ACT I

Great George Street, Westminster, is the address of Doyle and

Broadbent, civil engineers. On the threshold one reads that the

firm consists of Mr Lawrence Doyle and Mr Thomas Broadbent, and

that their rooms are on the first floor. Most of their rooms are

private; for the partners, being bachelors and bosom friends,

live there; and the door marked Private, next the clerks' office,

is their domestic sitting room as well as their reception room

for clients. Let me describe it briefly from the point of view of

a sparrow on the window sill. The outer door is in the opposite

wall, close to the right hand corner. Between this door and the

left hand corner is a hatstand and a table consisting of large

drawing boards on trestles, with plans, rolls of tracing paper,

mathematical instruments and other draughtsman's accessories on

it. In the left hand wall is the fireplace, and the door of an

inner room between the fireplace and our observant sparrow.

Against the right hand wall is a filing cabinet, with a cupboard

on it, and, nearer, a tall office desk and stool for one person.

In the middle of the room a large double writing table is set

across, with a chair at each end for the two partners. It is a

room which no woman would tolerate, smelling of tobacco, and much

in need of repapering, repainting, and recarpeting; but this is

the effect of bachelor untidiness and indifference, not want of

means; for nothing that Doyle and Broadbent themselves have

purchased is cheap; nor is anything they want lacking. On the

walls hang a large map of South America, a pictorial advertisement

of a steamship company, an impressive portrait of Gladstone, and

several caricatures of Mr Balfour as a rabbit and Mr Chamberlain

as a fox by Francis Carruthers Gould.

At twenty minutes to five o'clock on a summer afternoon in 1904,

the room is empty. Presently the outer door is opened, and a

valet comes in laden with a large Gladstone bag, and a strap of

rugs. He carries them into the inner room. He is a respectable

valet, old enough to have lost all alacrity, and acquired an air

of putting up patiently with a great deal of trouble and

indifferent health. The luggage belongs to Broadbent, who enters

after the valet. He pulls off his overcoat and hangs it with his

hat on the stand. Then he comes to the writing table and looks

through the letters which are waiting for him. He is a robust,

full-blooded, energetic man in the prime of life, sometimes eager

and credulous, sometimes shrewd and roguish, sometimes portentously

solemn, sometimes jolly and impetuous, always buoyant and irresistible,

mostly likeable, and enormously absurd in his most earnest moments.

He bursts open his letters with his thumb, and glances through them,

flinging the envelopes about the floor with reckless untidiness

whilst he talks to the valet.

BROADBENT [calling] Hodson.

HODSON [in the bedroom] Yes sir.

BROADBENT. Don't unpack. Just take out the things I've worn; and

put in clean things.

HODSON [appearing at the bedroom door] Yes sir. [He turns to go

back into the bedroom.

BROADBENT. And look here! [Hodson turns again]. Do you remember

where I put my revolver?

HODSON. Revolver, sir? Yes sir. Mr Doyle uses it as a

paper-weight, sir, when he's drawing.

BROADBENT. Well, I want it packed. There's a packet of cartridges

somewhere, I think. Find it and pack it as well.

HODSON. Yes sir.

BROADBENT. By the way, pack your own traps too. I shall take you

with me this time.

HODSON [hesitant]. Is it a dangerous part you're going to, sir?

Should I be expected to carry a revolver, sir?

BROADBENT. Perhaps it might be as well. I'm going to Ireland.

HODSON [reassured]. Yes sir.

BROADBENT. You don't feel nervous about it, I suppose?

HODSON. Not at all, sir. I'll risk it, sir.

BROADBENT. Have you ever been in Ireland?

HODSON. No sir. I understand it's a very wet climate, sir. I'd

better pack your india-rubber overalls.

BROADBENT. Do. Where's Mr Doyle?

HODSON. I'm expecting him at five, sir. He went out after lunch.

BROADBENT. Anybody been looking for me?

HODSON. A person giving the name of Haffigan has called twice to-day, sir.

BROADBENT. Oh, I'm sorry. Why didn't he wait? I told him to wait

if I wasn't in.

HODSON. Well Sir, I didn't know you expected him; so I thought it

best to--to--not to encourage him, sir.

BROADBENT. Oh, he's all right. He's an Irishman, and not very

particular about his appearance.

HODSON. Yes sir, I noticed that he was rather Irish....

BROADBENT. If he calls again let him come up.

HODSON. I think I saw him waiting about, sir, when you drove up.

Shall I fetch him, sir?

BROADBENT. Do, Hodson.

HODSON. Yes sir [He makes for the outer door].

BROADBENT. He'll want tea. Let us have some.

HODSON [stopping]. I shouldn't think he drank tea, sir.

BROADBENT. Well, bring whatever you think he'd like.

HODSON. Yes sir [An electric bell rings]. Here he is, sir. Saw

you arrive, sir.

BROADBENT. Right. Show him in. [Hodson goes out. Broadbent gets

through the rest of his letters before Hodson returns with the

visitor].

HODSON. Mr Affigan.

Haffigan is a stunted, shortnecked, smallheaded, redhaired man of

about 30, with reddened nose and furtive eyes. He is dressed in

seedy black, almost clerically, and might be a tenth-rate

schoolmaster ruined by drink. He hastens to shake Broadbent's

hand with a show of reckless geniality and high spirits, helped

out by a rollicking stage brogue. This is perhaps a comfort to

himself, as he is secretly pursued by the horrors of incipient

delirium tremens.

