Three times they had met on the great road, lined with elms and
plane-trees, which skirts the Tiber. She would leave her carriage before
it reached the Milvio Bridge, and send her coachman back to wait for her
in the Piazza San Pietro. She would cross the bridge on foot, looking
about for him at the same time. To-day he had been waiting there for two
hours, crazed with impatience and his intense desire of being in her
company, walking to and fro opposite the Morteo Tavern, taking a turn in
the Via di Tor di Quinto, going back as far as the bridge, reaching the
point where the Flaminian Way begins, turning back again, casting
restless glances all about, at the green willows bending over the river,
at the blossoming almond-trees peering over the hedges of the Farnesina,
in vain looking steadily in the direction of the Ponte Milvio, where she
was to appear. And when he saw her in the distance, sudden blushes
inflamed his pale cheeks; he would not go to meet her, but would wait
where he stood, pretending absent-mindedness and unconcern.
She always came after missing three or four appointments, was always an
hour or an hour and a half late, never apologized, never even alleged
the slightest feminine excuse. And he, who was in despair--who up to the
last moment had inwardly been accusing her of coldness and indifference,
while he stamped his feet in an irresistible fit of nervousness--when
he saw her said not a word, but stared at her quite bewitched,
compensated by that moment of intense joy for all the suffering endured.
Their first moments together were always embarrassing; they knew not
what to say to one another, and walked slowly beneath the trees, she
with eyes downcast, her hands plunged in her muff, so as to have an
excuse for not taking his arm, he twisting his extinguished cigar
between his fingers, and in a blissful state despite Angelica's severity
and melancholy.
The Roman spring was gently pervading the atmosphere among the cypresses
of the Monte Mario and the plantains of the Monte Parioli, and from the
tall hedges by river-bank and countryside emanated a strong scent of
white hawthorn. Angelica's first words usually denoted grief, regret,
repentance; brief words they were, but earnest, all of them weighing
like lead upon her lover's heart. He would remain humbly silent, at a
loss what consolation to proffer to the virtuous and saintly lady, whose
conscience was stricken with remorse on his account.
She had never spoken of love to him, and never had he asked her for it.
Timidity and shamefacedness perpetually restrained him. Perhaps he
feared the answer, an answer that might be cruel in its frankness from a
woman who was not in love, and whose deep religiosity would not allow
her to lie.
Thus it came to be naturally established, in their singular
relationship, that Donna Angelica was to give nothing of her heart, and
was not to be asked to give any of it; it was tacitly but plainly
understood that she should accept, support, and endure his love without
ever being under an obligation to return it. She was the blessed image
that vouchsafed to lower gracious eyes upon the faithful one; and the
faithful one worshipped her more and more, adored her, and spoke to her
of his love. Under the big trees of the Via Angelica, along which wound
the silvery stream, as they walked on the hard earth amid the odours of
the country, and as the sad rocking of Donna Angelica's voice
diminished, with bated breath did he speak to her of his love. First
came incoherent sentences, broken up by passion, which hastily recorded
his feelings and thoughts since he had last seen her, or those he had
before been unable to utter in her presence; and while he ejaculated
these jerky, almost violent sentences he looked at her with a madman's
eyes, for an instant terrifying her. But at the sound of his own voice
Sangiorgio took heart of grace; his speech flowed more smoothly, his
ideas connected themselves in logical sequence, his love found
expression in such plain and convincing eloquence of sentiment that
Donna Angelica was reassured by his humble and pleasing language; her
face grew red like a young girl's in the pure enjoyment of amorous
homage. Meanwhile, she would be picking long green stalks, or a bunch of
bright yellow swallow-wort, or clusters of the tiny white flowerets
resembling lacework, or some of the poisonous red berries, so attractive
to the eye; and he spoke of love, and she suddenly rejuvenated, picked
flowers, and occasionally took a flower from her bunch to give to him.
He would hold it in his hand, furiously desiring to bite it, and one day
he wanted to eat the red berries, so vivid in hue and so alluring.
'Do you want to die?' she said jestingly, but trembling at the same
time.
And that apprehension of hers was one of the moral treasures Sangiorgio
was gathering together. One day she stood on tip-toe by a short almond
tree, and broke off a few sprigs, smelling them for a long time, with a
happy smile on her face. Surely she was spring itself, fresh and
lightsome! The almond blossom she gave him he added to a dried piece of
lily of the valley, a fragment of cloth from a dress, begged and granted
as a great favour, and a precious, invaluable object--a cambric
pocket-handkerchief, received one evening when he had grown desperate,
after three days of futile attempt, and asked for as something to
comfort him. She knew this, and was glad in the knowledge. She looked
long in the direction of Castel Sant' Angelo, towards the new carabineer
barracks, towards old Rome, where the lights were beginning to be lit.
But though she might be looking away, she listened to all the words that
Sangiorgio spoke so softly, and she nodded her head, like a pleased
child. Thus they reached the Porta Angelica, with minds soothed and at
peace; he was to take the Via Reale, which leads to the Prati di
Castello and the Ripetta, she was to go by the gate on the way to St.
