THE FORT OF HERCULES
When he alights at the Garavan station, whatever may be the season
of the year in which he visits that enchanted country, the traveler
might almost fancy himself in the Garden of Hesperides whose golden
apples excited the desire of the conqueror of the Nemæan lion. I might
not perhaps, however, have recalled to mind the son of Jupiter and
Alcmene merely because of the numerous lemon and orange trees which in
the balmy air let their ripened fruit hang heavily on their boughs if
everything about the scene had not spoken of his mythological glories
and his fabled promenade upon these fair shores. You remember how the
Phœnicians in transporting their penates to the shadow of the rocks
which were one day to become the abode of the Grimaldi, gave to the
little port in which they anchored and to other natural features all
along the shore--a mountain, a cape, and an islet--the name of Hercules
whom they looked upon as their god--the name which they have always
retained. But I like to fancy that the Phœnicians found the name here
already, and indeed, if the divinities, fatigued by the white dust
of the roads of Hellas, went to seek for a marvellous spot, warm and
perfumed, to rest after their strenuous adventures, they could not have
found a more beautiful scene. The gods, to my mind, were the first
tourists of the Riviera. The Garden of the Hesperides was nowhere else
and Hercules had made the place ready for his Olympian comrades by
destroying the evil dragon with an hundred heads who wanted to keep the
azure shore for himself, all alone. And I am not at all certain that
the bones of the ancient elephant discovered a few years ago in the
neighborhood of Rochers Rouges were not those of the dragon himself!
When, after alighting from the train, we came in silence to the bank
of the sea, our eyes were immediately struck by a dazzling silhouette
of a castle standing upon the peninsula of Hercules, which the works
accomplished on the frontier have, alas, nearly destroyed. The oblique
rays of the sun which were falling upon the walls and the old Square
Tower made the reflection of the tower glisten in the waters like a
breastplate. The tower seemed to stand guard like an old sentinel, over
the Bay of Garavan which lay before us like a blue lake of fire. And
as we advanced nearer, the tower gleaming in the water seemed to grow
longer. The sky behind us leaned toward the crest of the mountains; the
promontories to the west were already wrapped in clouds at the approach
of night and by the time we crossed the threshold of the actual
structure the castle in the water was only a menacing shade.
Upon the lower steps of the stairway which led up to one of the towers,
we beheld a slender, charming figure. It was Arthur Rance’s wife, who
had been the beautiful and brilliant Edith Prescott. Certainly the
Bride of Lammermoor was not more pale on the day when the black-eyed
stranger from Ravenswood first crossed her path, O Edith! Ah, when one
wishes to present a romantic figure in a mediæval frame, the figure
of a princess, lost in dreams, plaintive and melancholy, one should
not have such eyes, my lady! And your hair was as black as the raven’s
wing. Such coloring is not of the kind which one is used to attribute
to the angels. Are you an angel, Edith? Is this gentle, plaintive
little manner natural or acquired? Is the sweet expression that your
face wears to-day an entirely truthful one? Pardon that I ask you all
these questions, Edith; but when I beheld you for the first time,
after having been entranced by the delicate harmony of your white
figure, standing motionless upon the stone stair, I followed the quick,
lowering glance of your dark eyes in the direction of the daughter of
Professor Stangerson, and it had a cruel look which accorded ill with
the sweet tones of your voice and the bright smile on your lips.
The voice of the young wife was her greatest charm although the grace
of her entire being was perfect. At the introductions which were,
of course, performed by her husband, she greeted us in the simplest
and sweetest fashion imaginable--the fashion of the ideal hostess.
Rouletabille and myself made an effort to tell her that we had intended
to look for a stopping place in the village instead of trespassing
upon her hospitality. She made a delicious little grimace, lifted her
shoulders with a gesture that was almost childish, said that our rooms
were all ready for us and changed the subject.
“Come, come! You haven’t seen the château. You must see it--all of you.
Oh, I will show you ‘la Louve’ another time. It is the only gloomy
corner in the place. It is horrible--so cold and dismal. It makes me
shiver. But, do you know I love to shiver! Oh, M. Rouletabille, you’ll
tell me stories that will make me shiver some day, won’t you?”
And chattering thus, she glided in front of us in her white gown.
