CHAPTER XI

TIGERS OF THE SEA

Doris, standing on the ocean's floor forty feet down, started back in

sudden terror, and her foot struck a rock. She all but fell over. On the

beach she would have taken a terrible tumble.

"It was just a shadow," she told herself. "Only a shadow moving beyond

that great rock. A blue shadow. Grandfather said I'd be in no danger, and

he should know."

Involuntarily she put a hand over her wildly beating heart, then smiled

at her action and at once felt better.

"I must finish," she told herself, stoutly, as she resumed her task.

She was painting a picture. The circumstances under which she worked were

strange, almost beyond belief. When Johnny had suggested an underseas

picture, she had been truly thrilled. But she had shuddered and said,

"No!--I'd never dare do that!"

But--given one glimpse of the setting for such a picture, she had become

greatly excited. "Such colors! Such contrasts! Yes--I surely must paint

it!" she had exclaimed.

The task now was well begun. She was wearing tennis shoes and standing on

sand. Before her a great anchor, red with rust, leaned against a huge

boulder. Beside the anchor was a copper-bound chest. One might easily

have imagined that this chest contained Spanish treasure--gold, diamonds,

rubies. But it was empty, as Doris already had discovered.

The gray rock that supported the anchor was festooned with vegetation of

rare hues--red, orange, pink, yellow, and deep dark blue, mingled in

profusion. In and out among these plants darted small creatures which

might almost have been birds. The girl was wearing a great brass helmet

which hid her face. She was looking through glass, at a world

unbelievably strange and beautiful.

Above her, its shadow looming darkly, lay the _Sea Nymph_. Descending

from the boat was a long tube that supplied her with air. A constant

trickle of bubbles escaped from beneath her helmet. Her easel was

weighted down, and her canvas specially treated to resist water. Her

brushes and colors were the same she had used on the sunny, tropical

shores.

But the scene! How she thrilled to it! And she was painting it as truly

and exactly as she could. Perhaps thousands who never had been beneath

the surface of the water would look at this picture and wonder at its

coloring.

Thrilled at the thought, she painted more industriously than ever,

forgetting entirely the blue shadow. She had searched long for a spot

that would make the most interesting picture. She had wandered,

fascinated, until she had chanced upon this anchor and strong box, lost

so long before.

It was indeed wonderful. With a background of ivory and pink coral,

purple plumes of seaweed, fringes of lace-like anemone, in a framework of

water-washed rocks--it made a scene not soon to be forgotten.

So here she was, painting rapidly--though far back in her mind was the

memory of that blue shadow behind the rock....

The scene was forever changing. A cloud passing over the sun, dimmed the

colors. Then a large school of small fish, darting forward at a furious

rate, completely shut off her view.

But now! "Ah, now!" she thought, joyously.

A dozen tropical fish, the brightest and best she ever had seen, came to

play about the ancient chest and "pose" for their pictures. With quick,

deft touches she painted them in--two, staring large-eyed at the

anchor--three, peering into the ancient chest, and three just "resting".

But what was this?

Like a flock of birds that have caught sight of a circling hawk, the

tropical fish darted swiftly away. Had they caught a glimpse of a

dangerous foe, gliding from behind the rock? The girl thought so, and

shuddered. She even fancied she had caught its color again--dark blue.

But of this she could not be sure. Down here all was so strange.

"A villain," she murmured to herself with a low laugh. "The final touch

to a gorgeous setting."

To quiet her shaky nerves she gave herself more intensively to completion

of her task.

"There is no danger," she assured herself again. "Grandfather says there

is absolutely none--and he has spent days on end on the ocean's floor."

She recalled his very words: "Oh, yes, there are sharks in these

waters--but they won't harm you. If they should get curious and come too

close--poke them with your stick! I've done that more than once."

Scarcely had she gone over these reassuring words when something startled

her, anew. A dark shadow appeared suddenly at her right. She took one

look, then laughed. "It's only a fish," she thought.

Brushing away two tiny fish that had managed to get themselves stuck to

her canvas, she began giving her work its final touches.

For ten full minutes she worked feverishly. "My time is almost up," she

was thinking. "They will be giving me the signal. Then up I'll go. But I

do so want--"

Her thoughts were suddenly arrested. What was that? She had felt the

motion of water against her body. "As if something passed--fast!" she

thought with a little shudder. Turning slowly about, she peered through

the window of her brass helmet.

