Days passed ere Juanita returned; and, though Screetah grovelled at her

feet with entreaties not to leave her again, and the soldiers showed

every possible kindness and attention to the girl, she was seldom seen

among them. Sometimes, at the close of day, she was seen suddenly rising

from some crevice in the hill, where she had clambered and climbed all

day; but oftener she was discovered mounted on her pony, her long, black

hair streaming, her horse in full gallop, as though riding in pursuit of

the setting sun. No word of complaint passed her lips; no one heard her

draw a sigh, or saw her shed a tear; and none dared to speak a word of

comfort. But when Screetah tried to cheer her, one day, she held out her

empty hands, saying, simply, "I have the rosary no more!" Then Screetah

knew that all hope was lost, and she pleaded no more, but broke the

beautiful, sun-baked pottery, tore the matting from the floor, and

crouched by the threshold from noon to night, and night till morning,

waiting quietly for the silent guest that she knew would some day, soon,

enter there with Juanita.

One day, she came slowly down from the hill and entered the dark

_adobe_, where Screetah sat silent by the door.

"A little cloud of dust is rising on the horizon," she said to the old

Indian, "and I must prepare;" and Screetah only wailed the death-song of

her race.

Though Juanita had returned on foot, she had ridden away on the pony the

day before, and the soldiers started out to look for the animal,

thinking it had escaped from her, or had been stolen by some marauding

Indian. But they found the carcass not far from camp--with Juanita's

dagger in the animal's heart. The next day she went to the top of the

hill again, and when night came, she said, "The cloud grows bigger." On

the third day, when Juanita lay stretched on the hard, uncomfortable

bed, denuded of all its gay robes and blankets, a sudden excitement

arose outside, such as the signs of anything approaching camp always

create. A hundred different opinions were expressed as to what and who

it could be. Nearer and nearer came the cloud of dust, and a cry of

surprise went up, as the horse fell from fatigue on the edge of the

camp, and the rider took his way to old Screetah's hut.

What passed within those dark, low walls--what passionate appeals for

forgiveness, what frantic remorse and bitter self-accusations they

echoed--only Screetah and the dying girl knew. The old Indian was

touched, and tried to plead for him; but Juanita seemed to heed neither

the man's presence nor the woman's entreaties. She died "with her face

to the wall," and the words of forgiveness, which he had staked life and

honor to hear, were never uttered by those firmly-closed lips.

With the day of Juanita's death commenced the old Indian woman's search

for the rosary, and she tore her hair in desperation when they laid the

girl in her narrow cell before she had found it. Day after day, the

search was continued. Was it not the peace of Juanita's soul she was

seeking to restore? After awhile the camp was broken up, by orders from

district head-quarters, and a forage-station established. Our friend,

whose term of service had expired, was made station-keeper, and, one by

one, the people from the settlement followed the military, till, at

last, only he and old Screetah were left of all the little band that

once had filled the dreary spot with the busy hum of life.

_HETTY'S HEROISM._

"But, father, you don't really mean to watch the old year out, do you?

It's only a waste of candles, and the boys won't want to get up in the

morning."

"Mebbee so, mother; but New Year's Eve don't come every day; so let's

have it out." And old man Sutton tipped back his chair, after filling

his pipe, and looked contentedly up at the white ceiling of the "best

room."

Johnny, the younger son of the family, whistled gleefully, threw more

wood on the blazing pile in the fire-place, and then, resuming his

oft-forbidden occupation of cracking walnuts in the best room, said:

"Don't the wind howl, though? Just drives the rain. Golly, ain't it nice

here?"

"You're not to say bad words," broke out his mother, sharply. "Father,

why don't you correct the boy? Such a night as this, too, when--"

"What's that?" interrupted the oldest son, springing from his seat, and

showing a straight, manly form and clear, deep eyes, as he stood by the

door in a listening attitude.

"Coyotes, brother Frank; the ghosts don't come round this early, do

they?" laughed the younger.

"Hush, Johnny! It's some one crying for help--a woman's voice!"

"Tut, tut! where would a woman come from this time o' night, and not a

house within miles of us?"

"A woman's voice, I'll stake my head," insisted Frank, after a moment's

silence in the room.

