CHAPTER VII.

THE TIME HAS COME.

Three days later Mildred and her young companion started for Italy.

The doctor declared that the departure was premature—Mrs. Greswold was

not strong enough to undertake such a fatiguing journey. But modern

civilisation has smoothed the roads that lead over the civilised world,

and for a lady who travels with a maid and a courier, journeys are

rendered very easy; besides, Mildred had made up her mind to leave

Brighton at any hazard.

The hour of parting came for Pamela and Castellani, and although the

young lady took care to remind him at least a dozen times a day of that

impending severance, not one word of the future, or of any cherished

hope on his part, fell from his lips. And yet it had seemed to Pamela

that he was devoted to her, that he only waited for the opportunity to

speak. It seemed to her also that he felt the pain of parting, for he

had an air of deepest melancholy daring these farewell days, and talked

only of saddest themes. He was in Lewes Crescent nearly all day long—he

played the mournfullest strains—he behaved like a man oppressed with a

secret sorrow; but never a word of love or marriage did he breathe to

Pamela. He pressed her hand gently, with an almost paternal affection,

as she leant out of the carriage which was to take her to the station,

and bade him a last good-bye.

“Good-bye!” she half sang, half sobbed, in the darkness at the back

of the hired landau, as they drove bumping down St. James’s street.

“Good-bye, summer; good-bye, everything!”

She did not even glance at Hannington’s autumn fashions as they drove

up the hill. She felt that life was no longer worth dressing for.

“He never could have cared for me,” she thought, as she dropped her

silent tears upon Box’s thoroughbred neck, “and yet he seemed—he

seemed! Does he seem like that to every girl, I wonder? Is he all

seeming?”

After this came a leisurely journey, and then long, slow weeks of a

luxurious repose amidst fairest surroundings—a life which to those who

have lived and fought the great battle, and come wounded but yet alive

out of the fray, is the life paradisaic; but for the fresh, strong soul

panting for emotions and excitements, like a young bird that yearns to

try the strength of his wings, this kind of languid existence seems

like a foretaste of death and nothingness. Mountains and lakes were not

enough for Pamela—the azure of an Italian sky, the infinite variety of

sunset splendours, the brightness of a morning heralded by a roseate

flush on snow-capped hills—all these were futile where the heart

was empty. Mildred’s maturer grief found some consolation in these

exquisite surroundings; but Pamela wanted to live, and those encircling

mountains seemed to her as the walls of a gigantic prison.

“It was so nice at Brighton,” she said, looking along the burnished

mirror of the lake with despondent eyes, tired of the mystery of those

reflected mountains, descending into infinite depths, a world inverted:

“so gay, so cheery—always something going on. Don’t you think, aunt,

that the air of this place is very relaxing?”

That word relaxing is the keynote of discontent. It is a word that can

blight the loveliest spots the sun ever shone upon. It is the speck

upon the peach. Be sure that before ever he mentioned the apple, Satan

told Eve that Eden was very relaxing.

“I hope you are not unhappy here, my dear Pamela?” said Mildred,

evading the question.

“Unhappy? O, no, indeed, dear aunt! I could not be otherwise than happy

with you anywhere. There are lots of people who would envy me living on

the shore of Lago Maggiore, and seeing those delightful mountains all

day long; but I did so enjoy Brighton—the theatre, the Pavilion; always

something going on.”

The two ladies had their own suite of apartments in the hotel, and

lived in that genteel seclusion which is the privilege of wealth as

well as of rank all over the world. Pamela envied the tourists of

Cook and Gaze, as she saw them trooping into the _table d’hôte_, or

heard their clatter in the public drawing-room. It was all very well

to sit in one’s own balcony, gazing at the placid lake, while the

rabble amused themselves below. One felt one’s superior status, and

the advantage of being somebody instead of nobody; but when the rabble

danced or acted charades, or played dumb crambo, or squabbled over a

game at nap, they seemed to have the best of it somehow.

“I almost wish I had been born a vulgarian,” sighed Pamela one evening,

when the tourists were revolving to the “Myosotis Waltz” banged out on

a cast-iron grand in the salon below.

Mildred did all she could in the way of excursionising to enliven the

dulness of their solitary life; but the beauties of Nature palled upon

Pamela’s lively mind. However the day might be occupied in drives to

distant scenes of surpassing loveliness, the ever-lengthening evenings

had to be spent in the Louis Quatorze salon, where no visitors dropped

in to disturb the monotony of books and work, piano and pet-dog.

