XV.

It was a romantic evening, and although Lord Reggie prided himself on

being altogether impervious to the influences of Nature, he was not

unaware that a warm and fantastic twilight may incline the average woman

favourably to a suit that she might not be disposed to heed in the early

morning, or during the garish sunshine of a summer afternoon. He

presumed that Lady Locke was an average woman, simply because he

considered all women exceedingly and distinctively average; and

therefore, when he saw a soft expression steal into her dark face as she

glanced at the faded turquoise of the sky, he decided to propose at

once, and as prettily as possible. But Tommy was fussing about, wavy

with childish excitement, and at first he could not speak.

"Tommy," said Lady Locke at last, "give me a kiss and run away to your

supper. But, before you go, listen to me. Did you attend to Mr.

Amarinth's lecture?"

"Yes, yes, yes, mother! Of course, of course, of course!" cried Tommy,

dancing violently on the lawn, and trying to excite Bung to a tempest.

"Well, remember that it was meant to be comic. It was only a nonsense

lecture, like Edward Lear's nonsense books. Do you see? It was a turning

of everything topsy-turvy. So what we have to do is just the opposite of

everything Mr. Amarinth advised. You understand, my boy?"

"All right, mumsy," said Tommy. "But I forget what he said."

Lady Locke looked pleased, kissed his flushed little face, and packed

him off.

"I hope the school children will do the same," she said to Lord Reggie

when he was gone. "What a blessing a short memory can be!"

"Didn't you like the lecture, then?" Reggie asked. "I thought it

splendid, so full of imagination, so exquisitely choice in language and

in feeling."

"And so self-conscious."

"Yes, as all art must be."

"Art! art! You could make me hate that word!"

Reggie looked for once honestly shocked.

"You could hate art?" he said.

"Yes, if I could believe that it was the antagonist of Nature, instead

of the faithful friend. No, I did not like the lecture, if one can like

or dislike a mere absurdity. Tell me, Lord Reggie, are you

self-consciously absurd?"

He drew his chair a little nearer to hers.

"I don't know," he said; "I hope I am beautiful. If I am beautiful, that

is all I wish for. To be beautiful is to be complete. To be clever is

easy enough. To be beautiful is so difficult, that even Byron had a club

foot with all his genius. Cleverness can be acquired. Hundreds of stupid

people nowadays acquire the faculty of cleverness. That is why society

is so boring. You find people practising mental scales and five-finger

exercises at every party you go to. The true artist will never practise.

How soft this twilight is, though not so delicate and subtle as that in

Millet's 'Angelus.' Lady Locke, I have something to tell you, and I will

tell it to you now, while the stars come out, and the shadows steal from

their homes in the trees. Esmé said to-day that marriage was a brilliant

absurdity. Will you be brilliantly absurd? Will you marry me?"

He leaned forward, and took her hand rather negligently in his small and

soft one. His face was calm, and he spoke in a clear and even voice.

Lady Locke left her hand in his. She was quite calm too.

"I cannot marry you," she said. "Do you wish me to tell you why?

Probably you do not; but I think I will tell you all the same. I am not

brilliant, and therefore I have no wish to be absurd. If I married you I

should be merely absurd without being brilliant at all. You do not love

me. I think you love nothing. I like you; I am interested by you.

Perhaps if you had a different nature I might even love you. But I can

never love an echo, and you are an echo."

"An echo is often more beautiful than the voice it repeats," he said.

"But if the voice is quite ugly the echo cannot be beautiful," she

answered. "I do not wish to be too frank, but as you have asked me to

marry you I will say this. Your character seems to me to be an echo of

Mr. Amarinth's. I believe that he merely poses; but do those who imitate

him merely pose? Do you merely pose? What Mr. Amarinth really is it is

quite impossible to tell. Perhaps there is nothing real about him at

all. Perhaps, as he has said, his real man is only a Mrs. Harris. He may

be abnormal _au fond_; but you are not! What is your real self? Is it

what I see, what I know?"

"Expression is my life," Lord Reggie said in a rather offended voice,

drawing away his hand. A red spot appeared in each of his cheeks. He

began to realise that he was refused because he was not admired. It

seemed almost incredible.