HAFFIGAN. Tim Haffigan, sir, at your service. The top o the

mornin to you, Misther Broadbent.

BROADBENT [delighted with his Irish visitor]. Good afternoon, Mr

Haffigan.

TIM. An is it the afthernoon it is already? Begorra, what I call

the mornin is all the time a man fasts afther breakfast.

BROADBENT. Haven't you lunched?

TIM. Divil a lunch!

BROADBENT. I'm sorry I couldn't get back from Brighton in time to

offer you some; but--

TIM. Not a word, sir, not a word. Sure it'll do tomorrow.

Besides, I'm Irish, sir: a poor ather, but a powerful dhrinker.

BROADBENT. I was just about to ring for tea when you came. Sit

down, Mr Haffigan.

TIM. Tay is a good dhrink if your nerves can stand it. Mine

can't.

Haffigan sits down at the writing table, with his back to the

filing cabinet. Broadbent sits opposite him. Hodson enters

emptyhanded; takes two glasses, a siphon, and a tantalus from the

cupboard; places them before Broadbent on the writing table;

looks ruthlessly at Haffigan, who cannot meet his eye; and

retires.

BROADBENT. Try a whisky and soda.

TIM [sobered]. There you touch the national wakeness, sir.

[Piously] Not that I share it meself. I've seen too much of the

mischief of it.

BROADBENT [pouring the whisky]. Say when.

TIM. Not too sthrong. [Broadbent stops and looks enquiringly at

him]. Say half-an-half. [Broadbent, somewhat startled by this

demand, pours a little more, and again stops and looks]. Just a

dhrain more: the lower half o the tumbler doesn't hold a fair

half. Thankya.

BROADBENT [laughing]. You Irishmen certainly do know how to

drink. [Pouring some whisky for himself] Now that's my poor

English idea of a whisky and soda.

TIM. An a very good idea it is too. Dhrink is the curse o me

unhappy counthry. I take it meself because I've a wake heart and

a poor digestion; but in principle I'm a teetoatler.

BROADBENT [suddenly solemn and strenuous]. So am I, of course.

I'm a Local Optionist to the backbone. You have no idea, Mr

Haffigan, of the ruin that is wrought in this country by the

unholy alliance of the publicans, the bishops, the Tories, and

The Times. We must close the public-houses at all costs [he

drinks].

TIM. Sure I know. It's awful [he drinks]. I see you're a good

Liberal like meself, sir.

BROADBENT. I am a lover of liberty, like every true Englishman,

Mr Haffigan. My name is Broadbent. If my name were Breitstein,

and I had a hooked nose and a house in Park Lane, I should carry

a Union Jack handkerchief and a penny trumpet, and tax the food

of the people to support the Navy League, and clamor for the

destruction of the last remnants of national liberty--

TIM. Not another word. Shake hands.

BROADBENT. But I should like to explain--

TIM. Sure I know every word you're goin to say before yev said

it. I know the sort o man yar. An so you're thinkin o comin to

Ireland for a bit?

BROADBENT. Where else can I go? I am an Englishman and a Liberal;

and now that South Africa has been enslaved and destroyed, there

is no country left to me to take an interest in but Ireland.

Mind: I don't say that an Englishman has not other duties. He has

a duty to Finland and a duty to Macedonia. But what sane man can

deny that an Englishman's first duty is his duty to Ireland?

Unfortunately, we have politicians here more unscrupulous than

Bobrikoff, more bloodthirsty than Abdul the Damned; and it is

under their heel that Ireland is now writhing.

TIM. Faith, they've reckoned up with poor oul Bobrikoff anyhow.

BROADBENT. Not that I defend assassination: God forbid! However

strongly we may feel that the unfortunate and patriotic young man

who avenged the wrongs of Finland on the Russian tyrant was

perfectly right from his own point of view, yet every civilized

man must regard murder with abhorrence. Not even in defence of

Free Trade would I lift my hand against a political opponent,

however richly he might deserve it.

TIM. I'm sure you wouldn't; and I honor you for it. You're goin

to Ireland, then, out o sympithy: is it?

BROADBENT. I'm going to develop an estate there for the Land

Development Syndicate, in which I am interested. I am convinced

that all it needs to make it pay is to handle it properly, as

estates are handled in England. You know the English plan, Mr

Haffigan, don't you?

TIM. Bedad I do, sir. Take all you can out of Ireland and spend

it in England: that's it.

BROADBENT [not quite liking this]. My plan, sir, will be to take

a little money out of England and spend it in Ireland.

TIM. More power to your elbow! an may your shadda never be less!

for you're the broth of a boy intirely. An how can I help you?

Command me to the last dhrop o me blood.

BROADBENT. Have you ever heard of Garden City?

TIM [doubtfully]. D'ye mane Heavn?

BROADBENT. Heaven! No: it's near Hitchin. If you can spare half

an hour I'll go into it with you.

TIM. I tell you hwat. Gimme a prospectus. Lemme take it home and

reflect on it.

BROADBENT. You're quite right: I will. [He gives him a copy of Mr

Ebenezer Howard's book, and several pamphlets]. You understand

that the map of the city--the circular construction--is only a

suggestion.

TIM. I'll make a careful note o that [looking dazedly at the

map].

BROADBENT. What I say is, why not start a Garden City in Ireland?

TIM [with enthusiasm]. That's just what was on the tip o me

tongue to ask you. Why not? [Defiantly] Tell me why not.