The mother had laid down her glasses. "Wonder if the boy thinks Lolita

is coming through the storm to watch the old year out with him?" She

laughed as at something that gave her much pleasure, though the rest did

not share her merriment.

They were all three listening at door and window now, and when Frank

threw the one nearest him quickly open, there came a sound through the

din and fury of the rain-storm that was neither the howling of the wind

nor the yelp of the coyote.

"Now what do you say?" asked Frank; and he had already passed through an

inner apartment, and in a moment stood on the porch again, swinging a

lantern and peering out into the dark and rain, listening for that cry

of distress. It came in a moment--nearer than they had expected it.

"Help! help! oh, please come and help!"

"The d--l!" was old man Sutton's exclamation; not that he really thought

the slender little figure perched on the back of the tall horse was the

personage mentioned--it was only a habit he had of apostrophizing.

The horse had stopped short and was breathing hard, and the prayer for

help was frantically repeated by the rider. "Come quick, and help the

poor fellow; I've been gone so long from him--oh! _do_ come!"

"What poor fellow--and where is he?" asked the old man, in bewilderment.

"The stage-driver--and he's lying near the old Mission, with his leg

broken. The horses shied in the storm and overturned the stage, and I

was the only passenger, and I crept out of it, and the driver couldn't

move any more, and told me to unhitch the horses and come this way for

help, and--oh! _do_ come now!" She ended her harangue, delivered with

flying breath and little attention to rhetoric or inter-punctuation.

"And you came those nine miles all alone, gal?" asked the old man.

"Oh, I think I must have come a hundred miles," she replied, with a wild

look at the faces on the porch and in the open doorway; "and it is so

cold!" She drew the dripping garments closer about her, while father and

son consulted together, with their eyes only, for a brief moment. Then

the old man said she must be taken in, and they must get the wagon

ready, and waken Pedro and Martin.

Without a word Frank gave a lantern to Johnny, lifted the girl from the

horse and carried her into the room, brushing the drenched hair back

from her face, when he sat her down, as he would have done a child's.

But she pleaded excitedly, "Indeed I cannot stay--let me go back, and

you can follow."

"So you shall go back, my gal," said Mr. Sutton, "as soon as the wagon

is ready. See how she's shivering, mother; get her some hot tea, and

give her your fur sack--for she'll go back with us or die."

"My fur sack?" repeated the old lady, incredulously; "my best sack--out

in this rain!"

"Best sack be ----," he shouted, angrily; "I'll throw it in the fire in

a minute!" And the best sack quickly made its appearance, in spite of

the threat of speedy cremation.

The tea was brought by Johnny, hastily drank, and then the girl repeated

her wish to move on. Frank's own cloak was thrown over "the best fur

sack"--not, I fear, so much from a desire to save this garment as from

the wish to keep the shrinking form in it from shivering so painfully.

It was New-Year's day--though the light had not yet dawned before the

sufferer was comfortably lodged at the Yedral Ranch, and Hetty, as well

as the Sutton family, slept later into the morning than usual. The sun

had risen as serenely cloudless as though no storm had passed through

the land but yesternight; and Father Sutton, thinking he was the first

one up, was surprised to encounter Hetty with Johnny, her new-found

cavalier. He hailed her in his unceremonious fashion: "I'm glad to see

you up bright and early, gal--make a good farmer's wife some day. Did

you come down this way to live on a ranch?"

"No, sir; I came to teach school. Your name is among those of the

gentlemen who engaged me."

"The ----! Are you the new school-marm? Then you're Miss----"

"Hetty Dunlap is my name."

He held out both hands. "A happy New-Year to ye, Hetty Dunlap--and happy

it'll be for all of us, I'm thinking; for a gal that's got so much pluck

as you is sure to know something about teachin' school. Here, Johnny,

how d'ye like your teacher?"

Now, Johnny had drawn back with some slight manifestation of disfavor

when Hetty's true character came to light. But she laid her hand on his

shoulder in her shy yet frank manner, and said quickly:

"I had already selected Johnny as a sort of assistant disciplinarian. I

am so little that I shall want some one who is tall and strong to give

me countenance;" which at once restored the harmony between them. They

went in to breakfast together, during which meal it was decided by

Father Sutton that Hetty was to live in his family, though "the Price's"

was the place where, until now, the teachers had made their home, being

nearest to the school.