Peter's. But their farewell was long and full of tenderness.
One day she arrived all a-tremble. She had met the Honourable Giustini,
the half-deformed Tuscan cynic. Her carriage had passed him quickly, yet
Giustini had had time to recognise her, and had bowed with an air of
astonishment. So much had this unbalanced her that at every step she
turned round, imagining every passing peasant to be the hump-backed
deputy, and then gazed at her companion in utter fright. He in vain
tried to reassure her, to persuade her that a pedestrian could not
follow a fast-trotting carriage, that the Flaminian Way was a public
thoroughfare, where there was nothing remarkable about meeting a lady
driving. Nevertheless, himself was seized with the vague apprehension
which attacks lovers in their fullest felicity, and spoils their most
innocent joys. That meeting was therefore painful, and the two were
unable to settle into their usually tranquil state, and Angelica
summarized her fears in this sentence:
'Now Giustini is in the chamber, and is telling everyone, even my
husband, that he met me on the Flaminian Way.'
In this unpleasant hour Sangiorgio ventured to tell her that the public
highways were no suitable place for their attachment, that it must be
concealed in a house, between four walls, far from prying eyes and
inquisitive idlers. He spoke with such respectful feeling, such deep
deference, such honest candour, that, although she at once briefly
answered 'No,' she did so in a quite unoffended tone. She replied 'No'
to all the humble proposals he had to offer, saying it slowly and
decisively, without anger or vacillation. At a certain point she said,
as if vexed:
'Stop it!'
He stopped. They separated without further conversation. But from the
fatal hour that she had met Giustini, they felt the awkwardness of
pursuing their love affair in public more and more, of trusting to
chance, and taking no precautions although the danger was patent. It was
a migratory, homeless affair, a vagabond affair that made the waiters
lounging about the Morteo Café, at the Ponte Molle, smile ironically, a
melancholy affair, whose tender adieus made the vulgar tax-officials at
the Porta Angelica laugh.
Two further meetings were very painful. Fear had now settled in Donna
Angelica's heart, and made her shudder whenever a waggoner or a huntsman
passed by; even the boats on the Tiber frightened her. She was always
thinking the boatmen might recognise her, and might salute her by
raising their oars. They no longer talked of love. That is to say, he no
longer talked of love, since she would interrupt him incessantly,
looking round, lowering her head when any carriage with strangers
passed, blushing, paling, almost losing her breath.
One day when they had an appointment, it rained hard for an hour before
the time. He took shelter under the Morteo doorway, but, unable to
control his impatience, went on towards the Ponte Molle, becoming
utterly soaked, trying to descry someone through the veil of rain. He
saw nobody. She could not possibly have come in such weather, yet he
persistently waited, sustained by a vague hope. The rain continued, and,
of course, she did not come; but he returned to Rome only at seven
o'clock, wet to the skin, in an open tram, with his feet on the sodden
floor of the last one from Ponte Molle to Rome, in a very downcast,
desolate mood, almost ill. He could not tell her of it that evening,
since she was surrounded with people, and so she knew nothing of the
dismal hours he had spent in the rain of heaven and the mists of the
river.
But the next time he repeated his suggestion she still said 'No,'
although unemphatically, as if she were rather answering herself than
him. The hour was late and the weather freezing. It was one of those
horrible January days transported into April; a lashing north wind was
raging, the sky was murky, and the ground soaking and miry. She had on a
little velvet cape, which barely protected her neck and shoulders, so
that the cold penetrated her from top to toe; her head was bent, and she
was holding her pocket-handkerchief to her mouth. Sangiorgio, too, was
very cold, in his light spring overcoat, but he did not mention the
fact, both of them being disappointed and depressed by the weather. At
intervals he asked her:
'You are very cold, are you not?'
'Oh yes,' she replied gently.
'Oh, Lord!' he said, looking about, not knowing what to do to make her
warm.
They hastened their steps, but the mud was splashing Donna Angelica's
boots and the bottom of her dress, and they could not run. As if
accidentally, he brought up the subject of a warm room like his own,
like that in the Piazza dell' Apollinare, where a fire was always
burning in the hearth, a room where they would be alone.
She made no answer.
'Where?' she finally asked, after a lengthy silence.
He was about to tell her, but checked himself.
'Down there,' he then said, indefinitely pointing to Rome.
Nothing more passed between them. The hour was getting late, and it was
growing dark and cold in the deserted Campagna. She was so melancholy
and frightened that, for the first time, she passed her arm under her
friend's, who received this favour with due humility. Then for three
mortal days he did not see her at all. Vargas told him at the Chamber
that she was indisposed. The fourth evening he found her alone, for a
minute, in a box at the Apollo Theatre; she was pale and looked ill.
Behind her large feather fan she confided to him that on her way back
from their last tryst she had seen the Honourable Oldofredi near St.
Peter's, who had looked her all over and grinned maliciously. Oldofredi
was known to be revengeful. Finally, blushing for shame, she expressed
doubts about her coachman and maid; she was sure they were spying on
her. And, seeing her friend dumfounded and hopeless, she added very
quickly:
'I will go--I will go wherever you please.'