For Mildred, too, those evening hours seemed unutterably long, and as

autumn deepened into winter, her burden seemed heavier to bear. Time

brought no consolation, offered no hope. She had lost all that had

made life worth living. First, the child who represented all that was

brightest and fairest and gayest and most hopeful in her life; next,

the husband who was her life itself, the prop and staff, the column

around which every tendril of her being was entwined. There was nothing

for her in the future but a life of self-abnegation, of working and

living for others. The prospect seemed dark and dreary, and she knew

now how small a margin of her life had been devoted to God. The idea of

devoting herself wholly was too repellent. She knew now that she was

very human, wedded to earthly loves and earthly happiness, needing a

long purgation before she could attain the saintly attitude.

She thought of Enderby every night as she sat in silent melancholy

beside the hearth, where a solitary log crumbled slowly to white

ashes on the marble, and where the faint warmth had a perfume of

distant pine-woods; she thought of Enderby and its widowed master.

Was he living there still, or was he, too, a wanderer? She had heard

but little of his movements since she left England. Pamela had

written to him, and he had replied, but had said very little about

himself. The only news in Rosalind’s letters was of the extraordinary

development—intellectual and otherwise—of the baby, and the magnitude

of Sir Henry’s bag. Beyond the baby and the bag, Lady Mountford’s pen

rarely travelled.

Mildred thought of that absent husband with an aching heart. There

were times when she asked herself if she had done well—when she was

tempted to total surrender—when the pen was in her hand ready to write

a telegram imploring him to come to her—or when she was on the point

of giving her orders for an immediate return to England. But pride and

principle alike restrained her. She had taken her own course, she had

made up her mind deliberately, after long thought and many prayers. She

could not tread the backward way, the primrose path of sin. She could

but pray for greater strength, for loftier purpose, for that grand

power of self-forgetfulness which makes for heaven.

Christmas came and found her in this frame of mind. There were very

few tourists now, and the long corridors had a sepulchral air, the

snowy mountain-tops were blotted out by mist and rain. For Pamela,

Christmastide had been a season of much gaiety hitherto—a season of

new frocks and many dances, hunting and hunt-balls, and the change

was a severe test of that young lady’s temper. She came through the

ordeal admirably, never forgot that she had promised her uncle to be

his wife’s faithful companion, and amused herself as best she could

with Italian music and desultory studies. She read Mr. Sinnett’s books,

studied Bohn’s edition of Plato’s Dialogues, addled her youthful brain

with various theories of a far-reaching kind, and fancied herself

decidedly mediumistic. That word mediumistic possessed a peculiar

fascination for her. She had looked at César Castellani’s eyeballs,

which were markedly globular—seeming, as it were, reflecting surfaces

for the spirit world, a sure indication of the mediumistic temperament.

She had seen other signs; and now in this romantic solitude, sauntering

by the lake in the misty winter air, just before sundown, she fancied

herself almost in communion with that absent genius. Distance could

not separate two people when both were eminently mediumistic.

“I believe he is thinking of me at this very moment,” she said to

herself one afternoon at the end of the year, “and I have a kind of

feeling that I shall see him—bodily—very soon.”

She forgot to reckon with herself that this kind of feeling could count

for very little, since she had experienced it in greater or less degree

ever since she had left Brighton. In almost every excursion she had

beguiled the tedium of the way with some pleasant day-dream. Castellani

would appear in the most unlooked-for manner at the resting-place where

they were to lunch. He would have followed them from England at his

leisure, and would come upon them unannounced, pleased to startle her

by his sudden apparition. In absence she had recalled so many tender

speeches, so many indications of regard; and she had taught herself to

believe that he really cared for her, and had but been withheld from

a declaration by a noble dignity which would not stoop to woo a woman

richer than himself.

“He is poor and proud,” she thought.

Poor and proud. How sweet the alliteration sounded!

She had thought of him so incessantly that it was hardly a coincidence,

and yet it seemed to her a miracle when his voice sounded behind her in

the midst of her reverie.

“You ought not to be out of doors, Miss Ransome, when the sun is so

nearly down.”

She turned and faced him, pale first with infinite pleasure, and then

rosy to the roots of her flaxen hair.