"Nothing," she whispered. "Nothing but three long, gray fish, over there.

But what of that? I--I'll give my signal rope a pull," she told herself.

"Just a minute more and I'll do it."

The minute stretched to two, three, four. And then it happened. One of

the long, gray fish flashed like a streak of doom, straight for the hand

that held the paint brush. Missing by inches, it collided with the easel,

knocked it to the sea floor and shot away in sudden flight.

The fish could not have been more frightened than the girl. Suddenly she

recalled wild tales told by the natives about the vicious

barracuda--"Tiger of the Sea." ... A woman had dabbled a finger in the

water--and one of these fish snapped it off.... Swimmers had lost

toes.... She felt paralyzed with fear.

Then, like an act in some strange drama, a pair of dangling legs appeared

between her and the gray terrors. The legs were followed swiftly by a

body, a brass helmeted head and two hands, holding a sharp-pointed spear.

The spear shot out!

The gray terrors, like arrows from a bow, flashed out of sight. It seemed

to Doris that no creatures ever had moved so rapidly beneath the surface

of the sea.

She watched the "apparition" in a helmet--which she knew to be

Johnny--take up her easel and set it in position. She noted, vaguely,

that the picture had landed right side up and was not harmed. Then Johnny

turned and held out his hand.

She expected to be taken straight up to the ship's deck. Instead, he led

her a distance of a hundred feet along the bottom. Then they came to an

abrupt halt, and Johnny pointed straight down.

She looked--and involuntarily stepped back. They were standing on the

very brink of a yawning, watery precipice. Far down as one could see was

only blue-black depth. It was an awe-inspiring sight.

As if to add to her amazement, she saw--perhaps a hundred feet down--some

large, dark hulk. It was dim and indistinct as a shadow, yet very real,

as it moved slowly along the cliff, to disappear in the blue-black of the

apparently bottomless ocean.

This had not been part of the planned show, she knew at once from her

guide's actions. He moved his arm, pointing excitedly.

A moment longer they stood there, looking down. Then came the signal to

come up. The picture and paints were attached to the easel, and a cord

drew them up. All Doris had to do was to give a little spring, and up,

up, she rose, to the glorious sunshine of a tropical day.

A quarter of an hour later, she and Johnny were seated on the deck,

laughing at one another and scarcely knowing why.

Dave and the professor had gone ashore to study tropical bird life, so

after the evening meal, Johnny and Doris sat on deck watching the play of

phosphorescent creatures beneath the surface of the sea.

"This," said Johnny, "is my day off. Tonight I sleep. Tomorrow old

Samatan and I are going for a sail in a large dugout, to visit some coral

reefs."

Doris smoothed back her thick, golden hair, fixed her bright blue eyes on

him, and said: "Why?"

"We need him for a friend," Johnny replied, quietly. "If _he_ is with

us--all the native crew will be, too. He's a leader."

"You talk," said Doris, "as if there were to be war!"

"Who knows?" Johnny did not laugh. "Perhaps there will be, but not just

yet. There are spies with us now!"

"How do you know?" She leaned forward in her chair.

"That man I caught on board the other night, was a spy. Look!" He held up

the exquisitely wrought knife. "Do you think a native would have such a

gem of a knife? Not a chance!

"Then--there's the green arrow to prove he's a spy!" Johnny went on. "One

of the messages I spelled out by using their code read: '_Board them.

Discover all you can._'"

"But why?" said Doris. "We're not secret agents."

"That's what _they don't know_! We are Americans--and they don't want us

around."

"Know what?" Johnny continued, "I believe that big thing that glides

through the water--the thing we saw today--is a submarine!"

"It can't be!"

"Why not?"

"Well, if it is--it must be an American submarine!"

Johnny looked at her for a moment in silence.

"It's not an American submarine," he said, after a time. "I've seen them,

and this one's the wrong shape. It's some spy submarine, looking over the

bottom of the sea and getting information for the next war. I shouldn't

be surprised if a large part of that war were fought right in this

Caribbean Sea!

"What's more,"--he rose to his feet--"I'll bet a dollar that the thing

that took Samatan and me for a ride in the steel ball, _was that same

submarine_!"

"Trouble with you," Doris laughed merrily, "is too much imagination."

"You just wait and see," Johnny replied with a smile.

The sound of oars at this moment, announced the return of Dave and the

professor from their day's explorations.

Sign of the Green Arrow A Mystery Story · 第 11 / 19 章