She walked like an actress. She made a singularly pretty picture in
this garden of the Orient, between the threatening old tower and the
carved stone flowers of the ruined chapel. The vast court which we were
crossing was so completely covered on every side with grass, shrubs and
foliage plants, with cactus and aloes, mountain laurel, wild roses and
marguerites that one might have sworn that an eternal spring had found
its habitation in this enclosure, formerly the drilling ground of the
château when the soldiers assembled in time of war. This court, through
the help of the winds of heaven and the neglect of man had naturally
become a garden, a beautiful wild garden in which one saw that the
chatelaine had interfered as little as possible and which she had in no
way attempted to restore to the beaten track. Behind all this verdure
and this wealth of bloom one could see the most exquisite sight which
could be imagined in dead architecture. Figure to yourself the perfect
arches of gothic brought up to the doors of the old Roman chapel; the
pillars twined with climbing plants, rose geranium and vervain uniting
their sweet perfume and raising to the azure heavens their broken
arch, which nothing seems to support. There is no longer a roof on the
chapel. And there are no more walls. There remains of it only the bit
of lace work in stone, which a miracle of equilibrium keeps suspended
in the air.
And at our left is the immense tower of the Twelfth Century,
which, Mme. Edith tells us, the natives call “la Louve” and which
nothing--neither time, nor man, nor peace, nor war, nor cannon, nor
tempest has ever been able to destroy. It is just as it appeared
in 1107, when the Saracens, who sowed devastation in their wake,
were able to make no headway in their attacks upon the château of
Hercules,--just as it was seen by Salageri and his corsairs of Genoa,
when, after they had seized the fort and the Square Tower and even the
castle itself, it resisted attack and its defenders held it until the
arrival of the troops of the Princes of Provence, who delivered them.
It was there that Mme. Edith had chosen to have her own rooms.
[Illustration: The Plan of the Fort of Hercules.]
But while she spoke to us in her sweet, clear voice, I stopped looking
at the objects around us to look at the people. Arthur Rance was gazing
at Mme. Darzac, when my eyes fell upon them, and Rouletabille seemed
to be lost in thought, and far, far away from us all. M. Darzac and
M. Stangerson were talking in low tones. The same thought was filling
the minds of each one of these people--both those who kept silence and
those who, if they spoke, were careful to say nothing which could give
a clue to the thoughts. We reached the postern.
“This is what we call the Gardener’s Tower,” said Edith, childishly.
“From this gate one may see all the fort, and all the castle, both
north and south. See!”
And she stretched her arms wide to emphasize her words.
“Every stone has its history. I’ll tell them to you some day, if you
are good.”
“How gay Edith is!” murmured her husband. I thought to myself that she
was the only one who was gay in the party.
We had passed through the postern and found ourselves in another
court. Opposite us was the old donjon. Its appearance was more than
impressive. It was high and square, and it was on account of its shape
that it was known as the Square Tower. And, as this tower occupies
the most important corner of the fortification, it was also known as
the Corner Tower. It was the most extraordinary and the most important
part of this agglomeration of defensive works. The walls were heavier
and higher than those anywhere else, and half way up they were still
sealed with the Roman cement with which Cæsar’s own columns had welded
together the stones.
“That tower yonder, in the opposite corner,” went on Edith, “is the
Tower of Charles the Bold, so called because he was the Duke who
furnished the plans when it became necessary to transform the defenses
of the château, so as to make them resist the attacks of the artillery.
Don’t you think I am very learned? Old Bob has made this tower his
study. It is too bad, for we might have a magnificent dining hall
there. But I have never been able to refuse old Bob anything he wanted.
Old Bob,” she added, with a charming smile, “is my uncle--that is the
name he taught me to call him by when I was a little thing. He is not
here just now. He went to Paris on the five o’clock train, but he
will be back to-morrow. He is going to compare some of the anatomical
specimens which he found at Rochers Rouges with those in the Museum of
Natural History in Paris. Ah--here is an oubliette!”
And she showed us in the centre part of the second court a small
shaft, which she called, romantically, an oubliette, and above which a
eucalyptus tree, with its white blossoms and its leafless limbs, leaned
like a woman over a fountain.
