

derelict ship. It is to a pattern ear what the old shoe which you find

in a country lane, shed from the foot of some "unemployed," is to one of

Waukenphast's "five-miles-an-hour-easy" boots. We ought to temper our

contempt for what it is with respect for what it was. All the parts of

it are there and recognisable, even to the muscles that should move it,

but we have lost control of them. I believe anyone could regain that by

persevering exercise of his will power for a time--that is, if he has

any. I have a friend who, if you treat him with disrespect, shrivels you

up with a sarcastic wag of his right ear.

The ears of dogs open up another vista for the questioning philosopher.

Their day is past, too, and man may cut them short to match his own, but

the dog grows them longer than before. When he first took service with

man, and grew careless and lazy, the muscles got slack and the ears

dropped, which is in accordance with Nature. Then, instead of being

allowed to wither away, they have been handed over to the milliner and

shaped and trimmed in harmony with the "style" of each breed of dogs.

How it has been done is one of those mysteries which will not open to

the iron keys of Darwin, But there it is for those to see who have eyes.

[Illustration: THE CURLS OF A MOTHER'S DARLING.]

The ears of the little dogs bred for ladies' laps are the curls of a

mother's darling; the pendant love-locks of the old, old maid who,

despite of changeful fashions, clings to those memorials of the pensive

beauty of her youth, are repeated in solemn mimicry by the dachshund

trotting at her heels; but the sensible fur cap of the dignified

Newfoundland reminds us of the cold regions from which his forefathers

came. Some kinds of terriers still have their ears starched up to look

perky, and I have occasionally seen a dog with one ear up and the other

down as if straining after the elusive idea expressed in the

Baden-Powell hat. All which shows that "one touch of nature makes the

whole world kin."

VI

TOMMY

THE STORY OF AN OWL

Among the many and various strangers within my gates who have helped to

enliven the days of my exile, Tommy was one towards whom I still feel a

certain sense of obligation because he taught me for the first time what

an owl is. For Tommy was an owl. From any dictionary you may ascertain

that an owl is a nocturnal, carnivorous bird, of a short, stout form,

with downy feathers and a large head; and if that does not satisfy you,

there is no lack of books which will furnish fuller and more precise

descriptions.

But descriptions cannot impart acquaintance. I had sought acquaintance

and had gained some knowledge such as books cannot supply, not only of

owls in general, but of that particular species of owls to which Tommy

belonged, who, in the heraldry of ornithology, was _Carine brahma_, an

Indian spotted owlet. This branch of the ancient family of owls has

always been eccentric. It does not mope and to the moon complain. It

flouts the moon and the sun and everyone who passes by, showing its

round face at its door and even coming out, at odd times of the day, to

stare and bob and play the clown. It does not cry "Tuwhoo, Tuwhoo," as

the poets would have it, but laughs, jabbers, squeaks and chants

clamorous duets with its spouse.

All this I knew. I had also gathered from his public appearances that a

spotted owlet is happy in his domestic life and that he is fond of fat

white ants, for, when their winged swarms were flying, I had seen him

making short flights from his perch in a tree and catching them with his

feet; and I believed that he fed in secret on mice and lizards. But all

that did not amount to understanding an owl, as I discovered when Tommy

became a member of our chummery.

Tommy was born in "the second city of the British Empire," to wit,

Bombay, in the month of March, 1901. His birthplace was a hole in an old

"Coral" tree. Domestic life in that hole was not conducted with

regularity. Meals were at uncertain hours and uncertain also in their

quantity and quality. The parents were hunters and were absent for long

periods, and though there was incredible shouting and laughter when they

returned, they came at such irregular times that we did not suspect that

they were permanent residents and had a family. One night, however,

Tommy, being precocious and, as we discovered afterwards, keen on seeing

life, took advantage of parental absence to clamber to the entrance of

the nursery and, losing his balance, toppled over into the garden. He

kept cool, however, and tried to conceal himself, but Hurree the malee,

watering the plants early in the morning, spied him lying with his face

on the earth and brought him to us.

