PHILIP II.

_Prado Gallery, Madrid_]

The skill with which the splendid costume is painted would alone make

the picture a great work of art. Philip wears a breastplate and hip

pieces of armor, richly inlaid with gold, slashed embroidered hose, as

the short trousers are called, white silk tights and white slippers. The

collar of the Golden Fleece is the crowning ornament.

The attitude of the prince is full of dignity. He stands in front of a

table on which his helmet and gauntlets are laid. The right hand rests

on the helmet, and the left holds the hilt of the rapier which hangs at

his side.

The most remarkable quality in the portrait is the impression of royalty

it conveys. Though Philip has little to boast of in good looks, he has

inherited from generations of royal ancestors that indefinable air of

distinction which belongs to his station. It is this which the painter

has expressed in his attitude and bearing.

Young as the face is, with little of life's experience to give it

individuality, the painter makes it a revelation of the leading elements

in Philip's character. The seriousness of the boy has developed into the

habitual gravity of the man. Already we see how well the father's

lessons have been learned, how self-contained and cautious the prince

has become. The affairs of state seem to weigh heavily upon him.

The proportions of the figure to the size and shape of the canvas add

something to the apparent height of Philip. Titian has done everything a

painter could do to give an ill-favored prince an appearance befitting

his royal prestige: it is a kingly portrait.

Three years after it was painted, the picture was sent to England to be

shown to Queen Mary. Philip, now a widower, had become a suitor of the

English queen. The report came that Mary was "greatly enamoured" of the

portrait, and the marriage was soon after effected. Philip, however, did

not win great favor with the English, and after Mary's death he chose a

French princess for his next wife, and spent his life in Spain.

Upon the abdication of his father, he became the most powerful monarch

in Europe, and had the best armies of his time. He was constantly at war

with other nations, usually two or more at a time, and by undertaking

too many schemes often failed. It was during his reign that the

Netherlands were lost to Spain, and the famous Spanish Armada was

destroyed by the English.

Titian: a collection of fifteen pictures and a portrait of the painter · 第 36 / 70 题