“When did you come?” she asked eagerly. “Have you been long in Italy?”

“I only came through the St. Gothard last night, breakfasted at

Locarno, and came here by road. I have not seen Mrs. Greswold yet. She

is well, I hope?”

“She is not over-well. She frets dreadfully, I am afraid. It is so sad

that she and Uncle George should be living apart for some mysterious

reason which nobody knows. They were the most perfect couple.”

“Mrs. Greswold is a perfect woman.”

“And Uncle George has the finest character. His first marriage was

unhappy, I believe; nobody ever talked about it. I think it was only

just known in the family that he had married in Italy when he was a

young man, and that his wife had died within a year. It was supposed

that she could not have been nice, since nobody knew anything about

her.”

“Rather hard upon the dead lady to be condemned by her husband’s

silence. Will you take me to your aunt?”

“With pleasure. I think she ought to be charmed to see you, for we lead

the most solitary existence here. My aunt has set her face against

knowing anybody, in the hotel or out of it. And there have been some

really charming people staying here; people one would go out of one’s

way to know. Have you come here for your health?”

“For my pleasure only. I was sick to death of England and of cities. I

longed to steep myself in the infinite and the beautiful. Those indigo

clouds above the mountains yonder—with that bold splash of orange

shining through the gorge—are worth the journey, were there no more

than that; and when the wintry stars glass themselves in the lake by

and by, ah! then one knows what it is to be the living, acting element

in a world of passive beauty. And to think that there are men and women

in London groping about in the fog, and fancying themselves alive!”

“O, but there are compensations—theatres, concerts, dances.”

“Miss Ransome, I fear you are a Philistine.”

“O, no, no! I adore Nature. I should like to be above those common

earthly pleasures—to journey from star to star along the planetary

chain, rising at each transition to a higher level, until I came to the

spirit world where— This is the hotel, and we are on the second floor.

Would you like the lift?”

“I never walk when I can be carried.”

“Then we will go up in the lift. I used to think it rather good fun

at first,” said Pamela with a sigh, remembering how soon that trivial

excitement had begun to pall.

Mildred received the unexpected visitor with marked coldness; but it

was not easy to remain persistently cold while Pamela was so warm.

Castellani was one of those provoking people who refuse to see when

they are unwelcome. He was full of talk, gay, bright, and varied. He

had all the social events of the past three months to talk about.

Society had witnessed the most extraordinary changes—marriages—sudden

deaths—everything unlooked for. There had been scandals, too; but these

he touched upon lightly, and with a deprecating air, professing himself

sorry for everybody.

Mildred allowed him to talk, and was, perhaps, a little more cordial

when he took his leave than she had been when he came. He had prevented

her from thinking her own thoughts for the space of an hour, and that

was something for which to be grateful. He had come there in pursuit of

Pamela, no doubt. He could have no other reason. He had been playing

his own game, holding back in order to be the more gladly accepted when

he should declare himself. It was thus Mildred reasoned with herself;

and yet there had been looks and tones which it was difficult for her

to forget.

“He is by profession a lady-killer,” she argued; “no doubt he treats

all women in the same way. He cannot help trying to fascinate them;

and there are women like Cecilia Tomkison who encourage him to make

sentimental speeches.”

She persuaded herself that the looks and tones which had offended meant

very little. For Pamela’s sake she would like to think well of him.

“You have told me about a great many people,” she said, as he was

leaving them, “but you have told me nothing about my husband. Did you

hear if he was still at Enderby—and well?”

“He was still at Enderby up to the end of November, and I believe he

was well. I spent three days at Riverdale, and heard of him from Mrs.

Hillersdon.”

Mildred asked no further question, nor did she invite Mr. Castellani to

repeat his visit. Happily for his own success in life, he was not the

kind of person to wait for invitations.

“I am staying in the hotel,” he said. “I hope I may drop in

sometimes—to-morrow even. Miss Ransome is good enough to say she would

like to sing some duets with me.”

“Miss Ransome knows I have not been receiving any visitors,” Mildred

answered, with a touch of reproachfulness.

“O, but Mr. Castellani is an old friend! The people you avoided were

strangers,” said Pamela eagerly.

Mildred made no further protest. Few men would have accepted a

permission so grudgingly given; but Castellani stopped at no obstacle

when he had a serious purpose to serve: and in this case his purpose

was very serious; for life or death, he told himself.