"But then," said the old man, "if the Rancho Yedral can't afford a

mustang for such a brave little rider every day of the year, then I'll

give it up;" and he slapped his hat on and left the house.

"Yes," Frank commented rather timidly, "you are brave--a perfect

heroine. And yet you are so very small." She was standing in just the

spot where he had brushed the hair out of her face last night, and

perhaps his words were an apology.

"True," she assented, "I am small; not much taller than my sister's

oldest girl, and she is only twelve."

"You have a sister?"

"Yes, in the city; and she has six children." Her voice was raised a

little, her nut-brown eyes looked into his with an unconscious appeal

for sympathy, and her delicate nostrils quivered as in terror--which the

bare recollection of the little heathens seemed to inspire her with.

"And did you live at her house?--have you neither father nor mother

living?"

"Neither. How happy you must be--you have so kind a father and so good a

mother--"

The "good mother" came in just then, shaking her best sack vigorously,

and lamenting, in pointed words, the "ruination" of this expensive fur

robe--calling a painful blush to Hetty's cheek as well as Frank's. The

young man tried vainly to make it appear a pleasant joke. "Indeed,

mother, you ought to look upon that piece of fur as a handsome

New-Year's gift--you have my promise of a new fur sack as soon as I go

to the city. And isn't my word good for a fur sack?" he asked,

laughingly.

"Yes," said the good mother. "I know your extravagance well enough; but,

to my notion, you can afford such things better after you've married

Lolita, than before."

Frank bit his lips angrily, and turned away--but not before Hetty had

seen the hot red that flushed his cheek.

Toward noon there was loud rejoicing on the porch, and Hetty, looking

from her window, saw Mrs. Sutton welcoming a tall, dark-eyed girl of

about twenty, whose companion--her brother, to all appearance--seemed

several years her senior.

This girl, Lolita Selden, the daughter of an American father and a

wealthy Spanish mother, was a fair specimen of the large class

represented by her in California. Generous and impulsive, as all her

Spanish half-sisters are, neither her piecemeal education, nor the

foolish indulgence of the mother, had succeeded in making anything of

her but an impetuous, though really kind-hearted woman. In the brother's

darker, heavier face, there was less of candor and sympathy, and his

figure--though he had all the grace and dignity of the Spaniard--was

lacking in height and the breadth of shoulder that made Frank Sutton

look a giant beside him.

It was some time before our heroine was introduced to the pair; not,

indeed, till dinner was on the table, though Frank had repeatedly hinted

to his mother that Hetty might not feel at liberty to make her

appearance among them without being formally invited--to which he

received the cheering response that "he was always botherin'."

When they met, it was hard to say whether Hetty was more charmed with

Lolita's stately presence and simple kindness, or Lolita with Hetty's

heroism. The brother, too, seemed lost in admiration of Hetty's heroic

conduct or Hetty's pretty face--a fact which escaped neither Frank nor

his mother, for she commented on it days afterward. "What a chance it

would be for a poor girl like this 'ere one, if she could make a ketch

of young Selden, and he married her!"

"What! that black-faced Spaniard?" but Frank's generous heart reproached

him even while he spoke, and his mother took advantage of his penitence

and charged him with a message to Lolita, that needed to be delivered

the same day. When, therefore, after school-hours, Frank returned

bringing with him both Hetty and Lolita--the latter was visiting her new

friend at the school-house--the mother was well pleased, and spoke more

kindly than she had yet spoken to the new teacher.

"Old man" Sutton, too, had many a pleasant word for both young girls;

and altogether Hetty soon realized that home could be home away from her

sister's house and the six plagues it held.

Spring came into the land, dressing in glossier green the grayish limbs

of the white-oak in the valley, opening with balmy breath the blossoms

of the buckeye by the stream, and covering with gayest flowers the plain

and the hillside; while in some shady nook the laurel stood, shaking its

evergreen leaves in daily wonderment at the dress changes and the

youthful air all nature had put on. The wild rose creeping over the

veranda of the Yedral Ranch shed its perfume through the house, and cast

its bright sheen upon the very roof-tree, a passion-vine, in sombre

contrast, rearing its symbolic blossom cheek to cheek with the rosy

flower-face of the gay child of Castile.