Since we had entered the second court, we understood better--or at
least I did, for Rouletabille, every moment more deeply lost in his own
thoughts, seemed neither to see nor to hear--the topographical plan of
the Fort of Hercules. As this plan is of the greatest importance in the
proper understanding of the incredible events which were to occur so
soon after our arrival at Rochers Rouges, I shall place at once before
the eyes of the reader the general scheme of the buildings as it was
traced later by Rouletabille and myself.
The castle had been built in 1140 by the Seigneurs of Mortola. In order
to isolate it completely from the land, they had not hesitated to make
an island of the peninsula by cutting away the narrow isthmus which
connected it with the mainland. Upon the mainland itself, they had
built a barricade in the form of a semicircular fortification, designed
to protect the approaches to the drawbridge and the two entrance
towers. Not a trace of this fortification was left. And the isthmus,
in the course of the centuries, had again resumed its old form, the
drawbridge had been thrown down and the trenches had filled up. The
walls of the Château of Hercules followed the outline of the peninsula,
which was that of an irregular hexagon. The walls were built upon the
rocks, and the latter, in some places, extended over the waters in such
a manner that a little ship might have taken shelter beneath them,
fearing no enemy, while it was protected by this natural ceiling. This
design of building was marvellously well adapted for defense, and gave
the inmates of the fortress little reason to fear an attack, no matter
from what quarter it might come.
The fort was entered by way of the north gate, which guarded the two
towers, A and A′, connected by a passageway. These towers which had
suffered greatly during the last sieges of the Genoese, had been
repaired to some slight extent some time afterward, and had, shortly
before we came to Rochers Rouges, been made habitable by Mrs. Rance,
who used them as servants’ quarters. The front of the tower A served as
the keeper’s lodge. A little door opened in the side of the tower upon
the passageway, and enabled anyone looking out to observe all those who
came or went. A heavy double door of oak, with bands of iron, was no
longer in use, its twin portals having stood for uncounted years open
against the inner walls of the two towers, on account of the difficulty
which had been experienced in managing them; and the entrance to the
castle was only closed by a little gate, which anyone might open at
will. This entrance was the only one by which it was possible to get
into the château. As I have said, in passing through this gate, one
found himself in the first court, closed in on all sides by the walls
and the towers. These walls were by no means as high as when they were
built. The old high courtyards which connected the towers had been
razed to the ground and replaced by a sort of circular boulevard, from
which one mounted toward the first court by means of a little terrace.
The boulevards were still crowned by a parapet. For the changes which
I have described took place in the Fifteenth Century, at the time
when every lord of the manor was obliged to consider the possibility
of being obliged to meet an attack of artillery. As to the towers B,
B′ and B″, which had for a considerable time longer preserved their
uniformity and their first height, and the pointed roofs of which had
been replaced by a platform designed to support the artillery, they had
later been razed to the height of the boulevard parapets, and their
shape seemed almost like that of a half moon. These alterations had
taken place in the Seventeenth Century, at the time of the construction
of a modern castle, still known as the New Castle, although it had been
in ruins for years when we first saw it. The New Castle on the plan is
at C C′.
[Illustration: The Fort of Hercules.]
Upon the flat platform roofs of these old towers--roofs which were
surrounded by a parapet--palm trees had been planted, which had thriven
ill, swept as they were by the sea winds and burned by the sun. When
one leaned over the circular parapet which surrounded the whole domain,
it seemed to him as though the château were still as completely closed
in as it was in the days when the courtyards reached to the second
stories of the old towers. “La Louve,” as I have said, had not been
changed at all, but still reared its dark hulk against the blue waters
of the Mediterranean, a strange, weird figure, looking thousands of
years old. I have spoken also of the ruins of the chapel. The ancient
commons (shown on the map by W), near the parapet between B and B′, had
been transformed into the stables and the kitchens.
I am describing now all the anterior portion of the Château of
Hercules. One could only penetrate into the second enclosure through
the postern (indicated by H), which Mrs. Arthur Rance called “the tower
of the gardener,” and which was actually only a pavilion, formerly
defended by the tower B″, and by another tower situated at C, and which
had entirely disappeared at the time of the erection of the New Castle
(shown at C C′). A moat and a wall started from B″ to abut on I at the
Tower of Charles the Bold, advancing at C in the form of a spur to the
midst of the first court, and entirely isolating the court, which they
completely closed in. The moat still exists, wide and deep, but the
walls had been torn down all the length of the New Castle and replaced
by the walls of the castle itself. A central door at D, now condemned,
opened upon a bridge, which had been thrown over the moat, and which
formerly permitted direct communication with the outer court. But this
bridge had been torn down or was swallowed up in the waters, and as the
windows of the castle, rising high above the moat, were still guarded
by their heavy iron bars, one might readily believe that the inner
court still remained as impenetrable as when it was entirely shut in by
its enclosing walls at the time when the New Castle did not exist.