He came next day, and the day after that, and every day for four or

five weeks, till the first flush of precocious spring lent beauty to

the landscape and softness to the sky. Mildred submitted to his visits

as an inevitable consequence of Pamela’s folly; submitted, and by and

by fell into the habit of being amused by Castellani; interested in his

talk of men and women and of books, of which he seemed to have read

all of any mark that had ever been written. She allowed herself to be

interested; she allowed herself to be soothed by his music; she let

him become an influence in her life, unawares, caught by a subtlety

that had never been surpassed by anybody of lesser gifts than Satan:

but never did this presumptuous wooer beguile her into one single

thought that wronged her absent husband. Her intellect acknowledged the

tempter’s intellectual sway, but her heart knew no wavering.

César Castellani had seen a good deal of life, but as he had

assiduously cultivated the seamy side, it was hardly strange if he

lacked the power of understanding a pure-minded woman. To his mind

every woman was a citadel, better or worse defended, but always

assailable by treason or strategy, force or art, and never impregnable.

Mrs. Greswold was his Troy, his Thebes, his ideal of majesty and

strength in woman. So far as virtue went upon this earth he believed

Mildred Greswold to be virtuous; proud, too; not a woman to lower her

crest to the illicit conqueror, or stain her name with the disgrace of

a runaway wife. But it had been given to him to disturb a union that

had existed happily for fourteen years. It had been given to him to

awaken the baneful passion of jealousy, to sow the seeds of suspicion,

to part husband and wife. He had gone to work carelessly enough in

the first instance, struck with Mildred’s beauty and sweetness—full

of sentimental recollections of the fair child-face and the bright

streaming hair that had passed him like a vision in the sunlight of

Hyde Park. He had envied the husband so fair a wife, so luxurious

a home, with its air of old-world respectability, that deep-rooted

English aristocracy of landed estate, which to the foreign adventurer

seemed of all conditions in life the most enviable. He had been

impelled by sheer malice when he uttered his careless allusion to

George Greswold’s past life, and with a word blighted two hearts.

He saw the effect of the speech in the face of the wife, and in the

manner of the husband saw that he had launched a thunderbolt. It was

with deepest interest he followed up his advantage; watched and waited

for further evidence of the evil he had done. He was a close student

of the faces of women; above all, when the face was lovely. He saw all

the marks of secret care in Mrs. Greswold’s countenance during the

weeks that elapsed between his first visit to Enderby and the charity

concert. He saw the deepening shadows, the growing grief, and on the

day of the concert he saw the traces of a still keener pain in those

pale features and haggard eyes; but for an immediate separation between

husband and wife he was not prepared.

He heard at Riverdale of Mrs. Greswold’s departure from home. The

suddenness and strangeness of her journey had set all the servants

talking. He found out where she had gone, and hastened at once to call

upon his devoted friend Mrs. Tomkison, who told him all she had to tell.

“There is some domestic misery—an intrigue on his part, I fear,” said

the glib Cecilia. “Men are such traitors. It would hardly surprise me

to-morrow if I was told that Adam was maintaining an expensive _ménage_

in St. John’s Wood. She would tell me nothing, poor darling; but she

sent for Mr. Cancellor, and was closeted with him for an hour. No doubt

she told _him_ everything. And then she went off to Brighton.”

Castellani followed to Brighton, and his influence with Miss Fausset

enabled him to learn something, but not all. Not one word said Miss

Fausset about the supposed identity between George Greswold’s first

wife and John Fausset’s _protégée_; but she told Mr. Castellani that

she feared her niece’s separation from her husband would be permanent.

“Why does she not divorce him,” he asked, “if he has wronged her?”

“He has not wronged her—in the way you mean. And if he had, she could

not divorce him, unless he had beaten her. You men made the law, and

framed it in your own favour. It is a very sad case, César, and I

am not at liberty to say any more about it. You must ask me no more

questions.”

Castellani obeyed for the time being; but he did ask further questions

upon other occasions, and he exercised all his subtlety in the

endeavour to extract information from Miss Fausset. That lady, however,

was inflexible; and he had to wait for time to solve the mystery.

“They have parted on account of that first marriage,” he told himself.

“Perhaps she has found out all about the poor lady’s fate, and takes

the worst view of the catastrophe. That would account for their

separation. She would not stay with a husband she suspected; he would

not live with a wife who could so suspect. A very pretty quarrel.”