BROADBENT. There are difficulties. I shall overcome them; but

there are difficulties. When I first arrive in Ireland I shall be

hated as an Englishman. As a Protestant, I shall be denounced

from every altar. My life may be in danger. Well, I am prepared

to face that.

TIM. Never fear, sir. We know how to respict a brave innimy.

BROADBENT. What I really dread is misunderstanding. I think you

could help me to avoid that. When I heard you speak the other

evening in Bermondsey at the meeting of the National League, I

saw at once that you were--You won't mind my speaking frankly?

TIM. Tell me all me faults as man to man. I can stand anything

but flatthery.

BROADBENT. May I put it in this way?--that I saw at once that you

were a thorough Irishman, with all the faults and all, the

qualities of your race: rash and improvident but brave and

goodnatured; not likely to succeed in business on your own

account perhaps, but eloquent, humorous, a lover of freedom, and

a true follower of that great Englishman Gladstone.

TIM. Spare me blushes. I mustn't sit here to be praised to me

face. But I confess to the goodnature: it's an Irish wakeness.

I'd share me last shillin with a friend.

BROADBENT. I feel sure you would, Mr Haffigan.

TIM [impulsively]. Damn it! call me Tim. A man that talks about

Ireland as you do may call me anything. Gimme a howlt o that

whisky bottle [he replenishes].

BROADBENT [smiling indulgently]. Well, Tim, will you come with me

and help to break the ice between me and your warmhearted,

impulsive countrymen?

TIM. Will I come to Madagascar or Cochin China wid you? Bedad

I'll come to the North Pole wid you if yll pay me fare; for the

divil a shillin I have to buy a third class ticket.

BROADBENT. I've not forgotten that, Tim. We must put that little

matter on a solid English footing, though the rest can be as

Irish as you please. You must come as my--my--well, I hardly know

what to call it. If we call you my agent, they'll shoot you. If

we call you a bailiff, they'll duck you in the horsepond. I have

a secretary already; and--

TIM. Then we'll call him the Home Secretary and me the Irish

Secretary. Eh?

BROADBENT [laughing industriously]. Capital. Your Irish wit has

settled the first difficulty. Now about your salary--

TIM. A salary, is it? Sure I'd do it for nothin, only me cloes ud

disgrace you; and I'd be dhriven to borra money from your

friends: a thing that's agin me nacher. But I won't take a penny

more than a hundherd a year. [He looks with restless cunning at

Broadbent, trying to guess how far he may go].

BROADBENT. If that will satisfy you--

TIM [more than reassured]. Why shouldn't it satisfy me? A

hundherd a year is twelve-pound a month, isn't it?

BROADBENT. No. Eight pound six and eightpence.

TIM. Oh murdher! An I'll have to sind five timme poor oul mother

in Ireland. But no matther: I said a hundherd; and what I said

I'll stick to, if I have to starve for it.

BROADBENT [with business caution]. Well, let us say twelve pounds

for the first month. Afterwards, we shall see how we get on.

TIM. You're a gentleman, sir. Whin me mother turns up her toes,

you shall take the five pounds off; for your expinses must be kep

down wid a sthrong hand; an--[He is interrupted by the arrival of

Broadbent's partner.]

Mr Laurence Doyle is a man of 36, with cold grey eyes, strained

nose, fine fastidious lips, critical brown, clever head, rather

refined and goodlooking on the whole, but with a suggestion of

thinskinedness and dissatisfaction that contrasts strongly with

Broadbent's eupeptic jollity.

He comes in as a man at home there, but on seeing the stranger

shrinks at once, and is about to withdraw when Broadbent

reassures him. He then comes forward to the table, between the

two others.

DOYLE [retreating]. You're engaged.

BROADBENT. Not at all, not at all. Come in. [To Tim] This

gentleman is a friend who lives with me here: my partner, Mr

Doyle. [To Doyle] This is a new Irish friend of mine, Mr Tim

Haffigan.

TIM [rising with effusion]. Sure it's meself that's proud to meet

any friend o Misther Broadbent's. The top o the mornin to you,

sir! Me heart goes out teeye both. It's not often I meet two such

splendid speciments iv the Anglo-Saxon race.

BROADBENT [chuckling] Wrong for once, Tim. My friend Mr Doyle is

a countryman of yours.

Tim is noticeably dashed by this announcement. He draws in his

horns at once, and scowls suspiciously at Doyle under a vanishing

mark of goodfellowship: cringing a little, too, in mere nerveless

fear of him.

DOYLE [with cool disgust]. Good evening. [He retires to the

fireplace, and says to Broadbent in a tone which conveys the

strongest possible hint to Haffigan that he is unwelcome] Will

you soon be disengaged?

TIM [his brogue decaying into a common would-be genteel accent

with an unexpected strain of Glasgow in it]. I must be going.

Ivnmportnt engeegement in the west end.

BROADBENT [rising]. It's settled, then, that you come with me.

TIM. Ish'll be verra pleased to accompany ye, sir.

BROADBENT. But how soon? Can you start tonight--from Paddington?

We go by Milford Haven.