The pavement of the inner court--the Court of Charles the Bold, as
the old guide books of the country call it still--was a little higher
than that of the outer court. The rocks formed there a very high seat,
a natural pedestal of that colossal black column, the Old Castle,
standing square and erect, as though it had been carved from a single
block of stone, stretching its awesome shadow over the blue waters. One
could only penetrate into the Old Castle (designated by F) by a little
door, K. The old inhabitants of the country never spoke of it except as
the Square Tower, to distinguish it from the Round Tower, or the Tower
of Charles the Bold, as they sometimes called the latter. A parapet
similar to the one which closed in the outer court was built between
the towers B″, F and L, closing the inner court as firmly as the outer.
We have seen that the Round Tower had been in years past torn down to
half its former height, as it had been built by the Mortola, according
to plans drawn by Charles the Bold himself, to whom the Seigneur
had been of some service in the Helvetian war. This tower had a
number of tiny chambers above, and an immense octagon chamber below.
One descended into this chamber by a steep and narrow stairway. The
ceiling of the octagon room was supported by four great cylindrical
pillars, and from its walls opened three enormous embrasures for three
enormous cannons. It was of this room that Mme. Edith had wished to
make a dining room, for it was in an admirable state of preservation,
on account of the thickness of the walls, and the light could still
penetrate through the great windows, which had been enlarged and made
square, although they, too, were still guarded by barriers of iron.
This tower (shown on the map at L) was the spot chosen by Mme. Edith’s
uncle for a workshop, and the abiding place of his collection. Its roof
was a beautiful little garden, to which the mistress of the domain had
had transported fertile soil and wonderful plants and flowers. I have
marked upon the map in gray all the portions of the buildings which
Mme. Edith had restored, improved and put in shape for habitation.
Of the château of the Seventeenth Century, known as the New Castle,
they had only repaired two bed chambers on the first floor and a little
sitting room for guests. It was to these that Rouletabille and myself
were assigned, while M. and Mme. Robert Darzac were lodged in the
Square Tower, of which I shall have to give a more special description.
Two rooms, the windows of which opened upon the balcony, were reserved
in this Square Tower for “Old Bob,” who slept there. M. Stangerson was
upon the first floor of “la Louve,” in the rear of the suite occupied
by the Rances.
Mme. Edith herself showed us to our rooms. She made us cross over
the sunken ceilings of ruined apartments, over broken railings and
tumble-down walls; but here and there some mouldy hangings, a broken
statue or a ragged bit of tapestry, bore witness to the ancient
splendors of the New Castle, born of the fantasies of some Mortola of
the wonderful Seventeenth Century. But when we reached them, our little
rooms recalled to us nothing of that magnificent past. They had been
swept and garnished with a care that was almost touching. Clean and
hygienic, without carpets, hangings or upholstered chairs, furnished
in the simplest of modern styles, they pleased us very much. As I have
already said, the two sleeping rooms were separated by a little parlor.
As I tied my cravat, after dressing for dinner, I called Rouletabille
to ask him if he were ready. There was no answer. I went into his room
and discovered with surprise that he had already gone out. I went
to the window of his room, which opened like my own upon the court
of Charles the Bold. The court was empty, inhabited only by a large
eucalyptus, the fragrance of which mounted to my nostrils. Above the
parapet of the boulevard I saw the vast stretch of the silent waters.
The blue of the sea had grown dark at the fall of evening, and the
shades of night were visible on the horizon of the Italian shore,
reaching already to the pointe d’Ospedaletti. Not a sound, not a
breath on the land or in the heavens! I have never yet noticed such a
silence and such a complete repose of nature except at the moment which
precedes the most violent storms and the unchaining of the elements.