A quarrel—a life-long severance—but not a divorce. There was the

difficulty. César Castellani believed himself invincible with women.

The weakest, and in some cases the worst, of the sex had educated him

into the belief that no woman lived who could resist him. And here was

a woman whom he intensely admired, and whose married life it had been

his privilege to wreck. She was a rich woman—and it was essential to

his success in life that he should marry wealth. With all his various

gifts he was not a money-earning man, he would never attain even

lasting renown by his talents. For when the good fairies had endowed

him with music and poetry, eloquence and grace, the strong-minded,

hard-featured fairy called Perseverance came to his christening

feast, and seeing no knife and fork laid for her, doomed him to the

curse of idleness. He had all the talents which enable a man to shine

in society but he had also the money-spending talent, the elegant

tastes and inclinations which require some thousands a year for their

sustenance. Hitherto he had lived by his wits—from hand to mouth; but

for some years past he had been on the look-out for a rich wife.

He knew that Mildred Greswold was three times richer than Pamela

Ramsome. The wealth of the Faussets came within the region of his

knowledge; and he knew how large a fortune John Fausset had left his

daughter, and how entirely that fortune was at her own disposal. He

might have had Pamela for the asking; Pamela, with a paltry fifteen

hundred a year; Pamela, who sang false and bored him beyond measure.

The higher prize seemed impossible; but it was his nature to attempt

the impossible. His belief in his own power was boundless.

“She cannot divorce her husband,” he told himself; “but he may divorce

her if she should wrong him, or even seem to wrong him: and the most

innocent woman may be compromised if her lover is daring and will risk

much for a great _coup_, as I would.”

He thought himself very near success in these lengthening afternoons

in the beginning of February, when he was allowed to spend the lovely

hour of sundown in Mrs. Greswold’s _salon_, watching the sunset from

the wide plate-glass window, which commanded a panorama of lake and

mountain, with every exquisite change from concentrated light to

suffused colour, and then to deepening purple that slowly darkened

into night. It was the hour in which it was deemed dangerous to be out

of doors; but it was the loveliest hour of the day or the night, and

Mildred never wearied of that glorious outlook over lake and sky. She

was silent for the most part at such a time, sitting in the shadow of

the window-curtains, her face hidden from the other two, sitting apart

from the world, thinking of the life that had been and could never be

again.

Sometimes in the midst of her sad thoughts Castellani would strike a

chord on the piano at the other end of the room, and then a tender

strain of melody would steal out of the darkness, and that veiled

tenor voice would sing some of the saddest lines of Heine, the poet

of the broken heart, sadder than Byron, sadder than Musset, sad with

the sadness of one who had never known joy. Those words wedded to

tenderest melody always moved Mildred Greswold to tears. Castellani saw

her tears and thought they were given to him; such tears as yielding

virtue gives to the tempter. He knew the power of his voice, the

fascination of music for those in whom the love of music is a part of

their being. He could not foresee the possibility of failure. He was

already admitted to that kind of intimacy which is the first stage of

success. He was an almost daily visitor; he came upon the two ladies

in their walks and drives, and contrived, unbidden, to make himself

their companion; he chose the books that both were to read, and made

himself useful in getting library parcels sent from Milan or Paris. He

contrived to make himself indispensable, or at least thought himself

so. Pamela’s eagerness filled up all the gaps; she was so full of talk

and vivacity that it was not easy to be sure about the sentiments of

her more silent companion; but César Castellani’s vanity was the key

with which he read Mildred’s character and feelings.

“She is a sphinx,” he told himself; “but I think I can solve her

mystery. The magnetic power of such a love as mine must draw her to me

sooner or later.”

Mr. Castellani had a profound belief in his own magnetism. That word

magnetic had a large place in his particular creed. He talked of

certain fascinating women—generally a little _passée_—as “magnetic.” He

prided himself upon being a magnetic man.

While César Castellani flattered himself that he was on the threshold

of success, Mildred Greswold was deliberating how best to escape from

him and his society for ever. Had she been alone there need have been

no difficulty; but she saw Pamela’s happiness involved in his presence,

she saw the fresh young cheek pale at the thought of separation,

and she was perplexed how to act for the best. Had Pamela been her

daughter she could not have considered her feelings more tenderly. She

told herself that Mr. Castellani would be a very bad match for Miss

Ransome; yet when she saw the girl’s face grow radiant at the sound

of his footsteps, when she watched her dullness in his absence, that

everlasting air of waiting for somebody which marks the girl who is

in love, she found herself hoping that the Italian would make a formal

proposal, and she was inclined to meet him half-way.