TIM [hesitating]. Well--I'm afreed--I [Doyle goes abruptly into

the bedroom, slamming the door and shattering the last remnant of

Tim's nerve. The poor wretch saves himself from bursting into

tears by plunging again into his role of daredevil Irishman. He

rushes to Broadbent; plucks at his sleeve with trembling fingers;

and pours forth his entreaty with all the brogue be can muster,

subduing his voice lest Doyle should hear and return]. Misther

Broadbent: don't humiliate me before a fella counthryman. Look

here: me cloes is up the spout. Gimme a fypounnote--I'll pay ya

nex choosda whin me ship comes home--or you can stop it out o me

month's sallery. I'll be on the platform at Paddnton punctial an

ready. Gimme it quick, before he comes back. You won't mind me

axin, will ye?

BROADBENT. Not at all. I was about to offer you an advance for

travelling expenses. [He gives him a bank note].

TIM [pocketing it]. Thank you. I'll be there half an hour before

the thrain starts. [Larry is heard at the bedroom door,

returning]. Whisht: he's comin back. Goodbye an God bless ye. [He

hurries out almost crying, the 5 pound note and all the drink it

means to him being too much for his empty stomach and overstrained

nerves].

DOYLE [returning]. Where the devil did you pick up that seedy

swindler? What was he doing here? [He goes up to the table where

the plans are, and makes a note on one of them, referring to his

pocket book as he does so].

BROADBENT. There you go! Why are you so down on every Irishman

you meet, especially if he's a bit shabby? poor devil! Surely a

fellow-countryman may pass you the top of the morning without

offence, even if his coat is a bit shiny at the seams.

DOYLE [contemptuously]. The top of the morning! Did he call you

the broth of a boy? [He comes to the writing table].

BROADBENT [triumphantly]. Yes.

DOYLE. And wished you more power to your elbow?

BROADBENT. He did.

DOYLE. And that your shadow might never be less?

BROADBENT. Certainly.

DOYLE [taking up the depleted whisky bottle and shaking his head

at it]. And he got about half a pint of whisky out of you.

BROADBENT. It did him no harm. He never turned a hair.

DOYLE. How much money did he borrow?

BROADBENT. It was not borrowing exactly. He showed a very

honorable spirit about money. I believe he would share his last

shilling with a friend.

DOYLE. No doubt he would share his friend's last shilling if his

friend was fool enough to let him. How much did he touch you for?

BROADBENT. Oh, nothing. An advance on his salary--for travelling

expenses.

DOYLE. Salary! In Heaven's name, what for?

BROADBENT. For being my Home Secretary, as he very wittily called

it.

DOYLE. I don't see the joke.

BROADBENT. You can spoil any joke by being cold blooded about it.

I saw it all right when he said it. It was something--something

really very amusing--about the Home Secretary and the Irish

Secretary. At all events, he's evidently the very man to take

with me to Ireland to break the ice for me. He can gain the

confidence of the people there, and make them friendly to me. Eh?

[He seats himself on the office stool, and tilts it back so that

the edge of the standing desk supports his back and prevents his

toppling over].

DOYLE. A nice introduction, by George! Do you suppose the whole

population of Ireland consists of drunken begging letter writers,

or that even if it did, they would accept one another as

references?

BROADBENT. Pooh! nonsense! He's only an Irishman. Besides, you

don't seriously suppose that Haffigan can humbug me, do you?

DOYLE. No: he's too lazy to take the trouble. All he has to do is

to sit there and drink your whisky while you humbug yourself.

However, we needn't argue about Haffigan, for two reasons. First,

with your money in his pocket he will never reach Paddington:

there are too many public houses on the way. Second, he's not an

Irishman at all.

BROADBENT. Not an Irishman! [He is so amazed by the statement

that he straightens himself and brings the stool bolt upright].

DOYLE. Born in Glasgow. Never was in Ireland in his life. I know

all about him.

BROADBENT. But he spoke--he behaved just like an Irishman.

DOYLE. Like an Irishman!! Is it possible that you don't know that

all this top-o-the-morning and broth-of-a-boy and more-power-to-your-elbow

business is as peculiar to England as the Albert Hall concerts of

Irish music are? No Irishman ever talks like that in Ireland, or

ever did, or ever will. But when a thoroughly worthless Irishman

comes to England, and finds the whole place full of romantic duffers

like you, who will let him loaf and drink and sponge and brag as

long as he flatters your sense of moral superiority by playing the

fool and degrading himself and his country, he soon learns the antics

that take you in. He picks them up at the theatre or the music hall.

Haffigan learnt the rudiments from his father, who came from my part

of Ireland. I knew his uncles, Matt and Andy Haffigan of Rosscullen.

BROADBENT [still incredulous]. But his brogue!

DOYLE. His brogue! A fat lot you know about brogues! I've heard

you call a Dublin accent that you could hang your hat on, a

brogue. Heaven help you! you don't know the difference between

Connemara and Rathmines. [With violent irritation] Oh, damn Tim

Haffigan! Let's drop the subject: he's not worth wrangling about.

BROADBENT. What's wrong with you today, Larry? Why are you so

bitter?

Doyle looks at him perplexedly; comes slowly to the writing

table; and sits down at the end next the fireplace before

replying.

DOYLE. Well: your letter completely upset me, for one thing.

BROADBENT. Why?

LARRY. Your foreclosing this Rosscullen mortgage and turning poor

Nick Lestrange out of house and home has rather taken me aback;

for I liked the old rascal when I was a boy and had the run of

his park to play in. I was brought up on the property.

BROADBENT. But he wouldn't pay the interest. I had to foreclose

on behalf of the Syndicate. So now I'm off to Rosscullen to look

after the property myself. [He sits down at the writing table

opposite Larry, and adds, casually, but with an anxious glance at

his partner] You're coming with me, of course?