Long since had the stage-driver left the Yedral Ranch, grateful for kind

treatment received, his head and heart full of a firm conviction on two

points: The first, that there was just one man good enough to be Hetty

Dunlap's husband, and that that man was Frank Sutton: the second, that

there was only one woman good enough to be Frank's wife, and she Hetty

Dunlap.

He had resumed his old post, and many a pleasant word and startling bit

of news did he call out to Hetty and her friends when they were down by

the "big gate," as he drove by very slowly, so as to enjoy conversation

as long as possible. George was a deal pleasanter when Hetty was there

by herself, or at least without Lolita; and once, when, by chance, Hetty

and Frank were there alone together, he called down, regardless of the

staring passengers in the coach, "That's the way I like to see things;

two's good company, and three's none. Don't see what you want to be

luggin' that Spanish gal round with you for, Frank; she ain't none o'

your'n nohow, and never will be, nuther."

Before the flush had died on her face, Hetty found her arm drawn

through Frank's, and as they slowly bent their steps homeward, the mind

of each seemed absorbed in the contemplation of some intricate puzzle,

on the solving of which depended their whole future welfare. Then Frank

raised his merry, twinkling eyes and charged her with being hopelessly

enamored of George, the stage-driver, defying her to say that she had

not just then been thinking of him, as he knew by her absent looks.

"I--I was only looking down that way, and thinking there is no lovelier

spot on earth than Yedral Ranch." She stopped abruptly; what she was

saying now to cover her confusion, she had said a few days ago, from the

fulness of her heart, to Lolita, strolling along this same road; and the

Spanish girl had answered impulsively, "Yes; and you shall always make

your home here when I--" Then she had stopped, crimson in the face, and

Hetty had not urged her to finish the sentence.

But Frank, with quickly altered tone, asked softly, "Do you like it so

well, Hetty--really and truly? And have you not wanted often to go back

to the city?"

"To the city?" she repeated, with a little shiver; "no--no!"

The call of a partridge from behind the nearest _manzanita_ bush warned

them that young Johnny was there, and the next moment he appeared before

them--his mother's ambassador to Hetty. "Would she be kind enough just

for once to help with the cake? His mother had burnt her right hand, and

she could not stir the batter with her left."

"And could not you have done it 'just for once' as well?" asked Frank,

impatiently; at which question Johnny opened his eyes wide.

"She didn't ask me," he said; and then they all went silently to the

house.

To do Mrs. Sutton justice, she was loud in her praises of Hetty's

obliging disposition, and Hetty's proficiency in cake-baking, that

evening at tea; and particularly to Julian Selden, who was there with

his sister, did she untiringly sing Hetty's perfections. This seemed to

have the effect of making the young Spaniard bolder and more desirous of

pushing his suit, for the very next evening they came home from Hetty's

school _a partie carrée_--Lolita, her brother, Hetty and Frank.

The facts of the case were that, following a suggestion of Frank's,

Johnny, on Julian's second attempt to escort Hetty home, had kept close

by her side during the whole ride, much more to Hetty's delight than

Julian's. In consequence, Julian had been wise enough to bring Lolita

with him; and Frank, though chagrined, was better pleased to find them

both at Hetty's school than one alone.

Through the spring and far into the summer they met almost daily in this

way; and sometimes, though Mother Sutton's invitations to Lolita and her

brother to "come every day--every day," were loud and vociferous, the

brother and sister would return to their own home after a protracted

ride, leaving Hetty and Frank to find their way back to Yedral Ranch

alone. Hetty thought she could see a cloud on Mrs. Sutton's brow

whenever this happened; and dear as those rides were to her, she avoided

them whenever she could. Unhappily (Frank did not consider it so), while

out alone together one day, Hetty's saddle-girth broke, and though she

sprang quickly to the ground, Frank's nerves were so unstrung, he

declared, that he could not at once repair the damage, but had to

convince himself, by slow degrees, that she really was not hurt or

frightened. Consequently, it was later than usual when they reached

home; and Mother Sutton, darting a quick look to see that the door had

closed behind Frank, who had explained the cause of delay, muttered

something about "cunning minxes, who had neither gratitude nor shame,"

and then tramped out of the room, leaving Hetty with cheeks burning and

eyes strangely bright under the tears rising in them.