But the new year was six weeks old, and he had not even hinted at

matrimonial intentions, so Mildred felt constrained to speak plainly.

“My dearest Pamela, we are drifting into a very uncomfortable position

with Mr. Castellani,” she began gently. “He comes here day after day as

if he were your _fiancé_, and yet he has said nothing definite.”

Pamela grew crimson at this attack, and her hands began to tremble over

her crewel-work, though she tried to go on working.

“I respect him all the more for being in no haste to declare himself,

Aunt Mildred,” she said, rather angrily. “If he were the kind of

adventurer you once thought him, he would have made me an offer ages

ago. Why should he not come to see us? I’m sure he’s very amusing and

very useful. Even you seem interested in him and cheered by him. Why

should he not come? We have no one’s opinion to study in a foreign

hotel.”

“I don’t know about that, dear. People always hear about things; and it

might injure you by and by in society to have your name associated with

Mr. Castellani.”

“I am sure I should be very proud of it,” retorted Pamela; “very proud

to have my name associated with genius.”

“And you really, honestly believe you could be happy as his wife,

Pamela?” asked Mildred gravely.

“I know that I can never be happy with any one else. I don’t consider

myself particularly clever, aunt, but I believe I have the artistic

temperament. Life without art would be a howling wilderness for me.”

“Life means a long time, dear. Think what a difference it must make

whether you lead it with a good or a bad man!”

“All the goodness in the world would not make me happy with a husband

who was not musical; not John Howard, nor John Wesley, nor John Bunyan,

nor any of your model Johns. John Milton _was_,” added Pamela rather

vaguely, “and handsome into the bargain; but I’m afraid he was a little

_dry_.”

“Promise me at least this much, Pamela. First, that you will take no

step without your uncle’s knowledge and advice; and next, that if ever

you marry Mr. Castellani, you will have your fortune strictly settled

upon yourself.”

“O, aunt, how sordid! But perhaps it would be best. If I had the money,

I should give it all to him: but if he had the money, with his artistic

temperament he would be sure to lavish it all upon other people. He

would not be able to pass a picturesque beggar without emptying his

pockets. Do you remember how he was impressed by the four old men on

the church steps the other day?”

“Yes, but I don’t think he gave them anything.”

“Not while we were with him; but you may be sure he did afterwards.”

After this conversation Mrs. Greswold made up her mind on two points.

She would arrange for a prompt departure to Venice or Naples, whichever

might be advised for the spring season; and she would sound Mr.

Castellani as to his intentions. It was not fair to Pamela that she

should be kept in the dark any longer, that the gentleman should be

allowed to sing duets with her, and advise her studies, and join her in

her walks, and yet give no definite expression to his regard.

Mildred tried to think the best of him as a suitor for her husband’s

niece. She knew that he was clever; she knew that he was fairly well

born. On his mother’s side he sprang from the respectable commercial

classes; on his father’s side he belonged to the art-world. There

was nothing debasing in such a lineage. From neither her friend Mrs.

Tomkison nor from Miss Fausset had she heard anything to his discredit;

and both those ladies had known him long. There could therefore be no

objection on the score of character. Pamela ought to make a much better

marriage in the way of means and position; but those excellent and

well-chosen alliances dictated by the wisdom of friends are sometimes

known to result in evil; and, in a word, why should not Pamela be happy

in her own way?

Having thus reasoned with herself, Mildred watched for an opportunity

to speak to Castellani. She had not long to wait. He called rather

earlier than usual one afternoon, when Pamela had gone out for

a mountain ramble with her dog and her maid, to search for those

doubly precious flowers which bloom with the first breath of spring.

Castellani had seen the young lady leave the hotel soon after the

midday meal, armed with her alpenstock, and accompanied by her

attendant carrying a basket. She had fondly hoped that he would offer

to join her expedition, to dig out delicate ferns from sheltered

recesses, to hunt for mountain hyacinths and many-hued anemones; but

he observed her departure _perdu_ behind a window-curtain in the

reading-room, and half-an-hour afterwards he was ushered into Mrs.