DOYLE [rising nervously and recommencing his restless movements].

That's it. That's what I dread. That's what has upset me.

BROADBENT. But don't you want to see your country again after 18

years absence? to see your people, to be in the old home again?

To--

DOYLE [interrupting him very impatiently]. Yes, yes: I know all

that as well as you do.

BROADBENT. Oh well, of course [with a shrug] if you take it in

that way, I'm sorry.

DOYLE. Never you mind my temper: it's not meant for you, as you

ought to know by this time. [He sits down again, a little ashamed

of his petulance; reflects a moment bitterly; then bursts out] I

have an instinct against going back to Ireland: an instinct so

strong that I'd rather go with you to the South Pole than to

Rosscullen.

BROADBENT. What! Here you are, belonging to a nation with the

strongest patriotism! the most inveterate homing instinct in the

world! and you pretend you'd rather go anywhere than back to

Ireland. You don't suppose I believe you, do you? In your heart--

DOYLE. Never mind my heart: an Irishman's heart is nothing but

his imagination. How many of all those millions that have left

Ireland have ever come back or wanted to come back? But what's

the use of talking to you? Three verses of twaddle about the

Irish emigrant "sitting on the stile, Mary," or three hours of

Irish patriotism in Bermondsey or the Scotland Division of

Liverpool, go further with you than all the facts that stare you

in the face. Why, man alive, look at me! You know the way I nag,

and worry, and carp, and cavil, and disparage, and am never

satisfied and never quiet, and try the patience of my best

friends.

BROADBENT. Oh, come, Larry! do yourself justice. You're very

amusing and agreeable to strangers.

DOYLE. Yes, to strangers. Perhaps if I was a bit stiffer to

strangers, and a bit easier at home, like an Englishman, I'd be

better company for you.

BROADBENT. We get on well enough. Of course you have the

melancholy of the Celtic race--

DOYLE [bounding out of his chair] Good God!!!

BROADBENT [slyly]--and also its habit of using strong language

when there's nothing the matter.

DOYLE. Nothing the matter! When people talk about the Celtic

race, I feel as if I could burn down London. That sort of rot

does more harm than ten Coercion Acts. Do you suppose a man need

be a Celt to feel melancholy in Rosscullen? Why, man, Ireland was

peopled just as England was; and its breed was crossed by just

the same invaders.

BROADBENT. True. All the capable people in Ireland are of English

extraction. It has often struck me as a most remarkable

circumstance that the only party in parliament which shows the

genuine old English character and spirit is the Irish party. Look

at its independence, its determination, its defiance of bad

Governments, its sympathy with oppressed nationalities all the

world over! How English!

DOYLE. Not to mention the solemnity with which it talks

old-fashioned nonsense which it knows perfectly well to be a century

behind the times. That's English, if you like.

BROADBENT. No, Larry, no. You are thinking of the modern hybrids

that now monopolize England. Hypocrites, humbugs, Germans, Jews,

Yankees, foreigners, Park Laners, cosmopolitan riffraff. Don't

call them English. They don't belong to the dear old island, but

to their confounded new empire; and by George! they're worthy of

it; and I wish them joy of it.

DOYLE [unmoved by this outburst]. There! You feel better now,

don't you?

BROADBENT [defiantly]. I do. Much better.

DOYLE. My dear Tom, you only need a touch of the Irish climate to

be as big a fool as I am myself. If all my Irish blood were

poured into your veins, you wouldn't turn a hair of your

constitution and character. Go and marry the most English

Englishwoman you can find, and then bring up your son in

Rosscullen; and that son's character will be so like mine and so

unlike yours that everybody will accuse me of being his father.

[With sudden anguish] Rosscullen! oh, good Lord, Rosscullen! The

dullness! the hopelessness! the ignorance! the bigotry!

BROADBENT [matter-of-factly]. The usual thing in the country,

Larry. Just the same here.

DOYLE [hastily]. No, no: the climate is different. Here, if the

life is dull, you can be dull too, and no great harm done. [Going

off into a passionate dream] But your wits can't thicken in that

soft moist air, on those white springy roads, in those misty

rushes and brown bogs, on those hillsides of granite rocks and

magenta heather. You've no such colors in the sky, no such lure

in the distances, no such sadness in the evenings. Oh, the

dreaming! the dreaming! the torturing, heartscalding, never

satisfying dreaming, dreaming, dreaming, dreaming! [Savagely] No

debauchery that ever coarsened and brutalized an Englishman can

take the worth and usefulness out of him like that dreaming. An

Irishman's imagination never lets him alone, never convinces him,

never satisfies him; but it makes him that he can't face reality

nor deal with it nor handle it nor conquer it: he can only sneer

at them that do, and [bitterly, at Broadbent] be "agreeable to

strangers," like a good-for-nothing woman on the streets.