But now I felt that we had nothing of the sort to fear. The whole
appearance of the night was of the calmest, most serene beauty----
But what was that dark shadow? From whence had come that spectre
which glided over the waters? Standing erect at the prow of a little
boat which a fisherman was rowing, keeping rhythmic time with the two
oars, I recognized the form of Larsan. Why should I try to deceive
myself by saying even for one moment that I was wrong? He was only too
easily to be recognized. And if those who beheld him should have had
the slightest doubt as to his identity, he seemed to desire to set
it entirely at rest by this open display of himself, utterly without
disguise, as entirely convincing as though he had shouted aloud, “It is
I!”
Oh, yes! it was he! It was “the great Fred,” as we used to call him
when we looked upon him only as the wonderfully resourceful and
brilliant Secret Service agent. The boat, silent, with its motionless
statue at the prow, rowed completely around the peninsula. It passed
beneath the windows of the Square Tower and then directed its course
to the shores of the Pointe de Garibaldi. And the man still stood
erect, his arms folded, his face turned toward the tower, a diabolical
apparition on the threshold of the night, which slowly crept up behind
him, enveloped him in its shades and carried him away.
When he had vanished, I lowered my eyes and beheld two figures in the
court of Charles the Bold. They were at the corner of the railing
near the little door of the Square Tower. One of these forms--the
taller--was supporting the other and speaking in tones of entreaty. The
smaller attempted to break away--one would have said that it wished to
throw itself into the sea. And I heard the voice of Mme. Darzac say:
“Be careful. It is a gage of defiance which he has thrown down. You
shall not leave me this evening.”
And then came Rouletabille’s voice answering:
“He must land upon the bank! Let me hurry to the bank.”
“What will you do there?” moaned Mathilde.
“Whatever may be necessary.”
And then Mathilde spoke again, and her voice was terrible to hear.
“I forbid you to touch that man!”
And I heard no more.
I descended to the court, where I found Rouletabille alone, seated upon
the edge of the oubliette. I spoke to him, but he did not answer. I
felt no surprise, for this had often happened of late. I went on into
the outer court, and I saw M. Darzac coming toward me, evidently in the
greatest excitement. Before I came up to him, he called out:
“Did you see him?”
“Yes, I saw him,” I replied.
“And she--my wife--do you know whether she saw him?”
“She saw him, too. She was with Rouletabille when he passed. What
bravado the creature showed!”
Robert Darzac was trembling like an aspen leaf from the shock which he
had just experienced. He told me that as soon as he had caught sight of
the boat and its passenger, he had rushed like a madman to the shore,
but that before he had reached the Pointe de Garibaldi the bark had
disappeared as if by enchantment. But even before he finished speaking,
Darzac left me and hurried away to seek Mathilde, dreading the thought
of the state of mind in which he felt that he would find her. But he
returned almost immediately, gloomy and grieved. The door of his wife’s
apartment was locked, and she had said to him that she wished to be
alone for awhile.
“And Rouletabille?” I asked.
“I have not seen him.”
We remained together upon the rampart gazing at the night which had
carried Larsan away. Robert Darzac was infinitely sorrowful. In order
to change the direction of his thoughts, I asked him a few questions
regarding the Rance household. Here is in substance the information
which I succeeded in extracting from him little by little:
After the trial at Versailles, Arthur Rance had returned to
Philadelphia, and there, one evening, at a family dinner party, he had
found himself seated beside a charming young girl, who had interested
him at once by a display of interest in literature and art, the
like of which he had not often seen in his beautiful countrywomen.
She was not in the least like the quick, independent and audacious
type of young women who are often found in America, nor was she of
the “Fluffy Ruffles” variety, so much in favor at present. Somewhat
haughty in mien, yet gentle and melancholy, she at once recalled to
the young man the heroines of Walter Scott, who he soon learned was
her favorite author. From the first, she attracted him strongly. How
could this delicate little creature so quickly have impressed Arthur
Rance, who had been madly in love with the majestic Mathilde? Of such
are the mysteries of the heart. Now, fortunately or unfortunately,
as you prefer, Arthur Rance had upon that evening so far forgotten
himself as to drink considerably more wine than was good for him. He
never realized what his offense had been, but he knew that he must
have committed some frightful blunder or breach of politeness, when
Miss Edith in a low voice and with heightened color, requested him not
to address her again. Upon the morrow, Arthur Rance went to call on
the young lady and entreated her pardon, swearing that he would never
permit wine to pass his lips again.