He seemed dead, but he was very much alive, as appeared when he was made

to sit up and turned those wonderful eyes of his upon us. He was a droll

little object at that time, nearly globular in form and covered with

down, like a toy for children to play with. His head turned like a

revolving lighthouse and flared those eyes upon you wherever you went,

great luminous orbs, black-centred and gold-ringed and full of silent

wonder, or, I should rather say, surprise. This never left him. To the

last everything that presented itself to his gaze, though he had seen it

a hundred times, seemed to fill him with fresh surprise. Nothing ever

became familiar. What an enviable cast of mind! It must make the

brightness of childhood perennial.

There was some discussion as to how Tommy should be fed, and we finally

decided that one should try to open the small hooked beak, whose point

could just be detected protruding from a nest of fluff, while another

held a piece of raw meat ready to pop in. It did not look an easy job,

but we had scarcely set about it when Tommy himself solved the

difficulty by plucking the meat out of our fingers and swallowing it.

This early intimation that, however absent he might look, he was "all

there" was never belied, and there was no further difficulty about the

feeding of him. When he saw us coming he always fell into the same

ridiculous attitude, with his face in the dust, but we just picked him

up and stood him on his proper end and showed him the meat and his

bashfulness vanished at once.

After sunset he would get lively and begin calling for his mother in a

strange husky voice. At this time we would let him out in the garden,

watching him closely, for, if he thought he was alone, he would sneak

away slyly, then make a run for liberty, hobbling along at a good rate

with the aid of his wings, though he never attempted to fly as yet. When

detected and overtaken, he fell on his face as before. One memorable day

he found a hole in a stone wall and, before we could stop him, he was

in. The hole was too small to admit a hand, though not a rat or a snake,

so the prospect was gloomy. Suddenly a happy inspiration came to me.

That sad, husky cry with which he expressed his need of a mother was not

difficult to mimic, and he might be cheated into thinking that a lost

brother or sister was looking for him. I retired and made the attempt,

and, hark! a faint echo came from the wall. At each repetition it became

clearer, until the round face and great eyes appeared at the mouth of

the hole. Then the round body tumbled out, and little Tommy was hobbling

about, looking, with pathetic eagerness, for "the old familiar faces."

When he discovered how he had been betrayed, his face went down and he

suffered himself to be carried quietly to the canary's cage in which he

was kept.

It seemed to be time now to begin Tommy's education, for I judged that,

if he had been at home, he would ere then have been getting nightly

lessons in the poacher's art. So I procured a small gecko, one of those

grey house lizards, with pellets at the ends of their toes, which come

down from the roof after the lamps are lit and gorge themselves on the

foolish moths and plant bugs that come to the light. Securing it with a

thin cord tied round its waist, I introduced it into Tommy's cage. He

looked surprised, very much surprised. He raised himself to his full

height. He gazed at it. He curtseyed. He gave a little jump and was

standing with both feet on the lizard. A moment more and the lizard was

gliding down his throat with my thin cord after it. Mr. Seton Thompson

would have us believe that all young things are laboriously trained by

their parents, just like human children, and if he was an eye-witness of

all the scenes that he describes so vividly, it must be so with other

young things. But he did not know Tommy, who is the bird of Minerva and

evidently sprang into being, like his patron goddess, with all his

armour on.

After a time, when he had exchanged his infant down for a suit of

feathers, he was promoted to a large cage out in the garden, and his

regular diet was a little raw meat or a mutton bone tied to one of his

perches, but, by way of a treat, I would offer him, whenever I could get

it, a locust, or large grasshopper. His way of accepting this was unique

and pretty. He would look surprised, stare, curtsey once or twice, stare

again and then, suddenly, noiselessly and as lightly as a fairy, flit

across the cage and, without alighting, pluck the insect from my fingers

with both his feet and return to his perch.

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