Next morning she made much ado over a sprained ankle, which was not so

painful as to keep her at home, but just bad enough to cause her to ride

slowly to school with Johnny and home again before school-hours were

fairly over. I fear that she was a "designing minx," for, if she

managed, by keeping her room to evade Frank's questioning glance and

Mother Sutton's hostile looks, she managed no less to escape an honor

which, according to this good lady's statement, corroborated by Lolita's

more than usual tenderness, Julian Selden had meant to confer upon her.

But she could not stay in her room forever; and Father Sutton dragged

her out of it one day, challenging her to tell the truth ("and shame the

devil"), by acknowledging that something had hurt her beside the

sprained ankle. Had Mrs. Sutton shown no spite openly against "the gal"

before, it broke out now, in little sharp speeches against women "tryin'

to work on the sympathy of foolish young men. Her boys, she knew,

couldn't never be ketched that way by no white-faced--"

"Will yer be still now!" thundered the old man, taking the pipe from

between his lips and pointing with it to Hetty, who at this moment was

really the white-faced thing the old lady had meant to call her.

"Johnny," said Hetty, next morning, on their way to school, "I

think--I'll go home when vacation begins, and--"

"Why, what d'you mean?" asked the boy, startled out of all proper

respect.

"Just what I say;" and she enumerated her reasons for considering it her

duty to return to her lonely sister and the six pining children; and it

was a matter of doubt whether Johnny's lips quivered more during the

recital, or Hetty's. But when the school-house was reached, Johnny was a

man again; and if he did blubber out loud when he told his elder

brother of it, late in the evening, down by the big gate, nobody but

Frank heard him, and _his_ lips were rather white when next he spoke.

"You asked me for that Mexican saddle of mine some time ago, Johnny. You

are welcome to it."

"I don't want no Mexican saddle," replied Johnny, in a surly tone, and

without grammar; but looking into his brother's face, he said, "Thank

you, Frank. I'd say you're 'bully,' only Hetty said it wasn't a nice

word."

In the course of the week Father Sutton, in his character as such, and

as school director, was made acquainted with Hetty's intention. In both

characters he protested at first, but yielded at last. He walked out

with "the gal" one evening, as though to take her over the ranch for the

last time, and then artfully dodged away when Frank--by the merest

accident--came to join them. Left alone with this young man, Hetty

trembled, as she had learned to tremble under his mother's scowling

looks and half-spoken sentences. He spoke quietly, at first, of her

going away; but her very quietness seemed after a while to set him all

on fire.

"Hetty," he cried, "are you then so anxious to go--so unwilling to stay,

even for a day, after the school closes? Is there nothing--is there no

one here you regret to leave behind you?"

Poor little Hetty! How they had praised her for her heroism once. There

was no praise due her then, as she had protested again and again. Now

she was the heroine, when she answered, though with averted face and

smothered voice, "Nothing--no one;" adding, quickly, "you have all been

so kind to me that naturally I shall feel homesick for the Yedral Ranch,

and shall be so glad to see any of you when you come to the city."

Frank had heard "the tears in her voice," and though he turned from her

abruptly, it was not in anger, as she fancied.

"Father," he said, a day or two later, "I don't know but I'll take a run

over the mountains, now harvesting is over, and there seems nothing

particular for me to do."

"Please yourself and you'll please me, Frank," was the answer. "Got any

money? You kin git it when you want it."

Then there was nothing more said about the journey, and Frank, making no

further preparations, seemed to have forgotten all about it.

When Hetty was lifted into the little wagon that took herself and trunk

to the big gate, she repeated her hope of sooner or later greeting the

members of the Sutton family in San Francisco.

"Not soon, I'm afeard, Miss Hetty; me an' father and Johnny never goes

to the city, and as for Frank--I reckon he'll want to git married first,

and bring Lolita 'long with him."

Martin, who was driving, probably knew the meaning of the fire in the

old man's eye, for he whipped up the horse and drove off, as though

"fearing to miss the stage," as he explained at the turn of the road.

Altogether, George showed neither as much surprise nor pleasure as Hetty

had faintly expected him to evince. When they reached the first town he

came and stood by the open coach window, after the customary halt,

drawing on his gloves first, and then pointing out, with great

exactitude, where the old _adobe_ tavern had formerly stood, on the

opposite side of the street.

Overland tales · 第 4 / 28 段