[Gabbling at Broadbent across the table] It's all dreaming, all

imagination. He can't be religious. The inspired Churchman that

teaches him the sanctity of life and the importance of conduct is

sent away empty; while the poor village priest that gives him a

miracle or a sentimental story of a saint, has cathedrals built

for him out of the pennies of the poor. He can't be intelligently

political, he dreams of what the Shan Van Vocht said in

ninety-eight. If you want to interest him in Ireland you've got to call

the unfortunate island Kathleen ni Hoolihan and pretend she's a

little old woman. It saves thinking. It saves working. It saves

everything except imagination, imagination, imagination; and

imagination's such a torture that you can't bear it without

whisky. [With fierce shivering self-contempt] At last you get

that you can bear nothing real at all: you'd rather starve than

cook a meal; you'd rather go shabby and dirty than set your mind

to take care of your clothes and wash yourself; you nag and

squabble at home because your wife isn't an angel, and she

despises you because you're not a hero; and you hate the whole

lot round you because they're only poor slovenly useless devils

like yourself. [Dropping his voice like a man making some

shameful confidence] And all the while there goes on a horrible,

senseless, mischievous laughter. When you're young, you exchange

drinks with other young men; and you exchange vile stories with

them; and as you're too futile to be able to help or cheer them,

you chaff and sneer and taunt them for not doing the things you

daren't do yourself. And all the time you laugh, laugh, laugh!

eternal derision, eternal envy, eternal folly, eternal fouling

and staining and degrading, until, when you come at last to a

country where men take a question seriously and give a serious

answer to it, you deride them for having no sense of humor, and

plume yourself on your own worthlessness as if it made you better

than them.

BROADBENT [roused to intense earnestness by Doyle's eloquence].

Never despair, Larry. There are great possibilities for Ireland.

Home Rule will work wonders under English guidance.

DOYLE [pulled up short, his face twitching with a reluctant

smile]. Tom: why do you select my most tragic moments for your

most irresistible strokes of humor?

BROADBENT. Humor! I was perfectly serious. What do you mean? Do

you doubt my seriousness about Home Rule?

DOYLE. I am sure you are serious, Tom, about the English guidance.

BROADBENT [quite reassured]. Of course I am. Our guidance is the

important thing. We English must place our capacity for government

without stint at the service of nations who are less fortunately

endowed in that respect; so as to allow them to develop in perfect

freedom to the English level of self-government, you know. You

understand me?

DOYLE. Perfectly. And Rosscullen will understand you too.

BROADBENT [cheerfully]. Of course it will. So that's all right.

[He pulls up his chair and settles himself comfortably to lecture

Doyle]. Now, Larry, I've listened carefully to all you've said

about Ireland; and I can see nothing whatever to prevent your

coming with me. What does it all come to? Simply that you were

only a young fellow when you were in Ireland. You'll find all

that chaffing and drinking and not knowing what to be at in

Peckham just the same as in Donnybrook. You looked at Ireland

with a boy's eyes and saw only boyish things. Come back with me

and look at it with a man's, and get a better opinion of your

country.

DOYLE. I daresay you're partly right in that: at all events I

know very well that if I had been the son of a laborer instead of

the son of a country landagent, I should have struck more grit

than I did. Unfortunately I'm not going back to visit the Irish

nation, but to visit my father and Aunt Judy and Nora Reilly and

Father Dempsey and the rest of them.

BROADBENT. Well, why not? They'll be delighted to see you, now

that England has made a man of you.

DOYLE [struck by this]. Ah! you hit the mark there, Tom, with

true British inspiration.

BROADBENT. Common sense, you mean.

DOYLE [quickly]. No I don't: you've no more common sense than a

gander. No Englishman has any common sense, or ever had, or ever

will have. You're going on a sentimental expedition for perfectly

ridiculous reasons, with your head full of political nonsense

that would not take in any ordinarily intelligent donkey; but you

can hit me in the eye with the simple truth about myself and my

father.

BROADBENT [amazed]. I never mentioned your father.

DOYLE [not heeding the interruption]. There he is in Rosscullen,

a landagent who's always been in a small way because he's a

Catholic, and the landlords are mostly Protestants. What with

land courts reducing rents and Land Acts turning big estates into

little holdings, he'd be a beggar this day if he hadn't bought

his own little farm under the Land Purchase Act. I doubt if he's

been further from home than Athenmullet for the last twenty

years. And here am I, made a man of, as you say, by England.

BROADBENT [apologetically]. I assure you I never meant--

DOYLE. Oh, don't apologize: it's quite true. I daresay I've

learnt something in America and a few other remote and inferior

spots; but in the main it is by living with you and working in

double harness with you that I have learnt to live in a real

world and not in an imaginary one. I owe more to you than to any

Irishman.

BROADBENT [shaking his head with a twinkle in his eye]. Very

friendly of you, Larry, old man, but all blarney. I like blarney;

but it's rot, all the same.

DOYLE. No it's not. I should never have done anything without

you; although I never stop wondering at that blessed old head of

yours with all its ideas in watertight compartments, and all the

compartments warranted impervious to anything that it doesn't

suit you to understand.

BROADBENT [invincible]. Unmitigated rot, Larry, I assure you.

DOYLE. Well, at any rate you will admit that all my friends are

either Englishmen or men of the big world that belongs to the big

Powers. All the serious part of my life has been lived in that

atmosphere: all the serious part of my work has been done with

men of that sort. Just think of me as I am now going back to

Rosscullen! to that hell of littleness and monotony! How am I to

get on with a little country landagent that ekes out his 5 per

cent with a little farming and a scrap of house property in the

nearest country town? What am I to say to him? What is he to say

to me?

BROADBFNT [scandalized]. But you're father and son, man!

DOYLE. What difference does that make? What would you say if I

proposed a visit to YOUR father?

BROADBENT [with filial rectitude]. I always made a point of going

to see my father regularly until his mind gave way.

DOYLE [concerned]. Has he gone mad? You never told me.

