CHAPTER I

PEOPLE LIKE THAT

A NOVEL

by

KATE LANGLEY BOSHER

Author of "Mary Cary" etc.

Illustrated

1916

BOOKS BY

KATE LANGLEY BOSHER

PEOPLE LIKE THAT. Illustrated. Post 8vo

HOW IT HAPPENED. Frontispiece. Post 8vo

THE HOUSE OF HAPPINESS. Frontispiece. Post 8vo

MARY CARY. Frontispiece. Post 8vo

MISS GIBBIE GAULT. Frontispiece. Post 8vo

THE MAN IN LONELY LAND. Frontispiece. Post 8vo

TO

LUCY BOSHER JANNEY

CHAPTER I

One of the advantages of being an unrequired person of twenty-six,

with an income sufficient for necessities, is the right of choice as

to a home locality. I am that sort of person, and, having exercised

said right, I am now living in Scarborough Square.

To my friends and relatives it is amazing, inexplicable, and beyond

understanding that I should wish to live here. I do not try to make

them understand; and therein lies grievance against me. Because of

my failure to explain what they are pleased to call a peculiar

decision on my part, I am at present the subject of heated criticism.

It will soon stop. What a person does or doesn't do is of little

importance to more than three or four people. By Christmas my

foolishness will have ceased to cause comment, ceased to interest

those to whom it doesn't matter really where or how I live.

I like living in Scarborough Square very much. After many years

spent in the homes of others I am now the head of half a house, the

whole of which is mine; and even though it is situated on the last

square of respectability in a part of the town long forgotten by the

descendants of its former residents, I am filled with a sense of

proprietorship that is warm and comforting, and already I have

learned to love it--this nice, old-fashioned house in which I live.

Until very recently Scarborough Square was only a name. There had

been no reason to visit it, and had I ventured to it I would have

seen little save a tiny park bounded on four sides by houses of

shabby gentility, for the most part detached, and of a style of

architecture long since surrendered to more undesirable designs. The

park is but an open space whose straggly trees and stunted shrubs and

dusty grass add dejection to the atmosphere of shrinking

respectability which the neighborhood still makes effort to maintain;

but that, too, I have learned to love, for I see in it that which I

never noticed in the large and handsome parks up-town.

As a place of residence this section of the city I am just beginning

to know has become very interesting to me. No one of importance

lives near it, and the occupants of its houses, realizing their

social submergence and pecuniary impotence, have too long existed in

the protection of obscurity to venture into the publicity which civic

attention necessitates, and on first acquaintance it is not

attractive. I agree with my friends in that. I did not come here

because I thought it was an attractive place in which to live.

They cannot say, however, even my most protesting friends, that I am

not living in a perfectly proper neighborhood. The front of my house

faces, beyond the discouraged little park, a strata of streets which

unfold from lessening degrees of dreariness and dinginess to

ever-increasing expensiveness and unashamed architectural

extravaganzas, to the summit of residential striving, called, for

impressiveness, the Avenue, but behind it is a section of the city of

which I am as ignorant as if it were in the depths of the sea or the

wilds of primeval forest. I have traveled much, but I do not know

the city wherein I live. I know but a part of it, the pretty part.

There was something Mrs. Mundy wanted to say to me to-night, and did

not say. I love the dear soul. I could not live here without her,

could not learn what I am learning without her help and sympathy and

loyalty, but at times I wish she were a bit less fond of chatting.

She is greatly puzzled. She, too, cannot understand why I have come

to Scarborough Square to live, and I am quite certain she thinks it

strange I do not tell her. How can I tell that of which I am not

sure myself--that is, clearly and definitely sure?

I am not trying to be sure. It is enough that I am here, free to

come and go as I choose, to plan my day as I wish, to have time for

the things I once had no time for, and why must there always be

explanations and reasons and justifications for one's acts? The

daily realization each morning, on awaking, that the day is mine,

that there are no customs with which to comply, no regulations to

follow, no conventions to be conformed to, at the end of two weeks

still stirs and thrills and awes me a little, and I am constantly

afraid it is not true that I am here to stay. And then again with

something of fear and shrinking and uncertainty I realize my bridges

are burned and I must stay.

"It's pleased you are with your rooms, I hope, Miss Dandridge?"

Hands on her hips, Mrs. Mundy had looked somewhat anxiously at me

before going out. "If it's a home-looking place you're after, you've

got it, but when you first come down to Scarborough Square it made me

feel queer inside to think of your living here, really living. If

you think you can be satisfied--"

"I am sure I can be satisfied. Why not?" I smiled and, going over

to the window, straightened the curtain which had caught and twisted

a fern-leaf growing in its box. "I am a perfectly unincumbered human

being who--"

"But an unincumbered woman ain't much of a human being." Mrs. Mundy

dropped the afternoon paper she had brought up and stooped to get it.

"I mean a woman is made for incumbrances, and if she don't have

any--" She hesitated, and looked around the room with its simple

furnishings, its firelight and lamplight, its many books and few

pictures, its rugs and desk and tables, the gifts of other days, and

presently she spoke again. "Being you like so to look out the

windows, it's well this house has two front rooms opening into each

other. If it's comfortable and convenient that you want to be,

you're certainly that, but comforts and conveniences don't keep you

company exactly."

"I don't want company yet. You and Bettina are all I need. I

haven't said I was to live here a thousand years, or that I wouldn't

get tired of myself in less time, but until I do--"

There was a ring at the front-door bell and Mrs. Mundy went to answer

it. The puzzled look I often saw in her eyes when talking to me

still filled them, but she said nothing more except good night, and

when I heard her footsteps in the hall below I went to the door and

locked it. This new privacy, this sense of freedom from unescapable

interruption, was still so precious, that though an unnecessary

precaution, I turned the key that I might feel perfectly sure of

quiet hours ahead, and at my sigh of satisfaction I laughed.

Going into my bedroom, which adjoined my sitting-room, I hung in the

closet the coat I had left on a chair, put away my hat and gloves,

and again looked around, as if they were still strange--the white bed

and bureau, the wash-rugs, the muslin curtains, the many contrasts to

former furnishings--and again I sighed contentedly. They were mine.

The house I am now living in is indeed an old-fashioned one, but well

built and of admirable design. The rooms are few--only eight in

all--and four of them I have taken for myself--the upper four. The

lower floor is occupied by Mrs. Mundy and Bettina, her little

granddaughter. When I first saw the house its condition was

discouraging. Not for some time had it been occupied, and repairs of

all kinds were needed. To get it in order gave me strange joy, and

the weeks in which it was being painted and papered and beautified

with modern necessities were of an interest only a person, a woman

person, can feel who has never had a home of her own before. When

everything was finished, the furnishings in place, and I established,

I knew, what I no longer made effort to deny to myself--that I was

doing a daring thing. I was taking chances in a venture I was still

afraid to face.

People Like That: A Novel · 第 1 / 30 章