"Then the expression that I see is you?" she asked.

"I suppose so," he replied, with a tinge of exceedingly boyish

sulkiness.

"Then, till you have got rid of it never ask a woman to marry you. Men

like you do not understand women. They do not try to; probably they

could not if they did. Men like you are so twisted and distorted in mind

that they cannot recognise their own distortion. It seems to me that Mr.

Amarinth has created a cult. Let me call it the cult of the green

carnation. I suppose it may be called modern. To me it seems very silly

and rather wicked. If you would take that hideous green flower out of

your coat, not because I asked you to, but because you hated it

honestly, I might answer your question differently. If you could forget

what you call art, if you could see life at all with a straight,

untrammelled vision, if you could be like a man, instead of like nothing

at all in heaven or earth except that dyed flower, I might perhaps care

for you in the right way. But your mind is artificially coloured: it

comes from the dyer's. It is a green carnation; and I want a natural

blossom to wear in my heart."

She got up.

"You are not angry with me?" she asked.

Lord Reggie's face was scarlet.

"You talk very much like ordinary people," he said, a little rude in his

hurt self-love.

"I am ordinary," she said. "I am so glad of it. I think that after this

week I shall try to be even more ordinary than I already am."

Then she went slowly into the cottage.

That evening Lord Reggie told Mrs. Windsor that he found he must leave

for town on the following morning.

She was horrified, and was still more appalled when Esmé Amarinth

expressed an intention of accompanying him.

"It's worse than the Professor's fit last year," she said dolefully.

"But perhaps it will be better if we all go back to town to-morrow. You

will not care to be rustic without any men, will you, Madame Valtesi?"

she added.

"No," replied that lady. "It would be too much like having a bath in

Tidman's salt, instead of in the ocean. It would be tame. We three women

in this cottage together should be like the Graiæ, only we should not

have even one eye and one tooth between us. Perhaps we have been rustic

as long as is good for us. I shall go to the French plays to-morrow

night. I like them--they always do me so much harm."

"And I will take Tommy to the seaside," said Lady Locke.

"My dear lady," said Esmé. "How terribly normal!"

"And how exceedingly healthy!" she replied.

He looked at her with a deep pity.

Next morning as she bade good-bye to Lord Reggie, she said to him in a

low voice--

"Some day, perhaps, you will throw away the green carnation."

"Oh! it will be out of fashion soon," he answered, as he got delicately

into the carriage.

"So you have been refused, Reggie," said Esmé, as they drove towards the

station. "How original you are! I should never have suspected you of

that. But you were always wonderful--wonderful and very complete. When

did you decide to be refused? Only last night. You managed it

exquisitely. I think that I am glad. I do not want you to alter, and the

refining influence of a really good woman is as corrosive as an acid.

Ah, Reggie, you will not be singing in the woods near Esher when the

tiresome cuckoo imitates Haydn's toy symphony next spring! You will

still be living your marvellous scarlet life, still teaching the London

tradesmen the exact value of your supreme aristocracy. If you had become

a capitalist you might have grown whiskers and become respectable. Why

do whiskers and respectability grow together? Here we are at the railway

station. Railway stations always remind me of Mr. Terriss, the actor.

They are so noisy. The Surrey week is over. Soon we shall see once more

the tender grey of the Piccadilly pavement, and the subtle music of old

Bond Street will fall furtively upon our ears. Put your feet up on the

opposite cushion, dear boy; while I lean out of the railway carriage

window and smile the people away. When people try to get into my

compartment I always smile at them, and they always go away. They think

that I am mad. And are they mistaken? How can one tell? There is only

one sanity in all the world, and that is to be artistically insane.

Reggie, give me a gold-tipped cigarette, and I will be brilliant. I will

be brilliant for you alone, remembering my Whistler as commonplace

people remember their obligations, or as Madame Valtesi remembers to

forget her birthday. Ah! we are off! Look out of this window, dear boy,

and you will see two elderly gentlemen missing the train. They are

doing it rather nicely. I think they must have been practising in

private. There is an art even in missing a train, Reggie. But one of

them is not quite perfect in it yet. He has begun to swear a little too

soon!"

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