BROADBENT. He has joined the Tariff Reform League. He would never

have done that if his mind had not been weakened. [Beginning to

declaim] He has fallen a victim to the arts of a political

charlatan who--

DOYLE [interrupting him]. You mean that you keep clear of your

father because he differs from you about Free Trade, and you

don't want to quarrel with him. Well, think of me and my father!

He's a Nationalist and a Separatist. I'm a metallurgical chemist

turned civil engineer. Now whatever else metallurgical chemistry

may be, it's not national. It's international. And my business

and yours as civil engineers is to join countries, not to

separate them. The one real political conviction that our

business has rubbed into us is that frontiers are hindrances and

flags confounded nuisances.

BROADBENT [still smarting under Mr Chamberlain's economic

heresy]. Only when there is a protective tariff--

DOYLE [firmly] Now look here, Tom: you want to get in a speech on

Free Trade; and you're not going to do it: I won't stand it. My

father wants to make St George's Channel a frontier and hoist a

green flag on College Green; and I want to bring Galway within 3

hours of Colchester and 24 of New York. I want Ireland to be the

brains and imagination of a big Commonwealth, not a Robinson

Crusoe island. Then there's the religious difficulty. My

Catholicism is the Catholicism of Charlemagne or Dante, qualified

by a great deal of modern science and folklore which Father

Dempsey would call the ravings of an Atheist. Well, my father's

Catholicism is the Catholicism of Father Dempsey.

BROADBENT [shrewdly]. I don't want to interrupt you, Larry; but

you know this is all gammon. These differences exist in all

families; but the members rub on together all right. [Suddenly

relapsing into portentousness] Of course there are some questions

which touch the very foundations of morals; and on these I grant

you even the closest relationships cannot excuse any compromise

or laxity. For instance--

DOYLE [impatiently springing up and walking about]. For instance,

Home Rule, South Africa, Free Trade, and the Education Rate.

Well, I should differ from my father on every one of them,

probably, just as I differ from you about them.

BROADBENT. Yes; but you are an Irishman; and these things are not

serious to you as they are to an Englishman.

DOYLE. What! not even Home Rule!

BROADBENT [steadfastly]. Not even Home Rule. We owe Home Rule not

to the Irish, but to our English Gladstone. No, Larry: I can't

help thinking that there's something behind all this.

DOYLE [hotly]. What is there behind it? Do you think I'm

humbugging you?

BROADBENT. Don't fly out at me, old chap. I only thought--

DOYLE. What did you think?

BROADBENT. Well, a moment ago I caught a name which is new to me:

a Miss Nora Reilly, I think. [Doyle stops dead and stares at him

with something like awe]. I don't wish to be impertinent, as you

know, Larry; but are you sure she has nothing to do with your

reluctance to come to Ireland with me?

DOYLE [sitting down again, vanquished]. Thomas Broadbent: I

surrender. The poor silly-clever Irishman takes off his hat to

God's Englishman. The man who could in all seriousness make that

recent remark of yours about Home Rule and Gladstone must be

simply the champion idiot of all the world. Yet the man who could

in the very next sentence sweep away all my special pleading and

go straight to the heart of my motives must be a man of genius.

But that the idiot and the genius should be the same man! how is

that possible? [Springing to his feet] By Jove, I see it all now.

I'll write an article about it, and send it to Nature.

BROADBENT [staring at him]. What on earth--

DOYLE. It's quite simple. You know that a

caterpillar--

BROADBENT. A caterpillar!!!

DOYLE. Yes, a caterpillar. Now give your mind to what I am going

to say; for it's a new and important scientific theory of the

English national character. A caterpillar--

BROADBENT. Look here, Larry: don't be an ass.

DOYLE [insisting]. I say a caterpillar and I mean a caterpillar.

You'll understand presently. A caterpillar [Broadbent mutters a

slight protest, but does not press it] when it gets into a tree,

instinctively makes itself look exactly like a leaf; so that both

its enemies and its prey may mistake it for one and think it not

worth bothering about.

BROADBENT. What's that got to do with our English national

character?

DOYLE. I'll tell you. The world is as full of fools as a tree is

full of leaves. Well, the Englishman does what the caterpillar

does. He instinctively makes himself look like a fool, and eats

up all the real fools at his ease while his enemies let him alone

and laugh at him for being a fool like the rest. Oh, nature is

cunning, cunning! [He sits down, lost in contemplation of his

word-picture].

BROADBENT [with hearty admiration]. Now you know, Larry, that

would never have occurred to me. You Irish people are amazingly

clever. Of course it's all tommy rot; but it's so brilliant, you

know! How the dickens do you think of such things! You really

must write an article about it: they'll pay you something for it.

If Nature won't have it, I can get it into Engineering for you: I

know the editor.

DOYLE. Let's get back to business. I'd better tell you about Nora

Reilly.

BROADBENT. No: never mind. I shouldn't have alluded to her.

DOYLE. I'd rather. Nora has a fortune.

BROADBENT [keenly interested]. Eh? How much?

DOYLE. Forty per annum.

BROADBENT. Forty thousand?

DOYLE. No, forty. Forty pounds.

BROADBENT [much dashed.] That's what you call a fortune in

Rosscullen, is it?

DOYLE. A girl with a dowry of five pounds calls it a fortune in

Rosscullen. What's more 40 pounds a year IS a fortune there; and

Nora Reilly enjoys a good deal of social consideration as an

heiress on the strength of it. It has helped my father's

household through many a tight place. My father was her father's

agent. She came on a visit to us when he died, and has lived with

us ever since.