Arthur Rance had already known for some time Miss Prescott’s uncle,
the fine old man who still bore among his friends the nickname of “Old
Bob,” which had been given him in his college days, and who was as
celebrated for his adventures as an explorer as for his discoveries as
a geologist. He seemed as gentle as a sheep, but he had hunted many
a tiger through the pampas of South America. He had spent half his
life south of the Rio Negro among the Patagonians, in seeking for the
man of the tertiary period--or, at least, for his fossils, not as the
anthropological relic or some other pithecanthropus, approaching in
a greater or less extent the race of monkeys, but as the real living
man, stronger, more powerful, than those who inhabit this planet in our
own day--the man, to speak clearly, who must have been contemporaneous
with the immense mammoths and mastodons, which appeared upon the
globe before the quarternary epoch. He generally returned from these
expeditions with closely filled notebooks and a respectable collection
of tibias and femurs, which may or may not have belonged to the
aboriginal man, and also with a rich display of skins of wild beasts,
which showed that the spectacled old savant knew how to use more
modern arms than the stone ax and bow and arrow. As soon as he was
back in Philadelphia, he would dispose of his treasures either in his
private cabinets or in those of the Museum, and, opening his notebooks,
would resume his lectures, amusing himself as he talked by making the
splinters from the long pencils, which he was always sharpening but had
never been seen to use, fly almost into the eyes of the students on the
front benches.
All these details were given me later by Arthur Rance himself. He had
been one of “Old Bob’s” pupils, but had not seen him in many years
until he made the acquaintance of Miss Edith. If I have seemed to
dwell too minutely on such apparently unimportant things, I have done
so because, by quite a natural train of events, we were to make “Old
Bob’s” acquaintance at Rochers Rouges.
Miss Edith, upon the occasion when Arthur Rance had been presented to
her and had forgotten himself on account of overindulgence in wine, had
seemed somewhat more melancholy than she usually was, because she had
received disquieting news of her uncle. The latter for four years back
had been absent on a trip to Patagonia. In his last letter, he had told
his niece that he was ill, and that he feared that he should not live
to see her again. One might be tempted to wonder why so tender-hearted
a niece, under such circumstances, had not refrained from attending a
dinner, no matter how quiet, but Miss Edith, during her uncle’s many
absences from home, had so frequently received such communications from
him and had afterward seen him return in such perfect health that she
could scarcely be blamed for not having remained at home to mourn that
evening. Three months later, however, having received another letter,
she suddenly resolved to go all alone to South America and join her
uncle. During those three months important events had transpired. Miss
Edith had been touched by the remorse of Arthur Rance, and when Miss
Prescott departed for Patagonia, no one was astonished to find that
“Old Bob’s” old pupil was going to accompany her. If the engagement was
not officially announced, it was because the pair preferred to wait for
the consent of the geologist. Miss Edith and Arthur Rance were met at
St. Louis by the young woman’s uncle. He was in excellent health and in
a charming humor. Rance, who had not seen him in years, declared to him
that he had grown younger--the easiest of compliments to pay and the
pleasantest to receive. When his niece informed him of her engagement
to this fine young fellow, the uncle manifested the greatest delight.
The three returned to Philadelphia, where the wedding took place.
Miss Edith had never been in France, and Arthur determined that their
honeymoon should be spent there. And it was thus that they found, as
will be told a little later, a scientific reason for locating in the
neighborhood of Mentone, not exactly in France, but an hundred meters
from the frontier, in Italy, at Rochers Rouges.
* * * * *
The gong had sounded for dinner, and Arthur Rance was coming to look
for us, so we repaired to “la Louve,” in the lower hall of which we
were to dine. When we were all assembled (save “Old Bob,” who, as has
been mentioned, was absent), Mme. Edith asked whether any of us had
noticed a little boat which had made the circle of the fortress, and
in which a man was standing erect. The man’s strange attitude had
struck her, she said. No one replied, and she added:
“Oh, I know who it is, for I know the fisherman who rowed the boat. He
is a great friend of Old Bob.”
“Ah, then you know the fisherman, madame?” asked Rouletabille.
“He comes to the castle sometimes to sell fish. The people around the
village have given him an odd name, which I don’t know how to say in
their impossible patois, but I can translate it. They call him, ‘the
hangman of the sea.’ A pretty name, isn’t it?”