Greswold’s drawing-room.

“I feared you were ill,” he said, “as I saw Miss Ransome excursionising

without you.”

“I have a slight headache, and felt more inclined for a book than for

a long walk. Why did you not go with Pamela? I daresay she would have

been glad of your company. Peterson is not a lively companion for a

mountain ramble.”

“Poor Miss Ransome! How sad to be a young English Mees, and to have

to be chaperoned by a person like Peterson!” said Castellani, with a

careless shrug. “No, I had no inclination to join in the anemone hunt.

Miss Ransome told me yesterday what she was going to do. I have no

passion for wild flowers or romantic walks.”

“But you seem to have a great liking for Miss Ransome’s society,”

replied Mildred gravely. “You have cultivated it very assiduously since

you came here, and I think I may be excused for fancying that you came

to Pallanza on her account.”

“You may be excused for thinking anything wild and improbable, because

you are a woman and wilfully blind,” he answered, drawing his chair

a little nearer to hers, and lowering his voice with a touch of

tenderness. “But surely—surely you cannot think that I came to Pallanza

on Miss Ransome’s account?”

“I might not have thought so had you been a less frequent visitor in

this room, where you have come—pardon me for saying so—very much of

your own accord. I don’t think it was quite delicate or honourable to

come here so often, to be so continually in the society of a frank,

impressionable girl, unless you had some deeper feeling for her than

casual admiration.”

“Mrs. Greswold, upon my honour I have never in the whole course of my

acquaintance with Miss Ransome by one word or tone implied any warmer

feeling than that which you call casual admiration.”

“And you are not attached to her? you do not cherish the hope of

winning her for your wife?” asked Mildred seriously, looking at him

with earnest eyes.

That calm, grave look chilled him to the core of his heart. His brow

flushed, his eyes grew dark and troubled. He felt as if the crisis of

his life were approaching, and augury was unfavourable.

“I have never cherished any such hope; I never shall.”

“Then why have you come here so continually?”

“For God’s sake, do not ask me that question! The time has not come.”

“Yes, Mr. Castellani, the time has come. The question should have been

asked sooner. You have compromised Miss Ransome by your meaningless

assiduities. You have compromised me; for I ought to have taken better

care of her than to allow an acquaintance of so ambiguous a character.

But I am very glad that I have spoken, and that you have replied

plainly. From to-day your visits must cease. We shall go to the south

of Italy in a few days. Let me beg that you will not happen to be

travelling in the same direction.”

Mildred was deeply indignant. She had cheapened her husband’s

niece—Randolph Ransome’s co-heiress—a girl whom half the young men in

London would have considered a prize in the matrimonial market: and

this man, who had haunted her at home and abroad for the last seven or

eight weeks, dared now to tell her that his attentions were motiveless

so far as her niece was concerned.

“O, Mildred, do not banish me!” he cried passionately. “You must have

understood. You must know that it is you, and you only, for whom I

care; you whose presence makes life lovely for me, in whose absence

I am lost and wretched. You have wrung my secret from me. I did not

mean to offend. I would have respected your strange widowhood. I would

have waited half a lifetime. Only to see you, to be near you—your

slave, your proud, too happy slave. That was all I would have asked.

Why may that not be? Why may I not come and go, like the summer

wind that breathes round you, like the flowers that look in at your

window—faithful as your dog, patient as old Time? Why may it not be,

Mildred?”

She stood up suddenly before him, white to the lips, and with cold

contempt in those eyes which he had seen so lovely with the light

of affection when they had looked at her husband. She looked at him

unfalteringly, as she might have looked at a worm. Anger had made her

pale, but that was all.

“You must have had a strange experience of women before you would dare

to talk to any honest woman in such a strain as this, Mr. Castellani,”

she said. “I will not lower myself so far as to tell you what I think

of your conduct. Miss Ransome shall know the kind of person whose

society she has endured. I must beg that you will consider yourself as

much a stranger to her as to me from to-day.”

She moved towards the bell, but he intercepted her.

“You are very cruel,” he said; “but the day will come when you will be

sorry that you rejected the most devoted love that was ever offered to

woman, in order to be true to broken bonds.”

“They are not broken. They will hold me to my dying hour.”

“Yes, to a madman and a murderer.”

The fatal three, vol. II · 第 7 / 9 章