BROADBENT [attentively, beginning to suspect Larry of misconduct

with Nora, and resolving to get to the bottom of it]. Since when?

I mean how old were you when she came?

DOYLE. I was seventeen. So was she: if she'd been older she'd

have had more sense than to stay with us. We were together for 18

months before I went up to Dublin to study. When I went home for

Christmas and Easter, she was there: I suppose it used to be

something of an event for her, though of course I never thought

of that then.

BROADBENT. Were you at all hard hit?

DOYLE. Not really. I had only two ideas at that time, first, to

learn to do something; and then to get out of Ireland and have a

chance of doing it. She didn't count. I was romantic about her,

just as I was romantic about Byron's heroines or the old Round

Tower of Rosscullen; but she didn't count any more than they did.

I've never crossed St George's Channel since for her sake--never

even landed at Queenstown and come back to London through

Ireland.

BROADBENT. But did you ever say anything that would justify her

in waiting for you?

DOYLE. No, never. But she IS waiting for me.

BROADBENT. How do you know?

DOYLE. She writes to me--on her birthday. She used to write on

mine, and send me little things as presents; but I stopped that

by pretending that it was no use when I was travelling, as they

got lost in the foreign post-offices. [He pronounces post-offices

with the stress on offices, instead of on post].

BROADBENT. You answer the letters?

DOYLE. Not very punctually. But they get acknowledged at one time

or another.

BROADBENT. How do you feel when you see her handwriting?

DOYLE. Uneasy. I'd give 50 pounds to escape a letter.

BROADBENT [looking grave, and throwing himself back in his chair

to intimate that the cross-examination is over, and the result

very damaging to the witness] Hm!

DOYLE. What d'ye mean by Hm!?

BROADBENT. Of course I know that the moral code is different in

Ireland. But in England it's not considered fair to trifle with a

woman's affections.

DOYLE. You mean that an Englishman would get engaged to another

woman and return Nora her letters and presents with a letter to

say he was unworthy of her and wished her every happiness?

BROADBENT. Well, even that would set the poor girl's mind at

rest.

DOYLE. Would it? I wonder! One thing I can tell you; and that is

that Nora would wait until she died of old age sooner than ask my

intentions or condescend to hint at the possibility of my having

any. You don't know what Irish pride is. England may have knocked

a good deal of it out of me; but she's never been in England; and

if I had to choose between wounding that delicacy in her and

hitting her in the face, I'd hit her in the face without a

moment's hesitation.

BROADBENT [who has been nursing his knee and reflecting,

apparently rather agreeably]. You know, all this sounds rather

interesting. There's the Irish charm about it. That's the worst

of you: the Irish charm doesn't exist for you.

DOYLE. Oh yes it does. But it's the charm of a dream. Live in

contact with dreams and you will get something of their charm:

live in contact with facts and you will get something of their

brutality. I wish I could find a country to live in where the

facts were not brutal and the dreams not unreal.

BROADBENT [changing his attitude and responding to Doyle's

earnestness with deep conviction: his elbows on the table and his

hands clenched]. Don't despair, Larry, old boy: things may look

black; but there will be a great change after the next election.

DOYLE [jumping up]. Oh get out, you idiot!

BROADBENT [rising also, not a bit snubbed]. Ha! ha! you may

laugh; but we shall see. However, don't let us argue about that.

Come now! you ask my advice about Miss Reilly?

DOYLE [reddening]. No I don't. Damn your advice! [Softening]

Let's have it, all the same.

BROADBENT. Well, everything you tell me about her impresses me

favorably. She seems to have the feelings of a lady; and though

we must face the fact that in England her income would hardly

maintain her in the lower middle class--

DOYLE [interrupting]. Now look here, Tom. That reminds me. When

you go to Ireland, just drop talking about the middle class and

bragging of belonging to it. In Ireland you're either a gentleman

or you're not. If you want to be particularly offensive to Nora,

you can call her a Papist; but if you call her a middle-class

woman, Heaven help you!

BROADBENT [irrepressible]. Never fear. You're all descended from

the ancient kings: I know that. [Complacently] I'm not so

tactless as you think, my boy. [Earnest again] I expect to find

Miss Reilly a perfect lady; and I strongly advise you to come and

have another look at her before you make up your mind about her.

By the way, have you a photograph of her?

DOYLE. Her photographs stopped at twenty-five.

BROADBENT [saddened]. Ah yes, I suppose so. [With feeling,

severely] Larry: you've treated that poor girl disgracefully.

DOYLE. By George, if she only knew that two men were talking

about her like this--!

BROADBENT. She wouldn't like it, would she? Of course not. We

ought to be ashamed of ourselves, Larry. [More and more carried

away by his new fancy]. You know, I have a sort of presentiment

that Miss Really is a very superior woman.

DOYLE [staring hard at him]. Oh you have, have you?

BROADBENT. Yes I have. There is something very touching about the

history of this beautiful girl.

DOYLE. Beau--! Oho! Here's a chance for Nora! and for me!

[Calling] Hodson.

HODSON [appearing at the bedroom door]. Did you call, sir?

DOYLE. Pack for me too. I'm going to Ireland with Mr Broadbent.

HODSON. Right, sir. [He retires into the bedroom.]

BROADBENT [clapping Doyle on the shoulder]. Thank you, old chap.

Thank you.

John Bull's Other Island · 第 1 / 4 章